Fishley: A Story of an Estate.

By Haydn Brown.

Overview:
For those who do not know where Fishley is, particularly its Hall, Wikipedia tells us only that it is in:

“the English county of Norfolk. Administratively, it falls within the civil parish or Upton with Fishley which in turn is within the district of Broadland. Fishley sits a mile north of Acle, roughly halfway between Norwich and Great Yarmouth.”

This information, whilst correct, is something only Treasure Quest enthusiasts would thrive on. Better still, would be an instruction that would actually pinpoint a place that is almost ‘off the map’ – for there is very little there, except the lovely 12th century church of St Mary’s, Fishley Hall itself, a farm and open countryside. The old village of Fishley has certainly been long lost, which for Norfolk, is certainly not unusual for it has numerous other ‘lost’ villages. Villages that were considered ‘lost’ for various reasons; these included desertions; plague, soil exhaustion and probably more. When a village became ‘lost’, and Fishley remains somewhat of a mystery, it often left tell-tale signs of where it was or might have been. With Fishley, all that seems to remain is an open field – for the church and hall, which were both once ruinous at different points, made a come-back!

The village of Fishley:

Fishley Church (Fishley Village Site)
This public footpath starts in Acle, further to the south; it leads past St Mary’s church and traverses this field which is believed to be the site of the former village of Fishley. The village is mentioned in the Domesday book where it is described as a large and thriving community, rivalling its neighbours of Acle and Upton. No traces of the village of Fishley remain but it is believed that it was located here, where wheat is now growing, in a field adjoining the church to the northwest. The path leads to Upton further to the north. Photo:  © Copyright Evelyn Simak.

To find what was once the site of the old village and Fishley Hall, today’s visitor would need to approach it along the B1140, the relative part of which that runs between South Walsham and Acle; they can, of course, approach the relevant turning from either direction. From South Walsham, after passing Church Road (a left-hand turn to Upton) the visitor would soon notice the premises of Hugh Crane Cleaning Equipment on the left, shortly before Acle. At this point, on the right, is a white/black road-sign which says ‘Fishley’ and points for the visitor to turn left – he, she or they have almost arrived! This narrow road, or to some a track, leads first to Fishley’s St Mary’s Parish Church and further on, to Fishley Hall itself with open countryside almost all round.

The old village of Fishley (and nearby Upton) was listed in the Domesday Book within the Walsham Hundred; its recorded population was shown as 33.3 households in 1086, which placed it in the largest 40% of recorded settlements. Fishley also recorded three Manors, for which each ‘holder’ was separately listed as both Tenant in Chief and Lord of the Manor – 1st Manor: – Abbey of St Benet at Holme; 2nd Manor: – King William and 3rd Manor: – William of Ecouis.

Fishley Hall and Estate:
It would appear that the Fishley Estate has been a small compact unit of never more than 500 acres since it was first recorded in the Domesday Book; today, it is barely 350 acres. It also has had a long history of ownership by wealthy families who seldom, if ever, lived there, preferring to rent out the farm house and land and live off the rentals received. It also seems that the Hall was once associated with Royalty; King John was said to have hunted at Fishley during his reign of between 1199 and 1216; Ann Boleyn’s family had loose connections there. Clearly, the Estate was once renowned for its hunting and fishing – as well as its good arable land, and there has been a substantial dwelling at Fishley since the days of King John, who in 1201 gave its tenancy to his Falconer Roger de Veile.

According to Francis Blomefield, in his Essay towards a Topographical History of the County of Norfolk, Vol.11, 1810, pp.100-104:

“the manor of Fishley came into the ownership of the de Veile family sometime in the late 12th century. King John, in his 2nd year (1201) had grant and charter of confirmation of this manor, and those of Laringset, Witton, &c. as his ancestors held by the service of being the King’s ostringer (or falconer) dated at Dorchester, April 19, under the hand of Thomas, archdeacon of Wells, witness, William Earl of Salisbury, and in the 13th of the said King (1212), held it by the fourth part of a fee, and Thomas de Veile by the same tenure.

Sir John de Veile and Leola his wife were living in 1277 and gave lands in Fishley and Witton to the priory of Bromholm; in 1300 John*, son of Sir John de Veile, dying without issue, Reginald de Dunham, son of his sister Beatrix (b.1274), was his heir and inherited the manor. By 1316 the manorial rights were in the possession of Peter Buckskyn who conveyed it in 1335 to Roger Hardegrey, a citizen of Norwich. In 1365 license was granted to John Berney and John Plumstede to give the manor of Fishley to Joan, widow of Roger Hardegrey for life.”

*The stone coffin of Roger’s son, Sir John de Veile, was discovered at Fishley church as recent as 2011.

Fishley: The Ann Boleyn Connection:
Sir Nicholas Wychingham of Witchingham in Norfolk, who died circa 1433, had a daughter named Elizabeth. She subsequently married Sir Thomas Hoo who, as a result of marriage, came to possess Elizabeth’s inheritance of the Fishley Estate. Sir Thomas, a commander in France, was also rewarded with the Barony of Hoo and Hastings in 1447, thus bringing the total Hoo Estates to cover part of Norfolk, but principally in Hertfordshire and the Bedfordshire border area, which was centred on the family house at Luton Hoo.

Fishley (Luton Hoo)
Luton Hoo.

Sir Thomas Hoo’s eldest daughter Anne Hoo (1426-1484), by his first wife, Elizabeth, married Sir Geoffery (Bullen) Boleyn sometime before 1448. With this marriage, Lady Anne Hoo as she became, subsequently brought her mother’s inheritance of the Fishley Estate into the ownership of the Boleyn family – and there it remained for a hundred years or so. It therefore followed that the Fishley Estate was in the ownership of the Boleyn family from sometime before 1448 until approximately 1561 when Sir William Boleyn sold it.

Sir William Boleyn was uncle to Anne Boleyn, the same Anne Boleyn who married King Henry V111. From the hundred year or so ownership of Fishley it follows that many of the Boleyn family although they may never have lived there, no doubt would have visited it. However, it remains a matter of conjecture whether, or not, Anne Boleyn ever visited Fishley with her uncle – possibly while staying at Blicking Hall?

Fishley, !8th Century:
Fishley Hall has often been referred to ‘as of the Georgian period’; this, however, does not mean that the Hall is Georgian – only the façade can claim such provenance! The fact is that, after a William Luson had purchase the Estate in 1714 (see below), he bricked up the windows at the front of the Hall and added the façade, that was in 1717. This feature is the only part of the building that can be classed as ‘Georgian’; the main front section of the Hall, on to which William Luson added this façade, is probably up to a hundred years older. Indeed, the lower flint sections of the external north wall to the dining room was considered to be older still.

Now, every old Norfolk Hall seems to have a good story to tell – if only their walls could speak! At Fishley Hall there is such a story; it is of a tunnel having once existed which ran from the cellars (which still exist and have brick barrel vaulted ceilings) under the north wing and then to a boat dyke that then directly connected the user to the River Bure – and to the sea beyond. By 1812 the boat dyke, and no doubt the tunnel had long since been disused. The estate map of the same year provides such evidence – the dyke from the River Bure is shown leading up to the Hall, with its own turning basin so that boats could unload, or load, a cargo and turn round and go back to the river. But one may well wonder who, and for what purpose would cargo be transported to and from the Hall during that period – smuggling maybe?

A clue may lie with William Luson himself – pure speculation of course! He was indeed a wealthy merchant who came from a staunchly non-conformist family and lived in Great Yarmouth; he had made his money, legitimately one must suppose, from trading with Holland. He could, therefore, well afford to purchase Fishley Hall; which he did, from the previous owners who were the Pepys family of Impington near Cambridge. They were distant cousins of the famous diarist, Samuel Pepy, and had created their own wealth as lawyers in London. As an aside, the tenants of the Pepys family’s Fishley Hall were said to have been an Edward Deborah and an Edward Jay. Today, there are members of the Jay family buried in the neighbouring Upton Church; they were once a prominent local farming family. James Jay was the Steward of the Manor of Upton with one member of Upton’s Lord of the Manors being Christ Church College, Oxford.

In his Will of 1731, William Luson bequeathed the Estate, along with other land he owned in Gunton near Lowestoft, to his second son, Hewling Luson. Again, none of the Luson family came to live at Fishley Hall. Instead, Hewling lived at Gunton Hall and is credited with the discovery of a seam of clay on his land which was used in the founding of Lowestoft Pottery. His clay was very similar to that used in Holland to produce Delftware. As well as owning the Fishley Estate, the Lusons also had the right to appoint the Rector, and it seems that the Rev Edward Holden, appointed in 1753 was a relative of Hewling’s wife – nothing untoward there we don’t suppose!

Fishley, 1836 to 1875:
It is not known when the Fishley Estate came into the hands of the Reverend Edward Marsham; he being a member of the extended Marsham family of Stratton Strawless; and the former incumbent of both Sculthorpe and St Margaret’s Church at Stratton Strawless. However, in 1836, Fishley was considered to be a ‘decayed parish’ and the Hall occupied by a Mrs Elizabeth Taylor; by 1845, a William Henry Grimmer lived there. Nine years later, the parish had reached the point of being referred to as ‘dishevelled’; it would seem that there had been a slow deterioration, which had not been redressed during Edward Marsham’s occupancy. In addition, William Henry Grimmer had departed from the Hall, in favour of Edward Marsham who had himself moved into Hall. Not only that; but Revd. Robert Cooper was no longer the incumbent of St Mary’s church because the same Edward Marsham had also taken on this post; he being a “squarson” – a member of the clergy who was also main local landowner. The farm bailiff was a Mr John Yallow.

Fishley Church (Sopia Edwards)3
Miss Sophia Catherine Edwards. Image: Courtesy of Ivan Barnard.

Enter Miss Sophia Catherine Edwards of Hardington Hall in 1859, having inherited the Fishley Estate from her late uncle, Reverend Edward Marsham who died that year. She was to prove to be a generous benefactress who did much for the Fishley Estate and return it to a respectable state. It was she who, in 1860, was responsible for the renovation of the Hall, when the north wing (referred to above) was pulled down, and the Hall’s ‘Pistor’ chamber organ was moved into St Mary’s church – this unique 1781 instrument was said to be one of only three organs from this manufacture which is known to still exist and in use today. In addition to all this, Miss Edwards also paid for the extensive restoration and repairs to the church. Then in 1872 she financed the building of the National School at Upton and in 1875, the building of a new Rectory on the South Walsham road leading into Acle; the Revd. David Thomas Barry occupied it as Rector.

Fishley (Rectory)1
The original Rectory. Image courtesy of Ivan Barnard.

With the arrival of Miss Edward, The farm was leased to Mr Henry Read and it was his turn to move into Fishley Hall. By 1865, John Squire had moved into the Hall, where they were to live for the next twenty-six years.

Fishley (Hall_Squire_Grangparents)
John Squire, his wife Emma (right) and their growing family at Fishley Hall. Photo: Courtesy of Ivan Barnard.
Fishley (Hall_John Squire, Miss Edwards tenant farmer)2a
John Squire. Photo: Courtesy of Ivan Barnard
Fishley (Hall_Squire_Graves)
The graves of John Squires and members of his family. Photo: Ivan Barnard.

Into the 21st Century:
Through the early years of the 20th century other tenants occupied Fishley Hall, but gradually thereafter it was to deteriorate; by the 1980’s the Hall, which had not been lived in for about fifty years, was roofless and dilapidated. Its non-use had ensured that its eventual ruinous state was principally due to water pouring in through a roof that had continuously lost more and more of its roof slates. In the end, some of the bedroom floors had collapsed on to the ground floor – the Hall was a candidate for demolition. But no; in 2013, four years of ‘painstaking’ restoration began and by 2017 the historic building had been brought back to life; fit to take on quite a different role. Today, the property is better-known as ‘An Enchanting Wedding Venue’, and a holiday retreat, with eight bedrooms and all the facilities one could expect.

Fishley (Hall_Derelict)
A 1980’s view of the derelict Fishley Hall. Photo: Courtesy of Ivan Barnard.
Fishley (Hall)1
Restoration of Fishley Hall which began in 2016. Photo: Courtesy of Ivan Barnard.
Fishley Church (Fishley Hall)
Fishley Hall restored and open for business!

As for the Rectory; by the 1980’s, it was the Amber Lodge Hotel, subsequently becoming the Manor Hotel & Country Club, with a telephone number of Acle 377 and the Mannings Hotel & Restaurant. The property, in the end, was closed and sold in 2006; today it is in private ownership.

Fishley (Amber Lodge Hotel_Old Rectory)
The former Fishley Rectory and Amber Lodge Hotel; later it was Mannings Hotel before becoming a private residence.

THE END

Sources:

Banner Heading Photo: Shows the single track road to Fishley © Copyright Evelyn Simak

The Brigatine Captain and a Pirate!

By Haydn Brown.

First, an Explanation:
According to the Encyclopaedia Britannica:

“Pirate is the most general of the four terms. Originating with the Greek peiratēs, meaning brigand, it can be applied to a wide range of nautical misbehaviour, including coastal raiding and intercepting ships on high seas. Robbery, kidnapping, and murder all qualify as piratical activities, provided there’s some water and a boat involved. If there’s no water and no boat, you’re just a regular bandit. If there’s a boat but no water, you need to go back to pirate school.”

A privateer was a pirate with papers. As the name suggests, privateers were private individuals commissioned by governments to carry out quasi-military activities. They would sail in privately owned armed ships, robbing merchant vessels and pillaging settlements belonging to a rival country. The most famous of all privateers is probably English admiral Francis Drake, who made a fortune plundering Spanish settlements in the Americas after being granted a privateering commission by Elizabeth I in 1572. The use of privateers allowed states to project maritime power beyond the capabilities of their regular navies, but there were trade-offs. Because privateering was generally a more lucrative occupation than military service, it tended to divert manpower and resources away from regular navies.

Bartleman (Pirates)2

Privateering could be shady business, and this accounts for some of the lexical overlap with the word pirate. Privateers sometimes went beyond their commissions, attacking vessels that didn’t belong to the targeted country. This extracurricular raiding and pillaging were indistinguishable from piracy as defined above. At other times, outlaw pirates would operate with the tacit encouragement of a government but without the written legal authorization given to privateers. In historical settings where these practices were common, the line between privateer and pirate was blurred.

Our Story:
As youngsters we were brought up on romantic swashbuckling tales of pirates sailing in various exotic parts of the world; then there were movies such as “Treasure Island” and “Pirates of the Caribbean”. No one ever told us that being a pirate in the cold waters of the North Sea could be just as profitable, and just as violent, – as happened, for instance, on the morning of Wednesday, 31 January 1781 when a large brigantine, the “Alexander & Margaret” was heading for London laden with coals. David Bartleman was its captain with Daniel MacAulay as his mate.

Bartleman (Brigatine)1
A Two-Masted Brigatine – similar to Bartleman’s “Alexander & Margaret” . Image: ArtUK.

At about six o’clock on that January morning a Cutter, carrying eighteen 4-pounders plus a crew of upwards of 100 men commanded by the notorious English pirate Daniel (John?) Fall, emerged out of the mist and attacked the brigantine just off Cromer on the edge of the North Norfolk coast. Bartleman and his crew courageously defended their ship and did manage to beat off what was a first assault by Fall; it was an effort which no doubt raised the moral of the men – at least temporarily.

Bartleman (Cutter)1
An 18th century Cutter – similar to that employed by Fall.

This success did indeed turn out to be short lived for barely two hours later Fall’s Cutter attacked again. This second skirmish continued for a further two hours until the brigantine became totally disabled with Daniel MacAulay, the mate, dying from the loss of blood and Bartleman also seriously wounded, some of the remaining crew less so; two small boys, apparently, escaped injury. It was clear that there was no option other than for Bartleman to strike a ransom with Daniel Fall; a ransom reputed to have been around 400 guineas. This agreement allowed Bartleman to bring his proud but shattered vessel into Great Yarmouth, which lay approximately thirty miles south-east of the skirmish area. Two weeks later, on the 14th February 1781 and at an age of barely 25 years, David Bartleman died as a consequence of his wounds and was buried in the parish churchyard of St Nicholas Church, in Great Yarmouth. To commemorate the gallantry of his son’s death, plus the bravery of his faithful mate, and at the same time mark the infamy of Fall the pirate, his father Alexander Bartleman ordered a stone to be erected over his son’s grave. At the foot of this stone is the following epitaph:

“Twas great. His foe though strong was infamous – the foe of human kind
A manly indignation fired his breast
Thank God my son has done his duty”.

On Saturday, 3 February 1781 the Ipswich Journal recorded this and other similar incidents by Fall:

“Yesterday the noted pirate Fall made his appearance to the North of this coast, and has taken a number of colliers and coasters; amongst which are the following:

The ‘John Pearson’ of Shields, ransomed for 700 guineas.
‘Smelt Coxon’ of Shields, ransomed for 400 guineas.
‘Fanny Porter’ of Yarmouth ransomed for 300 guineas.
‘Alexander & Margaret’ from Shields, ransomed for 400 guineas.”

Almost simultaneously, another account emerged from Cromer, picking up on what could have been part of Daniel Fall’s raiding programme in the vacinity of the Norfolk coast during that period, reporting thus:

“On Monday last, 11 fellows, armed with pistols etc landed out of a large boat at Runton, near Cromer, and greatly terrified the inhabitants; but assistance being called from Cromer, [ensured] they were all secured. The account they give of themselves is, that they belonged to a large smuggling vessel, which they were obliged to quit in order to save their lives; but it is supposed they belonged to the noted Daniel FALL, two of them being lately wounded, one of whom is shot through the knee, and the boat they landed from being thirty feet long. It is thought they either came to plunder, or surprise some unarmed vessel. William Windham, Esq. of Felbrigg, sent for Captain Bracey, of the impress service in this city, who accompanied by his gang, safely conducted them to town, [where] they were examined before Roger Kerrison, Esq., who committed them to Norwich Castle. They all prove to be Englishmen. (February 1781).”

Bartleman (Privateering)
Image: Wikipedia.

The Norfolk Chronicle also picked up on the theme of Fall in the following two reports; on one hand you have Fall, the pirate, and on the other hand, you have Captain Steward, the ‘good guy’ :

“Yarmouth, Feb 1, 1781. On Thursday, about twelve o’clock, the ‘Dreadnought’, with Privateer, Captain Timothy Steward, Commander of 14 carriage guns, and 50 men, went to sea………he saw a large brigantine from Shields (known now to be the ‘Alexander & Margaret……..which was taken this morning about six o’clock)………Within half an hour, another large vessel, laden with coals, passed our roads and which was also taken this morning……and ransomed for five hundred guineas. The Captains of the above vessels say, they were taken by that notorious villain FALL, who had on board his ship at that time thirteen Ransomers; they supposed that FALL has taken near thirty sail of ships from the North. It is surprising that this villain had not one Frenchman on board.”

“Captain STEWARD, his Officers……. sailed down to a Scotch privateer in the Roads, and would have had its Captain [join him in pursuit of] this audacious pirate, but the Captain refused; then Capt. Steward directly sailed down to the ‘Ranger’ privateer, but the crew refused, as their Captain was not on board and the ship [was] not in proper order for action. Captain STEWARD, had 20 Gentlemen friends on board,……….who volunteered to go in pursuit of FALL, [provided] the ships in view would join the chase; but all refused. The sloop of war, ‘Fly’, was in the Roads, but had fifteen ships under her convoy for Portsmouth. (February 1781)”

Our Ships are Privateers, YOURS are Pirates!:
It depended very much from which side you were looking. Generally speaking, the British ships which preyed on enemy vessels were described as privateers. The enemy’s ships, or those who attacked British vessels, regardless of their own origin, were described as pirates. It made little difference to the treatment given to their victims. Strickly speaking, a privateer had a government commission to carry out commerce raiding against the enemy — a kind of privatised naval warfare — whereas a pirate was simply in it for the money and would attack anyone. However, sometimes even Captain Fall was given the relative dignity of being called a privateer – and in this the profits likely to come to him from the value of his ‘catch’ were huge:

“The ‘Sans Pear’, a French privateer, Capt. FALL, is arrived at Helvoetfluys, with 100 English prisoners, and 14 ransomers, valued at 5,400 guineas. The same privateer has also taken the ‘Ranger’ privateer (formerly the Lady Washington and captained by Magnus Brightwell of Wells),  of 12 guns and 45 men; and on the third inst. she fell in with the ‘Eagle’ privateer of 16 guns and 160 men, which she sunk, after an obstinate engagement, that lasted with great fury on both sides for three hours and an half. (February 1781).”

At the beginning of June 1781, the Harwich packet, ‘Prince of Wales’ was captured by two cutters – The ‘Fearnought’, commanded by Fall, and the ‘Liberty’, which he had recently cut out from a Scottish port. The packet was taken into Flushing, where the ‘Liberty’ was wrecked as she approached the harbour and her company, including the British prisoners were rescued by Fall. It is interesting to note that although England was at war with Holland, the capture angered the Dutch, as they considered the packet-boats to be no more than neutral ships and the prisoners were soon repatriated.

Bartleman (American_Privateering)

Often FALL would sail under American colours. In February 1781 for instance, a Harwich packet sighted Fall who carried letters of marque from Holland, France and America and on this occasion hoisted the 13 stripes as the packet passed him. A short while later it was reported that Fall was off Orfordness with a squadron of privateers from Dunkirk. This demonstates that Fall, and many English sailors were happy to act as French (and American) privateers! – it would appear that a pirate was a pirate, regardless of the flag under which they happened to be sailing. However, although Captain Fall was active for quite a long time in the North Sea, it was reported in April 1782 that Fall had moved into the Irish Sea – and, apparently, Norfolk and the East Coast heard no more of him!

Today, tucked away in the old graveyard of the Great Yarmouth parish church of St Nicholas, is the headstone which was erected to the memory of David Bartleman, master of the brigantine “Alexander & Margaret” of North Shields.

Bartleman (Restored Gravestone_EDP)
The headstone in the St Nicholas Church graveyard, Gret Yarmouth, Norfolk. Photo: EDP.

In the early part of 2011, stonemason Colin Smith, spent many weeks restoring Bartleman’s faded relic of a headstone and transforming it into a legible icon for the St Nicholas Church Preservation Trust. This work was followed in the July of that same year by a special service, attended by more than 25 people; it was held in the St Nicholas churchyard, specifically for the purpose of the rededication and re-positioning of the restored stone at the West End of the Church. The stone was blessed by the Rev Chris Terry. Interestly, the funding for the restoration was said to have come from a family whose distant ancestors were themselves pirates!

Bartleman (Mason_Colin Smith_Yarmouth Mercury)
Stonemason, Colin Smith, restoring Bartleman’s faded relic of a headstone in 2011. Photo: Yarmouth Mercury.
Bartleman (Ceremony_EDP)
A special service was held in the St Nicholas churchyard in 2011 to rededicate the re-positioned headstone. Photo: EDP, James Bass.

THE END

Footnote:
Like most ship’s of the time, Bartleman’s ’Alexander’ and Margaret’ brigatine sported a figurehead, or ‘wooden dolly’ on its bow. Some three decades later, this same figurehead settled in Shields when, in 1814, the ship was in dock for repairs and the late Captain Bartleman’s father, Alexander, presented the figurehead to the quayside tradesmen. They, in turn, placed it at the entrance to Custom House Quay on Liddell Street, North Shields, and it stood there until 1850.

The curved female figure which today stands outside ‘The Prince of Wales Tavern’ in North Shields is the latest in a series of ‘wooden dollies’ which have stood at the entrance to Customs House Quay since 1814. This and all other ‘Dollies’ since then became famous the world over amongst sailors, who would cut pieces off to keep for good luck whilst voyaging at sea. Most Dollies became so defaced that they were regularly replaced.

 Sources:
https://www.gravestonephotos.com/public/namedetails.php?grave=317621&forenames=David&surname=Bartleman
https://www.greatyarmouthmercury.co.uk/news/yarmouth-gravestone-recounts-dire-sea-battle-with-pirates-1-977233
https://www.britannica.com/story/pirates-privateers-corsairs-buccaneers-whats-the-difference
Pirates of the … North Sea?
http://yardyyardyyardy.blogspot.com/2012/04/wooden-dollies-of-shields.html

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The ‘Jermys’ of Stanfield & Bayfield Halls

The Jermy’s of Stanfield Hall were an ancient family who arrived in England from Normandy soon after William the Conqueror – sometime around 1100. They were of the knighted class, holding their estates from various Earls and Barons by ‘knight’s fees’ – mostly in East Anglia. By the 1500s, however, they had acquired freehold ownership of their own properties. One branch of the family settled in North Norfolk and a later son of this line, John Jermy, Esq, became a successful lawyer in London before returning to Norfolk to take up the position of chief counsellor to the Bishop of Norwich – sometime around 1600. He did well in this post and was soon in a position to purchase two estates in north Norfolk for his sons. The elder son, Francis, settled at Gunton Hall, near Aylsham, while the younger one, Robert, did so at Bayfield Hall, near Holt. Each Jermy is outlined in turn:

Jermy (Bayfield Hall)3

The Senior Jermy Line at Gunton Hall:
This line of the Jermy family continued at Gunton for several generations, until about 1700 – when the Estate had to be sold to cover mortgage debts accrued years before during the English Civil War. By the late 1680s, the elder son, Francis, did at least attend Cambridge although he did not go on to a career in either the law or the church. After the estate was sold, he settled for a time in Hainford, near Norwich, where he married and had two surviving daughters before abandoning them and their mother for London where he seems to have lived ‘on his wits’. He then had three sons there in an irregular 2nd marriage but no later Jermys descended from them.

Jermy (Gunton Hall)
Gunton Hall, designed by Matthew Brettingham

Francis Jermy did have a younger brother back at Gunton Hall but he received even less from the estate and very little education which meant the he had to settle for a working class apprenticeship – in Great Yarmouth. He did, however, later obtain a slightly better position in the Custom’s Service there through the influence of earlier family contacts. This younger brother of Francis was thereby in a position to afford to give his eldest, of two sons, at least, training as a Shipwright, but that son died quite young, without leaving an heir. The younger of the two sons obtained neither education nor training and was later referred to as ‘an illiterate day-labourer’. His name was John Jermy, the same John Jermy who was allegedly bought off for a mere £20 by Isaac Preston, the lawyer to William Jermy. It is not known if  this John Jermy ever married or had children but he died in 1768 in Yarmouth. John’s death brought to an end the Gunton Hall branch of the ancient Jermy family.

The Junior Jermy line at Bayfield:
The junor line continued at Bayfield a little longer – until about 1750 that is. By 1735, the senior survivor on the estate, after 5 generations, was a respected Norfolk lawyer and landowner whose only son, William Jermy, Esq, was ready to marry that year. A union was arranged with the Hon. Elizabeth Richardson, only daughter of a wealthy landowner of south and west Norfolk – not the Jermys’ usual area of influence – She was soon to be the heir to her family’s large estate, including Stanfield Hall. In those times, a husband became effective owner of his wife’s property and, as William’s father had recently died, he was now in control of both Bayfield Hall and Stanfield Hall Estates. Unlike his father, however, he wasn’t very good at husbanding his resources and spent most of his time enjoying the lively social, partying scene amongst the landed gentry of Norfolk and in London. They never resided at either Hall but at their homes in Norwich and Aylsham, which were more convenient for their active social life. But he and his wife quarrelled and were soon divorced, she then dying before 1750. They had no children.

Jermy (Bayfield Hall)2

William Jermy was now free to marry again and would of course be quite a catch with all his wealth. But he too was now quite ill and apparently not very capable of handling his own affairs. It was at this point that a shrewd local lawyer – an Isaac Preston  ‘befriended’ him  on the basis of having worked with William’s father previously. He soon convinced William to marry his sister Frances Preston – in 1751. Conveniently for Isaac Preston, William Jermy died very soon afterwards and, having never co-habited with Frances, there were no children. As William was the last of his family, and with no close relatives, his Estate passed into the hands of the Prestonsbut what would happen as a consequence of this and who would legally end up with William’s vast Estate following the wording of his Will? Needless to say, the Will had been drawn up by this earlier Isaac Preston, the clever lawyer who advised for the property to go to William’s new widow, Frances, for her lifetime and then to one or other of two named Preston relatives, and their sons, if any. But these two men both died before Frances’s death in 1791 and without issue. In that case, said the Will, the property should go

“to the male person with the name Jermy nearest related to me (ie to William) in blood, and to his heirs forever”.

The ‘property’ by the time Frances died was, however, now lacking Bayfield Hall estate as the Will had also stated that Frances was to receive £5000 from the entire estate during her lifetime. This was much too much to raise from annual rental income so it was decided by Frances’s brother Isaac Preston to sell Bayfield! This was almost criminal by destroying the capital value of the estate; this certainly smacked of Isaac Preston’s influence in composing William’s Will. Bayfield Hall was sold in 1765 to the Jodrell family for £7600.

Some years later, in 1817, a Norwich weaver named Jonathan Jermy made a claim for the Bayfield estate through the courts based upon a pedigree that appeared to indicate he was a descendent of the Bayfield Jermys and thus William Jermy’s nearest heir-at-law. His apparent Jermy forebears over the 4 previous generations did have the very same christian names as did William’s, and in the same order, but his claim was made just after the relevant Statute of Limitations had expired and his pedigree was thus never examined in court. This was however later pursued and it was discovered that way back in 1640, Jonathan Jermy’s family’s name had actually been Jermyn, an unrelated family, but altered to Jermy after the civil war by church Vicars who were more familiar with the name Jermy. This family had actually settled near Stanfield Hall which turned out to be simply a remarkable coincidence!

A later member of the Jodrell family left Bayfield to the youngest son of the Earl of Leicester, Roger Coke; in more recent times the Hall came to the distantly related Combe family, of which Roger and Caroline Combe have resided there in recent years:

Jermy (Bayfield Hall)
Bayfield Hall in 2016

At least Stanfield Hall was still intact back in 1791 when William Jermy died. But who was ‘the nearest blood relative’ of William Jermy – with the surname Jermy at that point in time? There were no Jermys left in the Bayfield Hall line. What about the Gunton Hall Jermy family who previously had dispersed to London and Great Yarmouth? By 1791, none of the London members of that branch were still alive and in Yarmouth, the last of that family, a John Jermy the day-labourer described above, he had also died in 1768 and seemingly without issue.

What would happen now? Well, a short time after Frances died, another member of the Preston family, also a lawyer but not mentioned in the Will, quietly walked into possession of Stanfield Hall and instructed the estate’s Steward to forward the considerable rental income in future to him in Kings Lynn, claiming that he was now the new owner – “being the nearest relative to Frances”. In support of his claim he produced some apparently forged documents. The possibility of such an occurrence had been foreseen by the earlier Isaac Preston, namely that any future rights to William Jermy’s Estate could be claimed by anyone else . Frances death in 1791 was over 40 years since William’s death and his Will was published. Who else in 1791 would have any knowledge or interest in such a Will? No one apparently. There wasn’t it seemed ‘anyone else’ – to even question the suspicious justification produced by the member of the Preston family who walked into Stanfield Hall and staked his claim. No one else, seemingly, came forward to complain which meant that Stanfield Hall was to remain with the Prestons.

A contemporary account of the Jermy family and a murder that occurred in the 19th century can be read HERE; plus further accounts at many other websites – such as  the following:

https://norfolktalesmyths.com/2017/11/03/the-stanfield-hall-murders-revisited/
https://norfolktalesmyths.com/2017/11/10/the-stanfield-tragedy-trial-execution/

THE END

Sources:
http://www.jermy.org/index.html
www.jermy.org/baynebk.html
https://www.jermy.org/valdar.html
https://www.jermy.org/StewartValdar.html

NOTICE: ‘Norfolk Tales, Myths & More!’ is a ‘non-commercial’ Site seeking only to be informative and educational on topics broadly related to the history and heritage of the County of Norfolk in the U.K. In pursuing this aim, we endeavour, where necessary, to obtain permissions to use another owner’s material. However, for various reasons, (i.e. identification of, and means of communicating with such owners), contact can sometimes be difficult or impossible to established. NTM&M never attempts to claim ownership of such material; ensuring at all times that any known and appropriate ‘credits’ and ‘links’ back to our sources are always given in our articles. No violation of any copyright or trademark material is intentional.

Onesiphorus’s Wealth and Folly!

By Haydn Brown.

From the moment he was christened, or baptised – whatever you prefer, Onesiphorus Randall was destined to succeed in this world; it may appear to some that, as far as money was concerned, his destiny was pre-ordained – for ‘Onesiphorus’ means “bringing profits”! This is certainly how the future turned out for this splendidly named Norfolk lad who, almost from the moment he moved from the County to London, began his journey towards amassing a fortune.

From an almost relatively inconspicuous start of becoming a publican within a year of his arrival in Poplar, in east London, he soon began dabbling in the building trade thereabouts. He must have realised, even then, that there was money to be made as a fully-fledged property speculator there for the Poplar district was ripe for development. It so happened that he was ‘in the right place at the right time’ and clearly took full advantage of a growing situation. Later, as an increasingly rich man, he was to find time to regularly return to Norfolk and spend some of his wealth on ‘indulgences’ in the County of his birth.

Onesiphorus Randall (Cley_BAHS)
The small harbour and mill of Cley, Norfolk. Photo: Blakeney Area Historical Society.

Onesiphorus Randall was born in Cley, Norfolk on August 11, 1798, the youngest of five children. If ‘Ancestry’ records are to be believed then it would appear that his parents were John Randall and Elizabeth, nee Hook. The family were considered to be natives of Holt and, again, it would appear that Onesiphorus’s father, John, was born there in 1756; however, nothing further is known about Onesiphorus’s mother, Elizabeth. The boy’s upbringing and education is also unknown but in 1819, three years after the death of his father, Onesiphorus moved to the Poplar district of London; he was 21-years old. One can only speculate as to why he felt compelled to move, and why he chose Poplar, one of the poorest districts in the capital. Did he strike out blindly when he moved, or did he simply believe that opportunity lay waiting in such a place?

Onesiphorus Randall (Pennyfields 1895)
The Pennyfields area of Polplar. At the top , towards the right. is the Silver Lion public house run by Onesiphorus Randall between the years 1820 and 1831. Plan based on the Ordnance Survey of 1895

It is known that events moved rather quickly after he arrived in Poplar. Within one year, and barely 22 years old, he was settled as a publican of the Silver Lion in Pennyfields, and ran it until 1831 when he followed a William Blundell to become the licensee of the Globe Tavern at 33 Brunswick Street in Blackwall – that was until 1835. However, in between and sometime around 1825 whilst at the Silver Lion, he became involved in building speculation in the area and he was not alone in doing this. Maybe, over the flowing pints, the word was out that real money was to be made from the land that was increasingly becoming available for house building. Clearly, the area was desperate for cheap houses for rent, to at least those on the bottom of the ladder and the lower middle classes.  Here, it should be borne in mind that the opening of the West India Docks in 1802 stimulated a rapid growth in housing development of predominately ‘mean terraces of rented cottages’. Poplar Fields, of which we speak, was the area north of East India Dock Road, and was developed as Poplar New Town from the 1830s to the mid-1850s – see below. By the late 19th century, poverty and overcrowding were rife and firmly established.

Randall’s Estate:
Onesiphorus’s initial scheme begun rather modestly in 1827 when he took a lease of land to the south of East India Dock Road. There he built a terrace of four houses, numbered 179–185 East India Dock Road, but known from 1832 as Randall’s Terrace. Onesiphorus occupied the then No. 185 (it later became No. 4) for himself in 1831, and where he was to remain until his death in 1873 at the age of 75.

Then, apart from building ‘modest houses in the adjacent parish of St Leonard’s, Bromley’, Onesiphorus’s began to build his ‘Randall’s Estate’ as part of Poplar’s ‘New Town’ to the north of the East India Dock Road, commonly known as ‘Poplar Fields’ until it was renamed ‘Poplar New Town’ in the 1830s. This land had previously been given over to market gardening and pasture, apart from a potash factory between Upper North Street and the ‘common sewer’ which drained the area. Development of the district east of the sewer began during the 1820s, but the major phase followed the release of the remainder of the area for building from the mid-1840s – this was when Onesiphorus became seriously involved, along with a series of other speculators who had leased areas of land which made up the whole. Within three to four years building of the whole area was ‘carried on with rapidity, equalled, perhaps, by no other suburban district of the metropolis’. The name ‘New Town’ was in use by 1836 and was applied generally to all the developments north of the East India Dock Road.

Onesiphorus ‘Randall’s Estate’ was in the centre of New Town, on a seven-acre field called The Grove. The southern section of this land had been held as copyhold of the manor of Stepney by the Smith family. In 1847 Richard Smith, junior, leased the land to Onesiphorus, having obtained a licence to demise the land for 90 years from Midsummer 1846. To the east of The Grove ran the ancient Black Ditch or common sewer, which formed the eastern boundary of the estate, while its western edge was along Upper North Street. Those boundaries merged at the north and south to form a lozenge-shaped area developed by Randall between 1850 and 1857.

Onesiphorus Randall ( Poplar New Town Plan)
Poplar New Town Plan, based on the Ordnance Survey of 1894–6 showing division into family estates. Randall’s lozenge-shaped Estate is the ‘hatched’ area at its centre. Image: British History.

Randall’s Estate was developed in the usual manner of building leases, most of them on terms of 80 years. A variety of local builders and craftsmen were involved in the construction of his estate. Among the most important were George Lester, carpenter; James Harpley Leake, joiner – who later ran the Estate Office for Randall; John Banbury and William Wickes, both bricklayers of Poplar; and Henry Clarke, a local builder. When finished, the development comprised 188 dwelling houses, 42 shops and houses, 49 lock-up shops in Randall’s Market and a large premise, formerly known as the Market House Tavern.

The southern portion of Randall’s Estate was built first, with the Market, which Randall also built, in the centre; streets ran from the market on an east-west axis. But from the outset, the standards of the new buildings were criticised. Randall himself was accused by the district surveyor of building a:

“fourth-rate dwelling house in Market Street of unsound materials and not in a manner to produce solid work, and on insufficient foundations”.

One wall was said to contain a large number of brickbats, and Randall was ordered to rebuild it. Despite this, he seemed to have little intention of making improvements; why should he when there was more money to be made by keeping the cost of his materials as low as was practical – he ‘got away with it’ and was not alone. In 1857, when the Estate was well advanced, the Building News still expressed concern when stating:

“a great number of new streets are in progress, but we regret to observe that they are anything but what they ought to be as regards design, materials and workmanship, being run up in a very paltry style”.

By means fair or foul, the whole estate was completed by the end of 1857. Grove (later Bygrove) Street was developed between 1849 and 1855, with 21 houses erected. Richard (later Ricardo) Street was built between 1851 and 1853, and Randall (later Augusta) Street between 1848 and 1854, with 24 houses constructed. On the south side of the Estate was a terrace of 11 houses, known as King’s Terrace, which was built by 1851 and named after Thomas Henry King, an architect and civil engineer of Spitalfields, who leased the site from Randall in 1851. Market Street included a terrace of nine two storey houses.

Onesiphorus Randall (Typical House Style)
Typical style of terrace housing built on Randall’s Estate. Photo: British History On-line.

All the houses were similar in style and building materials. They were built of greyish brick, two storeys high and enriched with compo dressings which the ‘Building News’ again thought ‘preposterously too heavy in their proportions’. Towards the end of the 19th century, after Onesiphorus Randall had died, the streets of his Estate were described as “mostly straight dull rows of two-storied houses with a frontage of from 14-16 feet containing 6–8 rooms … most of them rise straight from the pavement in their grimy ugliness. There is generally a back yard of varying size and capabilities behind”. It was also self-evident that gardens did not flourish in this part of the east End!

On the north side of Market Street was a terrace of nine houses. The three houses at the centre of the terrace were built beneath a high pediment on which a market clock was placed. Both the pediment and the cupola of unusual shape on the roof were Classical in design. The northern vista of Randall’s Market was close by these houses.

Randall’s Market:
At the centre of the development was Randall’s Market. It consisted of a north-south street of lock-up shops with a circus in the middle, where it was bisected by an east-west street. It was an ambitious scheme to establish a shopping area north of East India Dock Road. Costermongers, who were felt to lower the social standing of the area – as if the area had any more ‘slack’ to fall further, were prohibited from trading there. In some of the early deeds, the scheme was called Trinity Market, no doubt on account of its close proximity to the recently built Trinity Chapel in East India Dock Road. But this name was never adopted, and from its first appearance in the Post Office Directories in 1854, it was called Randall’s Market.

(Randall’s Market, built 1851-52, looking north in the 1920s.)

The Market was showy in style but, again, constructed of cheap materials. An ugly cement drinking-fountain was erected at the centre of the market and was surrounded by a punched-metal and glass canopy. Above the fountain was a gas lamp supported by dolphin brackets. The fountain was said to be in a state of rapid decomposition as early as 1857. Despite its architectural pretension, it was a market in a very humble area. The shops were a series of lock-ups with frontages with double-doors and a facade constructed mostly of wood. The roof of the single-storey shops was finished with a low parapet decorated with pierced stucco-work and concrete statues. In the centre of the market stood the Market House Tavern. This was a three-storey brick building with rendered walls. Italianate in style, the Market House had pedimented and embellished windows and the façade was decorated with a niche containing a statue.

Onesiphorus Randall ( Market Tavern)
The Market House Tavern at Randall’s Market; built 1853-54. Photo: British History On-line, c1890.

Onesiphorus and his Excursions Back to Norfolk:
Almost nothing is known of the man himself, except that Onesiphorus Randall was ‘the most eccentric of men’ who, from the very beginning of his property exploits in London, certainly lived up to the meaning of his name. He was said to have married an Anna Pattenden, who was born somewhere in Middlesex in 1780, and was therefore some eighteen years older than Onesiphorus. Again, this calls into question ‘Ancestry’ records which show that a son was born in 1861, also named Onesiphorus – this fact, if that’s what it is, also calls into question the impression that Anna was the mother. Impossible one would say since, in 1861, Anna would have been at least 80 years old! It would seem therefore that Onesiphorus married for a second time – and the best fit here seems to be a Mary Anne Vousley, who was born in Bermondsey in 1839; making her 22 years old when Onesiphorus junior was born at No.4 Randall’s Terrace, Poplar – the father, Onesiphorus Sen. was 63 years of age – some catch with his money!

During this period of a probable re-marriage and birth, Onesiphorus’s wealth continued to grow substantially and he was able to begin his return trips to Norfolk; whether he made these trips alone or with his wife we just do not know. However, it was again during this period that something happened for which he later became long-remembered in the County. Firstly, he bought Woodlands House in Holt (now part of Gresham’s School), before acquiring the ruined Kelling Old Hall and with it, the associated title Lord of the Manor.

Onesiphorus Randall (Woodlands House)
Woodlands House, Holt, Norfolk.

Randall’s Folly:
The truth is that, while still Lord of the Manor, Onesiphorus’s local ‘fame’ found its root when he built himself a ‘castle-styled folly’ at Salthouse, on the North Norfolk coast. Unusually perhaps, the Folly was located on a mound of land called the ‘Great Eye’, right on the beach rather than in or even near the village. The square two-storey stone structure was named, and always referred to thereafter, as “Randall’s Folly”.  and was connected to a large expanse of grass called the ‘Flat Eye’ on which the village cows often grazed. The Folly was fitted with large double carriage doors front and back on the lower floor.

smeerockehouse
Randall’s Folly. Photo: Courtesy of the Salthouse History Group.

A member of the public, writing to a local paper in 1922, said:

“The familiar square-built stone house standing alone on the beach at Salthouse has been responsible for numerous questions as to its origin, and so many enquiries have been made regarding its association with smugglers and such romantic enterprises – one is sorry to destroy the illusion”

Just why Onesiphorus fitted double carriage doors front and back on the lower floor remained unclear. Although, his reputed penchant for entertaining the ladies, as spread by local gossip, has been suggested as one reason! As one local lady once put it – long after such rumoured events happened:

“I shouldn’t say this perhaps, but – Randall was very fond of women – that’s what that house was built for! It had a big door either end, and he used to drive up in his carriage and round into the house and right through the house with his coach and horses. The coach used to stop in the house till he was ready to go” …. Nod Nod, Wink Wink perhaps!

Certainly, those doors were real and enabled Onesiphorus to drive straight through in order to turn his horses and carriage round ready to return through the house and out over a bridge connecting ‘Flat Eye’ with ‘Great Eye’ and on to join Beach Road. He could bring the ladies into the house in his carriage and on leaving, open the seaward door, drive over the bridge and turn the carriage around on Flat Eye and depart back through the house! One may well wonder where Onesiphorus’s wife was while these alleged romantic dalliances were taking place in that remote Folly – and for which locals had a much saucier and descriptive name! Had anyone, at any time, given thought to the possibility, remote as may have been, that these ladies were images of no other that his wife?

110
A view towards the sea from the village of Salthouse with Onesiphorus Randall’s Folly near the shoreline. Photo: Public Domain.

With that thought, fast forward towards the end of the 19th century after Onesiphorus had died. This was when the Folly was bought by the Board of Trade and used as a coastguard station, housing the village life-saving brigade’s rocket cart and associated equipment. The rocket itself was launched from a cannon firing a Breeches Buoy to those in distress; in fact, saving many lives around the turn of the century. These duties gave the Randall’s Folly a new name of the “Rocket House”. By the early 1920’s however, the property had been sold off to become a holiday home, ending its life as a Rocket Brigade House. Nevertheless, the “Rocket House” name stuck until 1937 when it was privately purchased and renamed ‘Great Eye Folly’. The novelist Sylvia Townsend Warner (1893-1978) rented the Great Eye Folly from 1950 to 1951 while working on her final novel ‘The Flint Anchor’ published in 1954. She did not live at the Folly alone; Valentine Ackland, her lover, also stayed with her.

Onesiphorus Randall (Sylvia Townsend Warner (1893-1978_ NPG)
Novelist Sylvia Townsend Warner (1893-1978). Photo: National Portrait Gallery.

Sylvia Townsend Warner described her first impressions of the Folly in a letter to Alyse Gregory – written in 1950:

 “…. I think Valentine will have told you about the Great Eye Folly. I have the oddest impressions of it, since we were only there for about fifteen minutes, and conversing all the time with its owners. But the first five of those minutes were enough to enchant me. It is the sort of house one tells oneself to sleep with, and sometimes I almost suppose that it is really one of my dream-houses, and no such solid little assertion of the rectangle breaks the long sky-line of salt-marsh and sea.”

However, by 1937, the great expanse of “Flat Eye” had been lost to the sea but the folly remained, until seriously damaged in the 1953 flood. Surging water way above any normal height, removed half the building. Deemed unsafe, what remained was demolished. Subsequent storms and surges gradually removed all but a small mound of earth of the “Great Eye”, leaving “Little Eye” to the west as a former memory. In the 1600’s, Little Eye was about two thirds of the distance between the coast road and the shingle ridge and from Little Eye to Great Eye. Great Eye merged with Flat Eye which in turn merged with the shingle ridge, this forming a continuous barrier from near the Dun Cow pub, which didn’t open until 1786.

Onesiphorus Randall (Birkin_Rocket_House)
Immediately prior to the 1953 flood this was known as the ‘Great Eye Folly’s. Its whole seaward front was torn off by the great storm in January of that year. The ruin remained like this for a couple of years, but had to be demolished finally in June 1956. Photo: Birkin Haward (Courtesy of Birkin Haward Jnr).
Onesiphorus Randall (Birkin_From Gramborough Hill)
Three boys play football on a great stretch of sand which had been deposited there by the flood. The image was taken from Gramborough Hill with ‘Little Eye’ visible far left and ‘Great Eye’ with the Rocket House still standing erect. The shingle bank is flattened. Photo: Birkin Haward (Courtesy of Birkin Haward Jnr)
Randall's Folly_Salthouse (Birkin Haward)3
Birkin Haward’s painting of Randall’s Folly. Image: Photo: Courtesy of Birkin Haward Jnr.

For nearly 100 years, Randall’s Folly had been a well-known landmark between Little Eye and the Beach Road car park. For many years, some local folk could still remember the iconic building rising high above the shingle on the horizon but, the former folly has not been entirely forgotten. That’s because locally, one local tradition still continues. Today, the local Holt Sea Angling Club holds an event at Salthouse Beach on the day after Boxing Day. Conceived by local fisherman and boat-owners, the annual ‘Rocket House Open’ fishing match is held in memory of the Folly which once stood on the “Great Eye” mound, facing seaward.

FOOTNOTE:
Onesiphorus died at No. 4 (previously No.185) Randall Terrace Poplar in November 1873 at the age of 75 years. At the time of his death, his income from leasehold houses in the East End of London was said to have amounted to £3,000 per annum. His young son, also Onesiphorus jnr, eventually inherited the estate (for he was only 12 years old at the time of his father’s death – and 14 years when his mother died) after a protracted Chancery case; he died in 1913 at the age of 52 years.

THE END

Sources:
https://www.british-history.ac.uk/survey-london/vols43-4/pp207-211
http://www.salthousehistory.co.uk/folly.html
http://www.salthousehistory.co.uk/1953(2).html
Christopher Weston (Norfolk Achive).

A Painting Framed in Mystery!

By Haydn Brown.

Research in recent years uncovered lost 17th-century treasures once owned by the Paston family of Norfolk. In 2018 this treasure was brought together in an exhibition that was held at the Castle Museum in Norwich; included in the items displayed was a picture, named ‘The Paston Treasure’ (circa. 1663). This painting has been described as an enigmatic masterpiece commissioned by either Sir William Paston, first Baronet (1610–1663), an epic collector and traveller who got as far as Cairo, Constantinople and Jerusalem; or his son, Robert Paston first Earl of Yarmouth (1631–1683), to mark his father’s death in 1663. Robert himself was a passionate amateur scientist (believed to have accounted for the unusual number of different expensive pigments that were used in the painting) who practiced alchemy for years but failed to turn base metal into much-needed gold. He was to die in 1683, aged 52, overwhelmed by debt which was partly caused by the ruinous cost of lavish hospitality, including a party for King Charles in 1671; also, after a life scarred by gout, scurvy and depression. However, the identity of the Flemish artist, working out of a makeshift studio at Oxnead Hall around 1663, is not known, although there have been suggestions.

The painting was given to the Norwich Museum in 1947 by a descendant of one of the buyers from the Paston’s 18th-century “garage sale” and was regarded then as a historical curiosity rather than a major work of art – it was “very faded, of no artistic value, only curious from an archaeological point of view.” However, its eerie atmosphere and teeming detail have mesmerised generations of visitors. In 2018, and in a partnership between the Norwich Museum and the Yale Center for British Art many of the painting’s secrets were decoded.

Paston6
Dr Francesca Vanke, curator of the exhibition with ‘The Paston Treasure’ painting. Photo: ANTONY KELLY

At the time of the exhibition the Curator, Dr Francesca Vanke, said that the event was:

“A once-in-a-lifetime event [that] tells both a very Norfolk story and a genuinely international one. The painting is not just a typical 17th century still life, but the key to unlocking a fascinating, dramatic and ultimately tragic story: of a family, a collection, and a great house. The first clues to the story are in this painting. They open up a world we never knew existed, for which evidence is scattered worldwide. This exhibition, the result of years of research, brings everything together.”

The exhibition, in fact, reunited ‘The Paston Treasure’ painting with some of the rare works of art that the painting depicts; it also shed new light on the Paston family itself, their Norfolk home, and the rise and fall of one of 17th century England’s most important private art collections. The exhibition also displayed the recently discovered painting ‘The Paston Prospective’, which dates from around 1640, a couple of decades before ‘The Paston Treasure’, and features a grand imaginary building that it is thought could have been a vision of what Sir William Paston wanted to create at Oxnead.

Paston7
Dr Francesca Vanke, curator of the exhibition viewing ‘The Paston Prospect’ painting. Photo: ANTONY KELLY

The Paston family possessions, plus many of the surviving objects depicted in the painting, were brought together from museums and private collections in Europe and the US; this was the first time in 300 years that they could be placed together in a single venue. On view were five treasures from the 16th and 17th centuries that appear in the painting, one of a pair of silver-gilt flagons, a Strombus shell cup, two unique nautilus cups, and a perfume flask with a mother-of-pearl body. A host of other objects, many with Paston provenance, depicted the rich story of collecting within the family from the medieval period until the moment the painting was created. However, the Paston collection was sold off within two generations of the painting’s completion.

Paston1
The Paston Treasure painting, circa 1663, held by the Norwich Castle Museum & Art Gallery NWHCM.170.

The Paston family is beloved by historians for a unique set of medieval letters  tracing their family and financial affairs in vivid detail. By the mid-17th century they were rich, powerful landowners. When they commissioned The Paston Treasure painting, a swaggering boast of their wealth and culture, it was also a vanitas, with the hour glass, the ticking clock, the flowers and fruit which will decay and rot, the reminders that life is fleeting and death inexorable. The Pastons could not have guessed how true this was for them: there would be many deaths in childhood including the little girl in the painting. Robert’s son, William, would inherit massive debts, and instigated the disposal of the treasures; this began far earlier than previously thought for the research mentioned turned up a sale receipt dated 1709. Finally, Oxnead Hall itself was sold and, by 1732, William was bankrupt, with debts equivalent to £17m today. So, within two generations the family was overwhelmed by debt, the treasures scattered in a series of sales, and their huge house, Oxnead Hall, abandoned and then sold, and later almost entirely demolished in the 18th century.

Paston8
Oxnead Hall From the East, by Rev James Bulwer (1794-1879). Watercolour on paper. Image: © Norwich Castle Museum & Art Gallery
Paston9
Oxnead Hall – A 17th century brick structure in formal garden, by Rev James Bulwer (1794-1879). Watercolour and pencil on paper. Image: © Norwich Castle Museum & Art Gallery

Pre-exhibition research also identified the sheet music being held by the pale little girl shown in the picture. She was Robert Paston’s daughter who died in childhood. The handsome young African boy has still not been identified, but because the identifiable details are so meticulously accurate, the researchers believed that he must, like the girl, been a real person and possibly had lived in the Paston household. Jonathan Wainwright, professor of music at the University of York, had pored over photographic enlargements of the sheet music held by the little girl and identified it as an appropriately doom-laden piece by the Scottish composer Robert Ramsey, “Charon, O Charon, Heare a Wretch Opprest”, written in 1630. The music itself was so meticulously painted that he could read it. Only one manuscript of this music still survives and that resides in the Bodleian Library in Oxford. The first recording of the song was commissioned by the Castle Museum from the Royal College of Music and was played during the Norwich exhibition.

Paston2
A section of  The Paston Treasure showing the sheet music.
Paston3
The musical score by Robert Ramsey which matches that held by the little girl. Image: Bodleian Libraries, University of Oxford

Wainwright also traced a second musical reference, though in the painting of the tiny book held by the satyr on the golden stem of the shell cup was too minute even for his eyes. However, on the real cup, which came on loan from the Prinsenhof Museum in Delft, he could read the words of a popular 16th-century round song – again dealing with death – “Je prens en gré la dure mort”.

THE END

Sources:
https://www.theguardian.com/artanddesign/2018/jun/21/framed-mystery-painting-tells-story-doomed-norfolk-family-paston
https://www.edp24.co.uk/going-out/paston-treasure-new-exhibition-1-5574054
https://britishart.yale.edu/exhibitions/paston-treasure-microcosm-known-world
https://www.eastangliaartfund.org.uk/events-old/oxnead-hall-and-the-paston-treasure

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Stories Behind the Signs: Fersfield

By Haydn Brown.

There are parts of South Norfolk that, even today, can seem remote – like those that have a maze of lanes, particularly between Diss and Thetford where the villages hide. It is surprising therefore that one of those villages, Fersfield, holds an important place in the history of Norfolk; but not necessarily because of the village itself, or its parish church. Fersfield is famous because of an 18th century incumbent of its church, St Andrew’s

Fersfield & Blomefield (St Andrews)2
St Andrew’s Church, Fersfield, Norfolk. Photo: Simon Knott.

The church of St Andrews at Fersfield sits where some of those lanes mentioned come together, its truncated, pencil-like tower a beacon across the fields and farmlands. According to Simon Knott (2018):

” The capped tower is reminiscent of Culpho and Thornham Parva in Suffolk, and probably dates from the early 14th century. If so, it is probably later than the bulk of the church against which it sits. There were further improvements: money in the late 15th century brought a fairly imposing south aisle and porch, and the chancel is entirely Victorian, I think. But it all works well together, especially when seen from the south-east.”

Fersfield & Blomefield (Village Sign)

This church is depicted on the village sign at Fersfield, and stands next to it. At the brick base of the sign is a metal plaque which reads:

“This sign was given by the people, to the people of the village of Fersfield. 31st July 1988.” Then, in two columns the plaque includes the names of ten individuals before concluding. ‘Between the faces lies our village history.”

Taking this as a guide, it is clear that the residents of Fersfield have every right to celebrate the village’s past. More importantly however is that it was at Fersfield where the first major work on the history of the entire county of Norfolk was written; its author was Francis Blomefield, the 18th century incumbent of St Andrew’s Church who happened to have been born in the village on 23 July 1705.

Fersfield & Blomefield (Blomefield Tablets)
The Blomefield Tablets in St Andrew’s Church, Fersfield. Photo: Wikipedia

Francis Blomefield was the eldest son of Henry and Alice Blomefield, who were yeoman farmers nearby. Later biographies record that he developed a fascination for visiting churches as a child, when he began recording their monumental inscriptions, covering Norfolk, Suffolk and later Cambridgeshire. At the same time he began his education at Diss and Thetford Grammar Schools; then, in April 1724, he was admitted to Caius College, Cambridge from where he graduated BA in 1727 and MA in 1728. While at college, he also began keeping genealogical and heraldic notes relating to local families; then, soon after leaving university in 1727 he was ordained a priest whilst continuing with collecting materials for an account of the antiquities of Cambridgeshire.

Fersfield & Blomefield (Portrait)
Blomefield depicted in the frontispiece to volume 1 of the quarto edition of An Essay Towards a Topographical History of the County of Norfolk (1805). Image: Wikipedia.

On 13 September 1729 Francis Blomefield was ordained as an Anglican minister when he was ‘presented by his father, Henry Blomefield, Gent’. His first appointment was a very brief affair as rector of Hargham before moving on to become rector of Fersfield, his father’s family living. According to Simon Knott, it was at Fersfield where:

“……. he would spend the rest of his life. He was not always a well man, and although he visited many of the churches himself, the bulk of his work involved sending questionnaires to Rectors of other churches. Because of this, and because Blomefield himself did not always understand what he was seeing or reading about, the survey needs to be used with care. Moreover, Blomefield did not finish it. I always tend to think of 18th century antiquarians as be whiskered old men sitting with quill pens at high desks, but Blomefield contracted smallpox and died at the age of 47. His work was completed by friends, most notably Charles Parkin and William Whittingham.”

It was on 1 September 1732, when Francis Blomefield married Mary Womack, the daughter of a former rector of Fersfield. They had three daughters, two of whom survived him. It was also in 1732 when the project of collecting materials for an account of the antiquities of Cambridgeshire was deferred when he was given access to Peter Le Neve’s huge collection of materials for the history of Norfolk by Le Neve’s executor “Honest Tom” Martin.

Fersfield & Blomefield (Thomas Martin)
Thomas Martin FSA (8 March 1696/7 to 7 March 1771), known as “Honest Tom Martin of Palgrave”, was an antiquarian and lawyer. Image: Wikipedia.

It is said that during a visit to Oxnead Hall in 1735, Blomefield found a vast number of written correspondences among the papers of the country house. Of the discovery, Blomefield wrote in May 1735:

“There are innumerable letters, of good consequence in history, still lying among the loose papers all which I layd (sic) up in a corner of the room on an heap, which contains several sacksful, but as they seemed to have some family affairs of one nature or other intermixed in them I did not offer to touch any of them…”

This collection, known today as the ‘Paston Letters’, is now regarded as one of national significance. These papers date from the period of the Wars of the Roses and the Black Death and reveal details of everyday life of a notable East Anglian family.

Before his untimely death, on 16 January 1752, Blomefield wrote just three volumes of his ‘An Essay towards the Topographical History of the County of Norfolk’. Determined to protect and control the production of this work, he also installed a printing press in his own home. The first volume, covering his own Parish of Fersfield among others, was completed on 25th December 1739. He was nearing completion of his third volume – having reached page 678 – when he contracted the deadly smallpox during a visit to London. He died in Fersfield on 16th January 1752 aged 47. The Rev. Charles Parkin, the rector at Oxborough and a friend and fellow history enthusiast, was the first to continue Blomefield’s work. He not only completed Blomefield’s third volume but went on to write two further volumes. This initial set of three was subsequently published in various forms.

Fersfield & Blomefield (Portrait)2
Portrait of The Rev’d Francis Blomefield at St Andrew’s Church in Fersfield. Photo: Sonya Duncan

This portrait of Francis Blomefield is positioned on the south side of St. Anne’s chapel in St. Andrew’s Church, allowing him a pleasing opportunity to look down on a memorial which he himself took great pains to conserve. In his own words, from Volume 1 of his work:

“In the south side of St. Anne’s chapel, in the south isle, under the window, in an arch in the wall, lies an effigies of a knight, armed capà-pié, cut out of one piece of oak, which being in a dirty condition, I had it taken out and washed very clean…..… After removing the seats that stood before it, I caused it to be painted in the same colours, as near as could be, and added this inscription:

‘Sir Robert du Bois, Knt. Son of Sir Robert, and Grandson of Sir Robert du Bois, Knt. Founder of this Isle, Lord of this Manor, and Patron of this Church, died in 1311, aged 43 Years.’

Fersfield (Bois Pedigree)
The Bois Pedigree.

He, the most famous medieval survival is the man in a glass case and represents someone who was probably responsible for the rebuilding of the church’s tower. He lies with his legs uncrossed, a rather surprised buck at his feet. Nearby is a relatively plain Norman font. After his own visit to St Andrew’s in 2018, Simon Knott also wondered:

“…… how much Blomefield would recognise his own church if he came back to it today. The furnishings are all modern, and the feel is of a pleasantly light space of the late 19th and early 20th centuries. His memorial is in the rebuilt chancel, a fairly simple ledger stone set, not inappropriately, beneath the kind of 17th century panelling which must have been familiar to him. Less happy is the clumsy reredos, which looks as if some of the panelling had been left over and cobbled together with a picture of the Last Supper…… Even today, St Andrew is not without Antiquarian interest. Above Blomefield’s memorial in the east window are three roundels of glass, all of which are continental, I think. They depict St Andrew, St Gregory, and the eagle of St John. They were probably placed here by the Victorians at the time of the rebuilding. Curiously, Blomefield records quite a lot of medieval glass at Fersfield, mostly from the narrative of the Blessed Virgin, which is now all gone……… But despite the modern ambience, this is a church in which to recall the 18th century. The south aisle contains more Blomefield memorials, curly ones on the walls and simple ledgers on the floor. And, looking down on them all, the great royal arms of Queen Anne dated 1703, two years before Francis Blomefield was born.”

Fersfield & Blomefield (Volumes)

Of Francis Blomefield, it has been said that he was one of a generation of 18th century historians who ultimately saved that past belonging to Norfolk churches from being consigned to oblivion – with no thanks to the 16th century Anglicans and 17th century Puritans who seemed ‘hell-bent’ in doing just that. He was a giant among Norfolk antiquarians!

THE END

Some Sources:
http://www.norfolkchurches.co.uk/fersfield/fersfield.htm
https://en.wikipedia.org/wiki/Francis_Blomefield
https://www.british-history.ac.uk/topographical-hist-norfolk/vol1/pp74-114

NOTICE: ‘Norfolk Tales, Myths & More!’ is a ‘non-commercial’ Site seeking only to be informative and educational on topics broadly related to the history and heritage of the County of Norfolk in the U.K.
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Stories Behind the Signs: Felthorp.

By Haydn Brown.

The Felthorpe Village Sign tells three stories, two of which are more prominent
than the third.

Felthorpe (Sign)
Felthorpe Village Sign.
The sign is located beside Taverham Road junction with The Street. Photo:© Copyright Evelyn Simak .

Story 1:
In the forefront of the Felthorpe Village sign is the image of two women in a chaise pulled by a black horse, with St Margaret’s Church in the background. It is believed that one of the women depicted is Mary Wright Sewell (6 April 1797 – 10 June 1884), who was an English poet and children’s author. Though popular for writing juvenile bestsellers in her day, she is better known today as the mother of Anna Sewell, the author of Black Beauty – the other woman depicted is, understandably, Anna Sewell herself. Mary lived at Church Farm, Felthorpe from the age of 2 to 12 years old, between 1799 and 1811.

Felthorpe (First Edition)Mary Wright (Sewell) was actually born on 6 April 1797 in Sutton, Suffolk. Her father, John Wright, and mother Ann Holmes, were farmers and had seven children, of which Mary was the third. Her upbringing followed Quaker principles. Originally taught by governesses at home, she attended boarding school in Tottenham around 1811, when her father sold his farm to invest in a ship. He was unsuccessful in this enterprise and by the time Mary had turned eighteen she was forced to become a governess herself at an Essex school.

Some eight years later Mary married Isaac Sewell whose parents were also Quaker elders; the marriage took place at Lamas in Norfolk on 15 June 1819. Mary and Isaac settled in Yarmouth where, the following year, their daughter, Anna, was born, followed by a son, Philip, in 1822. Her husband Isaac had a number of ill-advised businesses and he declared himself bankrupt after his son was born. Isaac would go on to become a travelling salesman, while Mary herself would teach her children at home. Alongside this, she wrote her first book, ‘Walks with Mamma’, using words of only one syllable; the income from this helped to pay for books to educate her children.

Felthorpe (Anna Sewell's Birthplace_centre)
Anna Sewell House (Centre) on Church Plain, Gt. Yarmouth. Photo: Great Yarmouth Mercury,  1982 ref. C1779.

Between the years 1858 and 1864, the Mary’s family lived at the Blue Lodge, Wick, Bristol where she continued her great love of poetry. While at Wick, Mary wrote ‘Mother’s Last Words’, which sold just over a million copies throughout the world; the book tells a story of how two boys are saved from sin by their mother’s last words. Then during the 1870s, Mary nursed her daughter, Anna, through her terminal illness of hepatitis, or tuberculosis. During this period, she transcribed the dictation of her daughters only novel, ‘Black Beauty’. In 1878, both her daughter and her husband died; Mary herself died on 10 June 1884.

Felthorpe (Friends Meeting House)
Friends’ Meeting House.
This former meeting house of the Quakers is now a private home. Anna Sewell, author of ‘Black Beauty’ is buried here and the new owners have reset the headstones of the Sewell family graves into the surrounding wall, so that fans can pay their respects. Photo:© Copyright Evelyn Simak

Story 2:
4612940800_168x285At the top of the Felthorpe Village Sign is an image of a Victoria Cross. This represents one awarded to Claude Thomas Bourchier who was born 22 April 1831 in Brayford, Devon. His father was Lieutenant James Claud Bourchier, who served in the Peninsular Wars in the 11th and 22nd Regiments of Light Dragoons, and his mother was Maria, 2nd daughter of George Caswall from Sacomb Park, Hertfordshire.

Claud followed his father into the Army when he obtained his first commission at the age of 18 in  The Rifle Brigade (Prince Consort’s Own). He served with the Rifle Brigade in the Caffre War of 1852-53 and also in the Crimean Campaign of 1854, including the Battles of Alma, Balaklava and Inkerman, being Aide de Camp to General Torrens at Inkerman, and at the Siege of Sebastopol. It was at Sebastopol on the 20th November 1854 that Claud Bourchier would perform the acts of gallantry which would result in the award of the Victoria Cross.

Felthorpe (Sevastapol_Wikipedia)
Siege of Sebastopol.

On that day, Lord Raglan had devised a plan to drive the Russians from some rifle pits in front of the left flank along some rising ground at Sebastopol. The duty of driving the Russians out was given to the 1st Battalion, and a party consisting of Lieutenant Henry Tryon in command, with Lieutenants Bourchier and William James Montgomery Cunninghame, four sergeants and 200 rank and file, was detailed to carry out the plan. They marched down to the trenches where they lay down until darkness fell. They then advanced stealthily and advanced on the enemy, catching them by surprise. They quickly drove the Russians from their cover, though supported by a heavy column of Russian infantry. Soon, the Rifle Brigade came under heavy fire, and in the moment of taking the pits, Tryon was killed. Bourchier took over command and maintained the advantage, and they captured the pits. They also held the pits throughout the night despite repeated counter attacks. They did this until they were relieved by another battalion the following day. They lost 10 men including Lieutenant Tryon and had 17 wounded.

For his gallantry, Bourchier was given the brevet of Major. He also received the Crimean Medal with four clasps, made a Knight of Legion of Honour, received the 5th Order of the Medjidie, the Turkish Medal and was awarded the Victoria Cross, which was announced in the London Gazette on 24th February 1857. Bourchier was present at the first investiture on 26th June 1857 at Hyde Park, London and was personally presented with his medal by Queen Victoria. Soon, he was posted to the Indian Mutiny and served in the Campaign of 1857-59, including the Siege and Capture of Lucknow, Battle of Nawab-gunge, attack and capture of Fort Oomerea, for which he received the Indian Mutiny Medal and clasp. He also served on the Afghan Frontier, near Peshawar, during the disturbances among the native tribes in the winter of 1863.

4612940799Colonel Bourchier was then appointed Aide de Camp to Queen Victoria in April, 1869, having retired the same year on full pay. Bourchier retired soon afterwards with the rank of Colonel and enjoyed his later life as a member of Boodle’s club in St James’s, London. He had settled at his final home at 38, Brunswick Road, Hove on the south coast. He died, aged just 46, on Monday, 19th November 1877 at his home and was buried in St Andrew’s Churchyard in Buxton, Norfolk. His Victoria Cross is now displayed at the Royal Green Jackets (Rifles) MuseumWinchester, England.

4612940917_540x381

Story 3:
Almost as a footnote, the third story behind the Felthorpe Village Sign is represented by an image of a mammoth. This is a reference to the discovery of a number of mammoth teeth in the late 1950s at Sparham Common gravel pit. This site is now Sparham Pools, a nature reserve managed by Norfolk Wildlife Trust.

Felthorpe (Sparham Pools_Wikipedia)
One of the Sparham Pools near Lyng.

THE END

Sources:
http://www.norfolkchurches.co.uk/felthorpe/felthorpe.htm
http://vconline.org.uk/claud-t-bourchier-vc/4585989171
http://www.memorialstovalour.co.uk/vc49.html

NOTICE: ‘Norfolk Tales, Myths & More!’ is a ‘non-commercial’ Site seeking only to be informative and educational on topics broadly related to the history and heritage of the County of Norfolk in the U.K.
Further Note:
If you are the originator/copyright holder of any photo or content contained in this blog and would prefer it be excluded or amended, please contact us via our ‘Contact Us’ page to flag it for correction.
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Francis Howes: An Almost Forgotten Cleric and Scholar.

By Haydn Brown.

Francis Howes was born at Morningthorpe, Norfolk, on 29 February 1776 and baptised at St John’s, Morningthorpe on 3 March 1776. Apart from his entry into the church, he was to become a classical scholar.

Francis Howes (Portrait_Norfolk Museum Service)
The Reverend Francis Howes (1776-1844) by Henry Housego (c.1795–1858) . Portrait: Norfolk Museums Service. Image: Artuk

Francis was the fourth surviving son of the Revd Thomas Howes (1732–1796), ‘Lord of the Manor of Morningthorpe’ and Rector of St Edmunds, Fritton and St Andrews, Illington. Thomas was grandson of a much earlier Thomas Howes who had first acquired Morningthorpe Hall following the death of his own father in law, John Roope, who died without male heirs in 1686. For generations thereafter the Howes family were born at Morningthorpe.

Francis Howes (Spixworth Hall)
Spixworth Hall. Image: Wikimedia.

Francis Howes mother was Susan Longe (1732-1822), the daughter of Francis Longe of Spixworth (1689-1735), also in Norfolk. Susan had married Francis Howes’s father, Thomas, on 11 Jan 1758 at St Peter’s church, Spixworth, Norfolk. Her elder brother had already married Thomas’s sister, Tabitha Howes, at the same Spixworth church in 1747 – brother and sister married sister and brother! Francis Howes eldest surviving brother, John (1758–1787), entered Gray’s Inn but died young. Two other brothers of his, Thomas (1770–1848) and George (1772–1855), took holy orders, the latter taking over in 1808 as Vicar of Gazeley cum Kentford, Suffolk and then as Rector of St Peter’s at Spixworth, the related Longe family home.

Francis Howes (St Peter's Spixworth)
St Peter’s Church, Spixworth, Norfolk. Image: Wikipedia.

Francis Howes was first educated at Norwich Grammar School in 1790 under Dr Samuel Parr and then entered Trinity College, Cambridge, in 1794 and graduating with a BA in 1798 as ‘Eleventh Wrangler’, then proceeding to a MA in 1804. Between 1799 and 1800 he had obtained the ‘Members Prize’. His chief college friend was John Williams, the judge, who subsequently made him an allowance of £100 per annum.

Francis Howes (Norwich Grammar School)

Francis Howes is said to have ‘married early’ but in fact was of full age, having married Sarah Smithson (1773–1863) on 19 March 1802 in St Nicholas Chapel, King’s Lynn. It has been speculated that this comment ‘married early’ was probably because his family disapproved of the match; the bride’s late father had been a member of St John’s College, Cambridge – but as a cook, not as a Fellow! (Universal British Directory, 2, c.1792, 493). Francis and Sarah had a reported nine children of whom their sons were Thomas George (b. 1807), later rector of Belton, Suffolk; John (1808–1837), parish clerk; and Charles (1813–1880), fellow and chaplain of Dulwich College. Three of their six daughters married clergymen – a strong theme throughout the generations of the Howes.

Francis Howes was ordained Deacon on 21 December 1800 and priest on 9 August 1801. He was to accumulate a number of clergy appointments thereafter. He was appointed Vicar of Shillington, Bedfordshire, in 1801 and was to hold it until 1816, although it appears that he never lived there. Francis’s sons were baptised in Acle, Norfolk, from where his first books were dated. He was also Vicar of Wickham Skeith, Suffolk, from 1809 until his death, and Rector of Buckenham, with Hassingham, Norfolk, from 1811 to 1814. In 1814 he moved to St George Colegate, Norwich, as parish chaplain, a position which he held until 1831 when he was appointed Vicar of Bawburgh, Norfolk, remaining in this post until 1829. But in 1815 he was also appointed a minor canon of Norwich Cathedral, moving to Lower Close, St Mary in the Marsh, Norwich, where he lived for the rest of his life. He received the rectories of Alderford and Attlebridge in March 1826 and in 1829 was made Rector of Framingham Pigot, Norfolk, retaining them until his death in 1844:

The diocese of Norwich was notorious for pluralism and absentee clergy, but the Bishop of the time, Henry Bathurst, always pointed out that the majority of parishes were small and produced a low income.

Francis Howes (Book)As for scholastic writings of Francis Howes, some translations were from Latin into English verse and printed privately for him in 1801; they were included in his Miscellaneous Poetical Translations (1806). His translation of The Satires of A. Persius Flaccus (1809) was unsuccessful. Although he claimed that his translation of Horace’s Satires was ‘shortly’ to be published, The Epodes and Secular Ode of Horace did not appear until 1841 and The First Book of Horace’s Satires in 1842; both were privately printed in Norwich. It was only after his death when his son, Charles, gathered his translations from Horace and published them in The Epodes, Satires, and Epistles of Horace (1845); all the translations were written in heroic couplets, on which Francis Howes’s reputation was to rest. In 1892, John Conington praised these translations, noting that they had been forgotten by the public:

“very good, unforced, idiomatic, felicitous … I should be glad if any notice which I may be fortunate enough to attract should … extend to a predecessor who, if he had published a few years earlier, when translations were of more account, could scarcely have failed to rank high among the cultivators of this branch of literature.”

Howes, also composed epitaphs for monuments in Norwich Cathedral and spent his last years transcribing the diaries of his eccentric but cultured neighbour Sylas Neville. Neville was born in 1741, apparently in London. In 1768-9 he came to Great Yarmouth and settled at Scratby Hall. The years 1772-6 were then spent mainly in Edinburgh where he qualified as a doctor of medicine; the years 1777-80 were spent in foreign travel, mainly in Italy. On his return, and after visits to London, Edinburgh etc., he settled at Norwich in 1783 and there spent the rest of his life, intending to practise medicine but in fact subsisting increasingly on charity and the proceeds of begging letters. He was also to mutilate his diaries and letters later in his life, apparently in an attempt to remove compromising or politically embarrassing matter. Many of these excised passages were later restored by Francis Howes after Neville’s death in 1840 when his papers passed to Howes; he, in turn, transcribed some of the diaries, along with some of the correspondence – but afterwards destroying the originals! From Howes’ son the papers passed to the antiquary Hargrave Harrison then, on his death in 1896, they were purchased by L.G. Bolingbroke; from his family they went to Basil Cozens-Hardy.

Revd Francis Howes died at Lower Close, St Mary in the Marsh, Norwich, Norfolk on 26 March 1844 and was buried in the west cloister of Norwich Cathedral near his son John. According to the Norwich Mercury on 30 March 1844:

 “Mr Howes was known as a ripe and spund [sic] classical scholar having addressed himself to this branch of learning from its earliest growth. He was not less distinguished for the benevolence of his disposition, the sweetness of his temper and the urbanity of his manners. The Editor of this Journal, who pays this tribute to his worth, passed through the Free School of this City upon the same form as him, and testifies with a mournful satisfaction to the early development of these his true qualities, to which they who knew him in later life will be ready to do the same justice, as well as to the liberality of his principles, and of his firmness in their assertion.”

Francis Howes widow died on 3 January 1863, aged 89 years.

THE END

Some Sources:
https://doi.org/10.1093/ref:odnb/13987
https://www.howesfamilies.com/getperson.php?personID=I10181&tree=Onename

Norwich’s Secret Garden

By Haydn Brown.

The Secret Garden is well hidden, and so is the commemorative stone which sits in a dark niche immediately to the left of the entrance gate to the garden.

Secret Garden2
Entrance to the Secret Garden. Photo: © Copyright Evelyn Simak

The late photographer and historian of Norwich, George Plunkett, stated that: “This rather secluded corner adjacent to the Adam and Eve public house was the location of the Meeting House or Tabernacle.” It was a plain little red-brick building with pantiled roof and a double row of sash windows, opened by Mr Whitefield on 14 April 1753 and leased to John Wesley from 1758 to 1764 – see below. Stanley Wearing in ‘Georgian Norwich and its Builders’ considered the Meeting House to have been the first building in Norwich with which the locally famous architect Thomas Ivory was known to be connected.

Secret Garden1
The commemorative Stone. Photo: © Copyright Evelyn Simak

The person behind the existence of the Meeting House had been a Calvinistic Methodist by the title and name of Reverend James Wheatley. He, prior to his moving permanently to Norwich in 1750, had been preaching in the city at various places including an older ‘Tabernacle’ set up in a house on Scoles Green in Nowich. Unfortunately, Wheatley’s ideas were not generally well received and frequent riotous scenes occurred, resulting in his molestation to such an extent that on more than one occasion ‘the poor creature was half dead, not able to walk alone, and in a most terrible condition’, to quote one eye-witness. It would appear that such scenes and experiences left him totally undeterred for eventually he was able to purchase the land, of which we speak, for the building of the Meeting House, together with an adjoining three-storeyed dwelling house.”

It was in much earlier days, on 23 December 1737 to be exact, that John Wesley (1703–1791) and the founder of Methodism, disapproved of Wheatley’s reputation. It was at the time when Wheatley had invited Wesley to preach at an earlier ‘Tabernacle’ – possibly the one at Scoles Green. According to Wesley: “James Wheatley now repeated his offer of the Tabernacle. But I was in no haste. I wanted to consult my friends, and consider the thing thoroughly.” Eventually, however, Wesley consented:

“I went up and preached to a large congregation without any let or hindrance.” On the Sunday, “the Tabernacle was thoroughly filled, and mostly with quiet hearers. I saw none who behaved amiss but two soldiers, who struck some that desired them to be silent. But they were seized and carried to the commanding officer, who ordered them to be soundly whipped.” The following day he preached, he thought, to good effect, “Stony hearts were broke; many mourners comforted; many believers strengthened. Prejudice vanished away; a few only kept their fierceness till the afternoon.”

But, Norwich was suspicious of Wesley and he, in turn, thought of the city: “her people seemed fickle, perverse, unstable as water”. Then, in 1758, five years after the Meeting House had been built and also the time when Wesley was leasing the Meeting House, he wrote, “It seems the time is come when our labour even in Norwich, will not be in vain”.

PortraitofJohnWesley1703-1791founderofMethodism2
The old Meeting House in 1939. Photo: George Plunkett.

Fast forward again to George Plunkett who, apart from photographing the Meeting House in the 20th century, had also seen inside before the building which was to be demolished in 1953: “the Tabernacle was furnished with handsome mahogany seating and a beautiful pulpit”.

But it was back in 1775 that the building was sold to the Countess of Huntingdon; she set up a trust to appoint ministers “whose preaching and sentiments [were] according to the articles and homilies of the Church of England”. Disused by the 1930s, it was then acquired by the Eastern Gas Board, whose works adjoined to the north, and was pulled down early in 1953, the year of its bicentenary. Now, in its place, is Norwich’s ‘Secret Garden.

Secret Garden3
Inside the Secret Garden, Photo: © Copyright Evelyn Simak

THE END

Photographs: George Plunkett, by kind permission of Jonathan Plunkett. Evelyn Simak and licensed for reuse under this Creative Commons Licence.

The Walpoles: Two of a Kind!

By Haydn Brown.

Certain members of Norfolk’s Walpole family of the past, if not born insane became so at some point in their lives. George Walpole, 3rd Earl of Orford, was one – and his mother Margaret (nee Rolle) was another. As with both his parents, George also indulged in life’s little vices, not that the aristocracy of the time considered them to be so.

George Walpole (Robert_Walpole,_1st_Earl_of_Orford_by_Arthur_Pond)
Sir Robert Walpole, 1st Earl of Orford, KG, PC (1676 – 1745), was a British politician who is generally regarded as the ‘de facto’ first Prime Minister of Great Britain. He was George Walpole’s grandfather.

These two paintings are of Robert Walpole, (2nd Earl of Orford, KB (1701 – 1751), and Margaret Rolle, 15th Baroness Clinton, (1709 – 1781), wife of Robert. Both portraits are by John Theodore Heins and produced as a matching pair. Photos: Wikipedia.

George Walpole, (3rd_Earl_of_Orford,_by_Jean-Etienne_Liotard)
George Walpole, 3rd Earl of Orford (1730 – 1791) was a British administrator, politician, and peer. He was the only child of Robert Walpole, 2nd Earl of Orford and his wife Margaret Rolle (above) and became known as the ‘Mad Earl’. Image: Wikipedia.

George’s father, Robert Walpole, was born in 1701 and finally succumbed on 31 March 1751. He was, at the very least, a British Peer and married the rich heiress, Margaret Rolle – neither loved the other. In 1736, six years after George was born, Robert separated from Margaret in favour of a mistress by the name of Hannah Norsa; she was a leading singer and actress at Covent Garden.

George Walpole (Hannah-Norsa)
Hannah Norsa by R. Clamp, after Bernard Lens (III), stipple engraving, published 1794. Image: Wikipedia.

Horace Walpole, writer, George’s uncle and brother of Robert, described Norsa as “my brother’s concubine” when she went to live with him. Then at the point when Robert succeeded to the peerage as Earl of Orford, in 1745, Norsa moved to Houghton Hall in Norfolk. A local clergyman’s wife wrote of her at the time:

“She is a very agreeable Woman, & Nobody ever behav’d better in her Station, she has every body’s good word, and bears great Sway at Houghton, she is everything but Lady, she came here in a landau and six horses & …… a young Clergyman with her.”

In 1740, Norsa had a son with Orford, but who died young. Forever loyal, Norsa stayed with Robert until his death in 1751, having apparently financed his extensive debts – but not really enough to make any difference! Robert, in his Will, asked that his successor:

“take care that Mrs Norsa have her judgment well served to her.”

As for Margaret (George’s mother), she was the 15th Baroness Clinton in her own right and a wealthy Devonshire aristocratic, known both for her eccentricity – bordering on madness – and also extramarital affairs. Horace Walpole frequently alluded to Margaret as “his sister-in-law and her profligate habits”. Not to put too finer a point on her ‘comings and goings’ she did make the point, shortly after the birth of George in 1730: “not to let her husband lie with her and at last stipulated for only twice a week”! We know this because Horace Walpole, mentioned it in a letter to Sir Horace Mann on 17 June 1746. – the Horace’s exchanged many snippets of family gossip! It was also common knowledge between the two Horace’s that Margaret habitually quarrelled with the entire Walpole family; consequently, Robert and her lived apart from each other. Later Margaret obtained a legal separation from him and also departed for the continent, first going to Naples and afterwards to Rome and Florence. When she was about to leave England, the wits of the ‘Beef Club’ showed their antipathy towards Sir Robert Walpole by addressing her in the following ‘Toast’:

“Go, sprightly Rolle, go, traverse earth and sea
And fly the land where beauty is not free.
By your own wealth enslaved to one you hate,
Mourne not your own, but think of Britain’s fate.
Life may be welcome on some happy shore,
Where not a W [Walpole] shall approach thee more.”

We find that by 1734 Margaret had taken Thomas Sturgess {Sturgis] as a lover plus a second husband, he being the Honourable Sewallis Shirley. How many dalliance relationships Margaret had both before her separation from Robert Walpole and thereafter is best left. Suffice to say that in 1781 Margaret died at Italy’s Pisa, in Tuscany and was buried at Leghorn there. Selina, Countess of Huntingdon said of Margaret: “a woman of very singular character and considered half mad”. 

Georga Walpole (Horace_Walpole)
Horace – real name Horatio – Walpole , 4th Earl of Orford (1717 – 1797) was an English writer, art historian, man of letters, antiquarian and Whig politician. He was the son of the first British Prime Minister, Sir Robert Walpole. Image: Wikipedia.

It is Horace Walpole we have to thank for providing ‘pen sketches’ of his nephew, George Walpole; other than the snippets that he revealed, very little is known about George’s early years. We do know, through Horace, that in 1739 his friend, John Chute, said that he was ‘quite astonished at [George’s] sense and cleverness’; but within the year Horace worried about the ‘wild boy’. He also thought that George’s friends were leading him into bad ways and was to ask his friend and a minister in Florence, the same Sir Horace Mann, to make friends with young George while he was on a Grand Tour. In 1742, Horace then threw the cat amongst the pigeons by referring to George as “a most charming boy, but grown excessively like his mother in the face”. This comment would not have gone down well with the Walpole’s at a time when the parent’s unhappy relationship was a sore point.

Following the death of his father in 1751, George became the 3rd Earl Orford at the age of 21 years; he also inherited the family home at Houghton Hall, along with a family debt of £50,000. His father had made sparse efforts to, at least, reduce the total amount of the debt around the Walpole’s neck; he did so by selling off his own father’s London paintings and Houghton silver. However, he found out that the sum received barely dented the family’s total debt. Young George would do no better; in fact he would add further to the family’s woes!

Georga Walpole (Houghton Hall)

George moved into Houghton Hall and during his time there he served as High Steward of King’s Lynn, High Steward of Yarmouth, Lord Lieutenant of Norfolk and Colonel of the Norfolk Militia. He also served as a ‘Lord of the Bedchamber’ to King George II until the latter’s death, and then to King George III until 1782. On the death of his mother in 1781 he became the sixteenth Baron Clinton.  Amongst all these formal duties placed on the Earl, we still hear Horace Walpole speaking about George’s personal traits and experiences – like the time when friends of George tried, apparently, to persuade him to marry the Heiress, Margaret Nicholl. The thought was that the Nicholl’s wealth would save the debt-ridden Walpole Estate; but here, Horace stepped in once again and stopped such a move, leaving Margaret to go off and marry someone else. Later Horace referred to George as “charming”, with “the easy, genuine air of a man of quality and……his address and manner are the most engaging imaginable” However, George never answered letters or kept engagements, instead, he spent most of his time drinking, enjoying women and gaming. In April of 1751 George’s uncle, Horace, again wrote to his friend Horace Mann to say that his nephew was “the most ruined young man in England”.

Georga Walpole (Houghton Hall)2
This illustration is from ‘The Comprehensive History of England’ by Charles Macfarlance et al (Gresham Publishing, 1902). Image: Public Domain.

As an ardent falconer, George spent £100 a year on each of his birds of prey, sending them to the continent during moulting season. In addition to gambling, he indulged his mistress, Mrs Patty Turk, a former Houghton maid. To pay his growing debts, George sold Houghton’s exterior stone staircases. By 1773, Horace Walpole found Houghton:

“half ruin, though the pictures, the glorious pictures and furniture are in general admirably well preserved. All the rest is destruction and devastation. The two steps exposed to all weathers, every room in the wings rotting with wet; the ceiling of the gallery in danger…… the park half covered with nettles and weeds……a debt of above £40,000, heaped on those of my father and brother…”

But the worst was yet to come, by what Horace again described as the “shipwreck of my family” (see Footnote below).

George Walpole (Houghton Hall_Copyright @ Donna Simpson.)3
Houghton Hall. Image: Copyright Donna Simpson.

Whatever other time George had at his disposal, he included sport, particularly hare coursing. He founded the Swaffham Coursing Club in 1776, initially with twenty-six members who each named their greyhounds after a different alphabet letter. For some years Swaffham was the leading coursing club in England, holding several meetings a year. He also organised coursing for neighbouring farmers and provided prizes. Throughout all this, he displayed all the extravagance shown by his late father. Then, just like his mother before him, he became increasingly eccentric and, eventually, insane – as indeed was his mother. Two of a Kind indeed!

By then, George Walpole was generally regarded as the “Mad Earl”, someone having periodic bouts of madness and having “toad-eaters” around him and spending “by the handfuls and pocketful’s”, again according to Horace. But even he couldn’t put an end to either George’s recurring illness, or his antics and so-called ‘escapades’. It would seem that in 1756 George challenged his friend, Lord Rockingham, to race five turkeys against five geese from Norwich to London; the winner would be the one with the most birds at the finishing line at Mile End. George, who clearly had something going for him, won; he won because he knew turkeys did not roost – but geese did; one up on the Lord one would think! Then there were the occasions when he would use four deers to drive his open four-wheeled carriage, normally referred to as a ‘phaeton’ and pulled by horses. On one occasion at Newmarket when he used these deers, he was chased by a pack of hounds and only just made it into the Yard of an inn. It was Horace who, in 1777, had George moved to a house near London during one of his bouts while he, Horace, dealt with the stewards…… and so, it went on and on…..

In November 1791 Patty Turk, George’s mistress, died. It was said that George refused to accept the fact and hid her body under a pile of boots in a cupboard, not wanting to be parted from her. In his grief, he developed a fever and died at Houghton on 5 December 1791 at the age of 61. His titles — except the title of Baron Clinton, which passed into the Trefusis family who were descendants of George’s great-aunt Bridget Rolle (1648–1721), passed on to his uncle Horace Walpole; he also took the still heavily encumbered Houghton Estate. Because George never married, he left no legitimate heirs. However, there is documentary evidence that he had an illegitimate daughter, named Georgina Walpole, whose mother was Mary Sparrow of Eriswell

Within the story of George Walpole, it should not be forgotten that, certainly within the County of Norfolk, he was very popular; everyone liked his manners and the way he was passionately absorbed in things around him. In 1791, the year in which he died, Dr. Charles Burney visited him and “found his Lordship’s head as clear, his heart as kind and his converse as pleasing as it has always been.”  In 1792, Rochester Lane (the main entrance to the Castle Ditches in Norwich was widened. The work was financed by public subscription, and our George had been one of the biggest subscribers. The new road, Orford Street in the city, was named after him and Hog Hill became Orford Hill.

Footnote: Above everything else, George Walpole, 3rd Earl of Orford will be particularly remembered for his 1778 sale of his grandfather’s magnificent art collection, the “shipwreck of my family”, the phrase coined by Horace Walpole. This episode started in the autumn of that year when George hired James Christie, founder of the ‘eponymous’ auction house, to value his grandfather’s paintings in “the most profound secrecy” – a wish that didn’t really work! Alexey Musin-Pushkin, Russia’s ambassador to the Court of St James, was to quickly inform Catherine the Great of the impending auction:

George Walpole (Catherine_II_by_J.B.Lampi_(1780s,)
Portrait of Catherine II in her 50s, by Johann Baptist von Lampi the Elder. Image: Wikipedia.

“Your Majesty has perhaps heard of the collection of paintings of the celebrated Robert Walpole…… His grandson, Lord Orford [our George] is taking the liberty of placing everything, or part of it, at Your Imperial Majesty’s feet. It is worthy, in the opinion of all connoisseurs, of belonging to one of the greatest sovereigns.”

Wasting no time, Catherine instructed the diplomat to make an ‘en bloc’ offer of £40,550 [1778 value] for 204 of Walpole’s best paintings. Catherine’s apparent talent for clandestine negotiations paid off. By July 1779, the Empress and George Walpole had struct a deal. News of that deal unleashed a firestorm of protest. The trustees of the British Museum petitioned parliament for their purchase and the erection of a new building in the grounds of the British Museum, but to no avail – the King was pre-occupied with the American Revolution. Fast forward to the 1930’s which saw the sale of some of the collection, leaving 126 pictures which now forms the collection at The Hermitage in St Petersburg. In 2013 seventy paintings from the “magnificent” art collection built up by Britain’s first Prime Minister temporarily returned home to Houghton Hall in Norfolk; the first time in over 230 years. The collection included Rembrandt, Velasquez and Rubens.

For those interested in such things – here is the Walpole’s Family Tree, from the first person mentioned in this blog, to the present incumbents:

Georga Walpole (Family Tree)

THE END

Sources:
https://en.wikipedia.org/wiki/George_Walpole,_3rd_Earl_of_Orford

https://books.google.co.uk/books?id=K8bY-u9uveAC&pg=PA82&lpg=PA82&dq=Thomas+Sturgess+Margaret+Walpole+1734&source=bl&ots=aOa6T-2FDB&sig=ACfU3U1Mtd1Ixf582OQLxE-5NLWphYRRFg&hl=en&sa=X&ved=2ahUKEwir2bC98ZnmAhVgSBUIHf_uDTUQ6AEwEnoECAoQAQ#v=onepage&q=Thomas%20Sturgess%20Margaret%20Walpole%201734&f=false

https://en.wikipedia.org/wiki/Lady_Mary_Wortley_Montagu

https://books.google.co.uk/books?id=BA_CCwAAQBAJ&pg=PT168&lpg=PT168&dq=patty+mrs+turk+houghton+hall+1773&source=bl&ots=hA-4GLoKra&sig=ACfU3U1HI_yVvwGEMVto6sZbLu5I1AA3Hg&hl=en&sa=X&ved=2ahUKEwjc5-TX45vmAhXPTsAKHVRYBi8Q6AEwDXoECAoQAQ#v=onepage&q=patty%20mrs%20turk%20houghton%20hall%201773&f=false

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