The Tale of a Publican and a King!

This is the story of non-other than Mucky Porter, the Fenland publican who saved King Charles 1 on one occasion. It was written originally by Gordon Phillips, who based it on different tales contained in the books “Tales from the Fens” and “More Tales from the Fens”, written by Walter Barrett, with illustrations by Percy Garrod; the stories were edited by Enid Porter.  Walter, or Jack as most locals knew him as, grew up in Brandon Creek and most of his tales were adapted from those told by the legendary fen man and storyteller, Chafer Legge. This story, by Gordon Phillips, previously appeared on the Enid Porter Project website. Read on:

In the fens of the past there was a secret brotherhood and sisterhood of the Grey Goose Feather. True fen landers would carry a feather from the fowl who overwintered in the watery places and when in need they only had to produce the feather and all true fen landers would help them.

Mucky Porter (Goose Feather)1
A Goose Feather.

At the time of the English Civil War there lived in the village of Southery, on the Norfolk border of the great wilderness, a publican by the name of Mucky Porter. One evening he was counting out his money, his takings for the day of which there was very little, when there came a knock at the Inn door. Mucky Porter looked outside and saw two very fine-looking gentlemen with two extremely beautiful thoroughbred horses outside in his yard. He wondered what such affluent looking folk could want with him and hurried to the door.

Mucky Porter1
The Old White Bell at Southery, formerly ‘The Silver Fleece’ where Mucky Porter was landlord.

“Are you the man they call Mucky Porter?” They asked. “I might be, it depends on who wants to know”, he replied letting them into the pub parlour. The strangers sat down and quickly came to the point.

“Mr. Porter could you tell us what you think of Old Noll?” – This, by the way, is an epithet applied to Oliver Cromwell by his Royalist contemporaries.

“Well, I don’t think much about him except he’s the reason that my takings have been rather low recently. Nearly all my regulars have gone to fight in his army as he says that he’ll put an end to the draining of the fen and interfering with their way of life,” he replied.

“And what about the King, Mr. Porter?”
“Well, I don’t think much about him neither.”
“Would you be prepared to help the King Mr. Porter?”
“Well, it depends what was in it for me.”

At this one of the strangers took out of his pocket a bag of gold coins. Mucky Porter’s eyes lit up. The strangers continued:

“Mr. Porter we have heard that you are one of the few people who know the way across these accursed marshes and bogs. The King has been pursued across Norfolk by Oliver Cromwell’s men and needs to get to Huntingdon where his forces are waiting to escort him to Oxford. If you could guide him across you would be rewarded with this bag of gold.”

Mucky Porter (Charles I)
Portrait of Charles I of England by Gerrit van Honthorst, 1628. Photo: Wikipedia

It took Mucky Porter at least three seconds to decide and later that night he was brought before the King himself at Snore Hall near Downham Market, where he was being hidden. Some of the King’s attendants were dubious that this raggedy looking local could be trusted with the fate of the monarch and Mucky was asked for some proof that he was trustworthy. At that Mucky Porter drew from his pocket a grey goose feather. He took out his knife and cut the feather in half.

“Your lordships,” said Mucky Porter with all the dignity he could muster, “I am a fen lander, a true fen lander. All true folk of this area carry this token and if in need are sworn to help, unto even their own death, another who carries a grey goose feather.” He put one half feather in his pocket and handed the other to the King. “Now, by my honour, I can do nothing but aid His Majesty.”

This seemed to satisfy the members of the court and the following morning Mucky Porter of Southery and King Charles 1st of England set out across the last great wilderness of Southern Britain. At first, they passed through populous areas and Mucky Porter was concerned that their presence was being noted by those they came across.

“Your Majesty,” he said, “I am worried that these great huge horses make us stand out. I think we need to take a detour.”

Mucky Porter (Southery_Oliver Dixon)
Common Drove, Southery
A bend in the Drove, alongside a drain. Photo: © Copyright Oliver Dixon

The detour took them to Southery and the inn where they stabled the thoroughbreds they were riding and took to two sturdy fenland ponies instead. Mucky Porter also got a couple of old sacks to put over their clothes and as they passed out through the village streets, they went unnoticed.

Mucky Porter was indeed an expert at finding his way through the fen and they passed through areas that few knew and even fewer dared themselves to visit. Thus, they came eventually to the other side, to the ford in the river just outside Huntingdon. There, however, their hearts sank as it was strongly manned by Roundhead troops.

“Halt, who goes there?” called the sentries.

At this Mucky Porter put his hand into his pocket, took out the split grey goose feather and held it aloft. The troops turned their gaze on the King who put his hand in his pocket and did the same.

“Quick, come across, and then away with you”, said the guards who were, of course, themselves true fen landers. There Mucky Porter handed the King over eventually to his own men and returned by his secret route towards the pub. In his pocket, which he kept tapping, was the bag filled with gold coins and in his stable back at the pub were the two fine horses, the like of which had never been seen in Southery.”

Mucky Porter (Bag of Gold)

And that might have been the end of the story for Mucky Porter, but not, of course, as we know for King Charles. Eventually the forces of Oliver Cromwell were victorious and Charles was forced to stand trial. As is well known, he was found guilty and was sentenced to death. It is said in the fens that on the night before the execution, Cromwell was sitting with the rest of his generals near to the place of execution when there came an emissary from the King. He stood before the generals and said,

“The King does not ask for pardon for he is God’s anointed monarch and knows that the Parliament has no authority to do what they intend to do to him. All that His Majesty asks is that he is afforded that due to one who holds this token.”

At that the courtier drew from his pocket the split grey goose feather and placed it on the table before Cromwell. Cromwell’s face went white and he dismissed all those who were gathered with him. Long he sat into the night, staring at the feather. For Cromwell too was a fen lander and knew what he should do. But when morning came, he did not intervene and Charles 1st was beheaded. It is said that when they heard about this the fenland members of his army refused to follow him. They threw their goose feathers at his feet and returned to their homes.”

Mucky Porter Execution)
Execution of Charles I. Illustration for Young Folk’s History of England (McCarthy, c 1890). Credit: Look & Learn.

And what of Mucky Porter, back in the inn at Southery? Perhaps he shed a tear when he heard of the execution of the King, we do not know. He was still landlord many years later when he heard of the death of ‘Old Noll’ and it unlikely that he was very upset at that. One day, when Mucky Porter was getting very old but still landlord at the pub there came a knock at his door in the early morning. He went to the window and saw a number of fine-looking gentlemen out in the yard. He went outside and greeted them.

“Are you Mucky Porter?” one of the fine gentlemen asked. “I might be, it depends who’s asking”, was his reply. “I am looking for a man called Mucky Porter”, said the most flamboyantly dressed visitor. “When I was young, I heard many times the story of how a publican of that name helped my father to escape from Cromwell’s men across the wilderness. I have always wanted to reward him for the deed.”

Mucky Porter very quickly realised who the visitor was and within a few minutes had agreed to accompany Charles 2nd and his courtiers out into the newly drained lands. The company was amazed when the old fen lander emerged from his stable riding a fine thoroughbred horse, the descendent of the two horses he had obtained all those years ago.

Mucky Porter (Charles II)
Charles II. Photo: Wikipedia.

They rode out on to the fen where the newly drained land shone with fecundity in the bright fenland sunlight. After they had ridden for a while Charles said to Mucky Porter, “Well here we are Mr. Porter. You can have, as a reward for the service that you gave to my father, as much of the land as you would like. Come now, specify the boundaries of your new domain.” Mucky Porter stared around him.

“Well, Your Majesty”, he said, “I think I’ll have from that barn over there, to that ditch right over there, to that tree in the distance. How much do you think I’ve got?”

“Mr. Porter, I think that you must have several acres there.”

And ever since that day the land on Methwold Fen has been called the Methwold Severals which, ever since, has been farmed by a Porter.

Mucky Porter (Methwold Severals)
Neat rows of young salad crops destined for supermarkets on fertile peat fenland soil. Photo:© Copyright Rodney Burton

THE END

Source:
Enid Porter Project | Bringing folk traditions to life in five Cambridgeshire villages

NOTICE: ‘Norfolk Tales, Myths & More!’ is a ‘non-commercial’ Site seeking only to be informative and educational on topics broadly related to the history and heritage of the County of Norfolk in the U.K.

In pursuing this aim, we endeavour, where possible, to obtain permission to use other people’s material. However, for various reasons, (i.e. identification of, and means of communicating with that person or owner), contact can sometimes be difficult if not impossible to established. NTM&M never attempts to claim or suggest ownership of such material; ensuring at all times that any known and appropriate ‘credits’ and ‘links’ back to our sources are always given in our articles. If there is any violation of copyright or trademark material, it is unintentional.

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The Diaries of a Parson Woodforde.

By Haydn Brown.

 In the winter of 1932, Charles David Abbott observed that it is “Through the diaries of Parson Woodforde, that readers are given the opportunity to not only increase their knowledge of a departed age, but also to live among the fields and hedgerows and cottages of Georgian England.”

Woodforde (Portrait by Samuel Woodforde_Wikipedia)
Portrait of James Woodforde 1806 by Samuel Woodforde. Image: Wikipedia.

He does not say that his comment rings particularly true to those living in Norfolk where much of his diary was based. However, he does tell us that Woodforde’s 18th century was never poor in having literary memorials: London exists forever in the pages of Boswell; the upper circles will always gossip and there is much intrigue in Walpole’s letters; Cowper, would have succeeded in giving us the reality of country life, had he been able to keep his own too interesting personality and his poetic bent more in the background. But thanks to Parson Woodforde, we have ‘what Cowper was too great to produce’. The Parson paints a life as it actually was in hundreds of rural parishes throughout England.

Woodforde1

The Parson Woodforde Diaries begin on 21 July, 1759 – when, at the age of nineteen years, he records being made a Scholar of New College – readers immediately plunged into an Oxford of ‘unregenerate’ days.

“Hooke, Boteler and myself went to Welch’s of Wadham College, where we designed to sup and spend the evening, but our entertainment was thus, one Lobster of a Pound, a half-pennyworth of Bread, and the same of Cheese, half of an old Bottle of Ale, half a Bottle of Wine, and a Bottle of Lisbon, and then we were desired to retreat, which was immediately obeyed……”

Woodforde (Wadham College)
Wadham College, Oxford.

On another eventful occasion, the evidence was more lavish:

“Baker and Croucher both of Merton Coll: spent their evening in the B.C.R. [Bachelor’s Common Room]. Croucher was devilish drunk indeed, and made great noise there, but we carried him away to Peckham’s Bed in Triumph. Baker laid with me.”

Abbott, in his own words, goes on to say that James Woodforde was the normal undergraduate, by no means averse to the delights of collegiate existence but, at the same time, not unoccupied with the duty of preparing himself for the priesthood. His career was like that of the majority of university-bred men of his period – four years at Oxford, ten years of curacies in his native Somerset, followed by a year or two of residence as Fellow of New College and as University Proctor, all before he is finally presented to the college living of Weston Longeville in Norfolk. By the time he goes permanently to Weston in 1776, we are thoroughly acquainted with him.

Woodforde (All Saints Church)
All Saints at Weston Longeville, Norfolk where James ‘Parson’ Woodforde spent some twenty-six years as its incumbent. New College Oxford held the living for the church. Photo: Simon Knott.

He remains the same innocent fellow who in his first term at Oxford gave away his snuffbox “to a Particular Friend” and went “to see the man ride upon three Horses.” No breath of scepticism touched him. He has no doubt of Anglican doctrine, and he looks upon the church, in so far as he thinks about it at all, as the natural home for men of his sort. He questions none of the duties, dislikes none of them. They do not interfere with his simple pleasures, which consist largely of living comfortably in a rural retreat, where food is plentiful, the cellar spacious and well-stocked, and the neighbours sociable. He loves sport so long as it is not too strenuous—the coursing of a hare before dinner or the dragging of a pond. There is no chance of his ever growing bored with the life that he knows, from the carefully recorded daily breakfast to the evening rubbers of whist. He loves it all, and it is all a part of his simple nature. Everywhere he shows himself the wholesome, generous, affectionate, lovable gentleman who, we like to believe, is the typical country clergyman. We may therefore be amazed that so much good-nature never brought him a wife, but we soon grow accustomed to his continued state of bachelorhood.

Woodforde (Weston House)2
View of Weston House, home of John Custance (1749–1822) and friend of Woodforde. Photo: Courtesy of Picture Norfolk – taken about 1946.

It was on the question of Woodforde’s love life that Virginia Woolf (1882 – 1941) had a particular view, as expressed in The Common Reader, Second Series:

“The Parson’s love affair, however, was nothing very tremendous. Once when he was a young man in Somerset, he liked to walk over to Shepton and to visit a certain “sweet tempered” Betsy White who lived there. He had a great mind “to make a bold stroke” and ask her to marry him. He went so far, indeed, as to propose marriage “when opportunity served”, and Betsy was willing. But he delayed; time passed; four years passed indeed, and Betsy went to Devonshire, met a Mr. Webster, who had five hundred pounds a year, and married him. When James Woodforde met them in the turnpike road, he could say little, “being shy”, but to his diary he remarked — and this no doubt was his private version of the affair ever after:

“she has proved herself to me a mere jilt”.

But he was a young man then, and as time went on, we cannot help suspecting that he was glad to consider the question of marriage shelved once and for all so that he might settle down with his niece Nancy at Weston Longeville, and give himself simply and solely, every day and all day, to the great business of living. Again, what else to call it we do not know.”

Such was the Parson’s disposition when he arrived at his parsonage of Weston Longeville in 1776, and remained there, in spite of the later irritations of poor health, during a twenty-six-year incumbency. At Weston Longeville, we come to know it intimately, as if we had been part of the Parson’s household. The local and domestic events are all chronicled, quite without any attempt to dramatise them:

“My great Pond full of large toads, I never saw such a quantity in my life and so large, was most of the morning in killing of them, I daresay I killed one hundred, which made no shew of being missed, in the evening more again than there were, I suppose there are thousands of them there, and no frogs…….”

Woodforde (John Custance 1749-1822 of Weston House_Norfolk Museum Service)
John Custance (1749–1822), of Weston House, by Henry Walton (1746–1813). Norfolk Museums Service

The neighbours begin to call, particularly the Custances from Weston House, the great family of the parish, and soon the Parson is happily involved in the social life of the community. Dinner succeeds dinner, each duly recorded as to partakers and menu.

“We had for dinner, the first Course, some Fish, Pike, a fine large piece of boiled Beef, Peas Soup, stewed Mutton, Goose Giblets, stewed, etc. Second Course, a brace of Partridges, a Turkey rosted, baked Pudding, Lobster, scalloped Oysters, and Tartlets. The desert black and white Grapes, Walnuts and small Nutts, Almonds and Raisins, Damson Cheese and Golden Pippins. Madeira, Lisbon, and Port Wines to drink…..”

It is small wonder that, after so many dinners of these proportions, the good parson was to suffer later with a variety of internal complaints.

Regularly every summer, for many years, the Parson returns for a long visit with his family in Somerset, where his daily routine is unaltered, except that there are no clerical duties. We renew acquaintance with the various members of the family, particularly with Brother John, whose conduct does not always conform to the Parson’s notions of propriety. The Woodforde family is exhibited without any restraint on truth – we see them with all their jealousies, their humorous conceits, their pride and their affections, completely unadulterated. Woodforde has an innocent way of quite unconsciously laying bare the characters of his relations:

“Sister Clarke and Nancy had a few words at breakfast. My sister can’t bear to hear anyone praised more than herself in anything, but that she does the best of all.”

In such entries we are presented with the real materials that lie behind the artistry of Jane Austen. Finally, in 1779, Nancy Woodforde, a niece, leaves Somerset and comes to live at Weston with her uncle, whose comforts and trials she continues to share until his death.

Life, of course, goes placidly on in the Weston Parsonage, amid the round of dinners and the unceasing charity to the poor. The tithe-audit regularly takes place, and the Parson regularly entertains the tithe-payers at his “Frolick.” There are mild winters and cold winters, “such Weather with so much Snow I never knew before.” Some springs are merely moist and hence productive, others “so wet that Farmers cannot plow their lands for their barley.” The world of great events seems more than a few miles away.

Distant rumblings, of course, are heard from America and the Parson is occasionally aghast at the lawlessness of French mobs. As England becomes more and more involved in continental entanglements, even the Parson feels the shock of increased taxes. But such matters do not seriously interfere with his ways – including those of Nancy. His appetite remains unimpaired, and he is far more vexed by his niece’s chronic sauciness than by any affairs of the outside world!

Woodforde (Smugglers)
Not all of Woodforde’s suppliers of brandy and gin were as happy to show their faces as those that he names in his diaries. On at least one occasion he describes how a knock took him to the front door, and he discovered a couple of kegs waiting there: by the time he peered out into the night, whoever delivered them had melted away! Image: Public Domain.

Abbott wonders why the Parson’s unflagging repetition of daily small beer does not grow tiresome, and perhaps we are hoodwinked into thinking that our hunger for knowledge of a remote time is insatiable; but this is not the real reason, for we read the Diaries and are disappointed that there is not more, because Parson Woodforde in his unthinking, artless way has reproduced real life. He never repeats a conversation, and yet each individual from mere reiteration emerges as a definite personality. We learn to know every guest at every dinner, so frequently do they reappear; and, though we hear none of the conversation, we know pretty well from a hundred previous clues what was said. We become inevitably absorbed in all the details, just as if they were details of our own lives.

Finally, Abbott concludes by saying that everything is put down in the parson’s quaint fashion, unconscious of grammar and consistency, fact after fact, never any feelings other than mere bodily ones. But we know the emotions well enough; they lie between the lines, and as for the Parson, we are devoted to him. He has become an old friend, and when in the course of the last volume he begins to fail, and the daily routine is interrupted by long illnesses and seasons in bed, we grow sad because we know that the diary will come to an end and that with Parson Woodforde, we shall have lost the whole of his company of friends. And when he is gone, we can only echo the words of his last entry in his diary, and the grief of the one entry from Nancy’s diary’:

“17 October 1802: We breakfasted, dined, Very weak this Morning, scarce able to put on my Cloaths and with great difficulty, get down Stairs with help – Mr. Dade read Prayers & Preached this Morning at Weston Church – Nancy at Church – Mr. and Mrs. Custance & Lady Bacon at Church – Dinner today Rost Beef & Lamb.”

“January 1, [1803]. Saturday. Weston. Norfolk. This morning about a quarter after Ten o’clock died my ever-dear Uncle James Woodforde whose loss I shall lament all the days of my life…….”

THE END

Reference Sources:
A full written text by Charles David Abbott, available at:
https://www.vqronline.org/woodforde-diary
Other Norfolk detail from:
https://colonelunthanksnorwich.com/2020/11/15/parson-woodforde-goes-to-market/
and
https://ebooks.adelaide.edu.au/w/woolf/virginia/w91c2/chapter9.html

NOTICE: ‘Norfolk Tales, Myths & More!’ is a ‘non-commercial’ Site seeking only to be informative and educational on topics broadly related to the history and heritage of the County of Norfolk in the U.K.

In pursuing this aim, we endeavour, where possible, to obtain permission to use other people’s material. However, for various reasons, (i.e. identification of, and means of communicating with that person or owner), contact can sometimes be difficult if not impossible to established. NTM&M never attempts to claim or suggest ownership of such material; ensuring at all times that any known and appropriate ‘credits’ and ‘links’ back to our sources are always given in our articles. If there is any violation of copyright or trademark material, it is unintentional.

Further Note:
If you are the originator/copyright holder of any photo or content contained in this blog and would prefer it be excluded or amended, please contact us via our ‘Contact Us’ page to flag it for correction.

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If this blog contains any inappropriate information please contact us via our ‘Contact Us’ page to flag it for review.

 

 

The Locker-Lampson’s and Cromer.

By Haydn Brown.

 This is a brief account of a family’s links, not only to numerous historical personalities, but also with the seaside resort of Cromer in Norfolk. It pays particular attention to two members of the family line who, despite leading different and extraordinary lives, both had a special and direct link with the town of Cromer.

But we begin by mentioning Sir Curtis Miranda Lampson, who was an American-born self-made millionaire who became a British citizen and was made a baronet in 1866. This reference to him is brief and refers only to his death, on his Sussex estate at Rowfant near Crawley Down in 1885, and the fact that he was succeeded, as a hereditary knight, by eldest son George – who, again, has no relevance to this particular story. Our real starting point is with Sir Curtis Lampson’s only daughter, Hannah Jane, and her husband, Frederick Locker; it was these two who kicked off a fascinating story of the ‘Locker-Lampson’s.

Rowfant-House
Rowfant House, formerly on the Locker-Lampson Sussex Estate.
After the Second World War, the Latvian Lutheran Church in London started to lease the empty Rowfant House from the Locker-Lampson family. Latvian people had fled their country before its occupation by the Soviet Union and were living in Germany as displaced persons. Volunteers revamped the property and then it was used for living in and community events. In 1962 the Latvian Church bought the property from the Locker-Lampson family and Rowfant House Ltd was set up.

Captain William Locker:
Things will become clearer; but at this point, mention must be made of Frederick Locker’s line and his paternal grandfather – Captain William Locker, He was somewhat famed for being in charge of HMS ‘Lowestoffe’ in the latter part of the 18th century which, on its 1777 voyage to the West Indies, included a very young and newly promoted Lieutenant Horatio Nelson – later to become Admiral Lord Nelson. It would appear that Locker’s influence on young Nelson was immense because, on 9 February 1799, the then Lord Nelson wrote the following to his old captain:

“I have been your scholar; it is you who taught me to board a Frenchman by your conduct when in the Experiment; it is you who always told me ‘Lay a Frenchman close and you will beat him’, and my only merit in my profession is being a good scholar. Our friendship will never end but with my life, but you have always been too partial to me.”

Nelson was also staying with William Locker at Greenwich in 1797 when, at Locker’s behest, Lemuel Francis Abbott came down to make the oil study on which all his Nelson portraits were based. These eventually numbered over forty. William Locker was a noted patron of the arts, having a number of portraits painted. He was also the driving force behind the creation of a National Gallery of Maritime Art; he suggesting the Greenwich hospital:

“…should be appropriated to the service of a National Gallery of Marine Paintings, to commemorate the eminent services of the Royal Navy of England.”

He died before his vision could be realised, but it was subsequently put into effect by his son, Edward Hawke Locker.

Frederick Locker:
Frederick Locker was born in Greenwich Hospital in 1821, the son of Edward Hawke Locker. Frederick would always be poor in health, but he did mature into a distinguished man of letters and poetry. His first marriage, in 1850, was to Lady Charlotte Bruce, daughter of Lord Elgar, the man who famously brought the marbles to England from Athens. The couple had a single child, Eleanor, who later married Lionel Tennyson, a son of Alfred Lord Tennyson. It was Alfred, the poet laureate, who had been a good friend of Sir Curtis Lampson (see above) and it is likely that, through this connection, that Frederick Locker met Hannah Jane Lampson. In 1874 these two married and took on the family surname of ‘Locker-Lampson’. This double-barrelled appellation was the wish of Sir Curtis in his Will, and it enabled the couple to live at Rowfant and to be an integral part of the line’s inheritance. It was on the ‘Rowfant’ estate where Frederick Locker and Hannah Jane produced four children.

Frederick Locker-Lampson
Frederick Locker-Lampson

Frederick Locker-Lampson, as he now was, became somewhat of a minor figure in the Victorian literary field, but he did publish “London Lyrics” in 1857 – his first book of poetry. However, being well regarded as a convivial host and raconteur, he did become well acquainted with all the big literary names of the age, including Charles Dickens, the Brownings, Thackery and Trollope. One of his observations was: “The world is as ugly as sin – and almost as delightful.” In 1886 he produced “The Rowfant Library”, a catalogue of his much-lauded collection of rare books; then in 1892, this work inspired the founding of the Rowfant Club in Cleveland, USA, for people “interested in the critical study of books to please the mind of man”. Frederick Locker-Lampson died at Rowfant in 1895. Following his death, his youngest son, Oliver Stillingfleet Locker-Lampson inherited the likes of Newhaven Court in Cromer, Norfolk, and was to lead a quite different life from his father, but equally an extraordinary one. – here we come to the crux of this blog.

Newhaven Court, Cromer and Oliver Locker-Lampson:
Newhaven Court at Cromer was built in 1884 by Oliver’s father, Frederick as the family’s summer holiday home. In its time, under the Locker-Lampson’s ownership, Newhaven Court played host to many eminent visitors; they included Oscar Wilde, the King of Greece, Alfred, Lord Tennyson, Sir Ernest Shackleton, Prince Philip (who, as a boy, stayed in a chalet in the grounds) and, of course, Albert Einstein. It was to become an hotel later in the 20th century, but before it was destroyed by fire on 23 January 1963.

147258813_1057106121459603_9063225423363916165_n
Newhaven Court in Cromer, Norfolk

It was Oliver Stillingfleet Locker-Lampson who ended up as a Commander with the awards of CMG and a DSO to his name. But as a young man, he first became a journalist. Then in 1910, at the age of 30 years, he became a Conservative MP. War broke out in 1914 and in the December of that year he joined the Royal Navy Volunteer Reserve as a Lieutenant Commander; this was a post vouched for by Winston Churchill, the then First Lord of the Admiralty. It was Churchill who asked Locker-Lampson to establish an armoured car unit for the Royal Naval Air Service. Following training, Oliver’s No. 15 Squadron went to France but stalemate in the trenches negated the unit’s potential for mobile warfare. Then in 1916, in a show of support for Russian Tsar Nicholas II and his hard-pressed army, Locker-Lampson sailed with his squadron of armoured cars to the arctic port of Murmansk. From there his vehicles ranged as far south as the Caucasus Mountains skirmishing with the invading Germans.

Oliver Locker-Lampson
Lieutenant Commander Oliver Locker-Lampson (HU 124255) Commander Oliver Locker-Lampson MP CMG. Unit: Royal Naval Volunteer Reserve. Death: 8 October 1954. Copyright: © IWM.

Commander Oliver Locker-Lampson, always the self-promotional sort of figure, never denied talk of his involvement in the Russian court’s plots and schemes – and even of being implicated in the murder of the “mad monk” Rasputin who wielded a malign influence over the Tsarina. Apparently, he also proposed a plan to spirit the Royal Family out of Russia following the Tsar’s abdication in March 1917! Post-war, and as an MP, he warned of communist meddling in Britain’s home affairs – that still rings a bell in recent times! In 1931 he formed the Blue Shirts movement with the intention to “peacefully fight Bolshevism and clear out the Reds”. Their motto was his own family motto: “Fear God! Fear Naught!” In 1932 the Nazi Alfred Rosenberg visited Britain and was introduced to Oliver who was truly shocked to learn that Hitler believed the Blue Shirts to be fellow fascists.

The Locker-Lampson’s always had several houses but their principal home was still ’Rowfant’ in West Sussex; and it was following the death of Oliver’s mother, Hannah, in 1915 when Frederick’s eldest son, Godfrey Locker-Lampson, inherited Rowfant, whilst the younger Oliver, inherited Newhaven Court in Cromer. He married twice; his first wife was Californian Bianca Jacqueline Paget in 1923. Their wedding saw the couple dragged through the streets of Cromer in a car by members of his old armoured car squadron of World War 1 – only for her to die on Christmas day in 1929. His second wife was Barbara Goodall, whom he married in 1935 – it was she who was in his company, as one of the secretaries who guarded the physicist Albert Einstein when he was in residence on Roughton Heath in 1933. Oliver had given refuge to Einstein after the latter had received death threats while living in Belgium; he even took Einstein to meet Winston Churchill. In Norfolk, Oliver is probably only remembered as the person who gave refuge to Albert Einstein – and was the resident of Newhaven Court.

147502554_1057106544792894_4303430389101080251_n
Albert Einstein pictured with Commander Oliver Locker-Lampson’s party. In 1933, Lampson invited the German-born physicist to England to evade persecution by the Nazis.
Oliver Locker-Lampson (is left) with Albert Einstein (centre), then Barbara Goodall his future wife and the gamekeeper and guard (right). Image Credit EDP.

Overall, Oliver Locker-Lampson’s life in Cromer, between 1909 and 1936, was relatively genteel – if one ignores his exploits during the First World War, Russia in particular and his later ‘crusading’ as an MP. In Cromer, he helped to raise funds for an X-ray unit at the local Hospital, and opened a gymkhana to raise funds for lifeboat families who had lost crewmen at sea. It was in August 1925 when Oliver, ‘the commander’ and some of his ‘guests’, whom he used to collect into his ‘celebrity culture group’, organised a fete on Cromer Pier, with stalls, bunting, 500 lights and fancy dress – this was the forerunner of today’s annual carnival in the town.

During his time as an MP, Oliver Locker-Lampson assisted Ethiopia’s Emperor Haile Selassie find sanctuary in Sussex and evade the clutches of Mussolini. He also helped scores of ordinary Jewish families fleeing Nazi Germany. Then in the Second World War he joined the Home Guard and gave his full parliamentary support to Prime Minister Churchill. He retired from politics at the 1945 General Election and died in 1954. He is buried along with his father and other family members in Worth churchyard, West Sussex. Unfortunately, he missed the boat to becoming famous himself; and, given his life-long efforts and achievements, he never did receive the recognition that he probably deserved.

Footnote:
On 23 January 1963 Cromer’s Newhaven Court Hotel, formerly ‘Newhaven Court’ was destroyed by fire; more than a century of Locker-Lampson holidays and heritage ended in fierce flames and billowing smoke. The fire was tackled by 40 firemen, who battled through the night, trying to confine the flames to the first floor, but:

‘Flames and sparks leapt high into the night from the roof, 50ft above the ground. Fire gained a good hold till the whole roof was ablaze.’

Gone also were its tennis courts, said to have been the best in England and used by some professional players of the time. Prior to the fire, the hotel was run by Mr and Mrs Donald Stevenson, who had leased it from local building firm A.G. Brown. It was said at the time that Donald Stevenson and his 15-year-old son, ran upstairs to fight the blaze, but were beaten back by smoke. The building was never restored, and was demolished to make way for homes and flats at Newhaven Close and Court Drive.

THE END

Sources: Various but includes:
https://www.sussexexpress.co.uk/news/opinion/familys-links-nelson-rasputin-and-king-farouk-1158565

NOTICE: ‘Norfolk Tales, Myths & More!’ is a ‘non-commercial’ Site seeking only to be informative and educational on topics broadly related to the history and heritage of the County of Norfolk in the U.K.

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A Time When James Returned to Norfolk!

By Haydn Brown

Preface:
The Norfolk writer, Bruce Robinson, died in 2016 at the age of 80 years. His wife, Cynthia, said in his obituary – published in The Guardian newspaper, on 14 July 2016 and modified on 28 November 2017 – that he was:

“Quietly spoken, unassuming, browns and beige on the outside but inside seething with ideas that tumbled over each other to reach the daylight; my husband, was a born writer; someone for whom the honing of a chapter was as natural as the squeezing of oranges he juiced each day for breakfast.”

Notable, after his retirement in 1993 Bruce Robinson wrote mainly for pleasure; focusing on local history, novels with a Norfolk connection, plus miscellanies. Included amongst these was his ‘flongster blogspot’, from which the following two extracts about the late James Stewart, famous film-actor, were taken – Enjoy!:

James Stewart’s visit to Tibenham in 1975:

“…….In early June, 1975, I took a phone call from a [Tibenham] gliding club member who told me that film star James Stewart was planning a private visit to the base – a members’ only job, apparently; very hush-hush; no fans; no Press! But if I didn’t let on how I knew, kept in the background, and didn’t wave a notebook about, then I might be able to pass muster as a club member.

James Stewart (WW2)
James Stewart.
Believed to be on the Control Tower of the old US airbase at Tibenham, Norfolk. Image: Courtesy of the 2nd Air Division Memorial Library Collection and EDP.

However, Stewart’s visit was not a total surprise because during the Second World War he had been based at Tibenham (and elsewhere), from where he flew 20 bomber missions. He was a genuine war hero, and now, thirty years and many films later, he was appearing in the stage play ‘Harvey’ in London, and was simply taking advantage of a day off. Though I didn’t know it at the time, he had also planned to do a photoshoot with Terry Fincher for the Daily Express.

James Stewart (1970's Theatre Poster_Vinterior Co)

On the day in question I did my best to melt into the background and became a quiet bystander as James toured the base and the ruined control tower, and gazed at the runway. He clearly found it all very affecting. When they offered him a towed glider flight to RAF Coltishall and back, he jumped at the chance, and happily squeezed his lanky frame into the tiny cockpit. While he was away ….. I withdrew for a pub lunch.

James Stewart (1975 Visit to Tibenham)2
James Stewart, the famous Hollywood actor, seen here on a visit to the old US airbase at Tibenham, Norfolk, England in June 1975 – he was stationed there during the Second World War as a pilot. Photo: Terry Fincher, © The Fincher Files. 2013

Back at Tibenham again, Mr Stewart was ushered into the clubroom for sandwiches and coffee, where he looked at more memorabilia and chatted freely with everyone. Every so often his gentle drawl, ‘ahhh, well,’ and ‘kinda’ and ‘sorta’ could be heard across the crowded room. Relaxed and affable, he was in his element.

James Stewart (1975 Visit to Tibenham_Fincher)3
James Stewart looking along the old runway of the former U.S. air base at Tibenham, and from where he took off on some 20 combat missions during World War Two. It was here that he served with distinction. Photo: Terry Fincher © The Fincher Files.2013

I was sitting in a corner munching sandwiches when Stewart’s agent came across. ‘He knows who you are,’ he said. ‘He knows you’re a local journalist.’ I envisaged a firing squad. ‘Would you like to meet him?’ Yes, please!

Then James Stewart came across and sat down beside me, balancing a cup and saucer on his knee, and we talked for ten minutes. Deliberately, I ignored my notebook and later on had to struggle to remember some of the quotes. But in a way I was glad. It was not an interview, it was a neighbourly chat, freely offered and entered into.

James Stewart (1975 Visit to Tibenham_Daily Mail)
James Stewart at the derelict U.S. air base at Tibenham in June 1975. In the background, the former Control Tower where it is believed the above image of him, sitting on its rail during the war, was taken. Photo: © As on the above image.

James Stewart was like that. Aimable, interested, and at ease. He talked about Tibenham and how tough he had found it to remember his way around the base. ‘The only thing I can really orientate on is the control tower,’ he said. He talked about his glider flight, and I asked if he had taken the controls. ‘Sure I flew it. Sure I did.’ And then he talked about Norfolk and Norwich and how he hoped one day to visit the city’s American Memorial Library. Then his agent came back, and Stewart rose, shook hands, and wandered back towards the sandwiches.

James Stewart (1975_Glider Flight)
James Stewart being prepared for his glider flight to Coltishall and back in 1975 –‘”Sure I flew it. Sure I did.”  Photo: Courtesy of Mark Wright.

An Aside: In 2012, a Tibenham housing development was opened, and named “Stewart Close” in memory of James Stewart and his links with the village.

James Stewart visits Norwich and the Norwood Rooms:
“Having revisited his War-time Norfolk air base at Tibenham in 1975, Hollywood film star James Stewart kept his word and joined in with two or three of the subsequent 2nd Air Division reunions. But he did not come back to England as a visiting ‘celeb,’ but as an ordinary ex-flyer, one of the boys. He stayed with his mates in the same hotels, travelled with them by coach as they did the rounds of once-familiar locations, and remained as anonymous as possible within the group. They all liked him for that.

James Stewart (LIbrary_ 1975_EDP)
The former Norwich Central Library in which the American Memorial Library was located. Photo: EDP.

One of his more formal appearances was on the day he and his group went to see the former American Memorial Library – later severely damaged by fire, and replaced by a new Memorial tribute in the Forum – which at the time was housed at the old City library. Here he did pose for photographs, and behaved as a visiting dignitary would in a public role.

I have no doubt, however, that he had his ‘anonymous’ role firmly in mind when he and his colleagues, on another of their four-yearly visits, went to the former Norwood Rooms in Aylsham Road, Norwich – a popular dancing and dining venue at the time – for a veterans’ banquet. My wife and I were also invited, and we saw what happened.

James Stewart (Norwood Rooms)
The former Norwood Rooms, Norwich in which James Stewart made an appearance.

First, he did not sit with the brass and bigwigs on the top table. He stayed at his table on the floor of the hall surrounded by his pals. And second, he was a very reluctant speaker.

When he was finally persuaded to clamber on to the band platform to say a few words, he thanked everyone, including the people of Norfolk, for the welcome they gave the Americans during the War, and he told the story of the powdered eggs. Apparently powdered eggs were the staple breakfast diet in the officers’ mess at Tibenham, and Stewart became heartily sick of them. On other days, however, they were fed fresh farm eggs straight from a local farm. Unfortunately, those were the days on which a bombing mission was scheduled. So that was how they knew what was happening. Dried eggs, and they had their feet on the ground a little longer. Fresh eggs, and it was bombs away!

James Stewart (Glenn_miller_story_Wikipedia)

Later the same evening there occurred one of those rare, unrehearsed and unexpected events that invariably stick in the memory. The band was playing some Glenn Miller favourites, which got the veterans whistling and cheering. It was particularly apt because the film, The Glenn Miller Story, starring Stewart as Miller, was still doing the rounds. The band leader beckoned to Stewart and invited him to take over the conducting role. Stewart shook his head. Then the audience started clapping and shouting, and he reluctantly clambered back on to the stage and led the band through an admittedly slowish version of Moonlight Serenade. It brought the house down.

288-2

Some years’ later, our local morning newspaper began a scheme promoting plaques to be fixed to buildings where famous people had appeared. Most of those erected, it seemed to me, related to 1960s and 1970s pop groups. There was nothing to remind passers-by, for example, that Count Basie and his band once appeared at the old Samson & Hercules dance hall in Tombland, Norwich. Or that at the old Norwood Rooms a famous Hollywood film star once clambered on to the stage, borrowed the resident band, and reprised a tiny piece of one of his best-known film roles.

THE END

Sources:
http://flongster.blogspot.com/
https://www.theguardian.com/uk-news/2016/jul/14/bruce-robinson-obituary
James “Jimmy” Stewart | Norfolk’s American Connections

NOTICE: ‘Norfolk Tales, Myths & More!’ is a ‘non-commercial’ Site seeking only to be informative and educational on topics broadly related to the history and heritage of the County of Norfolk in the U.K. In pursuing this aim, we endeavour, where possible, to obtain permission to use an owner’s material. However, for various reasons, (i.e. identification of, and means of communicating with an owner), contact can sometimes be difficult or impossible to established. NTM&M never attempts to claim ownership of such material; ensuring at all times that any known and appropriate ‘credits’ and ‘links’ back to our sources are always given in our articles. No violation of any copyright or trademark material is intentional.

 

The Pedlar of Swaffham.

Our thanks to Jim Moon of ‘Hypnogoria’ who, somewhere amongst his many blogs, wrote the following – it is his take on a very famous and popular Norfolk myth – whoops! – tale.

Pedlar of Swaffham (Village Sign)
The Swaffham Village Sign.

In the county of Norfolk, between King’s Lynn in the west and Norwich in the east lies the market town of Swaffham. However, while the town and its market have been a centre for agriculture since the 14th century, the town is perhaps better known as being home to an oft-told folk tale. It’s a tale of a good man and good fortune, and frequently is mentioned when the subject of prophecies and dreams come up. It’s a tale that has been told many times, and its earliest incarnation is found in an old tome entitled ‘An Essay Towards a Topographical History of the County of Norfolk’ by Francis Blomefield (William Miller, London, 1805-10). In Volume 11 of this truly compendious essay, we have a letter by Sir William Dugdale, dated 29 January 1652, and in it he relates the following Tale:

Pedlar of Swaffham (Essay)

“That dreaming one night if he went to London he should certainly meet with a man upon London Bridge which would tell him good news; he was so perplext in his mind, that till he set upon his journey he could have no rest; to London therefore he hasts and walk’d upon the Bridge for some hours where being espyed by a Shopkeeper and asked what he wanted, he answered you may well ask me that question for truly (quoth he) I am come hither upon a very vain errand and so told the story of his dream which occasioned the journey.  Whereupon the Shopkeeper reply’d alas good friend! should I have heeded dreams, I might have proved myself as very a fool as thou hast; for ‘tis not long since that I dreamt, that at a place called Swaffham Market in Norfolk dwells one John Chapman a pedlar who hath a tree in his backside under which is buried a pot of money.  Now therefore, if I should have made a journey thither to dig for such hidden treasure, judge you whether I should not have been counted a fool. To whom the pedlar cunningly said “Yes verily, I will therefore return home and follow my business, not heeding such dreams henceforward.”  But when he came home (being satisfied that his dream was fulfilled) he took occasion to dig in the place and accordingly found a large pot full of money which he prudently conceal’d, putting the pot amongst the rest of his brass.”

Pedlar of Swaffham 3
The Pedlar of Swaffham
The oak benches in the nave of The Church of St Peter and St Paul, Swaffham date from the middle of the nineteenth century. The carved finials on the front pew ends in this church represent John Chapman, otherwise known as the Pedlar of Swaffham. Photo: Copyright David Dixon.

“After a time, it happen’d that one who came to his house and beholding the pot observed an inscription upon it which being in Latin, he interpreted it, that under that there was an other twice as good.  Of that inscription the Pedlar was before ignorant or at least minded it not, but when he heard the meaning of it he said, “‘tis very true, in the shop where I bought this pot stood another under it, which was twice as big”; but considering that it might tend to further his profit to dig deeper in the same place where he found that, he fell again to work and discover’d such a pot, as was intimated by the inscription, full of old coine: notwithstanding all which he so conceal’d his wealth, that the neighbours took no notice of it.  But not long after the inhabitants of Swaffham resolving to reedify their church, and having consulted with the workmen about the charge they made a levy wherein they taxed the Pedlar according to no other rate than what they had formerly done.  But he knowing his own ability came to the church and desired the workmen to shew him their model, and to tell him what they esteemed the charge of the North Isle would amount to, which when they told him he presently undertook to pay them for building it, and not only that but of a very tall and beautiful tower steeple.”

Now this tale has become famous the world over, and is much celebrated in the the town itself, lending its name, in the past, to the Pedlar’s Hall Cafe and inspiring the carved wooden village sign (above) for the town. However curiously, Swaffham isn’t the only place that has a tale like this. Indeed, an almost identical tale is told of Upsall Castle in North Yorkshire. In ‘The Vale of Mowbray: A Historical and Topographical Account of Thirsk and Its Neighbourhood’ by William Grainge (Simpkin, Marshall & Co. 1859) we have a story he entitles “Crocks of Gold”:

“Many years ago there resided in the village of Upsall, a man who dreamed three nights successively that if he went to London, he would hear of something greatly to his advantage. He went, travelling the whole distance from Upsall to London on foot, arrived he took his station on the bridge where he waited until his patience was very nearly exhausted and the idea that he had acted a very foolish part began to rise in his mind. At length he was accosted by a Quaker, who kindly inquired what he was waiting there so long for. After some hesitation, he told his dreams. The Quaker laughed at his simplicity, and told him he had had that night a very curious dream himself, which was that if he went to dig under a certain bush in Upsall Castle in Yorkshire, he will find a pot of gold; but he did not know where Upsall was, and inquired of the Countryman if he knew, who seeing some advantage in secrecy pleading ignorance of the locality; and then thinking his business in London was completed, returned immediately home, dug beneath the bush, and there he found a pot filled with gold, and on the cover an inscriptions in a language he did not understand. The pot and cover were however reserved at the village inn; where one day, a bearded stranger like a Jew, made his appearance, saw the pot, and read the inscription, the plain English at which was –

“Look lower where this stood
Is another twice as good”

The man of Upsall hearing this, resumed his spade, returned to the bush, dug deeper, and found another pot filled with gold far more valuable than the first: encouraged by this, he dug deeper still, and found another yet more valuable.”

This story has been related of other places, but Upsall appears to have as good a claim to this yielding of hidden treasures as the best of them. Here we have the constant tradition of the inhabitants, and the identical but yet remains beneath which the treasure was found; an Elder, near the north-west corner of the ruins. Now you will notice that this text boldly mentions that the tale is told in other places, and indeed it is. For to travel further north in the United Kingdom, we find it retold yet again and at an earlier date. In ‘The Popular Rhymes of Scotland’ by Robert Chambers (W. Hunter, 1826), we learn the history of Dundonald Castle:

Pedlar of Swaffham (Scotland)
‘The Popular Rhymes of Scotland’ by Robert Chambers (W. Hunter, 1826).

“Donald, the builder, was originally a poor man, but had the faculty of dreaming lucky dreams. Upon one occasion he dreamed, thrice in one night, that if he were to go to London Bridge, he would become a wealthy man. He went accordingly, saw a man looking over the parapet of the bridge, whom he accosted courteously, and, after a little conversation, intrusted with the secret of the occasion of his visiting London Bridge. The stranger told him that he had made a very foolish errand, for he himself had once had a similar vision, which directed him to go to a certain spot in Ayrshire, in Scotland, where he would find a vast treasure, and, for his part, he had never once thought of obeying the injunction. From his description of the spot, the sly Scotsman at once perceived that the treasure in question must be concealed in no other place than his own humble kail-yard at home, to which he immediately repaired in full expectation of finding it. Nor was he disappointed; for, after destroying many good and promising cabbages, and completely cracking credit with his wife, who esteemed him mad, he found a large potful of gold coin, with the proceeds of which he built a stout castle for himself, and became the founder of a flourishing family.”

Pedlar of Swaffham (London Bridge)
London Bridge

Chambers, much like Grainge, goes on to remark “This absurd story is localised in almost every district of Scotland, always referring to London Bridge”. And indeed, not only does the tale recur in other Scottish tales, but it appears in various other places in England and Wales too. Furthermore if we hop over the Channel to Europe, we find it flourishing there too, although of course with some other national landmark standing in for dear old London Bridge. The most famous example perhaps is found in the collections of folk tales recorded by the Brothers Grimm:

“Some time ago a man dreamed that he should go to the bridge at Regensburg where he would become rich. He went there, and after spending some fourteen days there a wealthy merchant, who wondered why was spending so much time on the bridge, approached him and asked him what he was doing there. The latter answered, “I dreamed that I was to go to the bridge at Regensburg, where I would become rich.“What?” said the merchant, “You came here because of a dream? Dreams are fantasies and lies. Why I myself dreamed that there is a large pot of gold buried beneath that large tree over there.” And he pointed to the tree. “But I paid no attention, for dreams are fantasies.” Then the visitor went and dug beneath the tree, where he found a great treasure that made him rich, and thus his dream was confirmed” (from Deutsche Sagen (1816/1818), Vol. 1, No. 212)

Pedlar of Swaffham (Grimm)

However, the trail does not end there. Even earlier and further south, we discover an identical tale in that famous anthology of ancient tales ‘A Thousand and One Nights’ (AKA Arabian Nights). The 14th tale is called The Ruined Man Who Became Rich Again Through a Dream and goes like this:

“Once there lived in Baghdad a wealthy man who lost all his means and was thus forced to earn his living by hard labor. One night a man came to him in a dream, saying, “Your fortune is in Cairo; go there and seek it.” So he set out for Cairo. He arrived there after dark and took shelter for the night in a mosque. As Allah would have it, a band of thieves entered the mosque in order to break into an adjoining house. The noise awakened the owners, who called for help. The Chief of Police and his men came to their aid. The robbers escaped, but when the police entered the mosque, they found the man from Baghdad asleep there. They laid hold of him and beat him with palm rods until he was nearly dead, then threw him into jail. Three days later, the Chief of Police sent for him and asked “Where do you come from?” “From Bagdad” he answered. ” And what brought you to Cairo?” asked the Chief.

“A man came to me in a dream and told me to come to Cairo to find my fortune,” answered the man from Baghdad “But when I came here, the promised fortune proved to be the palm rods you so generously gave to me.””You fool,” said the Chief of Police, laughing until his wisdom teeth showed. “A man has come to me three times in a dream and has described a house in Baghdad where a great sum of money is supposedly buried beneath a fountain in the garden. He told me to go there and take it, but I stayed here. You, however, have foolishly journeyed from place to place on the faith of a dream which was nothing more than a meaningless hallucination.” He then gave him some money saying, “This will help you return to your own country.”The man took the money. He realized that the Chief of Police had just described his own house in Baghdad, so he forthwith returned home, where he discovered a great treasure beneath the fountain in his garden. Thus, Allah gave him abundant fortune and brought the dream’s prediction to fulfillment”.

Now we cannot be sure of the exact age of the many tales collected in this volume, for scholars believe the first versions of the collection appeared in Arabic in the early parts of the 8th century, with various additional tales being added over the next few centuries. However, what we do know is that this particular story of a most fortunate dream appears in as part of a poem by the 13th century Persian poet, Jalal al-Din Rumia, who is best known in the West as simply Rumi. In his epic collection The Masnavi, we have the poem ‘In Baghdad, Dreaming of Cairo: In Cairo, Dreaming of Baghdad’.

So then, here we have a tale retold in many places and at many times, indeed it is one of those small number of tales that seems to recur everywhere. And folklorists have a catalogue of such stories – this one is commonly referred to as ‘The Treasure at Home’, and under the Aarne-Thompson-Uther Classification of Folk Tales it is number ATU 1646. Now given that we have several important literary landmarks for the story, it is widely though that this very popular tale was spread throughout Europe thanks the massive popularity of ‘A Thousand and One Nights’, and was adapted to fit local geography and history as it was retold in different places.

However, the first European edition of ‘A Thousand and One Nights’ was a French version translated by Antoine Galland that appeared 1704, and was first translated into English in 1706. We should also note at this point that the works of Rumi were not translated until considerably later, with the first English translations appearing in the late 19th century. However, if you have been paying attention to the dates, we find that while the ‘Arabian Nights’ theory could well account for the versions referenced by Grainge and Chambers, the oldest English version, comes from a letter written in the 1650s.

Now while we cannot rule out this old Arabic tale been spread orally across Europe before its printed incarnations, it is certainly intriguing that the Swaffham version predates other European versions by a good century or more. Furthermore Sir William makes clear that it was already an old tale when he set it down in his letter, and this is supported by the fact that the original Swaffham version has a sequel built in that many other version do not – the business of the inscription and a second pot of gold. For this kind of embroidery is typical of a tale been around for a good while, gaining additional details and extra subplots as it is retold by different generations.

Pedlar of Swaffham (Chapman & Dog)
John Chapman and his dog

Stranger still is the fact that our hero is actually given a name – John Chapman – something very unusual for a folk tale. But even more intriguingly, there is some historical evidence to back up the story, for John Botewrigh, the Rector of Swaffham between 1435 and 1474 made an inventory of building and repair work done to the Church of St. Peter and St. Paul. And this tome is now known as the’Swaffham Black Book’, and in it we discover that in the mid-15th century the North Aisle of the church was rebuilt. And what is more, this renovation work was paid for by a fellow named John Chapman. And as part of this building work, new pews were installed and two of them are of particular interest for us: for their carved ends show a pedlar and his dog. Furthermore, local tradition suggests that a third which shows a lady, is a representation of the shopkeeper in the story.

Pedlar of Swaffham (Church)
The Church of St Peter and St Paul, Swaffham
This is one of the finest medieval churches in East Anglia. It was built between the years of 1454-1465 on the remains of the previous church which had partly collapsed. The tower was added between 1507 and 1510.
The church, which is built of Barnack stone, brick and flint, is in the Perpendicular style. It has the traditional cruciform plan of chancel, nave and transepts with north and south aisles and a square tower. Its total length is 173 feet from west to east. The church is a grade I listed building (English Heritage Building).

 Of course, none of that can displace the fact that a version of the tale was circulating in the East some centuries before, but certainly the pews and Chapman’s name appearing in the ‘Swaffham Black Book’ does suggest that the story of his good fortune may have been doing the rounds while the goodly gent was still alive. Obviously, Chapman, who served as a churchwarden, was a wealthy man, for construction work never comes cheap, particular in earlier times when a major building project may take years to complete. And given that in the 15th century, Swaffham was home to a thriving market, one wonders whether the tale had found its way to rural Norfolk thanks to travelling merchants, the very kind of folks Chapman would have been trading with.

Furthermore, in history we have many examples of less than virtuous men who in later life decide to bankroll various projects for their local churches. And usually these generous and charitable projects are seemingly done as a kind of penance for their earlier sins and misdeeds. Therefore it is tempting to speculate that the tale of Chapman’s fortune may well have been deliberately adopted to disguise the real origin of his wealth. And rather than repaying the good Lord for his luck by refurbishing his local church, as many versions of the tale suggest, he may well have been atoning for making a lot of money through less than virtuous means…

THE END.

Sources:
https://plus.google.com/+JimMoonHypnogoria
https://thehistoryanorak.blogspot.com/2016/01/the-pedlar-of-swaffham.html
https://calumimaclean.blogspot.com/2014/12/dreaming-of-fortune-at-london-bridge.html
Feature Image: Is an illustration by John D. Batten

NOTICE: ‘Norfolk Tales, Myths & More!’ is a ‘non-commercial’ Site which publishes only informative and/or educational items in the hope of broadening an appreciation of the history and heritage of the wonderful County of Norfolk. In pursuing this aim, we endeavour, where necessary, to obtain permission to use another owner’s material, as well as our own. However, for various reasons, (i.e. identification of, and means of communicating with such owners), contact can sometimes be difficult or impossible to established. NTM&M never attempts to claim ownership of such material; ensuring at all times that any known and appropriate ‘credits’ and ‘links’ back to our sources are always given in our articles. No violation of any copyright or trademark material is intentional.

 

James Stays at the ‘Maid’s Head’

The year is 1906. The age of the car has arrived and James Edmund Vincent, Welsh barrister, journalist and author, has been asked by his publishers to help put together a motoring guide for sale to touring motorists. The feeling is that there exists a potential need amongst car owners for information which would allow them to take full advantage of the open roads of this country. James’s brief, on this occasion, is to write about East Anglia. He is asked, as the very minimum, to concentrate on detailing the conditions of the region’s roads, outlining the topography and history of notable towns and other places en route; and give an impartial account of the hotels and inns visited with regards to their standards of service, cleanliness etc. Being an established writer, James’s is given a free hand to plan his own itinerary, with the only stipulation being that a completed copy of a draft guide should be completed and with the publishers within twelve months of starting out on his first journey. Payment, including reimbursement of expenses for the work are agreed but remain confidential.

Because James intends to make several forays into the region, he has arranged to use his 6-cylinder Lanchester on all journeys except this one, the inaugural trip to Norwich – a city he is familiar with, having been there before. James has planned most meticulously, with the enthusiastic collaboration of his friend, Claude Johnson, a somewhat large broad-shouldered extrovert who is someone of importance with the Roll-Royce Company. Claude will remain characteristically keen on the arrangements, mainly because he sees them as part of his early promotion to the company of his ideas for a new model car, which will eventually become Rolls Royce’s ‘Silver Ghost’. He particularly wants to prove that this unique car is smooth, silent and solid – and the best car that money can buy! Beyond this, he also wants to demonstrate the car’s reliability to the buying public. What better way would there be than to be part of James’s journey; a ‘trial run’ as it were, for his own anticipated 15,000 mile ‘non-stop’ promotional journey around Britain. Claude will of course drive the company car – who else!

James Vincent (Silver Ghost_TT_Getty)
Charles Rolls co-founded the company with Henry Royce in a forerunner of the company’s ‘Silver Ghost’ model. The car and driver took part in the first ever TT race in 1906; the race was won by Charles Rolls. Photo: Getty.

James is nevertheless, and unquestionably, in charge of all other aspects of the trip to Norwich – and beyond. It will take his party of Claude the driver, James’s wife and youngest daughter – both of whom will occupy the back seats of the Rolls; James will ride ‘shotgun’ next to Claude in the front. Arrangements looked perfect; everyone loves travelling, and what better than to ride in real comfort to what will be the ‘far end of the region’– perfect! The city of Norwich, indeed most of East Anglia, is still almost unexplored territory to most of the party – and there are no impossible hills of any length to worry about. So, with no worrys worth mentioning – they set off.

We next catch up with the James’s party and Claude’s car as it crawls through the narrow and crooked streets of Norwich, having successfully negotiated those ‘questionable’ roads en route, from Cambridge through Newmarket, Ipswich, Woodbridge, Beccles, Lowestoft and Yarmouth. However, the journey has not been completely without incident for the car; which confidently displayed its engine’s smoothness, reliability and power throughout, but did suffer two punctures – through no fault of its own according to Claude! Fortunately, and maybe by some sort of miracle, a garage appeared closeby on both occasions!

James Vincent (Norwich Market)
Norwich Market Place during the early part of the 20th century. Photo: Public Domain.

The still proud Silver Ghost, under the nurturing of Claude, now passes close to the city’s central Market Place before winding its way towards and around the Castle Mound before swinging left, around the Royal Hotel, into Tombland. This is a wide and open space opposite the west end of the Cathedral. James continues to take note of the city’s features which will be included in his eventual ‘tome’. But for the moment, he ponders on the meaning of Tombland’s name, but remains uncertain. Later, he is to write:

“We had seen the Cathedral spire rising against the clear sky, glanced through two great archways leading to the Cathedral Church itself, had passed on our left the “Stranger’s House”, though the quaint fact that the faces of the figures of Hercules and Samson, supporting the arch of its door, are adorned with “Imperial” beardlets.”

James Vincent (Samson & Hercules_Tombland)
To the left is “Stranger’s House” – as referred to by James – along with the figures of Hercules and Samson. Photo: Public Domain.

At the end of Tombland the car finds itself in Wensum Street with the Maid’s Head Hotel, where they are to stay, immediately on the right. Claude steers into the hotel by way of an archway some little way further down the street. Immediately the party finds itself in a covered courtyard. Here, there is such a contrast between the old and the new and James feels that the surviving surroundings are thanks to no other than Walter Rye who had once bought this ancient building and saved it from destruction; thereby winning the gratitude of every traveller of taste who would also witness features as near identical with those of the 15th-century when the Pastons used the “Mayde’s Hedde” and spoke well of its accommodation.

James Vincent (Maid's Head)1
The side entrance to the Maid’s Head Hotel in 1904; it led into a covered ‘reception’ courtyard. Photo; The Maid’s Head Hotel.

The Bar Parlour on the left, from which an attentive hostess appears to take instructions from the new arrivals, seems also to be of almost immemorial age. Yet in the centre is the most modern thing in this world, Claude’s six-cylinder motor-car. However, staring him in the face is a notice requesting all motorists, to make no unnecessary noise, but to deposit their passengers, or pick them up, as rapidly as possible and then go! He clearly quips that he almost feels inclined to push the car, instead of compelling it to propel itself, onwards through the covered courtyard and into the carriage yard and garage beyond. Claude truly believes that his Silver Ghost is, a beautiful car—and cars can be beautiful he feels. Half the assertions that they are ugly are due to the fact that his generation is not sufficiently educated in relation to cars, have not grown familiar enough with them to know what the lines of beauty in them are. Still, in the courtyard of the “Maid’s Head,” any car is an anachronism, a jarring note and the sooner this one is moved out of sight the better!

James Vincent (Maid's Head Courtyard)
A postcard showing what used to be the ‘reception’ courtyard. Image: Public Domain.

Probably taking advantage of this distraction, James’s wife and daughter quietly break away to explore the hotel. They soon ascend a very ancient and charming staircase of real oak, really black with real age and found someone who was delighted to show the two around “Queen Elizabeth’s Chamber”. James, downstairs, is soon handed a message telling him to visit them there and on arrival sees that the visit is, in his words, “more than worth paying for”. It is a spacious room, if one considers the floor area alone; but of course, the ceiling is very low and the dark beams supporting it still lower. He sees that one great bed is of carved oak, relieved with gilding, whilst another makes no impression on him at all. But not so the long and low windows, the shining planks of the ancient floor, which boasts its own hills and valleys, slopes and hollows, along with the cleanliness and brightness of everything; these make a very vivid and pleasant impression on James.

James Vincent (Maid's Head)2
“Queen Elizabeth’s Chamber” bedroom, circa 1904. Photo; The Maid’s Head Hotel.

Nevertheless, he understands that Queen Elizabeth I never did sleep in this chamber, or indeed in the Maid’s Head itself when she visited Norwich in 1578 – he had heard that she had stayed nearby in the Bishop’s Palace, at a time when weird pageants were displayed in her honour. No, the “Maid’s Head” was an old inn even in 1578. Edward the Black Prince entertained here after a jousting competition at Gildencroft and Queen Catherine of Aragon (King Henry VIII’s first wife) was entertained here. So, it is reasonably certain that the chamber named after Queen Elizabeth was also there. James then thought the room to be ideal for those who hanker after the old world, but do not yearn for that dirt which seems to have been an all-pervading characteristic of the lives of his forefathers. But this room, together with the hotel is certainly spotlessly clean!

James Vincent (15th Duke of Norfolk_ArtUK)
Henry Fitzalan-Howard (1847–1917), 15th Duke of Norfolk by Hester M. Walker. Portrait: St Edmund’s College, University of Cambridge. Image: ArtUK)

After this small interlude, the rest of the party disperses elsewhere whilst James sets off for a half hour stroll into the city before dinner. But at the foot of the stairs he sees quite an imposing person, whose presence is a happy coincidence for him. James remembers his first visit and the “Royal,” where Lord Kimberley was found to be a guest. Now, at the foot of the stairs of the “Maid’s Head,” is none other than the 15th Duke of Norfolk and his wife, the Duchess; both were about to become guests of this ancient hotel. Heavens! he thought; what a contrast to a similar visit some two centuries ago in 1685, on which Macaulay quoted:

James Vincent (Dukes Palace)
Image: Norfolk County Council Library & Information Service.

“In the heart of the city stood an old palace of the Dukes of Norfolk, said to be the largest town house in the kingdom out of London. In this mansion, to which were annexed a tennis court, a bowling-green and a wilderness, stretching along the banks of the Wensum, the noble family of Howard frequently resided, and kept a state resembling that of petty sovereigns. Drink was served to guests in goblets of pure gold. The very tongs and shovels were of silver. Pictures by Italian masters adorned the walls. The cabinets were filled with a fine collection of gems purchased by that Earl of Arundel whose marbles are now among the ornaments of Oxford. Here, in the year 1671, Charles and his court were sumptuously entertained. Here, too, all comers were annually welcomed, from Christmas to Twelfth Night. Ale flowed in oceans for the populace. Three coaches, one of which had been built at a cost of five hundred pounds to contain fourteen persons, were sent every afternoon to bring ladies to the festivities; and the dances were always followed by a luxurious banquet. When the Duke of Norfolk came to Norwich, he was greeted like a king returning to his capital. The bells of the Cathedral and of St. Peter Mancroft were rung; the guns of the Castle were fired; and the Mayor and Aldermen waited on their illustrious fellow citizen with complimentary addresses. In the year 1693 the population of Norwich was found, by actual enumeration, to be between twenty-eight and twenty-nine thousand souls.”

James Vincent (Dukes Palace)2
Image: Norfolk County Council Library & Information Service.

What a contrast James felt! Now, on the 9th of March, 1906, the present Duke of Norfolk enters a city of approximately one hundred and thirteen thousand souls; the bells of the cathedral and St. Peter’s Mancroft are not ringing. No guns are being fired. No mayor and aldermen waiting upon the Duke in his Palace, because there is no Palace. All that is happening is that this quiet, bearded English gentleman walks, limping slightly, with a lady into the courtyard of the Maid’s Head Hotel and, after a parley with the hostess, vanishes up the stairs, to be seen no more. It is pure luck that James sees him, and that he is able to recognise this Premier Duke and Earl, the Hereditary Earl Marshal and Chief Butler of England. He was received with precisely the same courtesy of attention that had been shown to James and his party, but without servility. The Duke received all that he wanted, and in a manner which, James thought, really did him credit.

No more is left of the pomp and dignity of the 17th-century Palace than that of the city’s clothing trade. The Duke of Norfolk has become, in the interval, an Englishman first and a great power in Sussex next, and the clothing trade of Norwich is no more. The city of 113,000 souls is now subsisted, as James is told during his walk-about, on the proceeds of boots and mustard, the latter industry founded by one of whom a correspondent of the Norfolk and Norwich Notes and Queries wrote:

“The original Colman [the name means “free man”] was a jolly old fellow who used to give me sixpence and direct me to the house for refreshment”; it subsisted also, as I learned for myself next morning……. as one of the largest agricultural and pastoral centres it has ever been my good fortune to witness. Times were indeed changed; but he would be a rash man who should say that they were changed for the worse in all respects.”

James Vincent (Maid's Head)3
The Hotel’s Lounge and Writing Room, circa 1904. Photo; The Maid’s Head Hotel.

James writes up his notes after Dinner, which has been taken in the coffee-room of the hotel, and everyone in his party thinks it is very pleasant there.  James includes a further thought that the room also has an air of antiquity, and its deep fireplace certainly charms the eye. The ‘cookery’ is, in his opinion, distinctly good and the attendance quiet and prompt ‘as that in any well-ordered private house’. The Dinner was also the time for him to reflect on some of the other famous associations with the hotel. For instance, the Pastons had used and commended it, and their words of praise, blazoned on the outer door, seems right and proper; but it was a pity, James thought, to have placed newspapers near to them! He also thought that sitting in this same hostelry on the morning of his last fight with Kett and his rebels, Warwick had breakfasted, and had then led his men, who were camped on the market-place, to victory. It is also certain to him that Margaret Paston’s horses were seized here. Then, in the time of the rebellion, the Royalists stayed, despite being scarce in the eastern counties. But Royalists were also Freemasons and held their lodges in the “Maid’s Head” as early as 1724; James understands that on one occasion a Mrs. Beatson hid behind the wainscot of the lodge-room and heard all their mysteries!

James Vincent (Maid's Head)4
A passage way in the Hotel, circa 1904. Photo; The Maid’s Head Hotel.

As James writes, he is pleased that all this information is decidedly enhanced by the fact that this visit had provided further insight and confirmation. Undoubtedly, its value will also be fully appreciated once ‘his’ Motoring Guide is published – next year?. But his pleasure does not end there. James is also proud to be able to say that the Maids Head, this very building in which he sits, was built on the site of Herbert de Losinga’s first Palace, which once stood on Gothic arches; also, that an Assembly Room was built over the courtyard to become a minstrel’s gallery. The carving in the smoking-room represents a fish – possibly a ray? If this is correct, it probably accounts for the title of the hotel; for it was certainly mentioned in the 1287 Norwich Court Records as the ‘Myrtle Fish Tavern’ where “Robert the fowler stole goods from the said innkeeper at Cook Rowe.” Again, if this fish is a ray, then another difficulty vanishes, for the sea-fishermen of Norfolk call, or once called, the ray, “Old Maid.”

Certainly, the hotel did not take its new title on the occasion of Queen Elizabeth I’s 1578 visit, for John Paston had, in 1472 confirmed the hotel’s name change to ‘Maids Head’ in a letter, recommending the inn as a good place to stable horses:

“if he tery at norwyche ther whyls, it were best to sette hys horse at the Maydes Hedde.”

The hotel is also mentioned in a curious petition to Wolsey, again unearthed by that man Walter Rye. James again blesses Mr Rye for having bought the lease of the Maid’s Head in the 1890’s – and saving it! James also remembers him acquiring property next door on Tombland and building the frontage with the ‘Mock Tudor’ look, but keeping the Jacobean snug and bar. This was the moment when Rye quoted:

“I had been myself a customer of the house for 20 years and more and some of the most pleasant parts of my life had been sent in and about it. It was rumoured that when Mr Webster left the Maids Head, the whole scope of the old Tory house – the nearest approach to the typical old hostel that I ever saw – was going to be spoiled and no longer to be a refuge for those who like peace and quiet and old surroundings. I heard what the new rent was to be and took upon myself the burden…..I will try and keep on trying to make people as comfortable as I was myself.”

James Vincent (Maids head_Front_Agoda)
The present-day Maid’s Head Hotel, Norwich. Photo: Agoda.

The next day James, his wife, daughter and Claude the driver, complete packing in anticipation of an early departure soon after breakfast. James gathers up his notes of all he had witnessed and heard during what had been a short stay; but he knows that he will return. His final accolade is saved for the hotel itself; after settling the account he is very pleased that the final bill is ‘quite moderate—for England’ The party eventually departs Norwich for Cromer and James took that moment to note some further useful information which will eventually be passed to the readers of the proposed Motoring Guide Book:

“As with arriving in this city, great care should always be observed when leaving Norwich, for the streets are narrow, crooked and full of risk, and directions difficult to work out…… Roads here are gerally fair, some good – especially to Cromer”.

THE END

Sources:
http://www.gutenberg.org/
www.gutenberg.org/files/38938/38938-h/38938-h.htm
https://www.maidsheadhotel.co.uk/

Two Writers’ Encounter with Norfolk.

In May 1933 Sylvia Townsend Warner and her female partner, Valentine Ackland, were driving around Norfolk when they discovered what used to be called Frankfort Manor, but now known as Sloley Old Hall; it lay up a quiet lane in the northwest of the county of Norfolk  and about 5 miles south of the town of North Walsham. According to Warner:

Sylvia Warner (Sloley Village Sign)
The village sign. Photo: Cameron Self.

“It was a beautifully proportioned house, with a Dutch Gable and a reed-thatch roof – filled with the noise of trees. Valentine found it, exploring inland, but only because her quick eye caught sight of it behind its rampart of trees: backing to have another look, she saw it was to let. It stood in that stretch of Norfolk where the soil is deep and fertile; a soil for oak and chestnuts to plunge their roots into.”

 

Sylvia Warner (Old Sloley Hall)
Sloley Old Hall: Formerly Frankfort Manor, the temporary home of Sylvia Townsend Warner and Valentine Ackland in 1933/4. Photo: William H Brown Archive.

The Manor, as then, was for rent and the two somewhat strange literary ladies leased it until November 1934. They believed that the house and its gardens would provide them with the perfect rural location in which to potter about and write – particularly about a family of cats that lived in the Hall’s outbuildings. These feline creatures inspired Warner’s ‘The Cat’s Cradle Book’ (1940), which is a collection of short stories seen from a cat’s point of view.

Sylvia Warner (Valentine at Sloley Manor_Norfolk)
Ackland and the Frankfort Manor cats.

In her autobiography, Valentine Ackland described the attraction of Frankfort Manor thus:

“At Frankfort Manor, then, we lived in a kind of solemn, fairy story splendour. The first spring and summer brought nothing but miraculous days. Every day a fresh discovery; one day I found white currents….another day we met a hedgehog walking up the drive, another day I was picking green peas into a colander and saw the earth near my feet heaving and a mole emerged and I caught it instantly in the colander and carried it in to Sylvia and set it down beside her typewriter on her table.”

Clearly, Frankfort Manor was where they enjoyed one of the happiest times of their lives together. But they were not to know, when they took out the lease on the property that within twelve months they would be forced to leave because their money was being drained by heavy legal costs resulting from a libel case involving them and the Chaldon Vicarage back in Dorset. In short, they successfully sued after standing up for the rights of a badly treated servant girl there; it was huge financial blow. Nevertheless, whilst they were at the Manor Warner herself described their days there as follows:

“Throughout the autumn, we worked hard and honestly in the kitchen garden. There was about an acre of it, four square plots with flower-borders smothered in bindweed, two asparagus beds and a fruit wall. When we arrived, the ground was under potatoes. These we sold to a fish and chip shop on the Wroxham Road. ……… We made jam and conserves and pickles and sold them. We needed every penny we could raise if we were to stay on in this kind paradise where we were so happy, so hard-working, so good. Goodness is like a flower of the locality. We were never again so unimpededly good as we were at Frankfort Manor.”

It was also during this time at Frankfort Manor that their first and only collaborative work, a book of poetry titled ‘Whether a Dove or a Seagull’, was published. It was truly a time of happiness and productivity, a time that was to be deeply cherished by Warner.

“There was a Victorian wire arch over a path in the kitchen garden, and I remember hanging grey kittens among its lolloping pink roses to get them out of my way as I thinned carrots, and thinking as I heard Valentine whistling nearby…..It would not be possible to know greater happiness……It did not occur to me that such happiness might be too good to last.”

For the Record:
Sylvia Nora Townsend Warner was born on 6 December 1893 at Harrow on the Hill, Middlesex, the only child of George Townsend Warner and his wife Eleanor “Nora” Mary (née Hudleston). Her father was a house-master at Harrow School and was, for many years, associated with the prestigious Harrow History Prize which was renamed the Townsend Warner History Prize following his death in 1916. As a child, Warner was home-schooled by her father after being kicked out of kindergarten for mimicking the teachers. She was musically inclined, and, before World War I, planned to study in Vienna under Schoenberg. She enjoyed a seemingly idyllic childhood in rural Devonshire, but was strongly affected by her father’s death.

Sylvia Warner (Portrait_National Portrait Gallery_© Cecil Beaton Studio Archive, Sotheby's London)
Sylvia Townsend Warner. Photo: National Portrait Gallery. (c) Cecil Beaton Studio Archive, Sotherby’s, London.

On the other hand, Valentine Ackland’s upbringing was quite different. She was born Mary Kathleen Macrory Ackland on 20 May 1906 in London, to Robert Craig Ackland and Ruth Kathleen (née Macrory). Nicknamed “Molly” by her family, she was the younger of two sisters. With no sons born to the family, her father, a West End London dentist, worked at making a symbolic son of Molly, teaching her to shoot rifles and to box. This attention to Molly made her sister Joan Alice Elizabeth immensely jealous. Older by eight years, Joan psychologically tormented and physically abused Molly.

Sylvia Warner (Valentine Ackland at Winterton 1928_© The Sylvia Townsend Warner Society 2020)
Valentine ‘Molly’ Ackland. Photo: (c) The Sylvia Townsend Warner Society.

Molly began wearing men’s clothing, and cut her hair in a short style called the Eton crop, and was at times mistaken for a handsome young boy. This was the time, in the late 1920’s, when she changed her name to the androgynous Valentine Ackland; it was when she decided to become a serious poet. Her poetry appeared in British and American literary journals during the 1920s to the 1940s, but Ackland deeply regretted that she never became a more widely read poet. Indeed, much of her poetry was published posthumously, and she received little attention from critics until a revival of interest in her work in the 1970s.

But it was back in 1927 when Sylvia Townsend Warner first met the aspiring writer named Valentine Ackland. In 1930, they became life partners, eventually settling permanently in the village of Frome Vauchurch, Dorset in 1937. In the same year, American heiress, Elizabeth Wade White (1908–1994), moved to Dorset, England, ostensibly to conduct her research on Anne Bradstreet, an early American poet and the first American writer to be published in the Thirteen Colonies. This was actually an excuse; her real intent was to meet Sylvia Townsend Warner, and Valentine Ackland with whom White was to have an affair sometime later.

Sylvia Warner (Elizabeth Wade White at age 18 in 1924 at Westover School_Wikipedia)
Elizabeth Wade White at age 18 in 1924. Photo: Wikipedia.

As an aside: White was coincidentally, a supporter of Sheringham’s John Craske who, in turn, was a painter friend of Ackland. It would appear that for this reason, White became in contact with another East Anglian, Peter Pears, who was collecting Craske’s works; White was to donate her papers about Craske to the Aldeburgh Festival Archive.

1
This is an image of Sylvia Townsend-Warner and Valentine Ackland’s house in Frome Vauchurch, near Maiden Newton, in Dorset. Whilst the two were away on their post-war stay in Norfolk the house was rented out. It was a feature of the house that many paintings by John Craske adourned the walls; evidence that the artist was evidently held in reverence. Photo: The FRancis Frith Collection.

Matters were to become difficult for Warner around this time, for she was marked by her mother’s increasing senility. This situation was not helped when Valentine had her ongoing affair with White. Warner was tolerant of her younger lover’s dalliances, but the seriousness and length of Ackland’s relationship with White was distressing and pushed Warner’s relationship with Ackland to the edge. Eventually, in 1949 to be exact (see ‘Warren Farm’ below), Valentine returned to Warner and the next fifteen years were relatively tranquil for them both. This does not hide the fact that Valentine struggled with alcohol addiction for many years of their life together.  Valentine’s lack of success  as a poet and her financial  reliance on Sylvia Warner  meant that  her self-esteem took a battering and she was often wracked by self-loathing.

Winterton:
After eventually leaving the blissful days of Frankfort Manor behind, Warner and Valentine resumed living back at their cottage in West Chaldon, Dorset. It would be seventeen years before the couple again stayed any appreciable length of time in Norfolk, although there were those moments when Warner, one of the Bright Young Things of the 1920s, frequently stayed with Ackland at her childhood family home of Hill House in Winterton. Its grounds have long since been a holiday centre with those bizarre African inspired thatched holiday chalets. Before then, the house was more recognisable, without the present-day huge bay windows, and from where the two frequented the Fisherman’s Return in Winterton, one of the two pubs in the village; the second was the Mariners, which has since become a private house.

Sylvia Warner (Fishermans Return)

It was also at Hill House that the two wrote poetry inspired by the Winterton beach and dunes; with Warner writing, after one visit in 1930:

“It was the severe presence of the sea which made the rather ugly house romantic. Below the plateau the dunes stretched far as the eye could travel, harshly mossed to the landward (it was impossible to think of them as land), prickled with marram grass as they rose into sandhills and subsided into the beach: a grey pebble beach till the tide went out and left a belt of sand streaked with watery light where the sea lay caught in pits and furrows.”

Sylvia Warner (The Hill House_Winterton)
The present Hill House, Winterton, Norfolk. Photo: Cameron Self

As a postscript to Hill House; it became an upmarket hotel when it was acquired by ex-RAF pilot Ken Temple. He had spent time living in Africa and it was he who had the roundhouses built as bedrooms for guests. Thatched cottages were also built as holiday lets during the 1950s and 60s in The Lane, which is opposite the Fisherman’s Return public house; at one point the lighthouse itself was part of the holiday centre. The hotel was rather exclusive and among its high-profile guests were film stars. Apparently, Honor Blackman and Richard Burton were at one glittering event there and the young actor, who went on to play Antony to Elizabeth Taylor’s Cleopatra, happily chatted up a local girl – nothing new there then!

Warren Farm, Horsey: 

In October 1949, Sylvia and Valentine returned again briefly to Norfolk and stayed at Warren Farm, Horsey; it happened to be during the crisis of Valentine’s affair with Elizabeth Wade White. Today, the Farm is somewhat different, situated at the south eastern edge of Waxham Sands Holiday Park and forming part of it. It also adjoins a Nature Reserve and Bird Sanctuary.

Sylvia Warner (Warren Farm_Evelyn Simak)
An impression of Warren Farm; try and imagine it without all those caravans. Photo: © Copyright Evelyn Simak

Salthouse:
Salthouse lies on the North Norfolk coast between Weybourne and Cley-next-the-Sea. At one time, salt was manufactured in the village and exported to Europe. In fact, its name derives directly from ‘house for storing salt’ – a term recorded in the Domesday Book. Above Salthouse is the village church, which provides a spectacular view across the marshes to the North Sea. Mary Mings, the daughter of the famous admiral Sir Christopher Mings, is buried beneath the nave.

It was one year on from their stay at Warren Farm when, in 1950, Sylvia Townsend Warner and her lover, Valentine Ackland, came once more to Norfolk and rented the Great Eye Folly in Salthouse, that was until 1951 whilst Warner worked on her last novel ‘The Flint Anchor’ (1954). The Folly – a former coastguard building – was originally built by Onesiphorus Randall in the 19th Century and for a long time was called Randall’s Folly. It stood on the beach in an exposed and windswept location and would always be vulnerable to the sea. In 1950, when the two writers first set eyes on the Folly, it made a profound impression, particularly with Warner who, in a letter to Alyse Gregory in 1950, described her own impressions of the building:

 “…. I think Valentine will have told you about the Great Eye Folly. I have the oddest impressions of it, since we were only there for about fifteen minutes, and conversing all the time with its owners. But the first five of those minutes were enough to enchant me. It is the sort of house one tells oneself to sleep with, and sometimes I almost suppose that it is really one of my dream-houses, and no such solid little assertion of the rectangle breaks the long sky-line of salt-marsh and sea.”

Sylvia Warner (Randall's Folly)
The once ‘Great Eye Folly’ in Salthouse where Warner and Ackland stayed in 1950/51. Photo: Courtesy of the Salthouse History Group.

So, the two women stayed, and again potted about and wrote until the moment arrived when it was time to depart and return finally to Dorset. Two years later, the great storm of 1953 broke the Folly’s back and its complete demise was nigh. Nothing remains of it today.

Randall's Folly_Salthouse (Birkin Haward)3
Birkin Haward’s painting of  the former Great Eye Folly (Randall’s Folly). Image: Courtesy of Birkin Haward Jnr.
Sylvia Warner (Great Eye Folly)2
Immediately prior to the 1953 flood this was known as the ‘Great Eye Folly’s. Its whole seaward front was torn off by the great storm in January of that year. The ruin remained like this for a couple of years, but had to be demolished finally in June 1956. Photo: Birkin Haward (Courtesy of Birkin Haward Jnr).

In 1967, Valentine Ackland was told that she had breast cancer that had metastasised to her lungs; after a long struggle with the disease, she died in 1969 at her home in Maiden Newton, Dorset. Warner, then in her mid-70s, continued to mourn her for the remainder of her life, though she found some solace in her garden and her much-loved cats. In her last years, she also enjoyed a resurgence of interest in her work, especially among feminist scholars. Increasingly troubled by arthritis and deafness, Warner became bedridden early in 1978. She died on May 1 of that year, aged 84 years and her ashes were buried with Ackland’s at St Nicholas, Chaldon Herring, Dorset with the inscription from Horace Non omnis moriar (Ode III.30, “I shall not wholly die”) on their gravestone.

Sylvia Warner (Headstone)
Photo:(c) The Sylvia Townsend Warner Society.

THE END

Sources:
https://en.wikipedia.org/wiki/Sylvia_Townsend_Warner
https://en.wikipedia.org/wiki/Valentine_Ackland
https://myancestors.wordpress.com/2007/12/23/sylvia-townsend-warner-1893-1978/
https://www.literarynorfolk.co.uk/sloley.htm#:~:text=In%20May%201933%20Sylvia%20Townsend,leased%20it%20until%20November%201934.
https://www.literarynorfolk.co.uk/salthouse.htm
https://www.townsendwarner.com/data/201406_stws_we.php
https://inkyfoot.wordpress.com/tag/valentine-ackland/

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Cloudesley Walks to Work

This is a fictional story set in Norwich, Norfolk during the early 19th century, but based on genuine news reports from the local newspapers of the day.

Cloudesley (Norwich Market 180 ((John Sell Cotman_Tate)
Norwich Market by John Sell Cotman. Tate Gallery.

The year is 1814 and a young clerk to the insurance firm of The Norwich County and Municipal Insurance Company, which has offices overlooking the city’s Market Place, is making his way to work. His first name is Cloudesley, which is quite a popular name of the time. The job he has as clerk is a pretty good one, although not fabulously well paid to begin with but, yes, he is on his way.

Cloudesley has to tread carefully as he crosses the Market Place to avoid the blood and offal discarded by the butchers who are just setting up shop. There are also leather merchants, coffee dealers, beer sellers, vendors of hot potatoes, bread makers and bakers of the famous Norwich biscuit, which is probably filled with 50 per cent chalk; he needs to watch that he is not hit by the waste they throw from their stalls without looking! Everything is just left to drain away down to the bottom of the Square where a pack of dogs lap up up the disgusting-looking mess.

There is a wretched man in a pen – he is shirtless and has a scatted back; several people are laughing, throwing rotten vegetables at him. He has obviously been there all night, having been flogged for drunkenness or maybe lewd behaviour. Being a kind sort of a chap, Cloudesley passes his flask of week beer through the bars to the man – cold water is far too dangerous to drink – and the pitiful prisoner grasps it thankfully, downing it in one.

It’s only ever men who you see being punished in the Market Place – most days there are at least one flogging and several left in cages like the chap this morning. This does not mean that women don’t swear or steal or get drunk – the courts are full of them as a matter of fact. No, it’s just that their punishment is always courtesy of the ducking stool at Fye Bridge, near Tombland.

The main thing, though, is the smell, and it is something our hero can never get over. He cannot understand why people let themselves smell so rank – Cloudesley insists on going to the public bathhouse once every few weeks, whether he feels dirty or not. He passes a group of well-dressed people, each of whom has an orange, pricked all over, in front of their noses to ward off the worst of it. Oranges are very expensive; one day, maybe, he will treat himself.

Cloudesley (Market_Place,_Thomas_Rowlandson 1788). Image Wikiwand
Norwich Market Place by Thomas Rowlandson 1788.
This shows the southern tip of the main market (centre), with Gentleman’s Walk running south towards the former livestock market site to the left. The buildings to the right divided the upper and main markets; Pudding Lane, the alley between these buildings and the church, still exists. Image: Wikiwand.

On the whole, the Market Place has happy memories for him. It is here that nine years before he had witnessed the wonderful news of Admiral Lord Nelson’s victory over the combined French and Spanish fleets at Trafalgar. The news was conveyed to the city by coach which arrived, colours flying, to the cheers of the crowd. The Volunteer Corps paraded and the bells of St Peter Mancroft were rung throughout the day, although the news was cast in shadow by the death of the hero of the Nile and Trafalgar. A giant ox was roasted in the pub on the corner.

Truth be told, Cloudesley is just a little tired this morning. Last night he and a group of the clerks had gone to Mrs Peck’s Coffee and Ale House on Gentleman’s Walk. The poster had read:

“To be seen alive in a genteel room at Mrs Peck’s Coffee and Ale House, Market Place, Norwich, the largest Rattlesnake ever seen in England, 42 years old, near nine-foot-long, in full health and vigour. He is well secured so that Ladies and Gentlemen may view him without the least danger. He has not taken any sustenance for 11 months. Admittance, Ladies and Gentlemen 1s; working people and children 6d.”

It was a bit of a mystery why this particular creature was not eating – Norwich had many ‘exhibits’ and the usual thing was that people would be admitted at half-price if they brought something – a live mouse or rat, say – to feed the animal.

Afterwards, being in fine spirits, the party could not resist going just up the road to the White Hart, Rampant Horse Street, to see the famous ‘counting pig’. It might have been the beer, but it was amazing – customers were invited to hold up a number of fingers and lo! The fat old porker would scape a paw on the ground the right number of times! Cloudesley couldn’t help thinking that maybe, somewhere out of sight, was a man with a pointed stick, poking the poor thing……

So, what’s going on in ‘No Mean City’ as the people so proudly called it? How are things? – Well, there is a great nervousness about a probable French invasion, which could well happen via Weybourne. The greatest ever British General, Wellington, may have blunted Napoleon’s glories and sent him into exile, but there were almost weekly rumours of his escape. Besides, the French absolutely detested us, a feeling returned with vigour. The largest pub on Gentleman’s Walk, owned by Alderman Davey – he who has recently invented an iron coffin, said to be completely safe against body snatchers – has an effigy of a strutting Corsican being skewered on a giant fork by John Bull. The pub is very popular. From the coast to the top of Norwich Castle are a series of wooden beacons ready to be fired if the French are spotted; thus, Norwich would know within minutes if the dreaded enemy has landed.

Cloudesley always arrives early for work as he likes to take a look at the newspaper before the five fellow clerks with whom he shares an office arrive. He sits at his tall wooden stool and spreads the Norfolk Chronicle and Norwich Gazette out on his desk. Several items catch his eye. The population of Norfolk is returned as 274,221, of whom 130,249 were males and 143,972 females. However, as about 4,000 men are away in Wellington’s army, the sexes at slightly more equal than the figures suggest.

Cloudesley also reads that 247,000 quarts of soup are weekly being given to the poor, However, all is not doom and gloom as the Duke’s Palace Workhouse – down by the old Palace of the Duke of Norfolk, the one who lost his head planning to marry Mary, Queen of Scots – reports that the number of inmates has fallen from 1,027 to 425.

Cloudesley (Workhouse)
Duke’s Palace Workhouse.
Established in the former palace of the Duke of Norfolk. It was variously known as the St John’s Workhouse or the Duke’s Palace Workhouse. Image: Samuel King’s Plan 1766 Courtesy of Reggie Unthank.

Wheat has risen from 146 shillings per quarter at the beginning of the month to 180 at the end. Various ruses are being tried to get people to eat less bread. ‘The officers of the West Norfolk Militia’, the paper states, ‘have entirely left off the use of bread at their mess, and have forbid the use of puddings and pies, except the crust is made of rice or potatoes, which they eat in a variety of shapes as a substitute for bread. Nurses are advised to use linseed meal and water instead of bread and milk in making poultices.’

Cloudesley is pleased to read that repairs to the disastrous fire in the roof of Norwich Cathedral, caused by careless workmen and estimated to be costing over £500, are almost complete. Oh, lucky man! The winner of the Irish Lottery, Mr Charles Weston, a banker living in Norwich, is richer to the tune of £15,000. Chapelfield, where he often eats his lunch, is berated by a leading architect as being ‘a very cockneyfied and badly laid-out public space’.

The man previously cleared by Magistrates for knocking down and stealing the wallet from the old soldier in Castle Ditches – who subsequently died – has had an attack of conscience and confessed, even though he knows he will be hanged!

Under a section called ‘Curious Notes’ he reads of a businessman, Ainsworth Crisp, who has a shop in London Street and lives upstairs. He has had a coffin made of solid English oak, with a silver plaque on the outside giving his name; only the exact date needs to be filled in. The coffin is kept in the corner of his bedroom and is used as a cupboard.

A lady in the letter’s column complains that Cromer is become far too expensive as regards lodging in the season, but is pleased that this will keep out the troublesome London Cockney. As regards Happisburgh, one reader agrees with Walter Rye who, in a famous account of 1885, scathingly said that no book was to be found there; everyone is in bed by nine; dullness reigns supreme; and William Cowper, the poet, went there but went mad and he does not wonder at it.

Much of the paper is filled with crime, which is rampant, there being no law enforcement officers employed by the authorities. It is true that Aldermen can appoint men with temporary powers to arrest and detain troublemakers but, being usually the chief troublemakers themselves, they were notoriously subject to bribes and worse.

Four men were hanged in Norwich – two for robbing the Rectory at North Walsham; one for stealing a cow and three heifers, and one for stealing six sheep. The hangings took place at the entrance to the castle in front of enthusiastic crowds. Food and drink was sold and there was much singing and general merriment until the arrival of the prisoners when ‘an awful silence fell’. The paper reports that one man, a well-known criminal, 34 years old and dressed in fine clothes, attracted considerable attention from several well-dressed ladies.

At Norwich Quarter Sessions, John William Smith was charged with stealing a spoon from the Waggon and Horses public house, the property of William Smith, and a coat, the property of Michael Callow, from the Crown Inn, St Stephens. He was sentenced to seven year’s transportation.

Politically, Cloudesley is neither committed to the Whigs nor the Tories. Sometimes, he goes along to the Norwich Revolution Society which meets at the Bell Hotel and which, despite its alarming name, seems more of a heavy drinking club than anything else. The alternative is the Norwich Patriotic Society, but that appears much the same. No, his future probably lay not in politics, but in insurance – he greatly admires Mr Thomas Bignold who started something called The Norwich Union Insurance Company a mere twenty years ago, at the age of 36, as he was unable to insure himself against highwaymen (who are a curse whenever a respectable person ventures outside the city walls). Norwich Union is fast becoming a great English commercial company.

Cloudesley (Thomas Bignold)
Thomas Bignold

Thomas Bignold is very much a hero of young people hereabouts and Cloudesley chuckles to himself as he reads of his latest exploit. The Chronicle relates that, not one to suffer fools gladly, he has refused insurance to a man he disliked who wanted cover against being bitten by a mad dog on the grounds that should the dog do this, it would assuredly be sane. There is much idle talk of his son, Samuel, taking over the company as his father is becoming increasingly erratic, but Cloudesley thinks the press would not like it as it would certainly have less to write about.

He is much taken with the report about the library which may open in the Guildhall building – the cost of membership as proposed is high, no doubt to detract ruffians, but the idea of being to borrow books is pretty exciting; he reads a letter in the Chronicle from a Parson who thinks that allowing the working man to gain knowledge will inevitably lead to them becoming discontented with their lot and end in disaster. Hmm….. it’s a thought!

Life expectancy in 1814 is about 40 years. Cloudesley will do better than this because he is temperate in his habits, takes a good wash every now and again and has a respectable career which will mean a reasonable house. He hopes to meet a local girl to settle down with and bearing this in mind will no doubt find himself at six this evening parading up and down Gentleman’s Walk, which is exactly what it say it is, and may fall into a coffee shop now and again to rest and set the world to rights – especially regarding that troublesome French so-call ‘Emperor’ – with his fellows. Life is good! He picks up an invoice from a pile in front of him, nods ‘Hi’ to Tim, a fellow clerk who is just coming in the door, and begins his day’s labours.

Written by Stephen Browning and extracted from his latest book “Norwich and Norfolk: Stone Age to the Great War”.

THE END

(Source: The above mentioned Book.)

 

A Personal Glimpse of Elm Hill in the 1860’s.

By Haydn Brown.

 In all probability, if the Queen had not visited the Strangers’ Club at 22-24 Elm Hill, Norwich in early May, 1935, Mrs Simmons, of Beckenham would never have attracted the attention of the local Eastern Daily Press. By picking up the ‘scent’ of a local-interest story and linking it with the Club to which Royalty was favouring a visit, the newspaper brought Mrs Simmons into the limelight and to the attention of its readers. The EDP also laid the basis of an unique window into a few small aspects of life in and around the city’s Elm Hill area between 1860 and 1870 which would never have seen the light of a future day had it not pursued the story and the Norfolk Record Office had not filed it for posterity.

Mrs Simmons (Street Diagram)
Diagram and Key showing the layout of Elm Hill and it’s principal surviving buildings. Image: George Plunkett.
Mrs Simmons (Paston House)
22-26 Elm Hill former Paston House, now Strangers Club.

Mrs Simmons, for we know nothing more of her identity, lived on Elm Hill from the time when she was a very young girl, through to when she was approaching her 21st birthday. During that time, she, her parents and siblings lived at 22-26 Elm Hill, the very house now occupied by the Stranger’s Club; also, once known as the Paston house, which was rebuilt after the fire of 1507. Mrs Simmons, therefore, probably knew more about what the area was like than anyone else living in those pre-WW2 days. These writings of hers were originally intended only for the amusement of her family as they grew up; however, since they had long flown the nest and the Queen was coming, maybe she was flattered by the attention of the local press – because, it was at that point, she consented to the publication of her personal reminiscences. The opening paragraph was as follows:

“Norwich was my birthplace and Elm Hill my cradle. My earliest home was an old house, there belonging to my grandfather, at least 300 years old [and] once the residence of Augustine Steward, Mayor of Norwich 1545, and now called the ‘Strangers’ Club’. In the lounge is a 20-light window frame of moulded oak from the adjacent building, occupied in the 15th century by the Norfolk family of Pastons and from here some of the Paston letters were written, headed “at Seynt Peter of Hungate” 1479. According to tradition, Queen Elizabeth I looked through this window when visiting the city in 1578……… Be that as it may, I loved the old house, where I spent a very happy childhood. I loved to look from the open window down upon the hill with its great elm tree in the middle of the plain and shading the parish pump (now gone). I can only picture it in bright sunshine, as there were to me few dark clouds in those early days.”

Father Ignatius:
Maybe it was inevitable that Mrs Simmons would make an early reference to Father Ignatius O.S.B, since he was quite a controversial during her childhood; his real name was the Reverend Joseph Leicester Lyne. It was while she was living in Elm Hill that Father Ignatius and his Anglican monks first came to open his monastery  in 1863. It seems that from the outset of his arrival, she painted a positive and rather charismatic image of Ignatius:

Mrs Simmons (Father Ignatius)
Father Ignatius. Photo: Wikipedia.

“Indeed, it was through my father, John Bishop, that Father Ignatius founded his monastery at Elm Hill. [The Reverend’s] aunt, Mrs [Julia] Utten Browne,[ wife of Edward Utten Browne of All Saints Besthorpe], called upon my father to ask if he knew of any premises to let suitable for a religious community, and he took her to Samson and Hercules House, then vacant, but as it did not suit he [her father] brought her back to Elm Hill and showed her a big old mansion, entered through an arched doorway into a paved courtyard with buildings around it, and it was here [at No.16 Elm Hill] that Ignatius soon founded his monastery.”

Mrs Simmons (Monestery)
Norwich estate map, Elm Hill Monastery, 1869, Surveyor Thomas F. Wight of Norwich. Norfolk Record Office, DS 192.

Thereafter, Mrs Simmons would recall that Elm Hill witnessed rare scenes during a period when often the street was crowded with sightseers; sometimes:

“Ignatius would come out and speak to the people, who were often more scoffers than hearers, and when the noise became too much for his voice to be heard he would lead his choir with his beautiful voice and sing a hymn and then retire through the arched gate behind him and the nail-studded door was shut and barred……on Easter morning, long before it was light, the monks came out in procession with banners and cross, dressed in their vestments and carrying lighted candles and censers, and would parade round the Parish singing hymns. I thought it “Beautiful”!

But maybe because Mrs Simmons was writing for her children, she never mentioned the more contentious aspects of Brother Ignatius’s activities, such as the community hostility towards him and his monks, and the fact that opinion was greatly divided towards the principle of accommodating a monk community in Norfolk. Specifically, she did not mention that he had caused outrage in the November of 1863 when it was reported that here was;

“a clergyman of the English Church, who has the temerity to come before a public audience attired as a Benedictine monk, with bare head and bare feet, carrying a rosary and crucifix, which in this country are regarded as symbolic only of the Romish Church, and calling himself by a name not accorded to him by his godfathers and godmother,”

Mrs Simmons (Monk's Cowl)

On 13 February 1864, after Brother Ignatius had purchased No.16 Elm Hill as part of his attempt to revive a form of monasticism by forming a religious order, or brotherhood in the city, he was labelled as “notorious” in the press. This preceded his actions of 24 February when he dedicated the building as the “Benedictine Chapel of the Priory of St Mary and St Dunstan,” From this date scenes of disorder and riot were a frequent occurrence in the neighbourhood and the monastery. Directly, or indirectly the existence of the confraternity gave rise to several remarkable incidents; such as the daily procession by the brethren to and from St Lawrence’ church to celebrate Communion – this was met by a mob assailing and insulting them. The protection of the police was demanded by Ignatius, and the magistrates were frequently engaged in the hearing of cases of riot and assault arising out of the proceedings at Elm Hill and St. Lawrence’

Four months later, on 28 June 1864, the wide-spread public outrage at the activities of Father Ignatius and his Third Order on Elm Hill spilled over into actual violence. According to the Baroness de Bertouch, in her book ‘The Life of Father Ignatius’, 1904, it was triggered by the previous day’s pilgrimage of ‘over four hundred enthusiasts’ to St Walstan’s Well at nearby Bawburgh – as a challenge to the Bishop’s authority. The crowd had ‘moved as one long flexible column through the town’ and services were held at the Well, vials and vessels being filled with its holy well water. On their return to Norwich cries of ‘No Popery’ were heard and Ignatius received an anonymous letter telling him that his priory would be set on fire, together with anyone who happened to be within its precincts. A mob of many thousands gathered and detachments of police began to arrive. The brothers barricaded themselves in and some of the sisters arrived to lend support. The authoress lent a degree of humour to the incident when she stated that the sister’s armoury was mixed: “Sister Faith brought her rosary; Sister Hope carried a magnificent rolling pin; but Sister Charity was made of sterner stuff – she brought a kettle filled with vitriol (sulphuric acid).” In the event, the Elm Hill monastery was closed in May, 1866, and the building work of a proposed new chapel to be erected by Father Ignatius was suspended and he left Norwich.

St Peter Hungate Church:
Today, at the top of Elm Hill, stands the church of St Peter Hungate. It is not the original church you understand, that was demolished way back in 1458; but the one that was there in the mid-19th century and to which Mrs Simmons attended as a youngster; this was in fact a rebuild by John Paston and Margaret his wife by 1460. Fast forward to 2011 when Simon Knott wrote of it:

“Although St Peter Hungate is right in the heart of the urban area, its setting is idyllic; 16th and 17th century cottages flank the north and east sides, and then beautiful Elm Hill drops away below it. To the west is the magnificent chancel window of the Blackfriars church………. Hungate itself no longer exists, but was formerly ‘houndsgate’ – the street of dogs. In this conservation area the roads are cobbled, and it is an oasis of charm in the middle of East Anglia’s biggest city.”

Mrs Simmons (St Peter HUngate)
St Peter Hungate church, on the corner of Elm Hill (left) and Princes Street (right). Photo: Simon Knott 2011.

As a child, Mrs Simmons remembered her father discovering a rude (sic) carving on the stone shaft in the north porch; it was of an acorn with an oak tree growing from it and he thought it probably was to indicate that the present church was built on the site of an older one. St Peter Hungate then, as now, was built of black flint, cruciform in shape and having a nave, chancel, transepts, and square tower with two bells.  The roof of the nave was ornamented with figures of angels and with ‘a fine east window filled with ancient glass’; the church also had squints, spy-holes.

In 1861 the interior of St Peter Hungate was much improved and we find that the church also retained what may have been a unique three-tiered pulpit. According to Mrs Simmons:

“the clerk’s desk at the base, and above this the reading desk, equivalent to our lectern, and still above this the pulpit and over all a big sounding-board.”

Mrs Simmons (Geneva Bands)
Illustration of Geneva Bands.

The church’s Rector at the time was the Rev. Samuel Titlow M.A. who was first appointed to the post in 1839. He was, according to Mrs Simmons: “a confirmed old bachelor who, was very pompous and stern”. She also remembered how the Reverend would preach in his college gown – after taking off his surplice in the vestry! Always, around his neck he wore white ‘Geneva’ bands; these were two bands or pendent stripes made usually of white lawn and worn at the throat as part of the clerical garb, originally worn by Swiss Calvinist clergy. Then there was her father, John Bishop, who was a churchwarden at St Peter Hungate and he, together with his fellow wardens would sit in special high pews at the west end of the church. Whilst all pews were square with high board screens around them, a warden’s pew had a padded arm-rest, just like an armchair and above the pew door was a green curtain, which the clerk drew after everyone had entered and before the service begun. According to Mrs Simmons:

“We, my brother, sister and I, sat opposite to our parents. I could not see over the pew, even [when] standing, so father used to lift me on to the seat, and I well remember an old chap in front who used to lay his wool glove on the top of his bald head to keep off the draughts. I used to hope it would fall off, but it never did.”

She also noticed that on the wall, at the end of the pews, were pegs for the men to hang their hats on. She also witnessed the ritual these men went through before entering their pews; still standing, they would hold their hats before their faces to pray into; only then did they hang them up and then proceed to their seats:

“How queer we should think it now to see a collection of tall hats hanging round a church during a service………[then] Once a month, on the first Sunday, there was Holy Communion after morning service. The bell would be rung on Saturday afternoon to announce the fact. Then, when the service had ended, father and the other warden stepped out of their pews and, armed with big brass bowls, would stand on either side of the porch to receive the alms of the departing congregation.”

It is sometimes amazing how the smallest of memories can be permanently locked into one’s mind. This seems to have happened with Mrs Simmons who, from her recollections of St Peter Hungate, remembered one little incident between the old Rector, Samuel Titlow, and Father Ignatius, who attended one particular service, along with his band of monks:

“The Rector did not approve, but they were parishioners and he could not exclude them – and our father liked Ignatius and showed them into pews in front of the pulpit. All went well until the Creed. The Rector began in his severe style, reading “I believe”. The monks took it up and intoned it. [There was] a pause, the Rector started again and read it deliberately by himself. I do not remember anything else during the service and do not think the monks ever came again.”

Father Ignatius, instead, had a chapel fitted up in his ‘monastery’ and continued to have regular services there. These drew crowds of people; so much so that not all could be accommodated. The solution was for admission tickets to be issued. We are told that Mrs Simmons’s father, John Bishop, did ‘business with Ignatius’, and presumably on that basis he was given a family ticket for any service.

“By the way”, quoted Mrs Simmons at one point, “a funny thing happened one day: Ignatius wanted to see my father and, as he could never appear without a crowd mobbing him, he opened our private door and walked into the house. Our maid was on her knees at her work and, hearing a sound, turned her head and saw (to her) ‘an awful figure clad in black with a cowl over his head’. She fled in fright to my mother, exclaiming: “Oh! Mam, I believe it is the Devil now come in.””

Mr and Mrs Trory:
Mrs Simmons’s reminisces were not, however, confined to the controversial figure of Father Ignatius and his activities. She remembered her music master, Mr Trory who was “a dear old man with a stately wife”, both of whom lived at the top of Elm Hill; he played the violin and his wife sang at the Triennial Festivals. Mrs Simmons recalled that this couple use to recall ‘earlier days when several neighbours owned horses and carriages.’ But Mrs Simmons could only recall one, a Mr Able Towler, of the firm of Towler, Rolland & Allen; manufactures, specialising in crepes, bombazines and Paramattas – and earlier than this in producing the noted Norwich Shawls. Their factory was next to Mrs Simmons’s parent’s home in what is known as Paston House behind which was Crown Court.

Mrs Simmons (Paston House)2
The Paston House on Elm Hill
The house was the home of the Pastons in the 15th century. After the 1507 fire, which destroyed all but one house on Elm Hill, a new house was built on the site by Augustine Steward, the deputy mayor of Norwich in 1549, at the time of Kett’s Rebellion. The building now houses the Stranger’s Club. Photo: © Copyright Evelyn Simak

She had a very vivid memory of one large room in Paston House which had a beautiful moulded ceiling, from the centre of which hung “a wonderful wrought-iron snake to support the original oil lamp”. It has been said that when Queen Elizabeth I stayed at the Duke of Norfolk’s Palace nearby, she and her courtiers walked through the gardens by the riverside and held court in that very room. On what would have been the same occasion, the Queen was said to have also watched a pageant from the existing first-floor window of the same building – now known as the Strangers Club. Hence the origin of the name “The Crown Court” since applied.

Mrs Simmons eventually brought her newspaper reminisces to an end with a late reference to the Rev. Samuel Titlow and Mrs Trory. The readers are told that Mrs Trory met the Reverend out walking one day and respectably smiled at him and bowed. However, he, looking his grimmest and taking no notice passed her by:

“Soon afterwards he called upon her [Mrs Trory] for a subscription and, before the bell could be answered, he opened the door and met her in the hall. He began in his pompous manner: “Excuse me, Mrs Trory ——,” She took him by the arm, turned him round, saying: “You do not know me in the street and I do not know you in my house,” and she showed him out! The old man was very indignant and afterwards told my father how he had been treated…. When we heard the tale, we were much amused as we could picture the scene and the performers”.

THE END

Sources:
Newspaper cutting: ‘Life on Elm Hill in the 1860s, Eastern Daily Press, 1935. Norfolk Record Office, MC 2716 L10/1-10.
A Glimpse into The History of Elm Hill: The 1860s and Father Ignatius
http://www.georgeplunkett.co.uk/Norwich/elm.htm
http://www.norfolkchurches.co.uk/norwichpeterhungate/norwichpeterhungate.htm

 

W.G. Sebald: Where Did He Belong?

Let’s start at the end – the moment when ‘Max’ (he liked that) Sebald died; it happened when he was driving on the A140 near Norwich in December 2001. The coroner’s report, which took six months to publish, stated that he had suffered an aneurysm at the time and had died of this condition before his car swerved across the road and collided with an oncoming lorry. He died three days after his final class at the University of East Anglia (UEA). His daughter, Anna, was with him in the car but survived the crash. Sebald was buried in St. Andrew’s churchyard in Framingham Earl, close to where he lived.

Sebald5
St Andrew’s Church, Framingham Earl, Norfolk. Photo: Norfolk Churches.

But that was then. What preceded it was a very distinguished literally life, on which many other writers and critics have theorised and eulogised. The purpose of this blog is not to try and emulate this gentleman but to simply lay out some interesting information behind his life as documented by others. His experiences and upbringing which influenced everything else that followed, particularly his writing.

(‘Max Sebald and his headstone. Photos: Eastscapes.)

At the time of his death in 2001, at the age of 57, he was being cited by many literary critics as one of the greatest living authors and had been tipped as a possible future winner of the Nobel Prize in Literature. Then in a 2007 interview, Horace Engdahl, former secretary of the Swedish Academy, mentioned Sebald as one of three recently deceased writers who would have been worthy laureates.

Sebald (Wertach)
The town of Wertach where W G Sebald was born. Photo: Wikipedia.

We are told that Max Sebald was born on the 18 May 1944 in Wertach, Bavaria and was one of three children of Rosa and Georg Sebald, who came from an intensely Catholic, anti-communist rural world, wedded to local traditions and hostile to foreigners. Eight months before Max’s birth, on the night of 28 August 1943 to be precise, Rose Sebald, née Egelhofer, was returning home from a visit to her husband in Bamberg; he an officer in the Wehrmacht. She got as far as Fürth from where she saw and heard what turned out to be 528 Allied planes bombing the city of Nuremberg, setting it ablaze.  That was the moment when Rosa first noticed that she was pregnant.

Christened Winfried Georg Sebald later took to referring to himself as ‘Max’ – and at the same time seemed to have dropped the use of ‘Winfred’ because he hated the Germanic “mythological pomposity of Winfried”, and because he was to grow fed up with being called out as ‘Miss Winifred Sebald, please’ when he came to England some 22 years later.

Apart from his christening and meeting his biological father, little is known about Max over the next four years; however, one may assume that he was sheltered from the worst of the Second World War. Certainly, between 1948 and 1963 Sebald grew up in his mother’s village of Sonthofen, in southern Germany and located in the Oberallgäu region of the Bavarian Alps near the Austrian and Swiss borders. The pleasant aspects of this site, its countryside and relatively quiet country life allowed Sebald to grow up without any real concept of destruction. However, the bombing of Germany was to haunt Max Sebald’s adult life, as witnessed by most of his fiction. Quite ironically enough, he was to lived for almost thirty years in the East Anglian region of England, where many of the British planes took-off on their war-time sorties over Germany.

375px-SonthofenVonOben
Sonthofen

Sebald was not yet three years old when, around early February 1947, the family travelled to Memmingen to greet his father Georg Sebald, who the child had never seen. His father, a rather detached figure said nothing about ‘his’ war. Family silence and forgetting seemed to be conditions of Segald’s early life. His father had joined the Reichswehr in 1929 and remained in the Wehrmacht under the Nazis throughout the war; now he was being released from a French prisoner of war camp. He was part of a moment in the lives of German families that took place from the end of hostilities until 1956 when the last German prisoners were finally released from custody. The returning father was to offer his children nothing; it was said that he was morally and physically diminished, weighing less than 50 kilos, but remaining authoritarian and demanding. He appeared the stern usurper in a family benevolently ruled by Rosa, the mother, Max’s oldest sister Gertrud, and his doting maternal grandparents, Theresa and Josef Egelhofer; Josef, the grandfather, became the most important male presence in Max Sebald’s early years. In a sense, it was Josef Egelhofer who was in reality Sebald’s “true” father, someone who had served as village constable in Wertach from the early part of the 20th century until his retirement in the 1930s. From the account of Mark M. Anderson, writing in February 2015, Max Sebald’s grandfather was:

“….. a sensitive, gentle, humorous man, [who] never received much formal education. But he was intelligent and curious, particularly about the physical world around him. Gertrud Sebald calls him a “natural philosopher”. The retired Egelhofer, whose profession had required him to patrol the surrounding region on foot, took his grandson on long walks, teaching him about mountain flowers and herbs, meteorology, geology, but also about the village residents whose life stories he knew so well. He is Sebald’s first and most beloved mentor, a role that was strengthened by the absence of his son-in-law Georg, [Max’s father] who worked in a neighbouring town and returned home only on weekends until 1952. Egelhofer died in April 1956, on the night of a great snowstorm, a few months before his grandson finished elementary school. His death will leave perhaps the largest imprint of any single event in Sebald’s inner memory. His first novel, written during his university studies but never published, turns on the long description of the grandfather’s funeral and burial.”

Sebald studied German and English literature first at the University of Freiburg and then at the University of Fribourg in Switzerland, where he received a degree in 1965. The move from Freiburg to Fribourg marked the break with Germany and the beginning of his emigration, first in Switzerland and then in England, where he will live until his death in 2001. Again, Mark Anderson writes:

“It didn’t start as a deliberate plan to emigrate—the move to Fribourg was prompted by his desire to escape the stuffy, morally compromised environment of the German faculty members at Freiburg University, where he had initially studied. During his stay in Fribourg, Sebald completes his Master’s degree with distinction in nine months in French (a language he had hardly studied beforehand), working with a Viennese professor who had opposed the Nazis and emigrated to Switzerland before the war. Here begins Sebald’s connection to victims and exiles of the Nazis, which continues in important relationships in England, where so many persecuted German Jews had found refuge. Just as importantly, the stay in Fribourg will teach him what life in a foreign country and language can offer in the way of inner freedom and relief from his generation’s burden of Germany’s war crimes—a burden made simultaneously more self-conscious and lighter by living among non-Germans. Emigration was part of the family DNA. All three of Sebald’s maternal aunts and uncles emigrated from Germany in the 1920s to the United States and remained there until their deaths; Sebald’s own two sisters, Gertrud and Beate, moved to Switzerland early in their lives and reside there today. But emigration was also part of his generational heritage as a child born during or just after the war, the generation that will come of age during the 1960s and, quite often, seek their fortunes abroad.”

Thereafter, Sebald became a Lector at the University of Manchester from 1966 to 1969, then returned to St. Gallen in Switzerland for a year hoping to work as a teacher but could not settle. Sebald married his Austrian-born wife, Ute, in 1967. In 1970 he became a lecturer at the University of East Anglia (UEA) in Norwich, Norfolk. There, he completed his PhD in 1973 with a dissertation entitled “The Revival of Myth: A Study of Alfred Döblin’s Novels”. Sebald acquired habilitation from the University of Hamburg in 1986. In 1987, he was appointed to a chair of European literature at UEA. In 1989 he became the founding director of the British Centre for Literary Translation. He lived at Wymondham and Poringland while at UEA.

Sebald6
University of East Anglia, Nowich, Norfolk. Photo: Insidermedia.

In the winter of 1983, while living in Norwich, Sebald received news from his mother of the suicide of a beloved elementary school teacher named Armin Müller. Rose sent him newspaper clippings reporting the gruesome death—the retired teacher had lain down on the railroad tracks just outside Sonthofen. Through these cuttings Sebald discovered that Müller had been a victim of the Nazis during the 1930s. As a quarter Jew he was barred from teaching German children early in the Nazi regime; but, paradoxically, he would be drafted by the Wehrmacht in 1939 as a three-quarters German and would serve the Fatherland for six years. Sebald’s discovery of a conspiracy of silence perpetrated by parents and teachers about the town’s true involvement in Nazi persecution created mixed emotions, from fury at being lied to as a child to feeling guilty about mourning for a beloved teacher whose true identity and past persecution he never properly understood.

On 27 January 2012, an independent documentary film was premiered in London celebrating W. G Sebald, the University of East Anglia lecturer and writer. He, who was known to friends as ‘Max’, taught at the UEA for more than thirty years, until his death.

The film ‘Patience (After Sebald)’ was made to coincide with the 10th anniversary of his death on the A146 near Norwich. In it, Grammy nominated film maker and director Grant Gee followed the journey taken by the author through East Anglia in his book ‘The Rings of Saturn’. Grant Gee said the book was unclassified, with elements of travel writing, local history, memoirs and fiction all combined. ‘What started off as an everyday summer holiday walk became a moving, very strange story about the end of all things’

patience-dvd
Patience, the DVD.

After so many years of living in East Anglia Max seemed to have developed a feel for its idiosyncratic way of life, an area in which he was an inveterate walker and connoisseur of the isolation of a place which has been left largely untouched. ‘There was not even a decent autobahn in East Anglia, and that suited him fine.’

A Max Sebald Quote:

“Tales from the Vienna Woods was written by a Hungarian writing in German, who escaped before the Nazis invaded. He was exiled to Paris where, after consulting a clairvoyant who warned him to avoid the city of Amsterdam, never to ride on trams, and on no account to go in a lift. He was walking on the Champs Elysées when the branch of a tree fell and killed him.”

Finally:

Someone once asked Max Sebald where he felt he belonged? He thought that to be “a very good question”. His reply – “I would be very relieved if you could tell me”.

Winfried Georg Maximilian Sebald, writer, born 18 May 1944; died December 14 2001

THE END

Sources:
Eastern Daily Press, 30 January 2012. Photos: Eastscapes
https://en.wikipedia.org/wiki/W._G._Sebald
http://kosmopolis.cccb.org/en/sebaldiana/post/cinc-esdeveniments-a-la-vida-de-w-g-sebald/
https://www.theguardian.com/news/2001/dec/17/guardianobituaries.books1

The Collected ‘Maxims’ of W.G. Sebald


https://www.telegraph.co.uk/culture/4725736/The-significant-Mr-Sebald.html
https://peoplepill.com/people/w-g-sebald/
Banner Heading Photo: W.G. Sebald portrait / Jan Peter Tripp

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