Norwich’s Victorian Circus Star!

The first fact to reveal about Pablo Fanque is that he was born in Norwich in the County of Norfolk. The second, and probably the more important, is the fact that he not only became a brilliant equestrian performer, but famous as the first non-white British circus owner in Britain and the most popular circus proprietor in Victorian Britain during a 30-year golden period of circus entertainment. His life’s story starts in Norwich, and it is this beginning on which the City lays its own claim to this showman’s name and fame.

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A Blue Plaque unveiled at All Saints Green, on the John Lewis building, in Norwich on 16th February 2010.

Norwich boasts the fact that Pablo Fanque, baptised William Darby, was born in the City; the date of his birth was 30th March 1810. He died on 4th May 1871 in Stockport, Lancashire, having left Norwich as a teenager, never to return.

Fast forward to 2010; this was the year when Norwich first expressed its pride in being associated with the gentleman in the form of a commemorative blue plaque placed on the wall of the John Lewis department store on All Saints Green. Its position was the nearest the authorities could get to the house in Ber Street where Fanque lived his earlier years. Then, in 2018 a student accommodation block was opened in the Norwich, opposite the John Lewis Store and named ‘Pablo Fanque House’.

Pablo Fanque (Block)
An artist impression of  ‘Pablo Fanque House’ before it was built on the former Mecca Bingo site on All Saints Green, Norwich. Photo: Alumno Developments.
Pablo Fanque (Block)1
The completed ‘Pablo Fanque House’ in Norwich. Photo: Courtesy of Reggie Unthank.

Much of Pablo Fanque’s early life in Norwich is unknown and speculative. What is known comes from the City’s church records which state, quite clearly, that he was born in 1810. He was one of at least five children born to John and Mary Darby (née Stamp) in Norwich. When Fanque married in 1848, he entered on his marriage certificate “butler” for his late father’s occupation. A Dr. John Turner, in a biography, speculated that Fanque’s father “was Indian-born and had been brought to Norwich and trained as a house servant.” Other accounts have also speculated that Fanque was orphaned at a young age, and even born in a workhouse to a family with seven children.

Over the years, biographers have also disputed Fanque’s date of birth and it was Dr John Turner, again, who popularised the belief that Fanque was born in 1796, presumably based on the 14 May 1871 ‘Era’ newspaper which recorded that Fanque’s coffin bore the inscription; “AGED 75 YEARS”. Dr Turner may also have been influenced by the detail on Fanque’s gravestone, located at the base of his late wife Susannah Darby’s grave in Woodhouse Cemetery, Leeds (now St George’s Field) which reads; “Also the above named William Darby Pablo Fanque who died May 4th 1871 Aged 75 Years“.

Pablo Fanque (Grave)3

But those who support the belief that Fanque was born earlier than 1810 should maybe take note of certain facts. Firstly, his age was recorded in the 1841, 1851 and 1871 Census’s of England as being born in 1810 – surely, not all three would be incorrect! Then, a birth register at St. Andrews Workhouse in Norwich also records the birth of a ‘William’ to John Darby and Mary Stamp at the workhouse on 1 April 1810. This is the same birth year as that on Norwich’s blue plaque (above).

It is particularly worth noting the marriage record of a John Darby to Mary Stamp on 27 March 1791 at St. Stephen’s, Norwich, and the records of their children; these include a John Richard on 4 Jul 1792, Robert on 27 Jul 1794, William on 28 Feb 1796, Mary Elizabeth on 18 Mar 1798, and William (again!) on 30 March 1810. Crucially, the family also had two burial records, a William on 30 April 1797 and Mary Elizabeth on 10 Feb 1801. Now, Genealogists worth their salt would know that it was quite common in families that suffered infant mortalities in the past for a later child to be given the same name as a sibling who had previously died. This was particularly true where parents wished to maintain a family name in perpetuity. These facts strongly indicate that our subject, William, (Pablo Fanque) was indeed born in 1810 – following the earlier William who had died in 1797.

Pablo Fanque (Baptism)
This is thought NOT to be the baptism record (at top) of William Darby (Pablo Fanque). Photo: via Secret Library.

William Darby became apprenticed to the circus proprietor, William Batty, around 1820, when he was about ten years old and in circumstances that biographers can only dream up. Certainly, Darby picked up the ‘bug’ of being a circus entertainer in Norwich and made his first known appearance in a sawdust ring there on December 26, 1821. He was billed as “Young Darby”; his acts including equestrian stunts and rope walking. Then, as soon as he had grown and developed into a young adult with the full range of skills that he was to became famous for, William Darby left Norwich for good and toured extensively.

It was around this period when he changed his name to his professional “Pablo Fanque” identity, and in 1841, he began business on his own account, with two horses, and has assembled a fine stud of horses and ponies at his establishment at Wigan, in Lancashire…. “in which county Mr. Pablo is well known, and a great favourite.” Thus started the 30 year period when Fanque ran his own successful circus, only sometimes involving partnerships with others where these were necessary. During this time he toured England, Scotland, and Ireland, but performed mostly in the Midlands and the Northern England counties of Yorkshire, Lancashire, and what is now “Greater Manchester.”

Families flocked to his shows in their thousands, lured by exciting poster and newspaper advertisements, street parades and the stories told by those who had been held spellbound by what they had experienced. Fanque was extremely adept at conjuring together new ‘exotic’ names, acts and historical extravaganzas, which could transport poor people out of what many experienced as drab, hardworking lives into a world of imagination, colour, dangerous feats of courage, expertise and sheer fun!  His shows appealed equally to those of the higher classes.

One reason for Fanque’s success, one that often goes unremarked in circus histories, was his keen appreciation of the importance of  advertising. Among the advantages that his circus enjoyed over its numerous rivals was that it enjoyed the services of Edward Sheldon, a pioneer in the art of billposting whose family would go on to build the biggest advertising business in Britain by 1900. Fanque seems to have been among the first to recognise Sheldon’s genius, hiring him when he was just 17.  Sheldon spent the next three years as Fanque’s advance man, advertising the imminent arrival of the circus as it moved from town to town.

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In addition to such advertising, Fanque would organise a spectacular parade to announce his arrival in town.  In some towns he would drive ‘Twelve of his most beautiful Hanoverian and Arabian Steeds’ through the principal streets, accompanied by his ‘celebrated Brass Band’.  He was also known to drive fourteen horses in hand through the streets in some places.

Even serious churchgoers sought enjoyment from a Fanque circus, whilst risking chastisement from some quarters. It was in 1843, when clergy in Burnley were criticised in the Blackburn Mercury for attending performances of Fanque’s circus. This prompted one reader to respond thus:

“Ministers of religion, of all denominations, in other towns, have attended Mr. Pablo Fanque’s circus. Such is his character for probity and respectability, that wherever he has been once he can go again; aye and receive the countenance and support of the wise and virtuous of all classes of society. I am sure that the friends of temperance and morality are deeply indebted to him for the perfectly innocent recreation which he has afforded to our population, by which I am sure hundreds have been prevented from spending their money in revelling and drunkenness.”

It was 1847 when William Darby made his highly successful London debut under his professional name “Pablo Fanque”.

Pablo Fanque (Feature)

Describing Fanque and his performance at that debut, The Illustrated London News wrote:

“Mr. Pablo Fanque is an artiste of colour, and his steed … we have not only never seen surpassed, but never equalled … Mr. Pablo Fanque was the hit of the evening. The steed in question was Beda, the black mare that Fanque had bought from Batty. That the horse attracted so much attention was testament to Fanque’s extraordinary horse training skills.”

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This same edition of The Illustrated London News also provided an example of how contemporaries regarded Fanque’s performance:

“This extraordinary feat of the manège has proved very attractive, as we anticipated in our Journal of last week; and we have judged the success worthy of graphic commemoration. As we have already described, the steed dances to the air, and the band has not to accommodate itself to the action of the horse, as in previous performances of this kind. The grace and facility in shifting time and paces with change of the air, is truly surprising.”

Fanque was also described as a “skilful rider” and “a very good equestrian. It was the same newspaper, reporting on another performance at London’s Astleys Amphitheater, that filled in many more biographical details of Fanque:

Pablo Fanque (Poster)1

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“… Mr. William Darby, or, as he is professionally known, Mr. Pablo Fanque, is a native of Norwich, and is about 35 years of age. He was apprenticed to Mr. Batty, the present proprietor of “Astleys Amphitheater” and remained in his company several years. He is proficient in rope-dancing, posturing, tumbling etc; and is also considered a very good equestrian. After leaving Mr. Batty, he joined the establishment of the late Mr. Ducrow, and remained with him for some time before rejoining Mr. Batty.”

Pablo Fanque (Dacrow)
Andrew Ducrow rides five-in-hand during a performance of “Mazeppa”, an elaborately staged spectacle, loosely based on the life of the Cossack chief, that helped make his name. Photo: via Smithsonian Magazine.

The Beneficial Nature of Mr Fanque:
The “Benefit for Mr. Kite”, a title later to be immortalised by the 20th century’s musical Group ‘The Beatles’, was one of many benefit shows that Pablo Fanque held for performers in his own circus, for others in the profession who had no regular retirement or health benefits, and for community organisations. Fanque was, in fact, a member of the Order of Ancient Shepherds, a fraternal organisation affiliated with the Freemasons. The Order assisted families in times of illness or death with burial costs and other expenses. For example, an 1845 show in Blackburn benefitted the Blackburn Mechanics Institution and the Independent Order of Odd-fellows, offering a bonus to the Widows and Orphans Fund. Fanque held a similar benefit in Bury the following year.

Pablo Fanque (Friendly Soc.)

Then in 1857 and 1858, Fanque was again active, holding at least two benefits among other performances. In 1857, in Bradford, he held a benefit for the family of the late Tom Barry, a clown. Brenda Assael, in The Circus and Victorian Society, writes that in March 1857:

“Pablo Fanque extended the hand of friendship to Barry’s widow and held a benefit in her husband’s name at his Allied Circus in Bradford. Using the Era offices to transmit the money he earned from this event, Fanque enclosed 10 pounds worth of ‘post office orders…being the profits of the benefit. I should have been better pleased had it been more, but this was the close of a very dull season.” On 24 October 1858, The Herald of Scotland reported: “IN GLASGOW, ‘Pablo Fanque’s Cirrque Nationale’ offered ‘A Masonic Benefit.”

An 1846 a Bolton newspaper story epitomised the public’s high regard for Fanque in the communities he visited on account of his beneficence:

“Several of the members of the “Widows and Orphans Fund” presented to Mr. Pablo Fanque a written testimonial, mounted in an elegant gilt frame……..Mr. Pablo on entering the room was received with due respect. Mr. Fletcher presented an address……..which concluded:……..’and when the hoary hand of age should cease to wave over your head, at a good old age, may you sink into the grave regretted, and your name and acts of benevolence be remembered by future generations.”

Fanque’s Partnership with W. F. Wallett:
During the 1840s and 1850s, Fanque was close friends with the clown W. F. Wallett, who performed in his circus. Wallett also managed Fanque’s circus for a time. Wallett frequently promoted himself as “the Queen’s Jester”, having performed once before Queen Victoria in 1844 at Windsor Castle. He appeared regularly with Fanque’s circus and many towns throughout the north. It was during a ‘benefit’ being held for Wallett in the amphitheatre, Leeds when a balcony collapsed, killing Fanque’s wife; see below.

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W.F. Wallett

Throughout his 1870 autobiography, Wallett shares several amusing anecdotes about his work and friendship with Fanque, including the following about their 1859 engagement in Glasgow:

“ The season was a succession of triumphs. One of the principal attractions was a little Irishman whom I engaged in Dublin, who rejoiced in the name of Vilderini, one of the best posture masters the theatrical world ever produced. I engaged him for three months at a liberal salary, on the express understanding that I should shave his head, and convert him into a Chinaman. For which nationality his small eyes, pug nose, high cheek bones, and heavy mouth admirably adapted him. So his head was shaved, all but a small tuft on the top, to which a saddler with waxed twine firmly attached his celestial pig-tail. His eyebrows were shaved off, and his face, neck, and head dyed after the most admired Chinese complexion. Thus metamorphosed, he was announced on the walls as KI HI CHIN FAN FOO (Man-Spider-leg mortal).”

We had about twenty supernumeraries and the whole equestrian company in Chinese costume. Variegated lanterns, gongs, drums, and cymbals ushered the distinguished Chinaman into the ring, to give his wonderful entertainment. The effect was astonishing, and its success extraordinary. In fact the entire get-up was so well carried out that it occasioned us some annoyance. For there were two rival tea merchants in Glasgow at the time, and each of them had engaged a genuine Chinaman as touter at his door. Every night, as soon as they could escape from their groceries, they came to the circus to solicit an interview with their compatriot. After being denied many nights in succession, they peremptorily demanded to see him. Being again refused, they determined to move for the writ of habeas corpus. That is to say, they applied to the magistrate stating they believed their countryman to be deprived of his liberty except during the time of his performance. We were then compelled to produce our celestial actor, who proved to the satisfaction of the worthy magistrate that he was a free Irishman from Tipperary.”

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W.F. Wallett

Marriage and Family:
Fanque married Susannah Marlaw, the daughter of a Birmingham buttonmaker. They had two sons, one of whom was named Lionel. It was on 18th March 1848 when his wife died in Leeds at a ‘Benefit’ performance for Fanque’s friend, W F Wallett, clown. Their son was performing a tightrope act before a large crowd at the Amphitheatre at King Charles Croft. The 600 people seated in the gallery fell with its collapse, but Susannah Darby was the only fatality when heavy planks hit her on the back of the head. Reportedly, Fanque sought medical attention for his wife at the King Charles Hotel, but a surgeon pronounced her dead. Years later a 4 March 1854 edition of the Leeds Intelligencer recalled the incident, while announcing the return of Pablo Fanque’s Circus to the town:

“His last visit, preceding the present one, was unfortunately attended by a very melancholy accident. On that occasion he occupied a circus in King Charles’s Croft and part of the building gave way during the time it was occupied by a crowded audience. Several persons were more or less injured by the fall of the timbers composing the part that proved too weak, and Mrs Darby, the wife of the proprietor, was killed. This event, which occurred on Saturday the 18th March 1848, excited much sympathy throughout the borough. A neat monument with an impressive inscription is placed above the grave of Mrs Darby, in the Woodhouse Lane Cemetery.”

It is clear that widower Fanque did not waste any time in finding another wife for in June 1848, he married an Elizabeth Corker, a circus rider and daughter of George Corker of Bradford. Elizabeth was 22 years old and was to deliver two more sons to Fanque, George (1854) and Edward Charles “Ted” (1855). Both sons were to join the circus with Ted Pablo achieving acclaim as a boxer, and would tour Australia in that profession. A daughter, Caroline died at the age of 1 year and 4 months and was buried in the same plot as was for Susannah and William.

Pablo Fanque (Grave)4
A tombstone, in Edinburgh’s Warriston Cemetery, dedicated to the memory of two others of Elizabeth and Fanque’s children —William Batty Patrick Darby and Elizabeth Darby .Photo:  via 2edinburgh.

In Warriston Cemetery in Edinburgh there also stands a tombstone dedicated to the memory of two others of Elizabeth and Fanque’s children —William Batty Patrick Darby (13 months) and Elizabeth Darby (3 years). Both died in 1852 but Elizabeth, the younger, died in Tuam, Ireland. This was at a time, in the early 1850’s, when Fanque was performing regularly in Edinburgh. The inscription on the children’s tombstone is thus:

“Sacred to the Memory of
William Batty Patrick Darby son of
William and Elizabeth Darby
Professionally known as Pablo Fanque
who died 1st February 1852, Aged 13 Months
Also of Elizabeth, their Daughter
who died at Tuam Ireland 30th Oct. 1852,
Aged 3 years and 4 months”

 

It is left to the 1861 census records to reveal that Fanque was living with a woman named Sarah, aged 25, who was described as his wife! But there again, the 1871 census records show him living again with his wife Elizabeth and his two sons, in Stockport.

Death:
The successful performance years and the money enjoyed by Fanque were destined not to last beyond the 1860’s. Certainly within a couple of years of his death, Fanque was ‘insolvent’, living in a room in the Britannia Inn, 22 Churchgate, Stockport, with his wife and two sons – George and Ted Pablo. There Fanque died of bronchitis on 4 May 1871. It was a sad end for such an extraordinary man, who rose from humble beginnings in Norwich to reach the top of his profession and in a career that lasted fifty years.

Despite the apparent poor financial circumstances of his last few years, Pablo Fanque’s funeral was a spectacular occasion. One may think that, having been a member of a charitable ‘Order’ and someone who often raised money for others, help came forward to see him on his way. Certainly, his body was brought from Stockport by train and a great procession accompanied him to his resting place, watched by several thousand people.  The hearse was preceded by a band playing the ‘Dead March’ from Saul and was followed by Pablo’s favourite horse, ‘Wallett, – partially draped in mourning trappings and led by a groom’, four mourning coaches, and several cabs and private vehicles.  Pablo was buried with his first wife in Woodhouse Lane Cemetery, Leeds. Ahead of the funeral procession to the cemetery was a band playing the “Dead March”. Fanque’s favourite horse followed, along with four coaches and mourners. Fanque was buried next to his first wife Susannah Darby. The Cemetery is now named St. George’s Field and part of the University of Leeds campus. While the remains of many of the 100,000 graves and monuments have been relocated, the monument that Fanque erected in his wife’s memory, and a smaller modest monument in his memory still stands.

Pablo Fanque (Grave)1

Pablo Fanque (Grave)3

While some contemporary reports did not refer to Fanque’s African ancestry, other reports noted that he was “a man of colour“, or “a coloured gentleman”, or “an artiste of colour.” These suggest he was of mixed race with partial European ancestry as well. Thirty years after Fanque’s death, the chaplain of the Showmen’s Guild of Great Britain, Reverend Thomas Horne, wrote:

“In the great brotherhood of the equestrian world there is no colour line for, although Pablo Fanque was of African extraction, he speedily made his way to the top of his profession. The camaraderie of the ring has but one test – ability.”

Thomas Horne was commenting on Fanque’s success in Victorian England despite being of mixed race.

For all the charitable qualities possessed by Fanque, he was far from perfect. Apart from the apparent eye he seemed to have for the ladies, there was a less savoury side to him that should not be forgotten if a sense of balance is to be maintained.

Pablo Fanque (Portrait)
Pablo Fanque.

Fanque, at best, seemed to have also been an irritable man, if not violent. In 1847, he attacked a James Henderson, not the J. Henderson on the playbill by the way! James Henderson was an employee who, although taking Fanque to court, the matter was settled without full legal recourse. – “He [Henderson] was unable to keep the horse quiet, and thereupon the defendant, after one or two somewhat uncivil expressions of disapprobation, threw the comb and brush at him (complainant), and then (probably from the force of association) began ‘kicking’ at his legs. — John Leach and James Geary confirmed the complainant’s account …” – (Blackburn Standard – 13 October 1847 p.3.).

Another assault took place in 1849. – “CHESTERFIELD PETTY SESSIONS, SATURDAY, JULY 28. Pablo Fanque Darby, the proprietor of a travelling equestrian establishment, was charged with assaulting John Wright, of Walton, at Baslow, on the proceeding day.” – (Derbyshire Courier – 04 August 1849 p.2.)

However, a chronic problem with Fanque was that he was not good at keeping the finances straight. Nelson had a financial dispute over wages with him in April 1858 which went to court but by October 1858 Fanque had been made bankrupt and in June 1859 was refused protection from bankruptcy, owing £2765 with assets of £165. It turned out that Fanque had fooled everyone into thinking he was “the owner of a large equestrian establishment”, but had in fact sold his business to William Batty some years before and hired it back. A creditor claimed that this sale was fraudulent and although the commissioner found that

“the transactions with Battye……..were of a singular character, and calculated to arouse suspicion………nothing fraudulent had been proved before him”. Even the fact that he had kept no books did not in law “call for punishment”.

However, a charge of perjury was more serious for it was claimed that Fanque had sworn an affidavit that the circus was worth £1000 when it had been previously purchased by Batty for £500. “Unfortunately for the bankrupt’s character, it was too clear that the the affidavit was intended to deceive. The statement that the establishment was worth £1000, and was his property, was entirely untrue … the bankrupt had shown that no reliance could be placed on his word”. – (Paisley Herald and Renfrewshire Advertiser – 4 June 1859)

Even after his death in May 1871, his propensity not to be honest with regard to the way he handled his debts caused problems for others. John Walker, a juggler in his circus had lent him £5, which he required to be repaid, but Pablo had died suddenly. As a result he sued Elizabeth Darby, his widow and administratrix of the estate. As a result, Elizabeth’s barrister in the case, “asserted that the defendant had not a rag, her husband having died hopelessly insolvent. Sometime before his death, the deceased assigned every particle of his property, in consideration of a sum of £150 lent to him by a Mr. Knight, of Manchester, who had now taken possession of everything”.  – (Huddersfield Chronicle – 13 May 1871 p.8.) In order to settle the case, her barrister paid the £5 out of his own pocket.

Legacy:
There you have it! – the ‘not so complete tale’ of Pablo Fanque’s life. However, like with most lives and events legacies remain. In Pablo Fanque’s case, his name was almost forgotten, that is until it became immortalised in the mid part of the 20th century, on the Beatles’ album, Sgt. Pepper’s Lonely Hearts Club Band – in the song, ‘Being for the Benefit of Mr. Kite’.  The words of that song had been lifted by John Lennon from an advertising poster for Fanque’s Royal Circus in Rochdale, in 1843, which Lennon had spotted in an antique shop in Sevenoaks, Kent:

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John Lennon with that Poster!

“For the benefit of Mr. Kite/There will be a show tonight on trampoline/ The Hendersons will all be there/ Late of Pablo Fanque’s Fair – what a scene/ Over men and horses, hoops and garters/ Lastly through a hogshead of real fire!/ In this way Mr. K will challenge the world!”

Lennon bought the poster while shooting a promotional film for the song, “Strawberry Fields Forever”, in Knole Park. Tony Bramwell, a former Apple Records employee, recalled:

“There was an antique shop close to the hotel we were using in Sevenoaks. John and I wandered in and John spotted this Victorian circus poster and bought it.” The poster advertises a performance in Rochdale and announces the appearance of “Mr. J. Henderson, the celebrated somerset thrower” and “Mr. Kite” who is described as “late of Wells’s Circus.” Lennon modifies the language, singing instead, “The Hendersons will all be there/Late of Pablo Fanque’s Fair/What a scene!”

The title “Being for the Benefit of Mr. Kite!” is taken verbatim from the poster. The Mr. Kite referenced in the poster was William Kite, who is believed to have performed in Fanque’s circus from 1843 to 1845. As for “Mr. J. Henderson”, he was John Henderson, a wire-walker, equestrian, trampoline artist, and clown. While the poster made no mention of “Hendersons” plural, as Lennon sings, John Henderson did perform with his wife Agnes, the daughter of circus owner Henry Hengler. The Hendersons performed throughout Europe and Russia during the 1840s and 1850s.

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The Beatles. Pic: AP Photo/Robert Freeman- Copyright Apple Corps Ltd

 THE END

Sources:
https://en.wikipedia.org/wiki/Pablo_Fanque
William Darby in Norwich and Leeds: Life and Death
William Darby and the Ghosts of the Past
https://peterowensteward.weebly.com/pablo-fanque.html
https://www.abc.net.au/news/2017-01-31/being-for-the-benefit-of-mr-kite-story-behind-beatles-song/8204080
https://www.smithsonianmag.com/history/pablo-fanques-fair-71575787/

COPYRIGHT NOTICE2

 

Norfolk’s ‘Knight of the Cleaver’!

Meet John ‘Jack’ Slack, alias the ‘Norfolk Butcher’, alias the ‘Knight of the Cleaver’; a bare knuckle fighter, who was the champion of what is thought to be the first international Heavyweight fight which took place  in 1754.

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Jack Broughton, the Boxer by John Hamilton Mortimer, c.1767.
Yale Centre for British Art, Paul Mellon Collection.

 

A contemporary description of Slack says that he was five foot eight inches and a half in height and weighed almost fourteen stone. His physique was ‘compact . . . superior to the generality of men in strength and of excellent bottom.’ He changed his style of fighting to suit his opponent and often came out the victor, punching his opponents with such force that the term ‘a slack’un’ came into general use, meaning a ‘smashing hit.’ In 1743 Slack became the Champion of Norfolk after defeating three local men in boxing matches and by 1748 his renown was such that he sold on his butchery business to his brother and moved to London where his reputation as a fighter continued to grow.

On the 14th March 1750, at Broughton’s Amphitheatre in Oxford Road, London, Slack threw down a challenge to the formerly invincible Jack Broughton (a man some years older than he and known as the ‘Father of Boxing’ who had been taught by Slack’s grandfather, James Figg). Slack, who possessed a talent for getting under other fighters’ skins had, according to the Derby Mercury of 6 April 1750, instigated a dispute with Broughton earlier in the month, during a controversial election campaign in Brentford, which was dogged by allegations of corruption. For reasons unknown, this altercation about the election had resulted in “personal abuse” being exchanged between the two pugilists.

Jack Slack (John Broughton)1

Subsequently, so the Mercury claimed, during a bout at the amphitheatre, Slack “came upon the stage” and “offered to fight Mr Broughton immediately for 20 guineas”. Broughton declined the offer, arguing that he was “not immediately prepared” whereas Slack had been “in keeping some months”. However Broughton did agree to a contest the following month, and a bout was duly arranged for 11 April 1750. In fact, Broughton was eager for the fight – or for the money to be derived from it! He regarded Slack with the utmost contempt and made no sort of preparation; also, so afraid was he that the ‘butcher’ might not turn up at the last minute that he gave him ten guineas to make sure of him! The betting was 10-1 on Broughton when the men appeared in the ring. After all, as boxing went in those days, he did know something about defence, and he was master of two famous blows, one for the body and one under the ear, which were said to terrify his opponents. As for Slack, there was nothing elegant about him. His attitude was said to be ugly and awkward, he was strong and healthy but quite untrained in the true meaning of the word. Standing only 5 feet 8 inches he still weighed as much as 14 stone, nearly as much as his antagonist, who was a taller man.

The match duly taking place on the 11th April 1750, backed by one of Broughton’s patrons, the Duke of Cumberland – he himself to be known as Butcher Cumberland after the Jacobite uprising). This Duke was so enthusiastic at the prospect earning a considerable sum of money for this fight that, it was said, he bet 1,000 guineas on Broughton.

Jack Slack (Cumberland)1
The Duke of Cumberland (1721–1765) by Stephen Slaughter (attributed to), c.1750.
(c) Royal Armouries Museum, Leeds.

The match lasted just fourteen minutes and eleven seconds, a blow from Slack between the eyes blinded Broughton, and Slack had only to continue hitting him until he was unable to rise again. Slack, it seems, easily emerged as the victor to win the Championship of England and bagging himself not less than 600 guineas. As for the Duke of Cumberland; well, he was quite upset by the loss of his money. At first he told everyone that he had been “sold,” though later on he appeared to have forgiven Broughton and pensioned him. But not so! He went to Parliament, where he was very influential, and had legislation passed that closed Broughton’s Amphitheatre. Thereafter, and to the end of his days, “he could never speak of this contest with any degree of temper.” As for Broughton, he never again raised his fists for money, except to instruct the young and hopeful with the mufflers. When he died, on 8 January 1789, he was buried in Westminster Abbey, the only boxer to be so honoured.

Four years later, on the 29th July 1754, Slack was back in his home county of Norfolk, challenging the Frenchman Monsieur Jean Petit (or Pettit) to a match.  Pettit was a muscular giant of a man, reputed to have previously exhibited himself in a circus as a ‘strong man.’ This boxing match took place at Harleston. A letter reporting the fight appeared in the newspapers just days later. This one is taken from the London Evening Post and dated 3rd August 1754.

Extract of a Letter from Harleston in Norfolk, July 30.

‘Yesterday in the Afternoon Slack and Pettit met and fought. At the first Set-to, Pettit seized Slack by the Throat, and held him up against the Rails, and grain’d him so much as to make him turn extremely black. This continued for Half a Minute before Slack could break Pettit’s Hold; after which, for near ten Minutes, Pettit kept fighting and driving hard at Slack; when at length Slack clos’d with his Antagonist, and gave him a very severe Fall; after that, a second and third. But between these Falls, Pettit threw Slack twice off the Stage; and indeed, Pettit so much dreaded Slack’s Falls, that he ran directly at his Hams, and tumbled him down; and by that Means gave Slack an Opportunity of making the Falls very easy.

When they had been fighting eighteen Minutes, the Odds ran against Slack a Guinea to a Shilling; whereas, on first setting out, it was three or four to one on his Head. But after this Time Slack shorten’d Pettit so, as to disable him from running and throwing him down in the Manner he had done before, but obliged him to stand close fighting. Slack then closed one of his Eyes, and beat him very much about the Face. At twenty Minutes Pettit grew weaker, Slack stronger; this was occasion’d by Slack’s strait Way of fighting. At twenty-two Minutes, the best Judges allow’d Slack to have the Advantage over Pettit very considerably, as he was then recovering his Wind, which was owing to Game.

When they had boxed twenty-four Minutes, Pettit threw Slack again over the rails; this indeed Slack suffer’d him to do, as by that Means he fix’d a Blow under Pettit’s Ribs, that hurt him much; whilst Slack was again getting upon the Stage (it was not Half a Minute before he was remounted) Pettit had so much the Fear of his Antagonist before his Eyes, that he walked off without so much as civilly taking Leave of the Spectators, or saying any Thing to any Person, this the Cockers call Roguing of it; for it is generally thought that Pettit ran away full strong. The whole Time of their fighting was twenty-five Minutes, and this Morning the Battle was given to Slack, who drew the first Ten Guineas out of the Box. Thus ended this dreadful Combat. The Box was Sixty-six Pounds Ten Shillings’.

Although sometimes mentioned as a ‘dirty fighter’, victories continued for Jack Slack until 1760 when he finally lost to Bill Stevens (the Nailer) at a bout on a stage erected for the purpose of the fight in the Tennis Court, James Street, London on the 17th June 1760. The Duke of Cumberland, who ten years previously had been the patron of Broughton, found that he really did miss the sport despite the money that that earlier fight had cost him. This time he backed Jack Slack, by not only arranging for the bout to be held in London, with no interference from the law, but also placing a bet on him. However, this time the sum was 100 Guineas, but at least it showed that his heart was still in the game. Unfortunately, the Duke was again on the losing side on three counts; Slack lost the championship, the Duke lost his 100 guineas together with any further interest in boxing.

Jack Slack v John Broughton1

Feature Photo (Above): – “The Bruiser Bruisd; Or, The Knowing Ones Taken-in” is by an unknown artist in 1750. It depicts the boxing match between Jack Slack and John Broughton in the same year. Newspapers at the time noted how Broughton feared that Slack would not turn up to fight, and so offered him ten guineas ‘not to break his engagement’. It was also said that Broughton was the superior boxer at the beginning of the fight and that the odds were ten to one in his favour. However, confidence was short-lived as Slack ‘put in a desperate hit between Broughton’s eyes, which immediately closed them up’. The blood pouring from the left eye of Broughton is indicative of this wound and the faces of the audience reflect the disbelief that the British Champion had been beaten by Slack in just fourteen minutes. This unlikely result sparked rumours that the match had been fixed, although there does not appear to have been any evidence to confirm this. The spectator depicted directly behind Broughton in a state of disbelief is possibly the Duke of Cumberland, Broughton’s patron who ‘lost several thousand’ on a bet. The Gentleman on both sides of the gallery are pictured giving money to men by their sides, having lost their bets too. The Title implies that the ‘knowing’ spectators were ‘taken in’ by Broughton, however an attempt to incriminate Broughton by emphasising his larger frame in comparison to Slack, is overshadowed by the emphasis placed generally on the exchange of money. Money is presented as underpinning the sport; inviting the viewer to question the honesty of professional boxing. It is possible that the prospect of profiting was an incentive for boxers and patrons to conspire and fool others.

Slack, after this, mostly retired from boxing himself and instead concentrated on his butchery trade. Many sources say he possibly opened a shop on London’s Chandos Street in Covent Garden (he had appeared in the rate books for this street in 1750), but at the time of his fight with the Nailer in 1760, he was reported in the newspapers to be settled at Bristol. He still kept his hand in by training other fighters, possibly running a boxing school in Bristol (he was rumoured to occasionally fix fights for his protégées), and just occasionally was mentioned as fighting himself.

The London Chronicle newspaper, on the 5th January 1765, reported that:

“Slack, the famous Boxer, who has been for some time in Dublin, is under an engagement to fight one Weyburn, a noted bruiser there, for a considerable sum”.

 

Jack Slack (Newspaper)1
Extract from Lloyd’s Evening Post  22nd July 1768.

Three years and six months after this fight John Slack died at Bristol on the 17th July 1768 and was buried in that city two days later.

Jack Slack was still remembered some years after his death, the St. James’s Chronicle reporting on the 11th September 1781, and placing him alongside some very noteworthy personalities:

“Some Years ago the three most remarkable Personages of the Age were Kitty Fisher, Lord B__te, and Slack, the Bruiser. At the present Day, says a Correspondent, the three most remarkable Personages are, the Perdita, Doctor Adelphi, and Sir Jeffery Dunstan”.

THE END

Sources:

https://georgianera.wordpress.com/2014/07/29/jack-slack-the-norfolk-butcher/
http://eighteenthcenturylit.pbworks.com/w/page/101956858/Boxing
https://en.wikipedia.org/wiki/Jack_Slack

 

 

 

Old Luke Hansard!

Old Luke Hansard was born on July 5th, 1752, in Norwich in the day of Wenman Coke. Today in 1952 was when the Spectator Newspaper celebrated Luke’s bicentenary birthday with an article, from the pen (and it probably was a pen in 1952) of Evelyn King. This year of 2018 marks Luke Hansard’s 266th birthday and its seems appropriate and timely to reproduce Evelyn’s contribution whilst taking the liberty to supplement the content with further detail.

Luke Hansard (St_Mary_Coslaney)
St Mary’s Church, Coslany, Norwich where Luke Hansard was christened. When H.M. Stationery Office dispersed out of London and to Norwich in 1968, it found itself within the old Coslany district and literally ‘across the road’ from where Hansard was born and was christened. Photo: Adrian S Pye.

Luke Hansard was born in 1752 in the parish of St Mary Coslany; his parents were Thomas and Sarah. In an account of his life, written in 1817 for the benefit of his sons, Luke described his father, Thomas, as a manufacturer, though of what was not revealed. His mother, Sarah, was a clergyman’s daughter from Spilsby in Lincolnshire, but at the time of Luke’s birth, the family fortunes had reached a low ebb and were never to recover.

Little has been said about Luke’s education, except that he was educated in Norwich and at the Free Grammar School in the village of Kirton which lies about four miles south of Boston in Lincolnshire. As someone once said, ‘he got a little but not much education in Lincolnshire’. It was as he approached his fourteenth birthday when his parents thought of apprenticing him to an apothecary, but his ‘gallipot’ Latin was inadequate; so he became apprentice to Stephen White in Cockey Lane, Norwich. Mr White was a printer, medicine-vendor, boat-builder, ballad-writer, general artist and a dab-hand at playing the violin. Young Luke was to describe his master as an “eccentric genius”, who was “very rarely in the office” ……….Personal instruction in the art of printing was given sparingly by White. He would, for instance, begin to set a line of type and then say, “So go on Luke boy,” and leave Luke to finish. However, within a few months, Luke had mastered every aspect of the printing trade. During this time, young Luke boarded with the proprietor, sleeping in the corner of the shop whilst another of Mr. White’s pastimes, his pigeons, occupied the opposite corner. Then, in 1769, his father died aged only 42; in the same year Luke’s apprenticeship came to an end and by the summer he had packed his bags and gone to London, with a downright manner, a Norwich burr, and with only a guinea in his pocket. After 10 weeks he found work as a compositor with the firm of John Hughes in Great Turnstile, Lincoln’s Inn Fields. Much later, when he was Old Luke, he would enrich the English tongue with his surname—Hansard.

Luke Hansard (Portrait)
This painting of ‘Old’ Luke Hansard is a variation on the one exhibited in the Royal Academy in 1828 and appears to have been in the possession of the Hansard family until its presentation to the House of Commons in 1942.

That was Young Luke as he once was, first an apprentice then later as proprietor of the firm of John Hughes, Printer to the House of Commons. But Old Luke only printed the journals, and those by order. Old Luke was a Tory to the bone, and his pride lay in the carrying out of an order punctually and exactly. He earned the appreciation and respect of Pitt and the intimacy of successive Speakers —Addington, Mitford, Abbott and Sutton—as well as the affection of Members of succeeding generations. His was the grain-of-oak candour which earns affection and respect. All literary London knew Hansard the printer. He was an intimate ‘of Charles Dilly and Edmund Burke. He published for Dr. Johnson and Richard Porson, and also for the prolific Dr. Hill. (” His farces are physic and his physic a ‘farce is,” wrote Garrick of Dr. Hill).

Luke Hansard (Print Shop)2
Typical 18th and 19th century printers

In 1771, John Hughs died and was succeeded by his son Henry with William Day as partner and manager, but as the workload increased both on the parliamentary and general side – Dr Johnson and Edmund Burke were among their literary customers – Hughs and Day realised that another part-ner was needed to supervise the operative section. In 1774 they offered 22 year-old Luke a partnership. With his future now secure, Luke’s thoughts turned to marriage. On 21 July 1775, he married Elizabeth Curson from Swanton Morley in Norfolk at St John’s Church, Clerkenwell. Their marriage was to last for 50 years and produce five children: Thomas Curson (1776), Elizabeth Susanna (1779), James (1781), Luke Graves (1783) and Hannah Mary (1785). Henry Hughs certainly admired the skills and character of Luke, his junior partner. He involved Luke more and more in the general running of the business until Hansard the printer became well known in the London literary circle and in the corridors of Parliament where he was becoming a familiar figure. In 1800 at the age of 43 Luke became sole proprietor of the firm. Henry Hughs had retired and William Day had been dead for six years. Thomas Curson, James and Luke Graves had followed their father into the business and the new century saw Luke Hansard and Sons as printers to the House.

Luke Hansard (Thomas C Hansard)

However, it was Old Luke’s son, Thomas Curzon Hansard, who was a problem – he was a ‘fly-by-night’. He, at a very early age, wanted to enact the gentleman. He wanted to be in business on his own account, which was bad; he was a Radical which was even worse, and he was a friend of William Cobbett, which brought him to prison. He had printed Cobbett’s flaming condemnation of an administration which allowed German mercenaries to be used to compel British soldiers in Ely to submit to 500 lashes for mutiny, and he shared with Cobbett the trial and punishment with which that “seditious libel” was rewarded. Yet it was Thomas who published in his maturity that massive work Typographia and became, within his own province, the foremost scholar of his day. But he was not immortalised for his scholarship. He was immortalised because, in a little magazine of small circulation and dubious legality, which ran at a loss, he published, from a site on which now stand the offices of the Daily Telegraph, the Debates of the day—an offence for which more than one of his predecessors had been reprimanded on their knees.

Luke Hansard (Print Shop)3
18th century Binding and Finishing Books

It was in 1732 that Cave had started his reports in his Gentleman’s Magazine, and from 1740 Dr. Johnson had written them, though his rounded essays had in them little enough of the speech he purported to report. There had been many other efforts, but in the end it was Cobbett’s, later Hansard’s Parliamentary, Debates, which caught and held the attention of the public. It was not until 1855 that Cornwallis, then Chancellor of the Exchequer, a learned and dull man, plunged rashly and ordered the Controller of the Stationery Office to subscribe for a hundred annual sets of Parliamentary debates to be circulated in Government Departments in Whitehall, London and throughout the Colonies.

Luke Hansard (Newgate Prison)
Newgate Prison

Appetite grew by what it was fed on, and in three years the order rose to 120 sets at five guineas each. This meant decorous enthusiasm at 12, Paternoster Row, and well over £600 a year for the second Thomas Curzon Hansard. But Old Luke’s other more favoured son, and successor, Luke Graves, came within an ace of prison too; a shattering thought to that tower of rectitude. In avoiding it he was instrumental in establishing a constitutional principle of vital consequence to our liberties. William Crawford and the Reverend Whitworth Russell were two of H.M. Inspectors of Prisons. They reported that a certain book circulating among prisoners in Newgate Gaol, and published by Stockdale, was “of a most disgusting nature” and its plates “indecent in the extreme.” By order of Parliament the report of H.M. Inspectors of Prisons was published, and Hansard published it. Stockdale sued Luke Graves for publishing a libel.

Here was a question of supreme constitutional importance. Could Parliament protect its servants who carried out its instructions. Was the voice of Parliament to be heard freely? The case came before Lord Denman, who enquired coldly why, if a subject of the Queen were libelled, the printer should not be sued for libel, by whomsoever the libel was authorised. He found Hansard guilty. Parliament came a little slowly to Luke Graves’ defence, and the battle .between Parliament and the Courts was fairly joined.

Nor was it confined to words. Our Parliamentary and judicial ancestors had fire in their bellies. Under the authority of the High Court the High Sheriffs of Middlesex took forceful possession of poor Hansard’s eleven printing presses. Stirred to wrath, the Commons directed their Sergeant at Arms to arrest the High Sheriffs. These grave men passed a dolorous weekend in Newgate Gaol, in which they had hitherto had only a professional interest. Scarlet-robed and mute of tongue they were brought to the Bar of the House. Their sins had been as scarlet as their robes. They were guilty, they were told, of “a contemptible breach of the privilege of the House of Commons.” But the Court of Queen’s Bench also had weapons and used them. They issued a Writ of Habeas Corpus on the Sergeant at Arms, and in the centre of it all stood poor Hansard, wide open to every blizzard, his locks visibly greying, bemoaning man’s ingratitude in the spirit of King Lear as the tumult beat about his head. Ultimately common-sense prevailed, and after a three-and- a-half years’ battle the law was amended. Lord Denman deserves his place in history, if only for this single sentence:

“I infer . . . that the House of Commons disapproves our judgement, and I deeply lament it, but the opinion of the House on a legal point in whatsoever manner communicated is no ground for arresting the course of Law or preventing the operation of the Queen’s Writs on behalf of every one of her subjects who sues in her Courts.”

It was in the late eighteenth and early nineteenth centuries that the Hansards had their day. But, though they were constantly harried by H.M. Stationery Office anxious for a larger sphere of usefulness, Tory Ministers of the nineteenth century seemed avid, in this case, for nationalisation – their influence in and around the House did not cease until 1890.

Luke Hansard (Horatio Bottomley)
Bottomley addressing a WWI recruiting rally in Trafalgar Square, London, September 1915

H. L. T. Hansard, great-grandson of Old Luke, sold his interest to the new Hansard Publishing Union for £90,000, in which the principal was Horatio Bottomley. Mr. Bottomley, unlike the Hansards, required no Parliamentary grants. He would print the journals. As to the debates, which he also acquired from T. C. Hansard, they would be nourished and sustained by income derived from tasteful advertisement. Mr. Bottomley’s enterprise was private and original, but its end was public and commonplace. It expired in a fog of litigation and bankruptcy, and a charge of conspiracy and fraud.

It was not until 1920 that H.M. Stationery Office won its Hundred Years’ War, and lifted the printing from the hands of private enterprise. Old Luke, who had, multiplied his guinea by 80,000 before he died, had been followed by Luke Graves, Luke James, who went mad by the way, Henry and Henry Luke – so it went from father to son. And as Luke and his seed published the journals, so in parallel Thomas and his seed, even better known, published the debates.

It is strange how nouns and verbs, once renowned, may sink into oblivion. This might well have happened to Hansard but for the activity of Stephen King-Hall, then Independent Member for Ormskirk. In 1943, after much prompting by him and by Sir Francis Freemantle, the Speaker directed that the name Hansard “should be restored to the cover of the official reports of the debates. And so on July 5th each year we celebrate the birthday of Old Luke. It is right that he should be remembered. He powerfully affected Parliamentary history. There are “Hansards” not only in the United Kingdom, but also in Australia, in Canada, and in many other parts of the Commonwealth. All this would have seemed strange indeed to Stephen White’s apprentice—the small boy who laboured long ago at the press in a Norwich attic to the sound of his master’s violin.

Luke Hansard (HMSO)
Her Majesty’s Stationery Office, St Crispins, Norwich. St Mary’s Coslany Church is immediately right but, unfortunately, just out of the picture. Remarkable indeed that this office, so closely linked with Luke Hansard, should find a home ‘across the road’ from where the lad was born and spent most of his childhood. PHOTO: Eastern Daily Press.

By a remarkable coincidence, when the headquarters of Her Majesty’s Stationery Office was moved from London to its present site in St Crispins, Duke Street, Norwich, it was only ‘yards’ from the parish church of St Mary, Coslany, within the boundaries of which Luke had been born over two centuries before. Hansard had returned to the city where a 14 year-old apprentice printer had first set a line of type. The Region’s Caesar never knew his posterity had swayed. However, his memory, like his portrait, lives in the House he venerated, and Parliament must speak for ever in his name. – Happy Birthday Luke lad!

THE END

Sources:

http://archive.spectator.co.uk/article/4th-july-1952/9/old-luke-hansard
http://www.eveningnews24.co.uk/Content/DerekJames/Street_Names/asp/030923hansard.asp
http://lackfamily.net/genealogy/names/whole%20family/f480.html