Sam Larner: They Were All Singers at Winterton!

Do fishermen sing nowadays?  They used to be great singers when they got together years ago in their favourite pubs or at the annual jollifications of the beachmen’s societies.’  So wrote King Herring in an unidentified news article about northern singers. Perhaps he should have paid a visit to the Norfolk fishing village of Winterton where the old songs connected with the fishing community, those with plenty of salt in them, were sung until relatively recently. It used to be said that “They were all singers at Winterton”,  but foremost among them was Sam Larner, who knew dozens of such songs and whose extrovert performance style proved very influential to more recent singers. His impact was immediate and electrifying … and some thought that it was a privilege to be in the presence of such genuine greatness, a dominant figure due to his personality and extensive repertoire, in an area where singing was still commonplace in much of the first half of the Twentieth Century.

Sam Larner (Portrait)2
Sam Larner. Photo: Mustad

Samuel James Larner, (1878–1965) and known as Sam, was a fisherman because fishing was an almost inevitable occupation for one of nine children of a fisherman father and growing up in a village where, out of a population of 800 people, 300 were fishermen. Larner was once quoted as saying

“Why, for me and my brothers that was either sea or gaol, and that for my sisters that was service or gaol.”

Many Winterton families had been involved with the fishing industry for generations, most notably the Greens, Georges, Goffins, Hayletts and the Larners.  All were inter-related, as was common in close-knit communities, and all had singers amongst them.

Sam Larner (Fishing Fleet)
A Norfolk Fishing Fleet from the past. Photo: Mustad

Sam was born into this community in 1878, into a family of bricklayers and fishermen.  He first went to sea as a cabin boy on a sailing lugger at the age of 13 and in 1894 signed as a deckhand on The Snowflake, another sailing boat. It was a very tough existence as he later recalled, describing the dread when going to sea for the first time and that you’d be “on the knucklebones of your arse when leaving for sea.”  Some of the older fishermen “didn’t care for nothing … cruel old men.  You weren’t allowed to speak” and if you were sleepy they would “chuck a bucket of water on you to wake you up.” From 1899 he worked on steam trawlers and in 1923 married Dorcas Eastick who had hailed from Great Cressingham, near Watton. Sam met her when she was in service at the rectory in Winterton. Sam was to leave fishing due to ill health in 1933 and spent some time unemployed as well as doing whatever jobs he could find, including road mending and forestry.

Sam Larner started singing from an early age, learning the songs his grandfather and others sang in the pubs at Winterton, and earning pennies by singing them to the coach parties that visited the village. As a fisherman he learned the songs fellow crew members sang when pulling in the nets, as well as in singing sessions in pubs in fishing ports the length of Britain. He won a singing competition in Lerwick in the Shetland Islands in 1907.

Sam Larner Winterton Fishermen 1940)
Winterton Fishermen in 1940. (Photo: copyright owner unknown – see Notice below.) 

Although some trips were ‘home fishing,’ meaning that the fishermen would return the same day, more often than not the trips would take them away for weeks at a time, sailing around the British Isles in search of the herring.  This of course meant stopping for periods in various ports when there was opportunity for musical diversion whilst ashore, as well as the possibility of adding new songs to his repertoire.  Indeed, Sam Larner recalled that he won a singing competition in Lerwick in 1907 with his rendition of Old Bob Ridley-O. As he recalled:

“There was a singing competition in the town hall at Lerwick – all among the fishermen though. And the Lerwick ladies, they had to judge; and the gentlemen had to judge the singin’.  And I got the most encore of the whole lot for that song.  They won’t let me sit down; I had to sing them another song.  That was in 1907.  These people all know it about here; I aren’t tellin’ stories.  And I got the first prize.”

Unfortunately no Winterton singers, other than Sam Larner, were recorded extensively, but his detailed and lively accounts of both fishing and singing do give us a good indication that many of his songs were learned from fellow fishermen, many of whom were close relatives.  One example was Butter and Cheese and All, a popular song in the village; Sam said:

“That’s my old dad’s song.  I heard him sing it when I was a little boy.  Used to sing all them songs, my old father did.  Yeah, old ‘Bredler’ they used to call him; Bredler Larner; Bredler used to call him.  Big man, about fifteen or sixteen stone.  Big man, he was.  Oh, and he could do the step dance.” 

Sam Larner (The Dogger Bank)1

If there was opportunity at times to add to a repertoire of songs whilst on these fishing voyages, the real outlet for performance seems to have been, unsurprisingly, when back home after a long voyage – such as  “The Dogger Bank”:

Now we are the boys to make a noise, when we come home from sea,
We get right drunk, we roll on the floor, and cause a jubilee;
We get right drunk and full of beer, and roll all over the floor,
And when our rent it is all spent, we’ll go to sea for more.

Sam Larner (Fishermans Return Pub)
(Photo: copyright owner unknown – see Notice below.) 

An exaggeration maybe, but certainly the fishermen did adjourn to the village’s two pubs, The Fisherman’s Return and The Three Mariners, for lengthy bouts of singing and step dancing during which time, complete respect was given to the singers so as to avoid the possibility of violence. Certainly the old songs and the performances were taken very seriously. Ronnie Haylett also remembers:

Sam Larner (The Three Mariners)1
(Photo: copyright owner unknown – see Notice below.) 

“Now, Boxing Day, the pubs closed at half past two legally, you know, but they’d open here until four or five o’clock.  Policeman’d come in and have a look…….”Boys all right?”  Well, they’re all fishermen, you know…… Yes mister, Boys all right. Do you want a pint, mister?  No, I’ll leave you. He’d just go away and leave them.”

Sam Larner related more than once that “we used to have a rare old, good old time.  We used to get in the old pub, and we used to have a song, a drink and a four-handed reel … That was all there was for our enjoyment.”

Sam Larner (Dick Green)1
Dick Green. Photo Mustrad

Other singers at the time was Dick Green (b1909), another Winterton singer and fisherman; he was Sam Larner’s nephew but eventually turned his back on both the sea and singing to become a policeman, ending his days in Harleston.  In later years, he declined to be recorded singing the old songs as he felt his voice was not good enough to do so, but he was still able to recall such songs as Maid of Australia which he had sung in the village years earlier. Dick’s older brother Bob (1908-99) was another singer and fisherman, known locally by his nickname ‘The Devil’. He went to sea at fourteen as cook, working his way up to become a trawler skipper.  He also served in the Royal Naval Reserve during the Second World War.  He sang such songs as were popular locally such as The Maid of AustraliaCruising Round Yarmouth, and Henry Martin as well as comic songs such as The Hobnail Boots My Father Wore and Paddy McGinty’s Goat.  The father of Bob and Dick Green, also Bob Green, (born 1882), was recalled as having regularly sung The Wild Rover which, apparantly, was his party piece.

Sam Larner (Tome Brown)1
Tom Brown. Photo: Mustrad

Then there was Jack ‘Starchy’ George (1888-1975), another Winterton singer, fisherman and trawler skipper. Caister singer Tom Brown, who was on drifters with Jack George, described him as “a great singer” who would sometimes “lean out of the wheelhouse window and sing, and maybe he’d sing while he’d be on watch.”  All of the male Georges seem to have been known as ‘Starchy,’ apparently from one former family member who favoured starched shirt collars.  As well as the songs popular locally, many connected with the sea, such as Herring on the Griddle-O, to which men would dance as if flames were rearing up, and Jack Johnson which he also sang at weddings

In this fertile environment for song acquisition and performance, Sam Larner certainly stood out as an outstanding singer.  With an extensive repertoire of traditional ballads, sentimental and comic pieces and, most of all, songs connected with the sea and fishing, all performed in a vigorous, exuberant style; it is easy to imagine him being the centre of any singing session in the village or whilst away fishing. As a natural entertainer, Sam would also recite Christmas Day in the Workhouse in the pub, with much histrionics.

Step Dancing:

As well as the singing, another part of the evening’s entertainment in The Fisherman’s Return and The Three Mariners was step dancing.  Sam was a good exponent of this, just like his father, George.  As someone recalled, “The tables in there years ago, they had a bead round like this; a raised bead like that.  They all had pints of two.  Cause, comin’ out the old barrels, they’d all be wet, wouldn’t they?  So they’d stand them there and somebody’d shift the pints and Sam’d come up and do a tap dance on the table.  Beer’d all spilt!” 

Often, there was no musician to play for the step dancing, so it was performed to singing and diddling. Sam Larner remarked, “I could do the Old Bob Ridley-O; that was a song and a dance.  I hadn’t got the wind to do it now.”  Whilst singing the song, he would pause half way through to comment “then they all step” which suggests something of a communal performance. Sam generally seems to have accompanied himself step dancing by diddling tunes such as The Sailor’s Hornpipe.

Cromer (Richard Davies)2
An example of Step Dancing from Richard Davies. (Photo: copyright owner unknown – see Notice below.) 

In the early 1960s, writer and broadcaster John Seymour described a visit to the Larners, in company with fiddler Alan Waller: ‘The Larners live in a little semi-detached cottage not far from the sea, and we all sat round the small kitchen while Alan played the fiddle and Sam sang, and Mrs Larner looked on and beamed.  And Sam could hardly restrain himself from jumping up and step dancing.  In fact he failed to restrain himself once or twice, and he is over eighty.  He kept challenging Alan as to whether he knew this jig or that step tune, and was absolutely delighted when he found that Alan knew them all.’

Sam Larner (His Cottage)
Sam Larner’s Cottage at Winterton, Norfolk. (Photo: copyright owner unknown – see Notice below.)  
Sam Larner (Philip Donellan)1
Philip Donnellan

Sam Larner first came to wider public notice when Philip Donnellan, a radio producer for BBC Birmingham, happened to meet him in a pub in 1956.  Donnellan was making radio documentaries about working people in Britain and Sam was exactly the sort of person he was looking for to provide him with information.  He recorded about twenty five songs and some speech from him in 1957 and 1958.  Sam appeared in two of Donnellan’s radio productions: Coast and Country: The Wash on Sunday 15th September, 1957, for which he was paid £1.1.0. Then there was Down to the Sea which was recorded on Sunday 15th February, 1959 with a rehearsal at a house in Happisburgh known as ‘Thatchers’.  It was broadcast on Friday, 27th February, 1959 and Sam was paid £8.8.0.  These were live performances and the sound recordings made by Donnellan have been deposited in the BBC archives.

Donellan also brought Sam Larner to the attention of Ewan McColl, Peggy Seeger and Charles Parker who were engaged in producing the first of the innovatory “Radio Ballads”, which used songs, sound effects and music combined with the voices of people involved in an industry or common experience. Sam took part in the third program in the series “Singing the Fishing” which was broadcast on 16th August, 1960, to great acclaim. The series was about the East Coast fishing industry.  Ewan McColl’s song The Shoals of Herring,  which describes a fisherman’s progress from cabin boy to deckhand, was largely based on Sam’s life and written for the program. Over a period of time, after editing Sam’s songs and anecdotes about his life, they were left, in MacColl’s words, with “almost thirty hours of magnificent talk and three hours of songs, ballads, stories and miscellaneous rhymes” from this ‘octogenarian’, ex-herring fisherman from Winterton, Norfolk.  What a wonderful person he was!  Short, compact, grizzled, wall-eyed and slightly deaf, but still full of the wonder of life.  His one good eye still sparkled at the sight of a pretty girl.’

Sam Larner (MacColl & Seeger)
Ewan McCall & Peggy Seeger. Photo: The Guardian

McColl and Seeger were to record even more material from Sam who went on to perform in their Ballads and Blues Club in London where, having been introduced by Ewan MacColl, Sam ‘sat and sang and talked to the several hundred young people, who hung on his every word and gesture as through he had been Ulysses newly returned from Troy to Ithaca.  He never forgot it.’  “They liked them old songs, they did.”  Also, in 1960, Peggy Seeger and Ewan MacColl published a book of English and Scottish folk songs called The Singing Island. They included thirteen of Sam’s songs: Maid of Australia, Clear Away the Morning Dew, Maids When You’re Young, The Wild Rover, Henry Martin, Cruising Round Yarmouth, Bold Princess Royal, The Dolphin, The Dogger Bank, The London Steamer, The Ghost Ship, Jack Tar and Butter and Cheese and All.  The copy they presented to Sam was inscribed: ‘Sam: a book in which your songs are not ‘written wrong.’ Many thanks for your songs and your friendship.  Peggy and Ewan.  1960.’ Certainly the songs that Sam had picked up from his community and fishing expeditions and sang so exuberantly were now reaching a much wider audience.

Sam Larner (Record)1This exposure to the world at large, or at least that portion of it interested in traditional song, reached a peak with the release of the LP Now is the Time for Fishing on Folkways Records in 1961.  This featured nineteen tracks of Sam Larner singing and talking about his life and the fishing industry, taken from the recordings made by MacColl and Seeger.  The interspersing of anecdotes amongst the singing put the songs in vivid context, with Sam’s rich dialect and turn of phrase, on what must surely be the first full-length LP issued of an English traditional singer.  A radical approach, perhaps, in 1961, which still stands as a seminal recording today.

In 1962 Charles Parker filmed both Sam Larner and Catfield singer Harry Cox for BBC Birmingham, singing and talking about their lives for a programme entitled The Singer and the Song.  As well as snatches of several old popular and comic songs Sam sang Now is the Time for Fishing, Clear Away the Morning Dew and The Wild Rover.  It was broadcast on BBC Midlands in 1964.

Sam Larner (Sitting Trio)
Sam Larner with two other Villagers at Winterton. Photo: Winterton on Sea.

By this time, Sam was a very old man of eighty six.  He had lived in Winterton all his life, aside from the often lengthy fishing voyages away after the herring, of course.  He had met his wife Dorcas there and had spent all of his working life at sea until ill health caused by the rigours of the fisherman’s life forced him to abandon this at the age of fifty six.  This grand old man of traditional song died on September 11th, 1965. He left £857.

Sam Larner (Neil Lanham)1
Neil Lanham. Photo Mustrad

About a year after Sam Larner’s death, Suffolk agricultural auctioneer and song collector Neil Lanham happened to be in Winterton, trying to find out in the churchyard about a relative who had been lost at sea in the area.  There he met retired fisherman Walter ‘Tuddy’ Rudd (1905-82) and asked him if he knew any of the old songs sung in the village. Rudd certainly did and arranged for several retired fishermen to get together at his house so that Neil could record them.  This happened on 17th December, 1966 when Tuddy Rudd and Johnny Goffin (1909-77) sang a variety of songs. These, unfortunately, are the only recordings made of Winterton singers other than Sam Larner, but they do give a good indication, together with the wealth collected from Sam, of this once-vibrant tradition.  Tuddy also told Neil Lanham that he got An Old Man Came Courting Me (Maids When You’re Young) from a fish-hawker in the village known as ‘Lame Jimma.’ Murray Noyes, once resident in the village, remembered Johnny Goffin’s father Roger, the gamekeeper on Lord Leicester’s Holkham estate, as a singer and learned Cruising Round Yarmouth from him.

Sam Larner (Record)2In 1974, Topic Records released a selection of fifteen of Philip Donnellan’s recordings as LP A Garland for Sam.  About the same time, collector Peter Kennedy issued his own selection of the Donnellan material as a Folktrax cassette (later CD) Sailing Over the Dogger Bank: Sam’s Saucy Salty Sailor Songs. Clearly, interest in Sam Larner’s singing and his songs continued strongly a decade after his death, and has certainly carried on doing so to this day.

  • Peter Kennedy was to claim that the rights to the Philip Donnellan recordings were signed by Sam Larner over to him in 1958.  There’s no evidence that Kennedy ever went to Winterton but he may well have met Sam in London.  Generally speaking, various relatives and others in the village felt that Sam signed away rights to the songs he sang far too easily, to others who may have wished to make financial gain out of them.

By the middle of the Twentieth Century, the fishing industry in the Winterton area of Norfolk was in serious decline and the formerly close-knit community was becoming increasingly less so.  The song sessions also declined as a consequence, as the way of life which fostered them all but disappeared. Ronnie Haylett certainly had very vivid memories of the nights in the pub and could recall parts of songs, but never became a singer himself: ‘Sam, he said to me one day – my father’s name is Jack – “Boy Jack”, he said, – (it was commonplace in the area for somebody to be referred to by their father’s name, together with the word ‘boy.’)  “why don’t you go up and sing like your grandfather?  Your grandfather Larpin.  Your grandfather larnt me a lot of these songs what I sing.”  I say, “I can’t sing, old chap.”  “You can.  You’ve just gotta stand up and get goin’.  Why don’t you come up and sing, boy?”  Of the two village pubs where the fishermen would congregate for such entertainment, The Three Mariners closed in 1955; it reopened for a short while as The Wishing Well but then became a private residence.  The Fisherman’s Return does continue as a public house but sadly is no longer host to such nights of song and step dance of which Ronnie Haylett said, “They were lovely times down the pub when I was a youngster.”

THE END

Reference Sources :
http://www.samfest.co.uk/why.html
https://www.mustrad.org.uk/articles/s_larner.htm
https://en.wikipedia.org/wiki/Sam_Larner
https://eatmt.wordpress.com/sam-larner/
http://www.greatyarmouthmercury.co.uk/news/folk-fans-gather-to-remember-sam-larner-1-4257514
http://www.greatyarmouthmercury.co.uk/news/winterton-s-famous-folk-singing-fisherman-to-be-honoured-with-festival-1-4074003
https://wintertononsea.co.uk/village/sam-larner.html
See also Rig-a-Jig-Jig: A Norfolk Music History Project)

COPYRIGHT NOTICE

 

 

Mousehold’s Little Railway

The Norwich Electric Tramway Company was a subsidiary of the New General Traction Company and its construction work started in Norwich in June 1898 with its first routes opened in July 1900. In conjunction with the laying of rail track and all else that is required to establish a tramway system, an electricity generating station was built on Duke Street in Norwich to supply power for the scheme. The Company’s tram depot was also built on Silver Road in the City. The whole network was essentially complete and fully operational by the end of 1901, but there were minor additions and changes in 1918 and 1919 – see below.

Norwich Tramway (Map - Plunkett)
A Diagram of the Norwich Electric Tramway System. Photo: George Plunkett

The above Diagram shows a tramway system which operated seven main routes throughout the central areas of the City; each route ‘colour-coded’ using White, Red, Green, Blue, Orange, Red & Blue and Yellow & Red. This article is concerned only with the Green route which transversed the City from the junction of the Unthank and Newmarket Roads to Castle Meadow, then onwards to Prince of Wales Road, Norwich Thorpe (GER) Railway Station, Riverside Road, Bishopbridge Road ; then generally terminating at the Cavalry Barracks. However, during the summer months there was an ‘extended summer service’ route which ran from Riverside Road, up and along Gurney Road to the elevated spot on Mousehold Heath at the Pavilion (now Zaks) where the trams would terminate and make ready for the return trip.

Norwich Tramway (Cavalry Barracks 1900)
(Photo: copyright owner unknown – see Notice below.) 
Norwich Tramway (Tram Riverside)
The section of the Norwich Electric Tramway system ‘Green Route’ which operated between Newmarket Road and the Cavalry Barracks (above), taking in Mousehold Heath during summer months. This photograph shows a tramcar travelling along Riverside Road, between Norwich Thorpe (GER) Station and Bishopsgate Road. (Photo: Courtesy of Norfolk County Council)

Towards the end of World War I (1914-1918) a temporary extension to the ‘Green’ route was laid down to transport armaments, munitions and aircraft parts between the then Mousehold Aerodrome, on which a munitions factory was situated, and Norwich Thorpe (GER) station. This extension was named the ‘Mousehold Light Railway’, and to operate its movements, the Light Railway used part of the existing Newmarket Road to Cavalry Barracks ‘Green’ tram route belonging to the Norwich Electric Tramway – namely,  the section that ran between Norwich Thorpe Station and the Gurney Road Pavilion on Mousehold Heath. Beyond this point, one end of the new ‘extended’ light railway then cut through the valley woods to pass south-east of the ruined St William’s Chapel site, before entering the ‘Mousehold Aerodrome’ site itself, with its munition’s factory. The entrance to this airfield was on the other side of what is now termed the Norwich Ring Road and  along what now is Roundtree Way.

Norwich Tramway (Mousehold)
A section of Mousehold Heath through which the Light Railway once ran. Photo: Blipfoto

The other end of the Mousehold Light Railway separated itself from the existing ‘Green’ passenger tram route at the southern end of Riverside Road; from there, it crossed the Thorpe Road junction east of Foundry Bridge and entered the Thorpe Station forecourt. From there, a spur line was laid to run parallel to the northern side of the rail Terminus to a siding which effectively served as Platform 7; here, the goods were off-loaded on to suitable main line rolling stock for onward main line trains journeys. The wagons used along the whole length Light Railway were hauled by two Government owned electric tractors, with BTH controllers and 38hp motors, powerful enough to pull the heavy loads up into and across Mousehold Heath. At the end of the War the line was discontinued and the tractors passed into the possession of Norwich Electric Tramcar Company who converted them for tram use. They were known as ‘Dreadnoughts’ due to their wartime role.

As for the rail line extensions, these were recycled from the disused King Street tram-route but differed in re-construction with the use of wooden sleepers. These rails and sleepers remained in- situ for about twelve years before being taken up in the 1930’s. Today, there still remains some evidence of the course of the light railway; a short length of former tramway survives as a cutting close to the south-east corner of the earthworks associated with St William’s Chapel.

Norwich Tramway (Mousehold - Lidar)
A Lidar image of Mousehold Heath showing  the St William’s Chapel site (center) and the approximate route of that section of the Mousehold Light Railway that linked what is now Rowntree Way with the Gurney Road section of the ‘Green’ Norwich Electric Tramway system, thus allowing the Light Railway to reach into Thorpe Station.

MOUSEHOLD AERODROME SITE

During much of the 19th century, the area outside of the present outer ring road, between the present-day Salhouse and Plumstead roads, used to be the Norfolk Regiment’s Cavalry Drilling Ground. During World War I (1914 and 1918), the area became a Royal Flying Corps (RFC) airfield and was sometimes referred to as ‘Norwich Aerodrome’. In April 1918 it became the ‘Royal Air Force Station Mousehold Heath’; its size covering 263 acres and containing a domestic and technical site. The technical site was equipped with a number of hangars including a coupled General Service shed. The first unit based at Mousehold Heath was Number 9 Training Squadron which stayed there until January 1918. A number of other squadrons stayed at the airfield including 18, 37, 85 and 117 Squadrons. From 1916 Mousehold Heath was the headquarters of the RFC Number 7 Wing.

Norwich Tramway (No.3 Badge)No. 3 Group Headquarters was located at Mousehold Heath between July and November 1919.

Norwich Tramway (B & P Mousehold)
One of Boulton & Paul’s Hangers at Mousehold Aerodrome in 1918. (Photo: copyright owner unknown – see Notice below.) 

The airfield also became an important repair and maintenance depot in 1917 which subsequently became the Number 3 Acceptance park. This was formed on 22 March 1917 originally as the Norwich Aircraft Acceptance Park later designated as the No. 3 (Norwich) Aircraft Acceptance Park and on 26 July 1919 became the Norwich Storage Park. The park was to accept aircraft into service from local manufacturers Boulton & Paul, Mann Egerton, Portholme and Ransome Simms & Jeffries until 1930.

Norwich Tramway (Bi-Plane)
The Beardmore Inflexible aircraft at the Norwich Air Display, Mousehold Aerodrome, May 1929. Photo: The Flight magazine archive from Flightglobal, CC BY-SA 4.0,  

The Norwich & Norfolk Aero Club was formed at the airfield in 1927 and the airfield operated as Norwich Municipal Airport between 1933 and 1939. During this period, the airfield was also used by the military as a Motor Transport Storage site and as an Elementary (and Refresher) Flying Training School (Number 40 E & RFTS) between 1937 and 1939. Then, during the Second World War, the airfield came to be used as a bombing decoy with dummy aircraft stragetically place throughout the area. The airfield also had an anti-aircraft battery and radio beacon; further to this, it has been suggested that part of the area may have been used as a Prisoner of War camp. Flying from the airfield finished in the early 1950s and the hangars were subsequently converted into light industrial use as part of Roundtree industrial estate.  The whole area is now the Heartsease Housing Estate.

Norwich Tramway (Heartsease)
Aerial view of the early stages of the Heartsease Estate. Photo: No date, Plate P1195

THE END

Sources:
https://www.blipfoto.com/entry/4116220
http://www.pastscape.org.uk/hob.aspx?hob_id=1492579
War Work at Boulton and Paul, Norwich.
https://en.wikipedia.org/wiki/RAF_Mousehold_Heath
www.edp24.co.uk/features/when-trams-ruled-the-streets-of-norwich-1-4856536
Header Picture: Painting by John Crome, circa 1818-1820. Tate Gallery, London.
Photographs by George Plunkett are published by kind permission of Jonathan Plunkett.

COPYRIGHT NOTICE

‘Bootiful’ Bernard!

Eight years ago, on the 25 November 2010 to be exact, Bernard Matthews of Great Witchingham Hall and turkey fame died. That November date is otherwise of no significance here, but in the USA it denotes ‘Thanksgiving Day’ – which is often dubbed “Turkey Day”!

In 2010, Bernard Matthews had reached 80 years of age and his death ended a remarkable business career that started just after the World War II when he purchased a clutch of eggs and an incubator. He went on to make his fortune by cultivating the British taste for turkeys, whether they be plucked and oven-ready, tumbled, extruded, lubricated, breaded or shaped. All these choices were packaged into 120 assorted products, all produced within a multinational business that, by 2010, produced seven million turkeys a year, employed more than 2,000 people and had an annual turnover of more than £330m.

Bernard Matthews (Photo REX)
Bernard Matthews at Great Witchingham Hall, his home in Norfolk. Photo by Glenn Copus/ Evening Standard / Rex Features (1084174a )

Bernard Trevor Matthews was born at Brooke, near Norwich, on 24 January 1930, the youngest of four children of a motor mechanic. He was a bright child and won a scholarship to Norwich Grammar School, but his early life was not an easy one. His father was regularly out of work and his mother worked as a cleaner to supplement the small amount of money that her husband did manage to bring home. When Bernard was 11, he and his sister had to move in with an aunt after their parents suddenly disappeared. They eventually returned, but divorced when Bernard was 16. After leaving school and then completing two years national service as an RAF clerk, Matthews found clerical work at a livestock auctioneers at 35 shillings a week. It was barely enough to live on, and he began casting around for a moneymaking hobby to supplement his income.

That lucrative hobby began, or so he thought, on the 8th May 1950 when he bid at auction for 20 turkey eggs and a paraffin oil incubator. They were knocked down to him for £2.50. Twelve of the eggs hatched but, as he had not built into his costs the money needed to feed those birds, the venture netted him far less than he had hoped; needless to say, he sold the chicks – to a neighbouring farmer for the equivalent of £9 today. Then, after resigning his position at the auction house in 1951 he became an insurance clerk with Commercial Union where the salary was appreciably better. He now had more money to spare and with that money he bought a second batch of turkeys and sold them on as day-old poults – baby turkeys. This may have been a touch fortutitous at the time since a gale force wind blew the turkey shelter away and the rest escaped. But, Bernard being Bernard, refused to give in and tried again. By 1952 he was selling over 3,000 turkeys a year and within 12 months thereafter he left his insurance role to become a full-time turkey farmer on a grand scale.

Last Duel ( Witchingham Hall)1
Great Witchingham Hall, where Bernard Matthew’s business was first hatched! Photo: Courtesy of Bernard Matthews.

In 1955, backed by a £2,500 loan, he bought Great Witchingham Hall and 36 acres for £3000. The Hall was a dilapidated 80-roomed Elizabethan manor outside Norwich, near Lenwade, which had once been the home of Oliver Le Neve and John Norris, man of letters. He and his wife Joyce moved in, despite its broken walls and leaky ceilings and soon nicknamed it ‘Turkey Hall’. Several hundred turkeys also joined the young couple and apart from the bedroom in which he and his wife Joyce were to live, he put most of the turkeys in the grand reception rooms, turned the bedrooms into massive incubators and  transformed the huge kitchen into a makeshift slaughterhouse. Matthews said at the time:

“People said I was crazy. The place was almost derelict, but it was the cheapest turkey house I could find. So it became the only stately home in England occupied by turkeys.”

He reckoned that, at 5p a square foot, it was considerably cheaper than the 30p a square foot he would have had to invest to build his own turkey sheds.

Bernard Matthews (Joyce with turkeys)
Joyce Matthews coaxing some turkeys down the 16th century staircase of Great Witchingham Hall. Photo: The Sun Newspaper 2016

When Matthews began his business in the 1950s, turkey was a luxury item, seen exclusively as a Christmas treat for the better-off. The average turkey, a huge beast, cost two weeks’ average wages. By the 1970s, Bernard Matthews had turned the turkey into the cheapest meat product on the market and available all-year-round. He then went on to become a household name in the 1980’s when he, all be it reluctantly, agreed to front an advertising campaign to promote his products. Standing in a Norfolk jacket and plus fours in front of Great Witchingham Hall, he extolled the virtues of his turkeys in a broad Norfolk accent: “Bootiful, really bootiful”. Those three words increased sales a massive 17-fold, breaking all previous records for an advertising campaign and propelling Matthews into the rank of a multimillionaire.

Bernard Matthews (factory)
A lorry bearing the famous Matthews’ livery and slogan parked outside his processing plant in Norfolk. Photo: Daily Mail.

A powerfully built man who stood 6ft 4in tall, Matthews came across on television as a ruddy-cheeked, chubby, jovial Norfolk poulterer. But the bluff image was deceptive. In fact, Matthews was a rather solitary, reticent man who took himself and his turkeys extremely seriously. He was defensive with journalists and disliked personal publicity. His direct, brusque style did not endear him to some of the more traditional members of Norfolk society and his intensive factory farming techniques made him the bête noire of environmentalists, animal rights campaigners and foodies. Yet there were many people in Norfolk who admired him, not least for the jobs he had brought to the County and his generosity to local causes. And even his rivals had to admit that he was no fool. When supermarkets and rival manufacturers tried to duplicate his success with spin-off products in the early 1980s, they found both the products and the processes involved protected by impenetrable patents, an unusual thing in the food industry at that time. Matthews was always happiest when running his business and talking turkey. As chairman of his company, he would regularly spend two hours in the food laboratories, testing out new lines. Sometimes he would taste 30 products in one session: “You really have to like turkey to do this job,” he declared.

The new squire of Great Witchingham soon established himself as the leading player in the industry, which until then had been a small if profitable sideline for only a few farmers. After filling his house, Matthews moved out into the surrounding acres and, in 1958, bought the former United States Airforce airfield at Weston Longville, the first of six redundant airfields across Norfolk and Suffolk. It was a shrewd move. Aerodromes were secure and isolated, and their concrete runways ideally suited for turkey houses. He built the first big turkey slaughterhouse and went into large-scale production.

Bernard Matthews (turkeys)
Photo: Farmers Guardian

Matthews quickly realised that the normal-sized turkey was too large for most modern families – even at Christmas – so he began breeding smaller birds at weights of between five and seven pounds. That led to higher turnover and more efficient methods of producing them in quantity, which helped keep prices down. Matthews’s frozen turkeys took the oven-ready market by storm. Eventually his empire would run to 500 vast turkey houses, most of them in Norfolk, which, if laid end to end, would stretch for 40 miles. In 1964 he presented a 55lb turkey to the Soviet leader Nikita Khrushchev during a Moscow trade fair. Soon afterwards he began developing food production plants for the governments of communist countries such as Romania, Hungary, Yugoslavia, Poland and Bulgaria.

But his domestic market remained stubbornly seasonal, and by the mid-1970s was showing signs of stagnation. So he set about making turkey a year-round, non-luxury item by deboning it, chopping it up and repackaging it in smaller portions. In 1975 he developed a revolutionary new “co-extrusion” technique in which meat is taken off the bone and pumped into a long casing like a sausage. This enabled him to move into mass production of spin-off lines, but he did not build up a really big market for his turkey rolls and turkey roasts until the 1980 advertising campaign.

The effect of the campaign was to turn Matthews PLC – the company went public in 1971- from an agricultural business into an advanced food processor, and Matthews patented the extrusion technology, not just for turkeys but for all meat. He diversified into red meat, chicken, fish and pork products, moved into North America, New Zealand and Europe, and sought royalties through international deals for his technology. He even launched a range of vegetarian products, though this did not prove successful. By the 1990s, nine tenths of his earnings came from spin-off products. The festive season, by comparison, was something of a sideshow.

However, the brand once advertised as “bootiful” also came to embody everything that food campaigners believed was wrong with factory farming. On the quality front, Matthews’s turkey products featured in reports that claimed that water was added to increase weight. “Chicken breast” sold under the brand, for instance, consisted of 80% chicken, the other 20% being water and chemical additives. When the celebrity chef Jamie Oliver set about his mission to improve school meals, he identified the ubiquitous Bernard Matthews Turkey Twizzler – made with only 34% turkey meat – as an example of the lowest common legal denominator of poultry products, precisely the sort of food that children should not be fed. The product was withdrawn in 2005.

Bernard Matthews (Twizzlers)
The ubiquitous Bernard Matthews Turkey Twizzler. Photo: The Sun Newspaper.

The following year, two employees admitted ill-treating birds at a Bernard Matthews unit in Haveringland, Norfolk, by playing “baseball” with live turkeys. On 19 June 2007, the Daily Mail reported the incident and went on to state that:

“Poultry tycoon Bernard Matthews faces more criticism after animal rights supporters released a video showing one of his workers repeatedly kicking turkeys. The footage was secretly taken last week by an undercover investigator for an animal welfare charity who sneaked on to one of the multi-millionaire’s farms. The same investigator last year filmed two other Bernard Matthews staff appearing to play baseball with live turkeys on another farm.

The confidence of consumers with Bernard Matthews products was also shaken in February (of 2007) by an outbreak of bird flu at his biggest farm  in Holton near Halesworth., Suffolk. Production at the farm and its adjoining factory was halted as more than 160,000 birds were culled after the discovery of the virulent H5N1 strain of the disease. The latest video is another embarrassment to Matthews managers who had claimed they did not tolerate workers abusing poultry.

The new film shows a balding worker in overalls delivering eight separate kicks to turkeys in a shed on a farm at Wreningham near Wymondham, Norfolk. The incident was filmed prior to two different workers being shown loading live turkeys into crates which were delivered to the shed by a forklift. The video is said to have been filmed through an open door in the giant shed by an investigator who sneaked on to the farm at around 1.30 am last Thursday………”A spokesman for Bernard Matthews said he could not comment until he had seen the video, despite being shown still pictures of the alleged abuse.”

Their lawyer told the court that the men were influenced by “peer pressure” at the factory, but the company took out full-page newspaper advertisements reassuring shoppers that its employees were “conscientious people”.

Bernard Matthews (bird flu)2
The scene at the Bernard Matthews factory in Holton, near Halesworth. Photo: Getty Images.

Bird experts had long argued that intensive poultry operations were magnets for disease. They must have felt fully vindicated when the H5N1 strain of bird flu surfaced in the UK for the first time in 2007. This was at Bernard Matthew’s plant at Holton, Suffolk, which called into question the much-vaunted “bio-security” of such state-of-the-art units. Certainly, Matthew’s products appeared to regularly ruffle feathers, but the appeal of ‘instant’ bite sized pieces bland white meat, coated in a deep-fried breadcrumb crust continued to prove more potent with consumers.

Bernard Matthews (with turkey)
Matthews lived a lavish lifestyle on the back of his turkey empire. Photo: Express & Star.

Matthews’s no-frills factory farming techniques attracted the opprobrium of environmentalists and animal rights and health campaigners. He was twice prosecuted for polluting Norfolk rivers with effluent and once fined for failing to admit on a label that some of his products contained “mechanically recovered meat” (MRM). Though sensitive to criticism, he was always robust in defending himself and was to reject criticism of the conditions in his turkey houses. He said, probably more than once, that:

“Turkeys have a very low IQ. All they need is food and warmth. They don’t need to be taken to the cinema twice a week!”

Matthew’s Private Life:

Bernard Matthews once described his private life as ‘complicated’! All that needs to be said here is that he married his childhood sweetheart, Joyce, in 1952 and they adopted two girls, Kathleen and Victoria, and a boy, Jason. They separated in 1975 but remained married, despite having lived apart from her for 35 years. He then fell in love with Cornelia Elgershuizen, a Dutch aristocrat, and they lived together for eight years in his 80-room Norfolk country house, Great Witchingham Hall, where their son, Frederick, was born in 1981. However, that relationship ended when Matthews fell for U.S. model Natalie McCray, and the devastated Cornelia returned to Holland with their son. She died there in 2004. He also was reputed to have had a ‘long-term partner’, Odile Marteyn. If all this had been a play then the cast could well be publicised as follows:

Leading man: BERNARD MATTHEWS (January 24, 1930 – November 25, 2010)
Wife: JOYCE REID (married 1952. Lived apart from 1970s but never divorced)
Adopted daughter 1: KATHLEEN MATTHEWS
Adopted daughter 2: VICTORIA MATTHEWS
Adopted son: JASON MATTHEWS
Lovechild: GEORGE FREDERICK ELGERSHUIZEN
Mother of the lovechild: CORNELIA ELGERSHUIZEN
American lover: NATALIE McCRAY
French mistress: ODILE MARTEYN

Matthews did not flaunt his wealth. His two big concessions to multimillionaire status were a Rolls-Royce and a 158ft yacht, the ‘Bellissima’, which he eventually sold to “an Arab who wanted it more than I did”. In addition, he restored and furnished Great Witchingham Hall with antiques, and where he lived a careful, modest life, preferring to spend his evenings at home to going out and socialising.

On the plus side, along with the fortune he made, he did support a number of charities and had a positive effect on the local economy. In 2007 he was appointed CVO for services to the Duke of Edinburgh Award Scheme.

Bernard Matthews (CBE)
Bernard Matthews pictured at Buckingham Palace with his wife Joyce (left) and daughter Kathleen, after he received his CBE in 1992.

One of the very few people who appeared not to have heard of the brand name Bernard Matthews was the Queen who asked him, during the CBE ceremony, which branch of the poultry business he was in. Apparently, when he told her, she observed that “a lot of turkeys come from Norfolk” – to which he more than likely replied “Yes, Maam!”.

THE END

Sources:
https://www.telegraph.co.uk/news/obituaries/finance-obituaries/8162155/Bernard-Matthews.html
https://www.thesun.co.uk/archives/news/899161/the-tangled-lovelife-of-the-turkey-tycoon/
https://www.telegraph.co.uk/news/uknews/1541576/Bird-flu-its-here-to-stay.html
http://www.edp24.co.uk/news/poultry-industry-awaits-bird-flu-verdict-1-694473
https://www.dailymail.co.uk/news/article-462909/Bernard-Matthews-worker-caught-playing-football-turkeys.html
http://www.dailymail.co.uk/news/article-1381103/Bernard-Matthews-Dutch-lovechild-inherit-30m.html

COPYRIGHT NOTICE

 

Romancing The Broads!

The Broads as we know them today were, originally, a man-made accident. They were formed by the flooding of medieval peat excavations which provided fuel to Norwich and Great Yarmouth. As sea levels began to rise, the pits began to flood and by the end of the 14th century, these pits were abandoned and large individual areas of enclosed water were formed. Collectively, they were not known then as Broads and certainly not the Norfolk Broads. That name seems to have gained popularity in the mid-Victorian era, about one hundred and sixty-five years ago; this was when they were ‘discovered’ and promoted by devotees of all things picturesque.

Norfolk Broads (Ariel View)

At the beginning of what became the ‘Broads’ brand, the railway had wielded its way across Norfolk and taken much of the carrying trade out of the wherry-man’s hands; eventually to rob him entirely of his livelihood. Victorian pleasure-seekers followed, at first in small numbers to explore the waterways and try the marshland inns during what was, at the outset at least, a short season. Then, as time past, visitor numbers increased so that the Broads, like many other places became overcrowded, a situation which in some people’s opinion was quite detestable!

Norfolk Broads (Wherry)
Photo: Courtesy of the Norfolk Wherry Trust – Home Of the Wherry Albion

It seems quite natural for so charming an area as the Broads to have had so much literature written about it. However, George Borrow (5 July 1803 – 26 July 1881) was one writer who, despite having lived for a while by Oulton Broad, did not write anything about the neighbourhood or the Broads – but, there were other less eminent early writers who did. They were the ones who busied themselves in making known the attractions of the flat landscape of the Broads, its slow moving waterways, the peaceful meres, the free shooting and fishing, together with the apparent strange life of the marsh-folk who drained the waterways.

Norfolk Broads (Gathering Waterlilies)1
Peter Henry Emerson, Gathering Water-Lilies 1886, platinum print from glass negative, 19.8 x 29.2 cm
Wilson Centre for Photography

By the late 19th century, luxurious boats could be hired to navigate the waters amongst the clean white sails of yachts, all of which mingled with the dirty brown sails of the wherries on the rivers Yare, Bure, and Waveney. William Dutt, (1870-1939) wrote admirable books about Norfolk and its Broads which were read with great pleasure by those of his time, He knew the country and the people thoroughly, and wrote in a very agreeable fashion:-

“……the visitors who content themselves with what they can see of Broadland from a yacht’s deck can never become really acquainted with the Broads and Broadland life. To gain a real knowledge of these, they must, to some extent, ‘rough it,’ as the early adventurers did; trudge the river walls; associate with the eel-catchers, marsh-men, reed-cutters and Breydon gunners, as well as exploring the dykes which were non-navigable by yachts. There are also the swampy rush marshes where the lapwings and red shanks nested……..spend days with the Broadsman in his punt, and nights with the eel-catcher in his house-boat; crouch among the reeds to watch the acrobatic antics of the bearded titmice, and mix with the wherrymen at the staithes and ferry inns……..If the stranger in Broadland is unwilling to do these things, he must rest content with the outward aspect of the district and second-hand knowledge of its inner life………But there must always be many whom lack of time, opportunity, or inclination will debar them from becoming intimately acquainted with the scenery, inhabitants, archaeology, history, sport, and wild life of this most delightful and interesting district.”

Norfolk Broads (Eel Catching)
1887
“An Eel Catcher’s Home.”
Image: Peter Henry Emerson/Royal Photographic Society/SSPL/Getty Images
Norfolk Broads (Reed Cutters)1
Plate titled During the Reed-Harvest from P H Emerson and T F Goodall’s Life and Landscape on the Norfolk Broads 1887
Royal Photographic Society/National Media Museum/Science & Society Picture Library

Then there were the illustrators and artists who produced drawings, oil paintings and water-colour sketches of the landscape, the sailing craft, the birds, and the vegetation of the Broads. These ‘interpretations of reality’ were, and indeed still are, exceedingly attractive and capture the full charm of the area. By the very successful process of colour printing they have, for many years, been reproduced in books that did not rely on just wearisome pen sketches or tonal single-colour photographs – although the best of these have found their place.

But it must be said that if one is to understand and appreciate the real, deep laying, beauty of the Broads, it is clearly advisable to also gain at least an outline on the history of this part of the County, from its earliest days, when a great chunk of East Norfolk was the bed of a vast estuary. Close behind came the Roman days when galleys could sail up to Norwich. Then there were the years of great inundation and, at the beginning of the 17th century, the work of reclamation with much of the swamps being drained and the resulting pasture put to profit.

Fortunately, despite all this activity, the Broad’s wild life was not seriously affected when Sir Thomas Browne made his list of Norfolk birds. Then the peewits were so plentiful that cartloads were brought into Norwich and the rustics used their eggs in puddings. Cranes bred, on what is now the Broads, till 1542 and spoonbills nested in 1671. The avocet ceased to breed by about 1825 and the black-tailed godwit’s egg was last taken at Reedham in 1857. At the same time, it used to be believed that the bittern and the black tern would, most likely, never rear their young again in the county of Norfolk – but they have.

Norfolk Broads (Bittern)
The Bittern

We are told about the life of the marsh-folk of old; how the eel-catchers set about their business and made a precarious livelihood; how the professional wildfowlers became an extinct race; and how the marshmen controlled the drainage, looked after the cattle, and made a harvest of the reeds. Much has been pleasantly described, not least about the wild life on Breydon, an area of thirteen hundred acres which remains, strictly speaking, not a Broad, but an estuary to which numerous sea-birds and waders come and go. Many a rare straggler from foreign countries used to be shot there; spoonbills used to appear there every year and even more commoner birds used to, and indeed still do, visit the Breydon flats at the seasons of migration. It used to be said that an old Victorian gunner boasted that he once secured over a hundred dunlins at one discharge of his punt-gun. Although Breydon is not a Broad, there are about fifty pieces of water, some, of course, small pools, which are called Broads. Hickling, Rollesby, Ormesby and Barton are good examples, each having an area of over two hundred acres, with eight others of the best-known broths each more than a hundred acres in extent. Such a district has much to make it attractive to animals, plants and humans!

Norfolk Broads (Punt Gunner)
1887
“Gunner Working up to Fowl.”
Image: Peter Henry Emerson/Royal Photographic Society/SSPL/Getty Images

On the subject of ornithology, nests of the marsh harrier can still be found and, certainly, the Montagu’s harrier was known to have been present on the Broads in past years. However, one big complaint used to be expressed against the gamekeeper’s ‘pestilent activity’ which if not restrained, would doom many species, including the ‘ruff and the reeve’ sandpipers.

Norfolk Broads (Montagu Harrier)
Montagu Harrier (Circus pygargus)

Norfolk Broads (Great Crested Grebe)2Norfolk Broads (Common Crane)Norfolk Broads (Marsh Harrier)Norfolk Broads (Spoonbill)

Entomology is another specialism which has always thrived on the Broads and written about; the precursor to the preservation of the species, such as that of the swallow-tail butterfly which in the past had been on the verge of becoming very rare, if not extinct. At one time, this would have been due to the insatiable greed of collectors and also to the draining of places where the hog’s-fennel, on which the caterpillars feed, once grew abundantly. On the other hand, the greatest treasure still to be found in Broadland is the moth, Fenn’s Nonagria typhae (Bullrush Wainscot) which was first discovered way back in 1834.

Norfolk Broads (Butterflies)
A Selection of Butterflies common to the Norfolk Broads. Courtesy of The Broads Authority. Photo: copyright Pat Thorne 2013

Then there is the ‘pond life’ which has been described as a rather vague branch of natural history for it deals in the ‘research of pond life which takes the seeker, who is after knowledge, into a world totally different to that in which he may otherwise have lived.” However, for such a person to study the rotifers and polyzoan, a microscope is needed which few visitors to the Broads are likely to possess.

Norfolk Broads (Lilies)
Cockshoot Broad (Photo: Ray Jones)

Then there is Botany, another of those subjects which is more likely to be studied by the intelligent tourist. In the past, popular interest in plants was almost confined to orchids and ferns which suffered accordingly. Ammophila arenaria, is a grass which did spread from the sand-hills of coast and would not have competed with the flowering fern (Osmunda regalis) had it not itself been exterminated in many spots by past fern-gatherers. Neither should it be forgotten that the small orchis (Spiranthes autumnalis) used to be dug up by ‘wretches’ armed with trowels.

Norfolk Broads (Grass)
The Grass Ammophila arenaria
Norfolk Broads (Fern)
The Fern Osmunda regalis
Norfolk Broads (Spiranthes-Autumnalis)
The Small Orchid Spiranthes autumnalis

In total, the natural features of the Broads, and its geological history, differ so greatly from those of other parts of England. We are told that its earliest strata was cretaceous, but goes back only to the comparatively recent geological period when East Anglia, like the rest of Europe, was under the sea. Nature, assisted by man, is still at work. But one should not forget that in the past, owing to the deposition of mud, the drainage of swamps, and the effects of tidal currents, the Broads were in danger of slowly, but surely, vanishing. Fortunately, in these days of ‘enlightenment’ that is no longer the case.

But, the Broads have always been much more than that described above. Nothing has yet been said about prehistoric men who made the flint implements which have been discovered in the valley gravels of the Upper Waveney. Then there is yacht-racing which was once known as “water frolics” and dates back to the 18th century, whilst “regattas” and “yachting” as we understand them are inventions of the 19th century. Fishing, we are told, is not what it used to be on the Broads but good bream fishing may be had in some places – the worst of the bream is that it is useless when you have caught it. Perch is even less abundant. On the other hand, pike fishing is excellent in winter, and it has been known for the occasional 36 lb specimen to be caught. Roach, we are again told, remain abundant but Rudd, which will take a fly, give better sport in places like Barton Broad and in some parts of the Bure. Wild-fowling and free shooting used to be a popular pastime, but has long been restricted if not banned. Snipe, redshanks, and plovers were once at the mercy of a reputed twenty or thirty gunners who made a living on Breydon water; these have long disappeared and life has been allowed to flourish and move on.

Norfolk Broads (The Bow Net)
Thomas Frederick Goodall, The Bow Net 1885–6, oil on canvas, 83.8 x 127 cm
Walker Art Gallery, Liverpool

FInally, for the statistically minded, the area covered by the Norfolk Broads is estimated to be 303 square kilometres (117 sq mi), most of which is in Norfolk, with over 200 kilometres (120 mi) of navigable waterways. There are seven rivers and 63 broads, most less than 4 metres (13 ft) deep.

THE END

Sources:

http://archive.spectator.co.uk/article/25th-july-1903/19/the-broads-it-must-now-be-about-half-a-century-sin
http://www.broadsnet.co.uk/introduction/
Wikipedia.
Photos:
https://www.tate.org.uk/context-comment/articles/life-and-landscape-on-the-norfolk-broads
https://mashable.com/2016/04/30/norfolk-broads/?europe=true
https://www.wherryalbion.com/links/wherryart.php
https://getoutside.ordnancesurvey.co.uk/guides/bird-watching-in-the-broads/

COPYRIGHT NOTICE

Breydon Water: A Step Back in Time!

Approximately one-hundred and twelve years ago, William Dutt wtote, in his book ‘Norfolk’ a charming account of his stay with a friend in his houseboat named the ‘Moorhen’ on Breydon Water; Dutt titled this account ‘A Night on Breydon’. Now is your opportunity to return with him and view this section on the Broads as he saw it – at a time when life generally was, to our minds today, forged at a much less hurried pace. Those of you who know the Breydon area, may judge that little has changed from Dutt’s time there – but there again, maybe you will feel that much has!

************

No lover of wild life should leave Norfolk without exploring Breydon Water, a wide expanse of ooze flat and tidal water lying inland of Yarmouth. Breydon Water, or Breydon, as it is generally known is the estuary of the three principal Broadland rivers, the Yare, Bure, and Waveney. Its length from Yarmouth Haven Bridge to Berney Arms is about four and a half miles, and its width about a mile in its widest part. Seen under whatever aspect, it presents a striking appearance, whether its flats are steaming under a mid-day summer sun or its waste of waters is reflecting the ruddy glow of sunset. There is still something primeval about it and except for the artificial barriers which have been built to protect the marshes from its tides, it must present much the same aspect now as it did when, as a vaster estuary, it occupied the entire valley of the surrounding lowlands. It can have altered little since the days when the Iceni crept out in their coracles upon its waters, and the Romans, who built the massive fortress at its upper end, signalled across it to their camp at Caister.

Breydon Water (Berney Arms)
Ariel view of Breydon Water and the Berney Arms Inn (centre)

I think I cannot give a better idea of Breydon than by describing a visit paid to its tidal waters towards the end of August 1899, when I accepted an invitation from a well-known Norfolk naturalist, Mr A. Patterson, to spend a night with him in his house-boat the ‘Moorhen’. We left Yarmouth shortly after mid-day, starting from a characteristic Breydon boathouse, with its eel-spears, butt-darts, fish boxes, punt sails, and bobbing poles, in a typical Breydon punt. Visitors to the Broadland soon become familiar with boats of this description, which, however, often differ slightly, according to the taste and fancy of the owner. Our boat was better constructed than most of them, having been specially designed to meet the requirements of a naturalist. Space economy was one of its special features. It was flat-bottomed, decked-in fore and aft, and had a roomy central “well.” It carried a lug sail, and had a rudder instead of the customary sculling rowlock.

Breydon Water (Houseboat - Broadland Memories)
This is as close as we can get to showing the sort of Broad’s Houseboat as described by William Dutt. (For illustration only)

The sea itself could scarcely have presented a wider outlook than did Breydon when we commenced our inland voyage, for the tide was at flood and all the flats were submerged. In a little while, however, the ebb set in, and one by one the flats, instead of being wholly hidden, became simply awash, so that the succulent water weed locally known as ” widgeon grass,” which grows freely upon them, began to fall in matted masses on the mud. Then we saw our first signs of wild life in the shape of a bunch of knots which, uttering their musical note, came flying towards us over the water. An Arctic tern also came within a few yards of us, and some ringed plovers settled on a “rising” flat.

Breydon Water (widgeon grass)
The Widgeon Grass scientific name is Ruppia Maritima. It is a shallow water plant. It typically grows to depths of less than five meters in ponds, lakes, rivers and streams. Because it can tolerate salty and alkaline water, it is often also found in tidal flats, estuaries and salt pens.

 

Breydon Water (Rotting Hulks)
A Rotting Hulk on the Norfolk Broads. Norfolk Broads Forum

After a pleasant sail, during which we passed several stranded and rotting hulks, and the floating headquarters of “Ducker” Chambers, the Norfolk and Norwich Naturalists’ Society’s watcher, we arrived at the ‘Moorhen’ a snug and well-fitted-up little houseboat in which my friend often lives the life of a water gipsy. She was moored in a creek on the north-west side of Breydon, near Banham’s Farm, the home of a handsome, fair-haired, blue-eyed, marshland farmer, in whose veins is the blood of the Vikings. Several other houseboats were to be seen not far away, belonging to local gunners and fishermen. My friend’s, however, was the only naturalist’s houseboat on Breydon, and both in situation and convenience was admirably suited to his work. Behind it stretched mile after mile of level marshland, intersected by the winding waterways of the Broadland; in front were hundreds of acres of ooze flats, to which the curlews were just returning, and on which the gulls were settling to feed on crabs and flounders. Sea asters were blooming on the shores of the creek, and whenever we emerged from the cabin we inhaled the fragrance of sea southernwood, dense masses of which grew all along the ” walls.”

 

Breydon Water (Berney Arms Inn-BroadsNet)
The Berney Arms Inn

As the weather was warm we lit a fire on the side of the wall and boiled our kettle there. A cup of tea and a pipe made us supremely happy, and after a few minutes’ chat with the Norseman, who, glad to exchange a few remarks with a human being, strolled down to us from his farm, we set out on a ramble along the walls towards Berney Arms. A bunch of eight common sandpipers rose from the foot of the wall as we neared one of the drainage windmills, and we counted thirty-two curlews in a flock which came over from the marshes. The year 1899 was a good one for curlews – at any rate so far as Norfolk was concerned, for we saw more there then than we had seen for many years.

Breydon Water (Common Sandpiper)
A Common Sandpiper

Sunset on Breydon is often a sight to be remembered, but that night, as we were moored on the north-west side, we saw the sun sink, not into the water, but beyond the far off horizon of the marshes. It kindled a glorious glow among the fleecy cloud-drift, and for a few too brief moments it seemed as though the western sky were afire. The suggestion of a vast conflagration was emphasised by the mist which rose out of the dykes and creeks at sundown, and drifted like smoke across the lowlands. A quarter of an hour later land and water were hidden by a dense fog, which had a disturbing effect upon the fowl on the flats, for as we sat in the ‘Moorhen’ we heard an almost incessant clamouring of gulls, curlews, and smaller shore birds. As long as the fog lasted the fowl continued to call, chatter, and whistle ; but there were periods of comparative silence, when the fog lifted for a while and the flats were lit up by the moonlight. Most of the gulls were black-headed gulls, but now and again we distinguished the laka-laha of a “saddle-back.” After we closed our cabin door a heron flapped down close to the house-boat and at intervals shouted ” Frank ” across the flats.

Breydon Water Sunset
Sunset over Breydon Water, Norfolk

I was in no hurry to sleep that night, for my companion possesses a fund of interesting information and reminiscences, and has much to say about the wild life of Breydon. We talked together of the times, remembered by some of the older gunners, when the flats were often white with fowl, and that ardent naturalist, Mr E. T. Booth, brought from them some of his rarest and finest birds. There are still a few punt-gunners on Breydon in autumn and winter, but the Wild Birds Protection Acts have made it impossible for them to gain a livelihood by gunning alone. They complain, too, that nothing like such quantities of fowl visit the flats as in former days; but it must be borne in mind that of late years we have experienced several mild winters, and only comparatively small numbers of  birds have been driven southward in search of food.

Breydon Water (Punt Gunning)
Punt Gunning

The last time we had a severe winter Breydon and the Norfolk marshes were alive with wild fowl, and there is little reason to doubt that under like circumstances just such flocks will come to us again. As to the Breydon smelt-fishers, whose house-boats are moored where the Yare and Waveney unite and form the estuary, the decreasing depth of the water and the making-up of the flats has had much to do with rendering theirs an unprofitable occupation. An old broadsman whom I know can remember the time when the wherries could sail over what are now called Burgh Flats, and he tells me that these flats “made-up” four inches in one year. Smelting was once such a paying business that the fishermen ran all sorts of risks in defying the River Commissioners and police during the close season. But although smelt-fishing on Breydon has seen its best days, there are still several methods by which the Breydoners profit by the time they spend on their home waters. Eels abound in the mud of the flats, and the eel-picker is often at work with his spear ; butt-darting is a favourite sport, and trawling for butts and flounders and dredging for mussels are resorted to by some men desirous of earning an honest penny. It is impossible to record here one half of the subjects discussed as we sat in the ‘Moorhen’s’ lamp-lit cabin and listened to the cries of the fowl and the lapping of the tide.

Breydon Water (Smelt Fishing 1906)
Smelt Fishing on Breydon Water, Norfolk

When at length we stretched ourselves out on the cushioned settles to sleep, we found our minds still occupied with the matters upon which we had discoursed, and not a few amusing incidents of life on the tidal waters were recalled. My friend suddenly remembered how one night, while in his house-boat, he had tried to sleep, but found it impossible, owing to the uneasiness of his couch. After tossing restlessly to and fro for hours, he recollected that he had placed under his thin mattress two saws and a hammer! I, myself, while occupying a water-bailiff’s houseboat, had been kept awake all night by the singing of the sedge and reed warblers in the riverside reed beds. On another occasion my companion had been considerably startled by the violent rocking of the ‘Moorhen’ and discovered that it was due to the attentions of a horse, which was amusing itself by rubbing against the edge of the roof. No such disturbing incident occurred that night, however, though we were now and again aroused by the roar of a punt-gun, which proved that in spite of the close season extending for another week some gunner was already after the fowl.

Breydon Water (Daybreak-David Dane)

Morning dawned upon a cloudy sky and misty earth; but the sunlight soon broke through the clouds, dispelled the mists, and the roofs of Yarmouth were seen, at first dimly and then distinctly, across the water. We opened our cabin door carefully, not knowing what strange visitors might be in our neighbourhood, and were rewarded by catching a glimpse of five sheldrakes paddling in a goose-like fashion near the boat, and a small flock of wild ducks some distance away. The flats, often so unsightly under a lowering sky, were transfigured by the sunlight, which here and there streaked them with glistening bars of greenish gold. The far-spreading marshlands, too, with their many windmills, isolated homesteads, innumerable cattle, and abundant bird life, presented a very pleasing picture, and reminded me of what a somewhat neglected Yarmouth historian wrote, some forty years ago, concerning Breydon and its surroundings. He said,

Breydon Water (Sheldrake Duck)
Shelldrake Duck

“There is a peculiar charm in the contemplation of these wide and fertile vales, under the ever-changing aspects of sun and sky, with all their subtle gradations of light and shade. Raised above the river’s banks, the eye takes in a landscape which has that true and powerful element of the sublime — wide expanse — above us soars a vast o’er-arching canopy, and below is the bright glancing stream, flowing through a rich Champaign country, and as it gleams cheerily in the clear bright sunny air, filling the soul with an infectious gladness : anon the clouds are flinging down their flickering shadows as we flit past, now in sunshine, now in shade. . . . Here are rich poetical landscapes equalling aught of the great Dutch masters, tranquil cattle pieces worthy of Paul Potter, sunny Cuyps, romantic Hobbimas, gloomy Ruysdaels, moon-lit Aert Van Der Neers.”

After breakfast we walked across the marshes to the banks of the Bure, arriving, after an hour’s easy strolling, at Mautby Swim, where lives Fred Smith, an intelligent millman who is also an enthusiastic sportsman and observer of wild life. Although still only a young man, he can boast of having shot no less than nine spoonbills. One of these is said to be the finest specimen ever procured in England; and judging from an excellent photograph in Smith’s possession, I should say there are grounds for the assertion.

Breydon Water (Spoonbill)
Spoonbills in Norfolk. Rare Bird Alert

In addition to a stuffed kingfisher, which unfortunately is too common a feature of the marshman’s home, the millman pointed out to me a white-tailed starling and a handsome merlin. Among the rare birds which have fallen to him of late years were a broad-billed sandpiper (Calidris falcinellus) only about half a dozen of which species have been taken in England, and four of these on Breydon; and a pectoral sandpiper (Heteropygia maculata) an American species. About two months before the date of my visit he had seen a roller (Coracias garrulus) at Mautby. One of his especial bird friends is a winged hooded crow, which, on account of its injury, is unable to re-cross the North Sea, and has frequented the marshes in all seasons for two or three years. Ramblers on the marshes and voyagers on the Bure will do well to pay a visit to the picturesque home of this entertaining marshlander, if only to climb the tower of his windmill and view the surrounding country. There was formerly a wild-fowl decoy at Mautby, but it is now disused. Plenty of good fishing may be had in the neighbourhood, especially at Stracey Arms, where, in all probability, a railway station will soon be built. Mautby is about seven miles from Yarmouth and two and a half miles from Acle.

 

Shortly after two o’clock we started on our homeward voyage, following the winding of the walls instead of crossing the flats. We had not gone far before we saw something which reminded us of a cruel and stupid practice of some of the summer season cruisers on these inland waters. I refer to the useless and unsportsmanlike shooting at gulls which, even if they are hit, can only be left to die on the flats. As we glided along by the flint-faced wall a bird dragged itself up the stones and hid amongst the coarse sea grasses. My companion jumped ashore, and in a few moments returned with a winged black-headed gull, which he took home and placed in an aviary rather than leave to the mercy of the Breydon rats. The local gunners seldom waste their powder and shot upon gulls, and it is a pity that yachtsmen, who cannot leave their yachts and venture upon the flats to get the birds they shoot, do not refrain from this questionable sport.

Breydon Water (Punt Gunning)2
Punt Gunn.

Near a couple of quaint little houseboats we encountered a typical Breydoner in his gun-punt. In a few days he would probably be prowling about in search of fowl; and even though the 1st September had not yet arrived, the long-barrelled, pistol-stock gun pointing over his boat’s bow looked as if it might go off accidentally should a bunch of fowl settle on a flat. Apparently he wished us to understand that he was engaged in the harmless occupation of collecting driftwood; but he seemed to have his eyes open for other things than stray fish boxes and floating timbers. He was an elderly man, and no doubt could call to mind many days of exciting sport, when the flats were almost hidden by fowl, and the discharge of his murderous-looking gun filled the air with wheeling and crying birds which left a score or more of their kind lying dead or dying on the ooze.

By four o’clock we were back in Yarmouth, and I was saying good-bye to the friend to whom I was indebted for such a delightful holiday. If any reader is desirous of spending just such another he cannot do better than communicate with Mr A. Patterson, who of all the Norfolk naturalists knows most about Breydon, and than whom none is more ready to assist and impart information to a kindred spirit.

THE END

Sources:

Taken from WILLIAM A. DUTT’s book ‘Norfolk’, Edited by George A. B. Dewar and published by J. M. Dent & Co. Aldine House, Bedford Street, London W.C (circa 1906).
https://archive.org/stream/norfolk01dutt/norfolk01dutt_djvu.txt

COPYRIGHT NOTICE

Church Ruins in Someone’s Garden!

St Peter’s Church, North Burlingham, Norfolk has long been in ruin and what remains shows that it was mostly Perpendicular with the nave and chancel dating from the 15th century. There is a suggestion that, even further back in time, the church’s origins rest in Late Saxon times. The church was heavily restored in 1874 by the Burroughs family but its once proud round tower, with octagonal tope, collapsed in 1906 and the church was abandoned in 1936 in favour of St Andrew’s close by……… Many people over the years since then have visited the ruins of St Peter’s and, no doubt intrigued, have taken photographs and written interesting accounts; not least the following by Simon Knott who, in November 2007, paid his own personal visit:

**********

“It was Historic Churches bike ride day 2007. We had been to Hemblington, explaining our plans for the day to the nice lady on welcoming duty, and to a gentleman cyclist who had just checked in. “Don’t forget that there is a ruined church at North Burlingham”, he said. We hadn’t forgotten, and already had plans to track it down, but we wondered if access to it was possible. “Certainly”, said the nice man. “I own it. It’s in my back garden. I give you Permission”

St Peters (N Burlingham)2

If only it was always that easy. Thanking him profusely, we headed on back down to the A47. North Burlingham is bypassed these days, but not by much, and the thunder of traffic was very noticeable after the peace of Witton and Hemblington. It is not a huge parish, but was obviously busy enough to maintain two churches well in the second half of the 19th century, when both underwent major restorations. St Andrew, a couple of hundred yards to the west, is a big, late medieval building with a huge tower, but St Peter was more typical of the area, a smaller, older church with a round tower.

St Peters (N Burlingham-vincebettsphotography.com)906

It was the tower that led to the demise of the building. One night in 1906, it collapsed into the nave. At first, the gap was merely boarded up, but, not surprisingly, this was found to be unsatisfactory, and in 1936 the remains of the congregation finally decamped up the road to St Andrew. The building has been left to decay since then, pretty much, quietly returning back to nature. Ashes to ashes, dust to dust. It is hard to see beyond its restoration, but this must have been a little Norman church, perhaps with a 13th century chancel.

We stepped into what must have become a completely Victorianised building in the 1870s. Now, little remains. Victorian tiling forms an aisle up the middle to the off-centre chancel arch. The roof timbers are mostly still in place, although completely unsafe. There are broken ledger stones, and you can see into the vault beneath the chancel floor.

There was an elegant, quiet dignity about the building on this beautiful sunny day. The elder and ivy filtered the light as if they were stained glass windows, and although the building is now nothing but a faltering shell, it was quite possible to repopulate it in the mind’s eye with 19th century furnishings and people. There are quaint niches either side of the east window in a Decorated style, and I wondered if this was a suggestion that St Peter had been quite High Church in its 19th century heyday, perhaps as an alternative to Lower worship at St Andrew’s.

St Peters (N Burlingham)905

There was plenty of time for the furnishings and treasures to be removed, of course, and they have been mostly reinstated up the road at St Andrew. There you will find the pretty rood screen, now filling the mouth of the tower arch. Also there are the memorials, including two medieval brasses.

The medieval benches went across the A47 to Blofield, and other furnishings went to Earlham and Lingwood. The bells are in the keeping of the Norfolk Museum Service, along with so many extraordinary treasures in the great storage warehouse at Gressenhall.

img_3710Norfolk has many ruined churches. I have already visited fifty or so of them, and there are plenty more to come. But there was something particularly atmospheric about the interior and setting of this particular ruin. It would be impossible to find such a place sinister or eerie, for it is organic and harmonious. As if to accentuate this oneness with nature, a dead barn owl lay on the nave floor. It seemed not inappropriate. It was, as Tom observed, a good ruin.

We wandered through and around to the north side of the church. Here, hauntingly, there are surviving gravestones, dotted among the trees. The latest appeared to date from the 1920s or so, a cross for James William Oliver, who died aged 17 months. If he had lived, he would have been 85 this year. I wondered if anyone ever came here to remember him. There was something particularly poignant about these forgotten headstones, so close to the busy road but utterly unknown.

We came round the west end, to find the remains of the round tower virtually indistinguishable from the uneven flinty earth about them. Light shone through from the nave and out of the former tower arch, now a pergola for hanging ivy. As I watched, a blackbird alighted on the ledge, the light spangling his feathers. He opened his mouth and gave a throaty warble for a moment – then saw us…… and was gone.

Many more have visited the site of St Peters Church since Simon Knott first wrote about it and many more will assuredly come, to admire, speculate, imagine what once was, to take their photographs and videos (see below) and report on social media.

Like Pam Shortis who wrote on Facebook in 2017:

“This place never really loses its mystique. As Larkin put it”:

A serious house on serious earth it is,
In whose blent air all our compulsions meet,
Are recognized, and robed as destinies.
And that much never can be obsolete,
Since someone will forever be surprising
A hunger in himself to be more serious,
And gravitating with it to this ground,
Which, he once heard, was proper to grow wise in,
If only that so many dead lie round”.

Also in 2017 Jean Walker-Baylis briefly noted:

“From 1945 to 1965 I lived at North Burlingham, this photo of the ruins was taken 1955”.

St Peters (N Burlingham 1955)908
Courtesy of Jean Walker-Baylis

 Then there was Roella Trughill in the summer of 2018:

“I visited here today! I was searching high and low for it! A couple staying in a caravan on The Church Farm Site said they had seen it through a hedge so off I went in search of it! I met a man and asked how I could access it but he said it was in someone’s garden so he went and knocked on their door and asked if I could photograph it and they kindly said yes! I asked how they came to own the church Ruin and she said that someone was going to turn it into a private house so she wrote to the church commission and they said she could buy it for a nominal sum”!

St Peters (N Burlingham)907
Courtesy of Roella Trughill

Sources:

http://www.norfolkchurches.co.uk/burlinghampeter/burlinghampeter.htm

http://www.heritage.norfolk.gov.uk/record-details?MNF8524-St-Peter%27s-Church-North-Burlingham&Index=8003&RecordCount=56881&SessionID=0ba0991f-683d-4183-9a35-b89957407c9b

https://www.28dayslater.co.uk/threads/abandoned-st-peters-church-north-burlingham-norfolk-march-2017.108013/

https://www.norfolkinruins.co.uk/stpeters-church-north-burlingham

 

Foxgloves’ Fey

This year of 2018 should be another good year for the foxgloves, which have started their blooms early in June and should still brightening the woods and hills over many weeks to come…….

Foxgloves Fey 1
Foxglove Spires:
Through the vales to my love/Where the turf is so soft to the feet/And the thyme makes it sweet/And the stately foxglove/Hangs silent its exquisite bells. Christina Rossetti (from ‘A Bride’s Song.)

Folklorists are divided on where the common name for Digitalis purpurea comes from. In some areas of the British Isles the name seems be a corruption of “folksglove,” associating the flowers with the fairy folk, while in others the plant is also known as “fox fingers,” its blossoms used as gloves by the foxes to keep dew off their paws. Another theory suggests that the name comes from the Anglo-Saxon word foxes-gleow, a “gleow” being a ring of bells. This is connected to Norse legends in which foxes wear the bell-shaped foxglove blossoms around their necks; the ringing of bells was a spell of protection against hunters and hounds.

Foxgloves Fey 9
Pages from ‘The Country Diary of an Edwardian Lady’ by Edith Holden

Foxgloves give us digitalin, a glysoside used to treat heart disease, and this powerful plant has been used for heart tonics since Celtic and Roman times. Botanist Bobby J. Ward gives us this account of early foxglove use in his excellent book A Contemplation Upon Flowers:

“An old Welsh legend claims to be the first to proscribe it, because the knowledge of its properties came to meddygon, the Welsh physicians, in a magical way. The legend is loosely based on the early 13th century historical figure Rhiwallon, the physician to Prince Rhys the Hoarse, of South Wales. Young Rhiwallon was walking beside a lake one

Foxgloves Fey 2
The Foxglove Fairy by Cicely Mary Barker

evening when from the mist rose a golden boat. A beautiful maiden was rowing the boat with golden oars. She glided softly away in the mist before he could speak to her. Rhiwallon returned every evening looking for the maiden; when he did not find her, he asked advice from a wise man. He told Rhiwallon to offer her cheese. Rhiwallon did as he was told, the maiden appeared and took his offering. She came ashore, became his wife, and bore him three sons.”

“After the sons grew and the youngest became a man, Rhiwallon’s wife rowed into the lake one day and returned with a magic box hinged with jewels. She told Rhiwallon he must strike her three times so that she could return to the mist forever. He refused to hit her, but the next morning as he finished breakfast and prepared to go to work, Rhiwallon tapped his wife affectionately on the shoulder three times. Instantly a cloud of mist enveloped her and she disappeared. Left behind was the bejeweled magic box. When the three sons opened it, they found a list of all the medicinal herbs, including foxglove, with full directions for their use and healing properties. With this knowledge the sons became the most famous of physicians.”

Foxgloves Fey 3

Girl With Foxglove by Samuel McLoy (1831-1904)

Foxgloves Fey 4

Foxglove by Christie Newman

Foxgloves Fey 5

From Flora Londinensis by English apothocary & botanist. William Curtis (1746-1799)

Foxglove is a plant beloved by the fairies, and its appearance in the wild indicates their presence. Likewise, fairies can be attracted to a domestic garden by planting foxgloves. Dew collected from the blossoms is used in spells for communicating with fairies, though gloves must be worn when handling the plant as digitalis can be toxic. In the Scottish borders, foxgloves leaves were strewn about babies’ cradles for protection from  Foxglove bewitchment, while in Shropshire they were put in children’s shoes for the same reason (and also as a cure for Scarlet Fever). Picking foxglove flowers is said to be unlucky, this is because it robs the fairies, elves, and pixies of a plant they particularly delight in; in the north of England, foxglove flowers in the house are said to allow the Devil entrance.

In Roman times, foxglove was a flower sacred to the goddess Flora, who touched Hera on her breasts and belly with foxglove in order to impregnate her with the god Mars. The plant has been associated with midwifery and women’s magic ever since — as well as with “white witches” (practitioners of benign and healing magic) who live in the wild with vixen familiars, the latter pictured with enchanted foxglove bells around their necks.  In medieval gardens, the plant was believed to be sacred to the Virgin Mary. In the earliest recordings of the Language of Flowers, foxgloves symbolized riddles, conundrums, and secrets, but by the Victorian era they had devolved into the more negative symbol of insincerity.

A lovely old legend told in the West Country explains why foxgloves bob and sway even when there is no wind: this is the plant bowing to the fairy folk as they pass by. The spires of foxgloves growing on our hill mark it out a place beloved by fairies, a land filled with riddles, secrets, and stories. I walk its paths, listen to the tales, and then do my best to bring them back to you.

Foxgloves Fey 91
Through quaint obliquities I might pursue/These cravings; when the foxglove, one by one/ Upwards through every stage of the tall stem/ Had shed beside the public way its bells…..  William Wordsworth (from ‘The Prelude’)
Foxgloves Fey 6
Foxgloves by Kelly Louise Judd

THE END

Sources:

  • http://www.terriwindling.com/blog/2015/07/foxgloves.html
  • Photos (1): http://www.terriwindling.com/
  • Includes:
  • Pages from The Country Diary of an Edwardian Lady by Edith Holden (1871-1920),
  • “Foxglove Fairy” by Cicely Mary Barker (1875-1973),
  • “Girl With Foxgloves” by Samuel McLoy (1831-1904),
  • “Foxglove” by botanical artist Christie Newman,
  • Page from Flora Londinensis by English apothocary & botanist. William Curtis (1746-1799),
  • “Foxgloves” by Kelly Louise Judd.
  • All rights to the contemporary pieces are reserved by the artists.
  • Other Photos (2): Google Images

Two Mayton Bridges – Not One!

The thing about waterways is that they have bridges – nothing surprising about that because people and vehicles need to cross them and keep dry at the same time. Very occasionally, when these waterway are diverted, for whatever reason, a second bridge is necessary to span the new cut. What happens to the older structure? Well, depending on circumstances; if the old course is not needed then, presumably, it is filled in and put to other uses. If, of course, water still has a need to flow along that old course then the old bridge remains to do its job.

That was a case in point here, in Norfolk where the River Bure flows near Coltishall at Horstead with Stanninghall. As with other parts along the Bure’s lower reaches, the road crossings here tend to be both large and infrequent. For those travelling up stream, there are various examples of bridges built to connect Coltishall with Horstead and beyond, but the one that we are interested in is Mayton Bridge, or to put it more accurately, Mayton Bridges – plural, near to the now disused Coltishall RAF airbase.

Mayton Bridges (Bure)
The long lonely canalised reach of the River Bure. Photo: Captain Ahabs Watery Tales – see Notice below.

The first and widely recognised Mayton Bridge is the flat topped construction with two cylindrical holes cut in the abutments to increase flood water capacity. This bridge was never part of the Aylsham Navigation although an earlier bridge must have stood on the site. This bridge occurs mid way along a long straight canalised section of the river, with the old watercourse winding off to the west as it approaches Buxton. Many in the past must have spent their summer days swimming or wading around this bridge for the depth of water under the span is rarely anything more than 18 inches, with the bridge itself originally built on a raft of huge oak logs.

Mayton Bridges (New Bridge)
The more modern Mayton Bridge. Photo: Captain Ahabs Watery Tales – see Notice below.

It is a matter of pure speculation whether the original bridge collapsed as a result of a past flood, or was torn down and rebuilt during World War II to allow heavy lorries to move between a local sand quarry on the west bank and the RAF base being built on the east – to become ‘RAF Coltishall’. The current bridge certainly seems to sit on top of a huge pile of rubble.

Mayton Bridges (Old Bridge - Road)2
The old brick bridge, this dates back to around early to mid-16th century. Phot: Captain Ahabs Watery Tales – see Notice below.

But the real interest of the ‘Mayton Bridges’ lies a couple of hundred yards to the west of the main, straight flowing, river where the road rises over a second bridge; this much older bridge comes complete with a couple of very unusual little shelters. This bridge has two arches spanning what some believe to be the original course of navigation. The bridge itself is very fine and in an excellent state of repair for its age although it was repaired in 1984. It is unusual in that it’s two arches are peaked in a manner not seen elsewhere on the river. Maybe this was how they were all built originally, or maybe this was a one off – it’s anyone’s guess!

Mayton Bridges (Old Bridge - Rail)
View towards Mayton Hall from Mayton Bridge. © Copyright Evelyn Sim

Very little seems to be available to describe Mayton Hall and I have not be able to find any photographs of it. For the moment, and until a kind and knowledgeable reader can provide something, I am left with the following brief outline: – Mayton Hall stands on the site of an earlier medieval moated manor and parts of the moat still remains. The earliest parts of the Hall date from the 15th century. This timber framed building was extended to the north in the late 16th century, further alterations were made in the 18th century, and a new façade was built in the 19th century. It was severely damaged by fire in 1984.

Mayton Bridges (Old Bridge - Arch)
The arch that now crosses the stream. Photo: Captain Ahabs Watery Tales – see Notice below.

As for the old brick bridge, this dates back to around early to mid-16th century; it is a scheduled monument. It has two arches, although it has been suggested that it has four; only one of these now crosses the stream. On west side there is a large central cutwater with a sloping top. The water which used to flow beneath it is thought to have been an outflow from the moat at nearby Mayton Hall, once keeping the water fresh and preventing it from stagnating. The moat inflow was some distance upstream from the bridge. The suggestion that the bridge was built over the original course of the river is considered by some to be improbable. On each side of the bridge and facing the road are small shelters which may have been for the toll collector to sit.

Mayton Bridges (Old Bridge - Two Archs)
Photo: Captain Ahabs Watery Tales – see Notice below.

To the more nostalgic amongst us, it is easy to imagine wherries being quanted (poled) up against the current and those in charge thankful for a second arch to relieve the water pressure against the bows – Dream on!.

THE END

Sources:

COPYRIGHT NOTICE

Pull’s Ferry – A Little Gem!

Pulls Ferry (Sindlin's 1800)
Sandlins or Sandling’s Ferry – circa 1800

Faced with an unfamiliar city, the temptation for many visitors is to head straight for the city centre. This is particularly true in Norwich and for those who arrive by train – the station forecourt seems to point you towards the bridge over the river which will lead to Prince of Wales Road the shops, castle, museum and much more. Those who resist this temptation and take the river path instead will find, just a stone’s throw away to the right, a real gem of the city’s history – Pull’s Ferry, sitting pretty on the River Wensum and one of the most famous landmarks in Norwich.

Pulls Ferry (1850-1900)
Pull’s Ferry 1850-1900

 

Pull’s Ferry is a 15th century medieval Watergate but it came centuries after a more ancient waterway was dug by monks. You see – both before and during the medieval period, transportation was a persistent problem, especially the transportation of heavy building materials. Roads were poor – if they existed at all, so bulk item were, of necessity, transported by boat. So it was in Norwich. Before any work could begin on building the proposed Priory and the 11th century Cathedral such a canal was needed to bring the materials direct on to the site. As well as stone, there was timber from the Baltic and iron from Sweden. But it was not only building materials that came via the canal; peat would also arrive, from what were to become the present-day Norfolk Broads, to be used as fuel in the Priory kitchens. However, it seems that over the centuries, the heavy stone used to build this holy place received most, if not all, of the publicity. Maybe this was because it’s journey was so long and arguably hazardous – for it came from France.

Pulls Ferry (Cathedral)
Norwich Cathedral

To be precise, this stone came from the quarries near Caen and would travel up and across the channel and onwards along the rivers Yare and Wensum to the Norwich building site that was to become both a Priory and Cathedral. This new Seat for a Bishop would serve as the central church for the Norwich Diocese, the work starting in 1096 and completed sometime between 1121 and 1145. During all this time, there was no port at Yarmouth and because sea-going ships were comparatively small they were able to make such a complete journey from France to Norwich. This must have certainly made the rivers Yare and Wensum places of great activity, because not only was materials being brought in for the Cathedral, but also for the Castle too.

The present short dyke which connects the river to Pulls Ferry itself is all that remains of the waterway which existed until 1772 when it was filled in and built upon. Before then, this same waterway flowed under the arch of the Watergate and deep into the Cathedral Close; having given its assistance to construction, it was the means by which river traffic was able to bring on-going goods and materials right up to the Cathedral and the accommodation thereabouts.

Pulls Ferry (Watercolour)

It was in the 15th century that the arched Watergate was built across this canal; it is this same structure that is the most obvious historical feature of Pulls Ferry today. The Watergate served to guard the approach to the Cathedral, and it was not until the Priory was dissolved by Henry VIII in the 16th century that the current Ferry House was built in 1647, thus incorporating the Watergate. The house itself was both an inn and the home for the ferryman who transported people across the Wensum. The first ferryman was named Thomas Howes, or Holmes but Ferry House was never named after him. Instead, it had been known as Sandlins or Sandling’s Ferry, a name that it would keep for at least 200 years, presumably after a 17th century predecessor. Certainly, at the time that Blomefield was writing his ‘Topographical History of Norfolk’ in the 18th century it was still called Sandling’s Ferry.

A Little Anecdote!

On the 13th July 1758, a short but severe thunderstorm wrought its fury on a house standing alone on the causeway near Sandling’s Ferry in the city of Norwich. Lightning struck off the roof tiles and pierced the house where it ‘tipt off the top of an old chair…… snapt the two heads of the bed posts, rent the curtains, drove against the wall…… forced out an upright of a window frame a yard long and sent it a right line into a nearby ditch’. This shaft of electricity peeled plaster off the walls and melted a row of pewter dishes. ‘An ancient woman’ sitting in a passageway was scorched all over, ‘her skin almost universally red and inflamed…… her shift burnt brown, stocking singed…… her shoe struck off’. The lightning missed:

……. another woman, sitting knee to knee with her companion as it shot along the passage. Those nearby heard a violent explosion and thought the whole house would collapse. It turned red, as if on fire, but it remained standing and the whole smelled as if fumigated with brimstone matches.

(Cooper, S., ‘Account of a Storm of Thunder and Lightning’,
Proceedings of the Royal Society of London, 1683-1775)

Pulls Ferry (Francis_Blomefield)Then along came 28 year-old John Pull to become ferryman and publican for the next 45 years – between 1796 and 1841; probably the last licensee to do so. Apparently Pull got married the year after he took the post, to Ann Haywood who lived for only a few years, dying in 1800. The couple had a son, John, in 1798, who was baptised at St John Timberhill. John Pull married again in January 1802, to Ann Steers. A child was born to the couple in the June, which suggests that it was either very premature, or the marriage was one of necessity! But, there were tragic consequences – that child died only a week after being baptised. The Pulls, however, went on to have five more children but only three survived beyond childhood. Ann Pull ‘the second’ died in 1837 at the age of 52, and her husband, John Pull, followed in 1841, aged 73.

Pulls Ferry (Bishops Bridge by Joseph Paul)
Bishops Bridge by Joseph Paul

The pub closed sometime before 1900, and the building became derelict. As for the ferry, this operated until 1943, although with Bishops Bridge only a stone’s throw away one wonders why there was ever a need for a ferry. The answer may lay in the historical fact that Bishops Bridge had been a toll bridge into the Middle Ages and that Pulls Ferry was a cheaper way for foot passengers to cross the river. However, by the middle of the 20th century all other ways of crossing from Norwich were free. It should also not be forgotten, if one ever knew at all, that before the building of Riverside Walk, the way to the Bishops Bridge involved a lengthy walk through the Cathedral Close. But, it still seems difficult to imagine who would have used the ferry, unless they actually lived or worked in the Close – particularly since the ferry could not have been free. Maybe, and some possibly think this, the ferry was kept open by the request of the Cathedral Dean and Chapter?

Pulls Ferry (1950)
The ferry boat shown in the water in this 1950 colour photo (above) was still there, drawn up on bank, until about 1970 when it attracted the attention of the local vandals who broke it up one night – probably ‘just for fun’.

 

Ultimately, both house and archway were saved by a bequest from Camilla Doyle and money raised by Norwich Girl Guides Association; that was in 1947. Over the next two years, restoration was undertaken by builders R. G. Carter and the architect Cecil Upcher. Today, Pulls Ferry and Ferry House remains privately owned; the only reminder of the history of the site is a small plaque at the top of the drive leading down to the ferry. Whilst there is a footpath along the river from the railway station Bishop Bridge which passes directly by Pulls Ferry, the best view of it is from the opposite side of the river, on Riverside Road. This view has been used in so many tourist brochures that Pulls Ferry has long been one of the ‘signature’ views of Norwich. It goes back over 900 years.

Now, it’s difficult to imagine that at the start of the 19th century the land opposite Pulls ferry was largely countryside but, like all things urban, much of this saw the start of building projects which grew apace during the next fifty years. Along came Riverside Road, the Norwich gas works, Rosary Cemetery and, inevitably, the Railway Station, turning this once tranquil area  into a suburb of the city centre with all its noise and activity. Between Riverside Road and the river bank opposite Pulls is now the Norwich Yacht Station, much used by Broads and river holiday visitors. Painters and photographers ever since have recorded a more industrial river bank, with boat building yards, a mustard factory and much else besides.

Pulls Ferry (Winter, Alamy)
Winter … Pulls Ferry, Norwich, a Watergate through which French stone for the cathedral was carried by a specially built canal. Photograph: Alamy
Pulls Ferry (At Night)
To end with… How about a Night Scene of Pulls Ferry. Credit: Google Images.

THE END

Sources:

https://www.theguardian.com/travel/2017/feb/24/norwich-walk-river-wensum-cathedral-castle

https://joemasonspage.wordpress.com/2013/01/28/pulls-ferry/

http://www.georgeplunkett.co.uk/Norwich/clo.htm

https://historicengland.org.uk/services-skills/education/educational-images/pulls-ferry-at-water-gate-ferry-lane-norwich-10683

https://www.britainexpress.com/counties/norfolk/norwich/pulls-ferry.htm

https://www.girlguidingnorfolk.org.uk/out-and-about/pulls-ferry/

https://www.visitnorfolk.co.uk/inspire/seven-natural-wonders-wensum.aspx

 

 

Nettle Folklore

In the fairy tale of “The Wild Swans” by Hans Christian Andersen, the heroine’s brothers have been turned into swans by their evil stepmother. A kindly fairy instructs her to

Nettle Folklore 1
The Wild Swans: “Picking Nettles by Moonlight” by Nadezhda Illarionova

gather nettles in a graveyard by night, spin their fibers into a prickly green yarn, and then knit the yarn into a coat for each swan brother in order to break the spell — all of which she must do without speaking a word or her brothers will die. The nettles sting and blister her hands, but she plucks and cards, spins and knits, until the nettle coats are almost done — running out of time before she can finish the sleeve on the very last coat. She flings the coats onto her swan-brothers and they transform back into young men — except for the youngest, with the incomplete coat, who is left with a wing in the place of one arm. (And there begins a whole other tale.)

This was one of my favourite stories as a child, for I too had brothers in harm’s way, and I too was a silent sister who worked as best I could to keep them safe, and sometimes succeeded, and sometimes failed, as the plot of our lives unfolded. The story confirmed that courage can be as painful as knitting coats from nettles, but that goodness can still win out in the end. Spells can broken, and gentle, loving persistence can be the strongest magic of them all.

Nettle Folklore 2
Wild Swans by Susan Jeffers
Nettle Folklore 3
The Wild Swans

I grew up with the story, but not with Urtica dioica: “common nettles” or “stinging nettles.” I imagined them as dark, thorny, and witchy-looking — and although they’re actually green and ordinary, growing thickly in fields and hedges here in Devon, nettles emerge nonetheless from the loam of old stories and glow with a fairy glamour. It is a plant that heralds the return of spring, a tonic of vitamins and minerals; and also a plant redolent of swans and spells, of love and loss and loyalty, of ancient powers skillfully knotted into the most traditional of women’s arts: carding, spinning, knitting, and sewing.

Nettle Folklore 4
Urtica dioica: the common nettle or stinging nettle, native to Europe, Asia, northern Africa, and North America
Nettle Folklore 5
Nettle Coat by Alice Maher

According to the Anglo-Saxon “Nine Herbs Charm,” recorded in the 10th century, stiðe (nettles) were used as a protection against “elf-shot” (mysterious pains in humans or livestock caused by the arrows of the elvin folk) and”flying venom” (believed at the time to be one of the four primary causes of illness). In Norse myth, nettles are associated with Thor, the god of Thunder; and with Loki, the trickster god, whose magical fishing net is made from them. In Celtic lore, thick stands of nettles indicate that there are fairy dwellings close by, and the sting of the nettle protects against fairy mischief, black magic, and other forms of sorcery.

Nettle Folklore 6
Harvesting nettles

Nettles once rivaled flax and hemp (and later, cotton) as a staple fiber for thread and yarn, used to make everything from heavy sailcloth to fine table linen up to the 17th/18th centuries. Other fibers proved more economical as the making of cloth became more mechanized, but in some areas (such as the highlands of Scotland) nettle cloth is still made to this day. “In Scotland, I have eaten nettles,” said the 18th century poet Thomas Campbell, “I have slept in nettle sheets, and I have dined off a nettle tablecloth. The young and tender nettle is an excellent potherb. The stalks of the old nettle are as good as flax for making cloth. I have heard my mother say that she thought nettle cloth more durable than any other linen.”

Nettle Folklore 7
Nettles, stitchwort, and campion.

“Nettles have numerous virtues,” writes Margaret Baker in Discovering the Folklore of Plants. “Nettle oil preceded paraffin; the juice curdled milk and helped to make Cheshire cheese; nettle juice seals leaky barrels; nettles drive frogs from beehives and flies from larders; nettle compost encourages ailing plants; and fruits packed in nettle leaves retain their bloom and freshness.

“Mixing medicine and magic, a healer could cure fever by pulling up a nettle by its roots while speaking the patient’s name and those of his parents. Roman soldiers in damp Britain found that rheumatic joints responded to a beating with nettles. Tyroleans threw nettles on the fire to avert thunderstorms, and gathered nettle before sunrise to protect their cattle from evil spirits.”

Nettle Folklore 8
Nettles and bluebells

The medicinal value of nettles is confirmed by Julie Bruton-Seal & Matthew Seal in their useful book Hedgerow Medicine:

“Nettle was the Anglo-Saxon sacred herb wergula, and in medieval times nettle beer was drunk for rheumatism. Nettle’s high vitamin C content made it a valuable spring tonic for our ancestors after a winter of living on grain and salted meat, with hardly any green vegetables. Nettle soup and porridge were popular spring tonic purifiers, but a pasta or pesto from the leaves is a worthily nutritious modern alternative. Nettle soup is described by one modern writer as ‘Springtime herbalism at one of its finest moments.’ This soup is the Scottish kail. Tibetans believe that their sage and poet Milarepa (AD 1052-1135) lived solely on nettle soup for many years until he himself turned green: a literal green man.

“Nettles enhance natural immunity, helping protect us from infections. Nettle tea drunk often at the start of a feverish illness is beneficial. Nettles have long been considered a blood tonic and are a wonderful treatment for anaemia, as they are high in both iron and chlorophyll. The iron in nettles is very easily absorbed and assimilated. What cooks will tell you is that two minutes of boiling nettle leaves will neutralize both the silica ‘syringes’ of the stinging cells and the histamine or formic acid-like solution that is so painful.”

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Nettle basket.

Bumblehill Nettle Soup

  • Melt some butter in the bottom of the soup pot, add a chopped onion or two, and cook slowly until softened.

  • Add a litre or so of vegetable or chicken stock, with salt, pepper, and any herbs you fancy.

  • Add 2 large potatoes (chopped), a large carrot (chopped), and simmer until almost soft. If you like your soup thick, use more potatoes.

Nettle Folklore 901

Preparing nettle soup.

  • Throw in several large handfuls of fresh nettle tops, and simmer gently for another 10 minutes.
  • Add some cream (to taste), and a pinch of nutmeg. Purée with a blender, and serve. (If you happen to have some truffle oil in your pantry, a light sprinkling on the soup tastes terrific.)
  • Use the left-over nettles for tea, sweetened with honey. Or try these two other good recipes: nettle pancakes and wild nettle bread.
Nettle Folklore 902
”The Wild Swans” by Susan Jeffers and Yvonne Gilbert

Nettles, folk tales around the world agree, have long been associated with women’s domestic magic: with inner strength and fortitude, with healing and also self-healing, with protection and also self-protection, with the ability to “enrich the soil” wherever we have been planted. Nettle magic is steeped in dualities: both fierce and soft, painful and restorative, common as weeds and priceless as jewels. Potent. Tenacious. Humble and often overlooked. Resilient.

Nettle Folklore 903
”The Wild Swans The Princess and her Swan Brothers” by Donn P Crane.

THE END

Sources:

 

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