Norwich ‘Whifflers’ & ‘Snap’!

Whifflers and Snap Dragons are still about – but not in the rolls that they once had! Nowadays, the ‘whiffler’ name is confined to one public house on the Norwich Ring Road at Hellesdon, to a road opposite the pub and to an open air theatre in the shadows of Norwich Castle. This is not to overlook its use with the present-day enthusiasts who keep the character alive in the public’s consciousness by appearing in public processions and local events from time to time.

‘Whifflers’ went out of use in much of England long ago, but survived in East Anglia, thriving particularly in Norwich. It was the Whifflers, supported by Snap, who played such a major role in past Norwich Civic Ceremonies.

The origin of the word ‘Whiffler’ is 16th century and comes from the word ‘wifle’ for battle-axe and came from the Old English ‘wifel’ of Germanic origin: it was applied to attendants at processions who carried weapons to clear the way through crowds. It was a word which was once in general use and appeared in Shakespeare’s play Henry V;

The deep-mouth’d Sea, / Which like a mighty Whiffler ’fore the King, / Seems to prepare his way”.

The Norwich Dragon, known affectionately as ‘Snap’, is preserved in a remarkable present-day collection at Norwich Castle Museum. This collection totals three old snapdragons which are more or less complete; one is the last of the Civic Snaps with the other two being later copies.

Snap was designed and constructed to be carried by one man, using straps over his shoulders. The form of the body is barrel-shaped, formed around a horizontal pole (head at one end, tail at the other) and two small wings concealing the man’s face. His hands are left free to operate the head and hinged lower jaw (this makes a loud click when it shuts, hence ‘Snap’.


In an old and long established Civic ceremonial, which persisted until the mid 19th century, included Snap who acted as the herald for the grand annual Guild Day procession which was held at the inauguration of a new Mayor. This cavorting dragon was a source of amusement and entertainment for the crowds who watched these processions. However, in earlier times, Snap took on a more religious significance as part of a pageant performed by the Guild of St. George in Norwich.

St. George riding on horse-back and fighting the dragon was the centre-piece of these Processions, with a third figure representing the maiden who was, supposingly, rescued by St. George. She was recorded as ‘The Lady’, ‘The Maid’ or ‘The Margaret’ – “the lady of the Gild“ and believed to be based on Saint Margaret of Antioch. A Sword bearer, carrying the Guild sword led the procession with priests, the City Waits, Cantors from the Cathedral and the City and Guild officials following.

In Norwich’s Great Hospital, St Helen’s Church, has a fine example of the devil depicted as a dragon. It is said the a dragon swallowed St Margaret of Antioch but her cross irritated the dragon, allowing her to break free.

Norwich (Pew)
Here she is shown on a medieval pew end emerging from the dragon’s belly, illustrating her role as the patron saint of pregnancy and childbirth.

The Guild of St. George 1385-1731

The history of the Snap was inextricably linked to that of The Guild of St George, founded in 1385; its aims were religious, charitable and social: to honour St. George, to keep his feast day, to pray for its members past and present and to offer alms to the poor and needy within the Guild. The principal event for the Guild was the feast day ceremony held annually on 23 April which began as a simple religious celebration of the feast day of St. George. The event grew steadily in size and importance as the Guild’s relationship with the City Corporation deepened. By the end of the sixteenth century, however, the event was no longer a civic religious ceremony but a civic secular ceremony which celebrated the coming to office of the new Mayor. For this no expense was spared.

Although the form of the procession changed over the centuries, Snap the dragon remained as part of the pageantry for over 400 years. The earliest reference to him comes from the minutes of the Guild Assembly of 1408 at which it was agreed:

‘to furnish priests with copes, and the George shall go in procession and make a conflict with the Dragon, and keep his estate both days’.

In 1585 the two separate celebrations, that of Guild Day in April and that of the swearing in of the new Mayor of Norwich in June, were combined to create one grand event on the Tuesday before Midsummer’s Eve. Over the next 150 years the pattern of the Guild Day celebrations remained the same but the scale and splendour of the occasion increased, gradually reaching its height at the beginning of the eighteenth century.

 

The three pictures above are copies of postcards published by the Norfolk and Norwich Heritage trust which are taken from glass roundels in the Dragon Hall, Norwich – http://www.dragonhall.org/

Then came 1645 and a setback which interrupted Snap Dragon’s progress: the Puritan government ordered that at the next procession there must be ‘no beating of drums or sounds of trumpets, no Snap-Dragon or fellows dressed up in Fools Coats and Caps; no standard with the George thereon, nor no hanging of Tapestry Cloth and Pictures in any of the streets’. However, in 1660, the monarchy was restored and all the old ways returned – including Snap and Whifflers. Their appearances continued and, in time, Norwich became quite famous for the scale and spectacle of its processions. However, the Guild found it expedient to make certain modifications to the form of the ceremony. They agreed that on the following feast day ‘. . .

“there shall be neither George nor Margaret; but for pastime, the Dragon to come and shew himself as in other years”.

A local historian, Benjamin Mackerell, has left us a description of the Guild Day festivities in the early years of the 18th century,

“On Guild Day the old Mayor, Sheriffs, Aldermen, the St George’s Company and Common Councillors met at eight o’clock in the morning at the house of the newly elected Mayor where they enjoyed sugar rolls and wine. The whole street (formerly the whole parish) where the new Mayor lived was decorated. The street was strewn with green sashes and planted with trees. The outsides of the houses were hung with tapestries and pictures, particularly the new Mayor’s house. From here the dignitaries then paraded on horseback to the house of the retiring Mayor where a substantial breakfast of pasties, roast beef, boiled legs of mutton and wine were provided. The procession then set out for the cathedral. The way was cleared by six Whifflers and two Dick Fools accompanied by the Dragon. The Dragon, carried by a Man in the body of it, gave great diversion to the common People: they always seemed very much to fear it when it was near them, but always looked upon it with pleasure when it was a little distance from them’.

As for the Whifflers, they were dressed in a distinctive costume of scarlet satin breeches, white satin jerkin and a hat decorated with a cockade of feathers and ribbons. They carried swords which they brandished and tossed in the air. Helping them were the Dick Fools, who wore painted canvas coats with red and yellow cloth caps adorned with fox or cats’ tails and small bells”.

With the demise of the St. George’s Company (formerly the Guild) in 1731, Guild Day continued, but on a much more modest scale. Although the Company was disbanded Snap the dragon, Dick Fools and Whifflers were kept on and their wages paid by the Corporation. Pagan Snap became Civic Snap, the property of the local authority and appeared on Guild Day when the Lord Mayor was inaugurated. Then, with the passing of the Municipal Corporation Reform Act of 1835 much pageantry of corporate boroughs disappeared and that year saw the last Guild Day Ceremony.

Norwich (Market Sketch)
By Norwich Market and outside the extant Sir Garnet Wolseley Pulic House (copyright Norfolk County Council).

It was George Borrow, writing in 1857 in his book ‘The Romany Rye’ who lamented their passing in these words:

“The last of the whifflers hanged himself about a fortnight ago ….. from pure grief that there was no further demand for the exhibition of his art…….since the discontinuance of Guildhall banquets”.

There was, however, one final outing of the Whifflers and Snap in 1846. It was during the ‘crowning’ of Jeremiah Colman, the mustard manufacturer, when two Whifflers met a royal Duke off the train at Trowse Station and led him and the procession up Bracondale Hill into the city. The two of them taking it in turns to run ahead, leaping and twirling their two handed swords.

It was fortuitous that the Whifflers lasted into the age of photography so it is still possible to see the costume that they wore with breeches and white socks tied with fancy garters, a bowler styled hat with a cockade to the left hand. The whole uniform was completed by a white jacket. Maybe it was on the 1846 occasion that the following Whiffler photograph was taken?

Whiffler 1
A 1846 Whiffler – as supplied by an anonymous ancestor. Further examples at flickr.com/photos

As for Snap, he continued to appear occasionally up to around 1850 after which he was adopted by the Pockthorpe Guild, more as a publicity gimmick than anything else. By the 1880’s much of the mock pomp of the past had gone and the appearance of the Snap had degenerated into just a boisterous money-raising stunt for the Guild which used it alongside members carrying collection boxes. Even so, Snap continued to cause much hilarity when used to chase people with the intention of grabbing their hats or caps between its jaws and returning them only after a penny ransom had been paid. Young boys would taunt the Snap by running close by and chanting

‘Snap, Snap, steal a boy’s cap, give him a penny and he’ll give it back’.

Although much of the pageantry disappeared after the passing of the Municipal Corporation Reform Act of 1835, a defiant tradition emerged: the people of Pockthorpe, a part of Norwich outside its walls and over the water, created their own dragon and their own mocking, subversive imitation of the Lord Mayor’s street procession. So the tradition of faux Snap terrorizing the people of Norwich continued in the district of Pockthorpe and in the nearby village of Costessey. This 1887 photograph of the Costessey Guild Day suggests the fun that accompanied the election of the ‘mayor’.

Norwich (Costessey Guild)
Snap in this picture is still in the care of the Norwich Museums Service (in store at Gressenhall since 2000), along with the head of the Costessey Dragon and another Snap Dragon.(c) Picture Norfolk at Norwich County Council

These annual revelries continued until early in the twentieth century, according to oral history, up to the First World War, but Snap lived on. In the 1930s, ‘Snapdragon’, was a magazine aimed at raising money in aid of hospitals. Then, the Festival of Britain in 1951 saw the Pockthorpe dragon come to life again for a procession of ‘Norwich Through the Ages’. Co-incidently, it was around this time that another very dilapidated dragon was found, this time in the Backs Bar in Norwich.

Norwich (Back's Dragon)
(Copyright: David Kingsley)

Norwich (Snapdragon and Whiffler 1951)2

Norwich (Snapdragon and Whiffler 1951)
The two photos above were taken around 1951. It has been said that one of the two Whifflers shown is the famous local naturalist Ted Ellis.

These Snap Dragons are the remnants of a medieval pageant play banned at the reformation (saints being denigrated as icons of papism). Snap meant something, for though its official role ceased in 1835 it persisted in a community based in both city and outskirts. Since the mid 1980s Snap occasionally accompanies the Lord Mayor, and at least three have materialised from the community, so the dragons clearly do still have significance for Norwich.

Norwich (Snapdragon and Whiffler 2017)
2017: Snap and the Whifflers escorting the Lord Mayor and Sheriff from The Guildhall to the Cathedral for the Annual City Service.

It was publicity that led to curiosity and from that the dragons found themselves conserved and are now on proud display in Norwich Castle. The publication of an important book about ‘Snap The Norwich Dragon’ by Richard Lane in 1976 led to Snap’s reappearance in the Lord Mayor’s Procession in the early 1980s and since that time the dragon has become well loved again, very visible in the culture of the city – and joined by newcomers.

THE END

Sources:

For those who want to know more: Click on the following links:

http://www.edp24.co.uk/news/politics/snap-heads-up-colourful-procession-as-norwich-marks-start-of-its-civic-year-1-5555325

https://www.facebook.com/NorwichWhifflers/#

http://www.dragonglow.co.uk/snap.htm

http://www.nor-folk.co.uk/Norwich%20Dragon/aliens.html

 

 

 

Pull’s Ferry – A Little Gem!

Pulls Ferry (Sindlin's 1800)
Sandlins or Sandling’s Ferry – circa 1800

Faced with an unfamiliar city, the temptation for many visitors is to head straight for the city centre. This is particularly true in Norwich and for those who arrive by train – the station forecourt seems to point you towards the bridge over the river which will lead to Prince of Wales Road the shops, castle, museum and much more. Those who resist this temptation and take the river path instead will find, just a stone’s throw away to the right, a real gem of the city’s history – Pull’s Ferry, sitting pretty on the River Wensum and one of the most famous landmarks in Norwich.

Pulls Ferry (1850-1900)
Pull’s Ferry 1850-1900

 

Pull’s Ferry is a 15th century medieval Watergate but it came centuries after a more ancient waterway was dug by monks. You see – both before and during the medieval period, transportation was a persistent problem, especially the transportation of heavy building materials. Roads were poor – if they existed at all, so bulk item were, of necessity, transported by boat. So it was in Norwich. Before any work could begin on building the proposed Priory and the 11th century Cathedral such a canal was needed to bring the materials direct on to the site. As well as stone, there was timber from the Baltic and iron from Sweden. But it was not only building materials that came via the canal; peat would also arrive, from what were to become the present-day Norfolk Broads, to be used as fuel in the Priory kitchens. However, it seems that over the centuries, the heavy stone used to build this holy place received most, if not all, of the publicity. Maybe this was because it’s journey was so long and arguably hazardous – for it came from France.

Pulls Ferry (Cathedral)
Norwich Cathedral

To be precise, this stone came from the quarries near Caen and would travel up and across the channel and onwards along the rivers Yare and Wensum to the Norwich building site that was to become both a Priory and Cathedral. This new Seat for a Bishop would serve as the central church for the Norwich Diocese, the work starting in 1096 and completed sometime between 1121 and 1145. During all this time, there was no port at Yarmouth and because sea-going ships were comparatively small they were able to make such a complete journey from France to Norwich. This must have certainly made the rivers Yare and Wensum places of great activity, because not only was materials being brought in for the Cathedral, but also for the Castle too.

The present short dyke which connects the river to Pulls Ferry itself is all that remains of the waterway which existed until 1772 when it was filled in and built upon. Before then, this same waterway flowed under the arch of the Watergate and deep into the Cathedral Close; having given its assistance to construction, it was the means by which river traffic was able to bring on-going goods and materials right up to the Cathedral and the accommodation thereabouts.

Pulls Ferry (Watercolour)

It was in the 15th century that the arched Watergate was built across this canal; it is this same structure that is the most obvious historical feature of Pulls Ferry today. The Watergate served to guard the approach to the Cathedral, and it was not until the Priory was dissolved by Henry VIII in the 16th century that the current Ferry House was built in 1647, thus incorporating the Watergate. The house itself was both an inn and the home for the ferryman who transported people across the Wensum. The first ferryman was named Thomas Howes, or Holmes but Ferry House was never named after him. Instead, it had been known as Sandlins or Sandling’s Ferry, a name that it would keep for at least 200 years, presumably after a 17th century predecessor. Certainly, at the time that Blomefield was writing his ‘Topographical History of Norfolk’ in the 18th century it was still called Sandling’s Ferry.

A Little Anecdote!

On the 13th July 1758, a short but severe thunderstorm wrought its fury on a house standing alone on the causeway near Sandling’s Ferry in the city of Norwich. Lightning struck off the roof tiles and pierced the house where it ‘tipt off the top of an old chair…… snapt the two heads of the bed posts, rent the curtains, drove against the wall…… forced out an upright of a window frame a yard long and sent it a right line into a nearby ditch’. This shaft of electricity peeled plaster off the walls and melted a row of pewter dishes. ‘An ancient woman’ sitting in a passageway was scorched all over, ‘her skin almost universally red and inflamed…… her shift burnt brown, stocking singed…… her shoe struck off’. The lightning missed:

……. another woman, sitting knee to knee with her companion as it shot along the passage. Those nearby heard a violent explosion and thought the whole house would collapse. It turned red, as if on fire, but it remained standing and the whole smelled as if fumigated with brimstone matches.

(Cooper, S., ‘Account of a Storm of Thunder and Lightning’,
Proceedings of the Royal Society of London, 1683-1775)

Pulls Ferry (Francis_Blomefield)Then along came 28 year-old John Pull to become ferryman and publican for the next 45 years – between 1796 and 1841; probably the last licensee to do so. Apparently Pull got married the year after he took the post, to Ann Haywood who lived for only a few years, dying in 1800. The couple had a son, John, in 1798, who was baptised at St John Timberhill. John Pull married again in January 1802, to Ann Steers. A child was born to the couple in the June, which suggests that it was either very premature, or the marriage was one of necessity! But, there were tragic consequences – that child died only a week after being baptised. The Pulls, however, went on to have five more children but only three survived beyond childhood. Ann Pull ‘the second’ died in 1837 at the age of 52, and her husband, John Pull, followed in 1841, aged 73.

Pulls Ferry (Bishops Bridge by Joseph Paul)
Bishops Bridge by Joseph Paul

The pub closed sometime before 1900, and the building became derelict. As for the ferry, this operated until 1943, although with Bishops Bridge only a stone’s throw away one wonders why there was ever a need for a ferry. The answer may lay in the historical fact that Bishops Bridge had been a toll bridge into the Middle Ages and that Pulls Ferry was a cheaper way for foot passengers to cross the river. However, by the middle of the 20th century all other ways of crossing from Norwich were free. It should also not be forgotten, if one ever knew at all, that before the building of Riverside Walk, the way to the Bishops Bridge involved a lengthy walk through the Cathedral Close. But, it still seems difficult to imagine who would have used the ferry, unless they actually lived or worked in the Close – particularly since the ferry could not have been free. Maybe, and some possibly think this, the ferry was kept open by the request of the Cathedral Dean and Chapter?

Pulls Ferry (1950)
The ferry boat shown in the water in this 1950 colour photo (above) was still there, drawn up on bank, until about 1970 when it attracted the attention of the local vandals who broke it up one night – probably ‘just for fun’.

 

Ultimately, both house and archway were saved by a bequest from Camilla Doyle and money raised by Norwich Girl Guides Association; that was in 1947. Over the next two years, restoration was undertaken by builders R. G. Carter and the architect Cecil Upcher. Today, Pulls Ferry and Ferry House remains privately owned; the only reminder of the history of the site is a small plaque at the top of the drive leading down to the ferry. Whilst there is a footpath along the river from the railway station Bishop Bridge which passes directly by Pulls Ferry, the best view of it is from the opposite side of the river, on Riverside Road. This view has been used in so many tourist brochures that Pulls Ferry has long been one of the ‘signature’ views of Norwich. It goes back over 900 years.

Now, it’s difficult to imagine that at the start of the 19th century the land opposite Pulls ferry was largely countryside but, like all things urban, much of this saw the start of building projects which grew apace during the next fifty years. Along came Riverside Road, the Norwich gas works, Rosary Cemetery and, inevitably, the Railway Station, turning this once tranquil area  into a suburb of the city centre with all its noise and activity. Between Riverside Road and the river bank opposite Pulls is now the Norwich Yacht Station, much used by Broads and river holiday visitors. Painters and photographers ever since have recorded a more industrial river bank, with boat building yards, a mustard factory and much else besides.

Pulls Ferry (Winter, Alamy)
Winter … Pulls Ferry, Norwich, a Watergate through which French stone for the cathedral was carried by a specially built canal. Photograph: Alamy
Pulls Ferry (At Night)
To end with… How about a Night Scene of Pulls Ferry. Credit: Google Images.

THE END

Sources:

https://www.theguardian.com/travel/2017/feb/24/norwich-walk-river-wensum-cathedral-castle

https://joemasonspage.wordpress.com/2013/01/28/pulls-ferry/

http://www.georgeplunkett.co.uk/Norwich/clo.htm

https://historicengland.org.uk/services-skills/education/educational-images/pulls-ferry-at-water-gate-ferry-lane-norwich-10683

https://www.britainexpress.com/counties/norfolk/norwich/pulls-ferry.htm

https://www.girlguidingnorfolk.org.uk/out-and-about/pulls-ferry/

https://www.visitnorfolk.co.uk/inspire/seven-natural-wonders-wensum.aspx

 

 

Victorian Cruising on the Norfolk Broads

 

Followers of Broadland Memories on Twitter and Facebook will have seen mention of the recent purchases for the archive of two sets of photographs of the Norfolk Broads from the late 19th century. These fascinating images document family holidays during the early years of the boat hire industry, providing a wonderful snapshot of boating during that era, and they include some incredibly rare photographs of pleasure wherries and the Broadland landscape.

The first collection were bought as a group of three lots of loose pages from an album which had been split apart by a dealer. It’s always sad when that happens, but I was fortunate to be able to buy the three Norfolk Broads lots which means that they will at least remain together. Precise dating has been difficult, but researching the landscape scenes via contemporary guide books, census returns and trade directories, and the subtle changes in ladies fashions during the latter decades of the 19th century, led me to the conclusion that they are c1885-1889. The presence of a photograph of the 1885 Norwich Angling Club annual dinner menu also provided an initial starting point for that date. The collection features a very well to do, probably extended family group aboard two pleasure wherries and a larger steam ship called Phoenix. I think they they were possibly taken during more than one trip. Sadly, there are no names, or real clues to where they came from. Other photos from the pages I bought include three or four which were taken on the Dutch and Belgian Canals, plus a couple of London scenes.

Victorian Broads Cruise1

The first wherry is named as The Eagle – not a wherry name that I have come across before, nor can find mention of in the usual book sources, but it looks to be a quite rough and ready conversion from a trading wherry. The family group are pictured aboard The Eagle in the photograph above. The second pleasure wherry (below) which accompanies the family clearly displays the name boards of Gladys, which Roy Clark lists as being a converted trader in his Black sailed Traders book. What is unusual about Gladys is that she has a counter stern, something you would be unlikely to find on a trading wherry, the fitting of which would have required quite a major rebuild. She is rather magnificent and a wherry, it seems, that hasn’t appeared in any previously published photographs, which makes this quite a rare find. The collection also features a photograph of Buckenham Ferry in operation with the now derelict Buckenham Drainage Mill seen clearly in the background, sails intact and painted white, like Thurne Mill. These have now been uploaded to the gallery pages of Broadland Memories and can be viewed here: http://www.broadlandmemories.co.uk/pre1900gallerypage4.html#bm_1880s

Victorian Broads Cruise2

The second collection is a virtually complete photograph album, inscribed by the photographer as being “The Cruise of The Mayflower” and dated to August and September of 1895. Although I know nothing about the background of the photographer and his family, I do at least have a name – D.W. Brading. Mayflower was built by Robert Collins & Sons at Wroxham. Once again, it’s another beautiful set of personal photographs of a boating holiday on the Broads which will appear on Broadland Memories in the coming months. A couple of previews from the album appear further down in this article.  A massive thank you to those kind people who have sent donations to Broadland Memories over the last year which have helped towards the purchase of these incredible pieces of the local history which will now be available for all to view online, and will eventually be passed on to the Norfolk County Council Archives.

As always, such photographs require a fair bit of research. My first port of call is usually the contemporary guide books and literature of  the time which give great insight into how a boating holiday was conducted at the time. The allure and attractions of the region were probably not that dissimilar to our own reasons for boating on the Broads today. The adventure, the tranquillity of the rivers, the stunning landscape, the wildlife, the history and architecture … and possibly the odd pub or two along the way. The client base for the boatyards was somewhat different, however, as boating was predominantly the preserve of the wealthy and professional classes. The advertised hire charge of £10-14  per week for a wherry may seem low by today’s standards, but when you put that into context with the extra £1 or so a week paid for the services of a skipper, a cut of which may well have been taken by the boatyard before his wages were paid, you can see that it was by no means a cheap holiday.  There were less costly options available to the Victorian boater, however.

Victorian Broads Cruise3

At the bottom end of the scale, an open boat with an awning which could be erected at night plus a couple of mattresses, suitable  for “two young men roughing it“, could be hired for around 30 shillings. Moving up in comfort levels were the cabin yachts which varied in size from a small, two berth yacht with limited facilities up to a large counter-sterned, cutter-rigged yacht like Mayflower which included a foc’sle with berths for a skipper and mate and a stove upon which to cook, two main cabins, a W.C., and storage cupboards. Costs varied from between £3 to £10 depending on the size of the craft and the time of year.

Victorian Broads Cruise4

To obtain the greatest amount of comfort it is necessary to hire a wherry, and a Norfolk wherry, let me say, is a wonderful craft;” wrote John Bickerdyke in The Best Cruise On The Broads, first published in 1895. He continued; “Wherries have for years been the trading craft of the district, but now a great many are luxuriously fitted up for pleasure parties, and on our cruise we see many happy family seated on a garden seat on the fore deck.”

Furnished with sprung berths, soft rugs, cushions and blinds, equipped with oil lamps and all the necessary crockery, cutlery, glassware and table linens one would need, the pleasure wherries certainly provided a good level of comfort, although on board facilities were still quite basic by modern standards. The saloon, according to Ernest Suffling in Land of the Broads, was; “nicely carpeted and painted, etc., with a large dining table, and, at the after end, the crowning glory – a piano. After dark, with lamps lighted, and the merry party gathered around this instrument, many a happy hour is passed away.” It should be noted that use of these small, wherry pianos was charged at an extra 15 shillings per week. He considered ladies to be “out of place” on small yachts, a separate cabin was essential, and the larger yachts and wherries were therefore best suited to mixed parties. There were lists of,  and advertisements for, boat builders and owners who would let boats within the pages of some of the tourist guides and one would have booked directly with them. Suffling also offered to act as an agent for procuring suitable yachts for prospective holidaymakers upon written request.

Victorian Broads Cruise5

Having chosen your boat, signed the hire agreement and paid the deposit, it was time to turn your attention to planning what to take and how to provision your holiday craft. On the subject of payment, the balance was paid upon arrival at the start of your holiday, although in How to Organize a Cruise on the Broads, Suffling recommended withholding full payment until the end of the trip “until the agreement has been properly fulfilled on the part of the owner, or his representative waterman.

The usual suggested boating attire for gentlemen included flannel trousers, shirts, a blazer and cap or straw boater, rubber soled tennis shoes, two pairs of socks and a change of underwear. Oilskins or a mackintosh were recommended for wet weather … not that it ever rained on the Broads, of course. Little advice was given about ladies clothing, but it must be said that the long dresses, starched corsets and elaborate hats seen in contemporary photographs don’t look the most practical of garments for boating. Ernest Suffling was one who tentatively broached the subject in The Land of the Broads;

For ladies dress (I will say little here, or I shall get out of my latitude), nothing can compare with navy serge made up in a very plain manner, so as to prevent few folds as possible for boughs of trees, oars, etc., to catch in. A little bright colour in the trimming, if you please, ladies! and be sure and wear strong watertight boots in place of dainty, fancy French shoes.

I would add a plentiful supply of hat pins to the list in order to keep that head-wear secure during the sudden, and violent squalls of wind, known as “rogers”, which we were warned we may encounter on the Broads during the summer months.

The subject of food was covered well in the guide books and stocking up on a good supply of tinned meat was deemed to be essential. Fresh meat was difficult to source in all but the larger towns. Whilst villages may have had a butcher, the lack of refrigeration meant that the sale of meat was done rather differently. Orders would be taken for the various joints of meat and an animal would not be dispatched until the whole carcase was sold. A variety of weird and wonderful meats could be found in tins – Ernest Suffling recommended curried rabbit, ox-cheek, hare soup, spiced beef and Australian mutton. Fresh rabbits were one of the few things which might be readily found in the countryside! He also suggested recipes for any freshwater fish you might catch including baked pike, broiled bream and fried perch.  A warning about a certain breakfast staple though; “Bacon, as a rule, is not good in Norfolk; some of the ‘home-cured’ being really not endurable by town dwellers.

Fresh vegetables were difficult to find, but probably didn’t feature too highly on the priority list anyway. Potatoes, however, “must not be forgotten“, and 1lb per person, per day was thought to be sufficient. Bread, milk and eggs could be purchased quite easily from various sources. Another warning came from Suffling about buying cheese, who implored us to “remember that Norfolk is noted for bad cheese. So beware!” John Bickerdyke begged us not to grumble at being charged more for goods as a summer visitor than one would would normally expect to pay in the village shops; “The prosperity of which depends upon the summer influx of visitors.

Victorian Broads Cruise6

The photograph above was captioned, “Returning with provisions from Stalham” and is one from the D.W. Brading 1895 album, taken on Barton Broad. Mention was made of shallow upper reaches of rivers and some broads, preventing passage by craft with deep keels, a dinghy was therefore rather essential and was included within the hire of as yacht or wherry. “See that a good dinghy or ‘jolly boat’ is supplied,” Suffling entreated us in How To Organize a Cruise on the Broads,

and that she is provided with a lug sail to fit her, and a good pair of oars; for a vast amount of pleasure is derived by small exploring excursions from the yacht, up dykes and cuttings. The ‘jolly’ is also useful to visit the neighbouring villages for renewal of food supplies, posting letters, and a hundred and one other small services.

The holiday party were not necessarily expected to cook for themselves – this was usually the job of the skipper, or the attendant if there were two crew – although more adventurous holidaymakers were free to join in with both domestic and sailing duties on the boat should they so wish. You were, however, expected to keep the crew in food, beer and possibly even tobacco for the duration of the trip. In Best Cruise on the Broads, John Bickerdyke’s thoughts on the subject were; “It is by far best to tell a man, or men, at the outset that you will give them so much a week in respect of these items, and let them find their own. If you provide them with beer, they will either drink too much, or have a grievance in respect of not having enough. Give them money and they will hardly drink anything.”

Victorian Broads Cruise7

Fresh water supplies were sourced from a village well or hand pump. This was usually stored in large stone bottles, as seen above in a photograph which was taken at Ludham Bridge c1900. Bickerdyke noted; “The places where good water is to be obtained are few and far between. Most of the county lies below the level of the rivers, and the water, though plentiful, is not very good. It is as well to take a filter, so that the water, if of doubtful purity, may be both filtered and boiled. The difficulty is surmounted by laying in a stock of mineral waters.” He continued; “It is as well to see that the man really does go to some well for the water, and does not fill the jar out of the river. River water does well enough for washing purposes.

Other forms of liquid refreshment were of great importance too during your cruise. Whilst various riverside hostelries were recommended in the guide books (for the availability of a decent hot meal as much as the ale) you were advised to stock up on your favourite tipples before setting off as the local offerings may not necessarily be to your taste. “Beer, of the peculiar sweet flavour in vogue in Norfolk, but, nevertheless, pure and wholesome, may be had anywhere. Some of the inns keep an old ale in stock called ‘Old Tom. It is exceedingly intoxicating, and costs one shilling per quart.” wrote Suffling. But if you hankered for something stronger still, then take heed; “The denizens of the coast appear to like a new, fiery spirit, be it whisky, rum, gin, or brandy, and they get what they like. Some of the whisky is warranted to kill at any distance.

If you’ve managed to ward off scurvy due to the lack of fruit and veg, avoided succumbing to galloping consumption from drinking well water or eating the local cheese, and haven’t been left insensible (or worse!) by the Norfolk whisky, then you’ll probably be wondering what you can see and do whilst on your cruise.

Angling had become a popular pastime and prospective visitors were encouraged to bring along their tackle, with hints and tips for novices given within the guide books.  Photography too was gaining interest amongst those who could afford the equipment and you may have noticed that the wherry plan further above in this article includes a dark room on board. “The artist may find anywhere, everywhere, pictures ready for his canvas of scenery that is peculiar to Norfolk.” Suffling told us:

To the archaeologist and searcher into things ecclesiastic, there are no end of churches, priories, castles, halls, and old buildings, which will afford him a vast fund of delightful research. To the entomologist, ornithologist, and botanist, I would say ‘By all means take your holiday here, for you may bring back with you specimens wherewith to beguile many a long winter’s evening with your favourite pursuit’.

Victorian Broads Cruise8

The Victorians seem to have had an enormous appetite for shooting and stuffing anything that moved. Guns could be brought along, but the guide book authors attempted to discourage such practices. In The Handbook to the Rivers and Broads of Norfolk & Suffolk, George Christopher Davies appealed; “Let me earnestly entreat visitors not to fire off guns either at birds or bottles above Acle Bridge. The sport to the visitors is nil, while the annoyance to the riparian owners is extreme.” The Brading Family clearly ignored this advice as the photograph above shows. It is one of a series of the yacht Mayflower which were captioned as having been taken at Barton Staithe in 1895.

Ernest Suffling suggested that yachting parties bring lawn tennis and archery sets, quoits and cricket equipment with them to set up on the riverbanks, obviously with little concern for the landowners. George Christopher Davies dismissed such notions, telling his readers: “Pray don’t take such absurd advice, all riparian owners adhere strictly to their just rights.” For evening entertainment and wet weather days where the party were confined to the saloon, there were various recommendations. We’ve already mentioned the piano and, according to Suffling;

Frequently one of the party brings along his banjo …. He is usually the funny man of the party, the buffoon, the human ass..

Chess, backgammon, cards, book reading, sewing and “wool-work” were typical pastimes, along with compiling a scrapbook of your holiday. It was also suggested that you may use the time to take stock of the items you’ve collected during the trip for your botany collection. Various parlour games were included in the list too. In “Fill The Basket” one could make use of the abundant rations of potatoes which had been brought on board at the start of the trip. “Two players kneel on the floor opposite one another, three to four feet apart, in the centre a basket is placed, whilst in front of each player is placed a dozen of the largest, most ugly, and knobbly potatoes procurable.” Each player was then given a table spoon, or dessert spoon and by using only the spoon, the potatoes were transferred into the basket, the winner being the first to clear their pile.

Victorian Broads Cruise9

Once your holiday had begun, there were a few “hitherto unwritten rules” of the Rivers and Broads from George Christopher Davies to adhere to:

Do not, in the neighbourhood of other yachts or houses, indulge in songs and revelry after eleven p.m., even at regatta times.

“Bathe only before eight o’clock in the morning, if in sight of other vessels or moored in a frequented part of the river. Ladies are not expected to turn out before eight, but after that time they are entitled to be free from any annoyance. Young men who lounge in a nude state on boats while ladies are passing (and I have known Norwich youths to do this) may be saluted with dust shot, or the end of a quant.

Do not throw straw or paper overboard to float to leeward and become offensive but burn, or take care to sink all rubbish.

Steam launches must not run at full speed past yachts moored to the bank, particularly when the occupants of the latter have things spread out for a meal.

Ladies, please don’t gather armfuls of flowers, berries, and grasses which, when faded, you leave in the boat or yacht for the unfortunate skipper to clear up.

Victorian Broads Cruise99

You’ve made it to the end of your holiday and it’s time to depart. You may not necessarily be departing from the same place where you picked the boat up of course. A man with a horse and cart will collect your party and luggage and transport you to the nearest train station for your return journey home. In 1895, a return first class”Tourist” ticket from London to Wroxham Station (as seen above, photographed by Donald Shields) would have cost 34 shillings,  whilst a 3rd class ticket could be purchased for a more modest 20 shillings. The train journey would have taken a little over three hours.

The boats, the clothes and the availability of foodstuffs may have changed, but the appeals of the Broads and some of the advice given in the Victorian guide books still hold true today – with the exception of trying to sink your rubbish perhaps (lack of riverside rubbish bins notwithstanding). The facilities were somewhat basic, sourcing food and water needed greater patience and stamina and you made your own entertainment. But step on board your holiday craft, leave the cares of the world behind, cast off on your Broadland adventure and “one feels the glamour of it stealing over you.”

THE END

 Source:

Subject, Text and Photographs by Courtesy of broadlandmemories

 

Doughty’s Hospital – Its Beginnings

On 25 March 1677, the Norwich Court of Mayoralty received a letter from William Doughty of Dereham, Gentleman. In this letter he declared his intention to come and live in Norwich and asked that he “be freed from rates and other charges while living in the City”. The Court agreed to free him from such ‘liabilities’ on the presumption that a ‘quid pro quo’ existed whereby Doughty would honour his declared intention to endow an Almshouse on the City. Ten years later, William Doughty made his Will, a formidable document of some 19 folios in which he bequeathed £6000 to his Trustees – his kinsman Robert Doughty of Hanworth, plus four Aldermen, namely, William Barnham, Michael Beverley, Augustine Briggs and Mr Willis junior, – “my very good friends”. These gentlemen were instructed to:

“purchase a piece of ground in Norwich which had never belonged to the Church and to build on it a substantial foursquare house of well-burnt brick on a stone foundation without any chambers above to be used as a hospital or almshouse for the habitation of poor old men and women”.

Doughtys (Up To Date)
Yes, William Doughty’s almshouse was originally called ‘Doughty’s Hospital’ but today the word ‘Hospital’ has been dropped as many people find it confusing. Doughty’s is not a hospital in the modern sense of the word – it has no nursing or medical services. The origin of the word ‘hospital’ is the Latin word ‘hospes’ meaning a guest, as in the use ‘hospitality’. This was relevant in former times because ‘hospitals’ or almshouses used to provide ‘alms’ for destitute people, giving them shelter, food and water.

 

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Little is known of William Doughty’s background, although the Will of his father, also named William Doughty, Gentleman of East Dereham in Norfolk, survives and reveals some clues. Comparison of this Will, dated 1650, with that of William Doughty (junior), indicates that both father and son had much in common. They both displayed ‘understated religious preamble’ in their respective Wills and a puritanical insistence on mourning attire which should not display  “vanity or vain expense”. However, the son’s bequests were less modest than those of his father’s.

William Doughty (senior) had clearly been a wealthy man; he was a member of the landed gentry of Norfolk, who made sure that all of his children, both male and female, were adequately looked after when he died. He also had a very clear idea about the relative merits of his offspring and appears to have been well aware of the potential ‘less than honest’ dealings amongst them. William Doughty (junior) on the other hand, showed himself as more of a ‘Puritan’ through his substantial charitable bequests and his attitude towards hard work. However, unlike many founders of almshouses, he was not to impose any religious restrictions or requirements on the inmates of what would become Doughty’s Hospital after his death. There is no mention of any wife or children in his Will and the fact that he bequeathed large charitable gifts suggests that he was either a bachelor or childless widower. However, he did have kin to whom he was to bequeath both money and land, but in some instances this came with conditions which tied the hands of the recipients in law –

“I have good reason and just cause to bind all and every of them by law…..as fully and firmly as the law can……for if I had not trusted to their fair words they had not deceived me”.

It seems therefore that William was not blessed with the most reliable or trustworthy of relatives. Maybe, the problems that ensued within and between the broader family ultimately persuaded him to give so much of his estate to charity?

William Doughty was reputed to have been from a non-conformist background and his Will had specified that his almshouse must be built on land that had “never been occupied by the Church”. A reflection maybe that, despite the power of the “Established Church” and the existence of such an extensive diocese centred on Norwich Cathedral itself, the City was a hub of non-conformist beliefs and activity. With this in mind, the details of his Will relating to the proposed Almshouse or Hospital – these two names are interchangeable in his Will – were specific. He stated that the ‘foursquare’ house was to be built around a quadrangle, or centre court, a well and pump provided and a “house of office” to be placed in a convenient place for the use of the ‘inmates’. Also, the front of what would be the Almshouse was to be built of freestone with a gate “so narrow that a cart should not be able to come into the courtyard”. At the entrance was to be placed a convenient dwelling for the ‘.Master of the Hospital’. The buildings were to include a large cellar for “laying in of coales” for the use of the poor people and the ground was to be large enough to make a convenient walled garden for their use. The cost of both the land and buildings together was not to exceed £600. With the balance of Doughty’s bequest, the Trustees were to buy lands and renements in Norfolk which must not be “subject to be overflowne with the sea” and to produce an annual income to the Trust of at least £250. This money was to provide pensions for the old people, cover repairs to the Almshouse whenever required, plus any other necessary costs.

Doughty (Will p1)
The first page of William Doughty’s Will which ran to 16 folios (Norfolk Record Office)

Instructions covering those who would live in the Almshouse were, simiarly, not overlooked. The Almshouse was to to be large enough to accommodate a total of 24 poor aged men and 8 poor aged women, each of whom was to be given an allowance of 2 shillings every Saturday morning to buy food. In addition to this measure of payment,  each resident would be provided with coal and “a coat or gown of purple cloth which was to be renewed every two years”. If anyone moved out of the almshouse, he was to leave his coat and she her gown behind. The Trustees were to appoint “a sober and discreet single man” to be Master. He was to live in the Hospital and to govern its running and well being, reporting all “disorders and misdemeanours” by the residents. The Master was to receive 4 shillings a week “for his pains” but if the Trustees found him remiss or negligent in the performance of his duties they were to displace him.

The final condition stipulated in William Doughty’s Will was that six years from his death – or earlier if they are ready – the Trustees were to transfer the Almhouses, Lands and Properties to the Mayor, Sheriffs and Citizens of Norwich.

Besides leaving money to finance the building and running of an almshouse in Norwich, William Doughty also left sums to the City’s Mayor, Sheriffs and Citizens from which interest free loan would be made available to poor weavers, shopkeepers and lightermen or keelmen engaged in transporting goods between Norwich and Yarmouth. He bequeathed £5 to each of his servants and 10 shillings to each of the twelve poorest families living nearest to his house, with further legacies to his nephews and other kinsmen – including an annuity of £10 to his kinsman and namesake William Doughty, a probable nephew, who had been “laid in London’s Wood Street Counter and the Kings Bench for debt from 1682 to 1683”. Then, around August 1684 he was put into Norwich Prison, again for debt and was not released until 1687.

Doughty (Wood_Street_Compter,_1793)

This nephew William was allowed just £10 per annum, to be paid to him quarterly for his maintenance and the Executors had to demand a receipt before three credible witnesses. Of equal importance was that no part of our William’s legacy was to be paid over to the nephew’s creditors. A second reference to William’s impecunious namesake was that the Executors were to pay no money to his cousin [nephew] William nor to his creditors except by a decree in Chancery and by a Statute of Bankruptcy taken out against him because his Executors:

“can never know all Mr Doughty’s creditors. Some are broke, some are dead, some gone beyond the sea, some abscond themselves and some conceal themselves and [their] debts”.

It seems that no one but our William Doughty knew his kinsmen better than he and, for reasons best known to himself, he put on record for every family member to digest that his wealth had been obtained and increased “by God’s blessing, his own industry and his voyages into Spain, Italy, France, Holland and elsewhere”.

History shows that our William Doughty had been the main beneficiary from a wealthy member of Norfolk’s landed gentry – his father. The fact that the son increased his own wealth largely on the back of overseas trade sheds an interesting light upon the close relationship that must have existed between the landed and mercantile classes in late 17th century Norfolk. Whilst William’s Will shows his privileged start in life it also highlights the contrasting fate of his namesake and was clearly thankful that he had invested his talents so wisely and that the fruits of his labour and investments were to be passed on for the benefit of Norwich’s poor.

Doughty (Portrait)001
Portrait of an older William Doughty

William Doughty died on 29 March 1688 and his body was buried in St Andrews Church without any pomp, sermon or mourning, for he stipulated that his executors were not to spend more than £40 on his funeral. Almost three months later on the 23 June Alderman Barnham, one of the Trustees, delivered a copy of Doughty’s Will to the Court of the Mayoralty who instructed the Town Clerk to record all the relevant details. The Trustees then purchased an orchard in the St Saviours parish as the site for the new Hospital, and also lands in a dozen or so separate Norfolk parishes by way of endowment. Once these purchases had been completed, they set about building the St Saviours Hospital, exactly as stipulated in Doughty’s Will – 32 almshouses on four sides of a square of approximately 30 yards interior measure – 8 houses on each side. On completion, the Trustees then had the particulars of the Founder’s Will and intentions engraved on two stone tablets which were probably set on either side of the entrance to the Hospital. These tablets were to be preserved when the Hospital was renovated in the 19th Century when a second floor was added, thus doubling the number of ‘chambers’. The tablets can now be seen in the stairwell of the North-West corner of the square. One tablet gives the particulars of William Doughty’s Will, the other:

“The Orders of This Place”

The Master of this Place is every Saturday Morning to pay to each poor Person two Shillings, & daily and equally to deliver the Coales to them, & to see good Orders kept, & when any Dye to Acquaint the Court therewith immediately, and to do the same if any disorderly; for the due Performance whereof, the said Master shall retain Weekly for his Paines, 4s, besides his dwelling (in which he must constantly inhabit) and the said Poor People must constantly dwell in this Place, and so wear their Coates or Gowns, and live peacably with the Master, and with one another, as becomes Christians, neither Cursing, Swearing, keeping bad Hours, nor being Drunk.

On 6 June 1694, six years after William Doughty’s death, the Court approached the Trustees regarding their duty to hand control of the Hospital over to the City of Norwich, as stipulated in the Founder’s Will. The Trustees response was to say that they were not in a position to comply since they had yet to fulfil their responsibilities to allocate all the chambers (houses) to suitable almspersons. They had indeed appointed a number of these but more work was needed; nevertheless, they had been fortunate to install one William Sydner as Master of the Hospital. Not completely satisfied with this response, the Court left the matter until December of the same year when it consulted its law officers, the City Recorder and Steward as to whether the City then had the right of “putting in the Poor” itself. Whatever the legal advice the Court received, it took just over four years for the Trustees of the Hospital to declare themselves ready to hand over the controls. By the same time, 10 April 1698, the Mayor, Sheriffs and Community had by then obtained a Royal Licence from King William III which granted them the right to purchase lands and tenements, not exceeding a yearly value of £1,000 to support the Hospital. The licence, granted on 21 February 1698, allowed the Corporation to obtain lands at Wolterton, Erpingham, Colby, Wickmer, ingworth and Blickling, plus two Manors at Hellington and Calthorpe and a messuage in Burston.

But, the question of who was responsible for allocating almspersons remained in dispute, and remained so until the following October when the Court theatened legal action if the Trustees “put in” any more almspersons without the City’s consent. That move by the Court appeared to work because in the December the Master, for the first time, reported direct to the Court the death of a resident and the Court appointed the replacement. From that moment, all deaths and replacements were regularly recorded in the Court’s books. The Court also handled matters of discipline; as when in April 1700 the Master, William Sydner and the officers of St Saviours parish lodged a complaint against seven of the almspersons for “miscarriages and misbehaviour”. When the accused were brought before the Court one of them, a Thomas Thurlow, compounded his offence by using ‘opprobrious’ (scornful) words to the Mayor. Thurlow was discharged from the Hospital, along with two others; afterwards, one named Daniel Wright apologised and was re-admitted on a promise that he would be on his best behaviour.

The first Master of the Hospital, William Sydner, died in the spring of 1701 and was replaced by the 60 year old William Doughty, unanimously elected by the Court! Surely, this was the ‘impecunious’ cousin/nephew of the Founder who had been in prison for debt. In its defence, the Court may have felt that it was discharging a debt of gratitude to the Doughty family in appointing him. However, it might well be that cousin Doughty’s dilatory habits contributed to the Hospital’s financial difficulties which were soon to arise. Certainly by the October of 1702, money was needed to buy clothes for the poor; in order to cover this expense the Court decided to sell timber from the Calthorpe Estate, near Aylsham, which was one of the Hospital’s endowments. Other actions taken by the Court were to stop admissions until further notice and to appoint a future Mayor, Robert Bene, to be the Hospital’s Treasurer, on the understanding that he would continue to advance any money required but would be payed interest when advances exceeded £100. It would seem that at this point, William Doughty gave up his responsibilities and avoided any possible disciplinary by allegedly dying. Certainly by the September of 1704, a Robert Bendish was appointed Master in his place. This went some way towards rectifying the situation, but the financial problems continued and were not helped by some dubious dealings. In 1707 it emerged that one of the original Executors of William’s Estate , Robert Doughty – a kinsman, had used his position to admit his son, and on his son’s death his daughter, to copyhold lands at Calthorpe without paying the requisite fines to the Hospital. In January 1707, the Mayoral Court ordered that, in consequence, Robert Doughty should pay a fine of £10 to the Corporation, but by the December of the same year the matter was still not resolved.

TO BE RESUMED

Sources:

 

 

What Julian of Norwich said to Margery Kempe

Julian of Norwich is variously commemorated on the 8th or the 13th of May, the alternatives being the two dates given in different manuscript sources for the beginning of her revelations. I like Julian very much – who doesn’t! – and have posted about her a number of times. Today I thought I’d post something a little different: not an extract from her book, but an account of a conversation with her. This shows her acting almost as a spiritual director, as anchorites were occasionally called on to do, and gives us her words filtered through the impressions of a woman whose spirituality was very different from her own.

Margery Kempe (Writing) 1
Depiction of Margery Writing?

Some time around the year 1413, a few years before the likely date of Julian’s death, Margery Kempe came to pay her a visit in her cell in Norwich To give you some sense of their relative ages, Margery Kempe was born around the same year (1373) that Julian had her first revelations, at the age of thirty. I think many of us would be glad to have the opportunity to talk to Julian of Norwich, although I like to think that if I was lucky enough to get that chance I wouldn’t do what Margery Kempe did – which was, not surprisingly, talk about Margery Kempe. (To be fair to her, I suppose she had gone there for advice…) Kempe’s account of Julian’s words to her is suspiciously focused on the things Kempe was obsessed with, as a laywoman struggling to find validation for her own form of intense religion devotion: the importance of trusting to personal inspiration, chastity, the holiness of devout tears (Kempe was notorious for bursting into noisy tears during Mass, much to the annoyance of her neighbours), and counsel which essentially says ‘if people don’t like you, you must be doing something right’.

Margery Kempe (Julian) 2
Stained glass from St Julian’s church, Norwich

The following text is from Julian of Norwich, and my translation follows below:

“And than sche was bodyn be owyr Lord for to gon to an ankres in the same cyté whych hyte Dame Jelyan. And so sche dede and schewyd hir the grace that God put in hir sowle of compunccyon, contricyon, swetnesse and devocyon, compassyon wyth holy meditacyon and hy contemplacyon, and ful many holy spechys and dalyawns that owyr Lord spak to hir sowle, and many wondirful revelacyons whech sche schewyd to the ankres to wetyn yf ther wer any deceyte in hem, for the ankres was expert in swech thyngys and good cownsel cowd gevyn.

The ankres, heryng the mervelyows goodnes of owyr Lord, hyly thankyd God wyth al hir hert for hys visitacyon, cownselyng this creatur to be obedyent to the wyl of owyr Lord God and fulfyllyn wyth al hir mygthys whatevyr he put in hir sowle yf it wer not ageyn the worshep of God and profyte of hir evyn cristen, for, yf it wer, than it wer nowt the mevyng of a good spyryte but rathyr of an evyl spyrit. The Holy Gost mevyth nevyr a thing ageyn charité, and, yf he dede, he wer contraryows to hys owyn self, for he is al charité. Also he mevyth a sowle to al chastnesse, for chast levars be clepyd the temple of the Holy Gost, and the Holy Gost makyth a sowle stabyl and stedfast in the rygth feyth and the rygth beleve. And a dubbyl man in sowle is evyr unstabyl and unstedfast in al hys weys. He that is evyrmor dowtyng is lyke to the flood of the see, the whech is mevyd and born abowte wyth the wynd, and that man is not lyche to receyven the gyftys of God.

What creatur that hath thes tokenys he muste stedfastlych belevyn that the Holy Gost dwellyth in hys sowle. And mech mor, whan God visyteth a creatur wyth terys of contrisyon, devosyon, er compassyon, he may and owyth to levyn that the Holy Gost is in hys sowle. Seynt Powyl seyth that the Holy Gost askyth for us wyth mornynggys and wepyngys unspekable, that is to seyn, he makyth us to askyn and preyn wyth mornynggys and wepyngys so plentyuowsly that the terys may not be nowmeryd. Ther may non evyl spyrit gevyn thes tokenys, for Jerom seyth that terys turmentyn mor the devylle than don the peynes of helle. God and the devyl ben evyrmor contraryows, and thei schal nevyr dwellyn togedyr in on place, and the devyl hath no powyr in a mannys sowle. Holy Wryt seyth that the sowle of a rytful man is the sete of God, and so I trust, syster, that ye ben. I prey God grawnt yow perseverawns. Settyth al yowr trust in God and feryth not the langage of the world, for the mor despyte, schame, and repref that ye have in the world the mor is yowr meryte in the sygth of God. Pacyens is necessary unto yow for in that schal ye kepyn yowr sowle.

Mych was the holy dalyawns that the ankres and this creatur haddyn be comownyng in the lofe of owyr Lord Jhesu Crist many days that thei were togedyr”.

Margery Kempe (Julian) 3
Julian in Norwich Cathedral

Translation:

 “And then she was bidden by our Lord to go to an anchoress in the same city [Norwich] who was called Dame Julian. And she did so, and displayed to her the graces that God had put in her soul of compunction, contrition, sweetness and devotion, compassion with holy meditation and high contemplation, and full many holy speeches and conversations that our Lord had spoken to her soul, and many wonderful revelations, which she told to the anchoress to learn if there was any deceit in them; for the anchoress was an expert in such things and could give good counsel.

 The anchoress, hearing the marvellous goodness of our Lord, highly thanked God with all her heart for his visiting, counselling this creature [Kempe] to be obedient to the will of our Lord God and fulfil with all her might whatever he put in her soul, as long as it was not contrary to the worship of God and the benefit of her fellow-Christians; for, if it was, then it was not the inspiration of a good spirit but of an evil spirit. The Holy Ghost never inspires anything which is contrary to charity; if he did, he would contradict his very self, for he is all charity. Also he inspires a soul to all chastity, for people who live chastely are called the temple of the Holy Ghost, and the Holy Ghost makes a soul stable and steadfast in the true faith and the true belief. And a man who is duplicitous in soul is ever unstable and unsteadfast in all his ways. He who always doubts is like the flood of the sea, which is moved and borne about with the wind, and that man is not likely to receive the gifts of God.

The creature who receives these signs must steadfastly believe that the Holy Ghost dwells in his soul. And much more, when God visits a creature with tears of contrition, devotion, or compassion, he may and ought to believe that the Holy Ghost is in his soul. Saint Paul says that the Holy Ghost asks for us with mourning and weeping beyond saying, that is to say, he makes us to ask and pray with mourning and weeping so plenteously that the tears may not be counted. No evil spirit can give these tokens, for Jerome says that tears torment the devil more than the pains of hell. God and the devil are always opposite to each other and never dwell together in one place, and the devil has no power in a man’s soul. Holy Writ says that the soul of a righteous man is the seat of God, and so I believe, sister, that you are. I pray God grant you perseverance. Set all your trust in God and do not fear what the world says to you, for the more scorn, shame, and reproof that you have in the world, the more is your merit in the sight of God. Patience is necessary to you, for in that you shall preserve your soul.

Much was the holy conversation that the anchoress and this creature had, communing in the love of our Lord Jesus Christ many days that they were together”.

Margery Kempe (Julian) 4
Norwich Cathedral

THE END

 

Sources: 

A Clerk Of Oxford: https://aclerkofoxford.blogspot.com

Wikipedia: http://en.wikipedia.org/wiki/Margery_kempe

http://aclerkofoxford.blogspot.co.uk/2011/05/julian-of-norwich.html

http://www.lib.rochester.edu/camelot/teams/kemp1frm.htm

Google Photo

 

 

William In The Wood

There is today, overlooking Norwich, a gem of a place which is free of urbanisation – although it is completely surrounded by roads, traffic, concrete and bricks. It is an area where there is freedom for trees, bracken, brambles, grass and weeds to grow, freedom for feet to ramble and for dogs to do what they normally do when let off the lead. This place once formed part of a much greater expanse of heathland that extended from the north-eastern bank of the River Wensum at Norwich, towards the villages of Salhouse and Rackheath way out in the County. It was once a large area maintained by grazing, but without such husbandry the trees grew tall and thick to produce woodland, now much frequented by walkers. Today, this area covers a mere 200 acres but is much appreciated by Norwich people as a welcome piece of open space. It is an island of green, known today as Mousehold Heath but in far off days was called Thorpe Wood.

St William (Site)2

Within it, Long Valley in particular makes one feel that Norwich is far away and that the only exciting thing that would happen below the deciduous canopy of Mousehold is for Robert Kett to emerge with the city’s authority in hot pursuit. The wood’s deciduous canopy also does more than cushion objects of our imagination, it muffles the noise of vehicles on those roads that run circles round the area, including that odd little field or two set amongst the trees. It is a wood veined with sand and flint edged pathways that have been cut through ridges by centuries of feet; nice pathways, many of them through birches growing in shallow areas either side. Pick the right one, but avoiding bramble, rough undergrowth, burrs and ticks and a largely forgotten chapel will emerge in the mind and where one can get lost in time. This is where ‘ St William’s Chapel in the Wood’ lays.

The Chapel site covers just a small area, towards the edge of present-day Mousehold Heath – a short distance to the south-west of the junction of Gurney Road and Heartsease Lane. It was originally dedicated to St Catherine de Monte, way back in those far off days following the Norman Conquest; at that time, it served as a parochial chapel for the Norwich Cathedral Priory. Later, in fact on the 27 April 1168, it was re-dedicated to honour a new ‘martyr’ on the block – the boy William. Fast forward to some 380 years later and we find that this chapel was amongst those religious establishments dissolved by Henry VIII; and whilst the exact date of its demise is unknown, the last offering was recorded in 1506, and by 1556 the site had been leased out by the Dean as ‘The Chapel-Yard called St William in the Wood’. But that piece of information is something of a distraction at the moment; we need to retrace our steps back to 22nd March 1144. On that date, a despicable act, supposedly, took place at the site of the chapel – It was Easter and not the best time for a murder!

St William (Lidar-Mousehold-overlay)1
An ariel view of most of Mousehold Heath, showing the site position (hightlighted centre right) of St Williams Chapel. Credit: Photograph with overlay Nick Stone.

Get the detail right and the place will be a stark reminder of a disturbing and unpleasant moment that, they say, took place here. But take care; the way history works is not to run into the past in convenient straight lines. With stories, indeed with and all historical accounts, it is best to visualise them as being in twisted flight, crisscrossing through time on a journey which, inevitably, turns the past into a foreign country – where ‘they did things differently there’. This is true of the Chapel’s story and, as with other historical stories, it doesn’t have one starting point but many. What we know or think we know about this story, is that parts of it will certainly be inaccurate, simply twisted by whatever common thought or agenda was in place when it was written. The story of St William’s Chapel and much that surrounds it is a case in point, laying as it does below undergrowth, trees and canopy. For the details of this story we have Thomas of Monmouth to thank!

It’s a safe thing to say that most people in Norwich are vaguely aware of William of Norwich, helped no doubt by a report in 2004 about 17 bodies being found in a medieval well in Norwich, during the development of the Chapelfield Shopping Centre (see Footnote below). That report was clearly written for readers who like Time-Team programmes with their trowel and forensic archaeology. However, these sort of people may not be aware of all the detail which, in William’s case, confirms that he was a victim of what some believe was a ritualised murder. Further, he was only a young lad of about 12 years of age who was an apprentice skinner and tanner, the first recorded apprentice in English history so they say. He certainly died somewhere in Norwich on or around 22nd of March 1144 and it was on the 25th March that his body was found, mutilated on the heath close to, if not on the spot where the Chapel stood. Clearly, if he had been murdered elsewhere then his body would probably have been carried to the heath by horse to be disposed of.

St William (Chapel Site)1
“Every year, at Narbonne in Spain, where the Jews are held in high regard, lots are cast in order to determine the country where the sacrifice will take place. In the capital city of that country, another lot is drawn to determine the town or city, and it just so happens that at this particular time the lot has fallen on the Jews of Norwich, and all the synagogues in England have signified, by letter or message, their consent that the killing should take place here”.

Nobody truly knows who did the foul deed, or where, or even why; but, as ever, blame was quickly apportioned by the populace, egged on by the religious authorities and William’s family. Their collective finger pointed directly at the Jews of Norwich who, by the way, were protected by the Sheriff in the King’s name. Now, this is where politics vie with the powers of the church for front row seats, not forgetting that in the 12th century the King was Stephen. He not only had the church to deal with but also his cousin Matilda; they were both grandchildren of William the Conqueror and amongst all the others competing for a dominant position in ‘The Anarchy – which, basically, was a rather nasty tribal squabble about who controls England – not forgetting Normandy of course. Add to this the question of Jews, who started to come over in 1066, had French as their mother language – and settled in Norwich – big trouble was afoot..

Thomas of Monmouth and his version of events:

Enter Thomas, and here we can only presume that he was born in Monmouth, only because he is identified by that town’s name. Having been “respectably educated” he first arrived in Norwich in 1150 and wasted no time in investigating the murder of William. First, he set about interviewing as many of the surviving ‘witnesses’ as possible. These included people who Thomas had already identified as being “converted Jews”; they provided him with inside information about events within the Jewish community. According to Thomas, one particular ‘convert’, called Theobald of Cambridge, told him that there was a written prophecy which stated that the Jews would regain control of Israel if they sacrificed a Christian child each year. Every year, Jewish leaders met in Narbonne to decide who would be asked to perform the sacrifice; in 1144, the Jews of Norwich were assigned that task.

St William (norwich-city-walls 14C)

This, and much more, was written up in his multi-volume Latin account of the crime, titled ‘The Life and Miracles of St William of Norwich’ which Thomas started shortly after his arrival in Norwich in 1150, and completed Volume 7 by 1173. Since most information about William’s life comes only from Thomas’s writings, it is difficult to distinguish the facts of the case from the story of martyrdom created around it by Thomas. It was he who devoted himself to the promotion of William to sainthood; he did this by collecting evidence of his holiness and by arguing that he had been martyred by the Jews in a ‘ritual’ murder. As things turned out, Thomas of Monmouth was ultimately unsuccessful in getting William of Norwich canonized as a saint, but did succeed in creating a cult around him in Norwich. From the outset, Thomas contended that he had received visions from the founding Bishop of Norwich, Herbert de Losinga, who had died in 1119. According to Thomas, Losinga told him that William’s body should be moved into the Chapter House of the monastery, but Thomas had to battle with the sceptical Prior Elias, who was unconvinced of William’s sanctity. However, the body of William was in fact moved within the same year of Thomas’s arrival in Norwich. That year of 1150 was also the year in which Elias died, and by then the cult of William was established.

 Circumstances Leading up to the Murder:

Thomas confirmed that William had been  born on 2 February 1132 and that his parents were a local Anglo-Saxon couple, Wenstan and Elviva. Later, William was apprenticed to a skinner and tanner of hides, often visiting homes in and around Norwich, including those in the Jewish quarter to the east of Norwich Castle. Shortly before his murder, William’s mother was approached by a man who claimed to be a cook, working for the Archdeacon of Norwich. He offered William a job in the Archdeacon’s kitchens and William’s mother was paid three shillings to let him go. William later visited his aunt in the company of this same man but she was apparently suspicious and asked her daughter to follow the two after they left. William and this man were eventually seen entering the house of a local Jew. This was the last time William was seen alive. It was Holy Tuesday.

According to Thomas, the man who claimed to be a cook had been employed by the Jews to entice William into the house where the sacrifice would occur. William was initially treated well, but was then bound, gagged and suspended in a cruciform position in a room where he was tortured and murdered in a manner imitating the Crucifixion of Jesus: the Jews lacerated his head with thorns and pierced his side.

“having shaved his head, they stabbed it with countless thorn points, and made the blood come horribly from the wounds they made…….. some of those present judged him to be fixed to a cross in mockery of the Lord’s Passion………..” 

Thomas supports this claim further by saying that another converted Jew told him that there was an argument over how to dispose of the body. He also says that a Christian servant woman glimpsed the child through a chink in a door. Then, another man is said to have confessed on his deathbed, years after the events, that he saw a group of Jews transporting a body on a horse in the woods.

On the 22th March 1144, William’s mutilated body was found near the chapel site by a local nun who did not initially contact anyone. Then a forester, named Henry de Sprowston, came across it. He noted injuries which suggested a violent death and the fact that the boy appeared to have been gagged with a wooden ‘teasel’ and was wearing just a jacket and shoes. Was this a sexual assault?

After consultation with the local priest it was decided to bury the body on Easter Monday, two day hence; the position of the grave to be where the body was found. In the meantime, some curious folk came to look at the body, a few recognising William. The next day, being Easter Sunday, members of William’s family arrived to confirm, amongst other things, the identity of the body; one member was said to be a priest. The following day, with proper ceremony, William was buried. Beyond this, Thomas devotes most of his book not to the crime, but to the evidence for William’s sanctity, including mysterious lights seen around the body itself and miraculous cures affected on local devotees. Thomas admits that some of the clergy, notably the Prior, Elias, were opposed to the cult on the grounds that there was little evidence of William’s piety or martyrdom. Thomas actively promoted the claims by providing evidence of visions of William and miracles.

The Christians of Norwich, having quickly blamed local Jews for the crime, then demanded justice from the local ecclesiastical court. Members of the Jewish community were asked to attend the court and submit to a trial by ordeal, but the local sheriff, John de Chesney, advised them that the ecclesiastical court had no jurisdiction over them, as they were not Christians. He then took the Jews into protection in the castle. After the situation had calmed down, they returned to their homes. In the meantime, William’s body had been moved to the monks’ cemetery. Later, it would be moved to progressively more prestigious places in the Cathedral, being placed in the Chapterhouse in 1150 and close to the High Altar in 1151.

St William (With St Adatha)
Depicting St Agatha holding Pincers and a Breast and St William of Norwich with nails in his head. This Panel is from a rood screen originally in the Chapel of St Mary in St John’s Church, Maddermarket, Norwich. It was commissioned by Ralph Segrym, – later Mayor of Norwich and who is buried beneath the nave of the Church. It was painted in Norwich by an unidentified artist in 1450. The screen was removed (date unknown) and is now believed to reside in the V & A museum London.

As part of this promotion, images of William, as a martyr, were created for some churches, generally in the vicinity of Norwich. A panel of painted oak, depicting both William and Agatha of Sicily, is in the collection of the Victoria and Albert Museum in London; William is shown holding a hammer and with three nails in his head. The panel was formerly part of a rood screen at the Norwich Church of St John Maddermarket. The screen was commissioned by Ralph Segrym  who died in 1472, a merchant who became a Member of Parliament and Mayor of Norwich. Another rood screen in St Mary’s church, Worstead also depicts him holding nails. One in Loddon depicts William being crucified.

As it was, William’s death was never satisfactorily solved and the local authorities would therefore not convict anyone, simply because there was no proof. There the matter apparently rested, that is until a Thomas of Monmouth came along, some six years later, and got caught up in the clergy’s idea of establishing a cult around the death of William with a motive which must have been partly pecuniary. It was William de Turbeville, Bishop of Norwich between 1146 and 74 who encouraged Thomas of Monmouth to write his book as a precursor to the church achieving its aim. It turned out to be an extensive hagiography work; Volume 7 being completed in 1173. Clearly, it was designed to deify the boy and to blame the Norwich Jews for what became Britain’s first ‘Blood Libel’. For those who would like a Googled explanation of Blood Libel, it comes from the idea that Jews use the blood of the murdered, usually Christian, children in Passover rituals to make bread – no more need be said!

 The Aftermath

As a result of the feelings generated by the William ritual murder story and subsequent intervention by the authorities on behalf of the accused, the growing suspicion of collusion between the ruling class and Jews fuelled the general anti-Jewish and anti-King Stephen mood of the population. After Thomas of Monmouth’s version of William’s death circulated a number of other unsolved child murders were attributed to Jewish conspiracies, including:  This evolved into the so-called blood libel.

St William (Harold-of-Gloucester)
Harold is one of a small group of 12th century English Saints of strikingly similar characteristics: they were all young boys, all mysteriously found dead and all hailed as martyrs to alleged anti-Christian practices among Jews. Contemporary assumptions made about the circumstances of their deaths evolved into the blood libel.
St William (Robert_of_Bury)
15th century illumination depicting the martyrdom of St. Robert of Bury. Top left, a woman seems to be placing Robert’s body in a well; top right, it is lying next to a tree with an archer standing by. The precise meaning of these scenes is unknown. At bottom, a monk prays to Robert’s soul.
St William (Little Hugh)
Hugh of Lincoln (1246 – 1255) was an English boy, whose death was apparently an act of Jewish ritual murder. Hugh is known as Little Saint Hugh to distinguish him from Saint Hugh, otherwise Hugh of Lincoln. The style is often corrupted to Little SirHugh. The boy disappeared on 31 July, and his body was discovered in a well on 29 August.

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Deterring Witches

Today we use locks, burglar alarms and timer-set lighting to protect our homes, but 300 to 400 years ago householders were not just worried about human intruders. They believed their homes were also at risk from supernatural forces – evil spirits, ill luck, ghosts and witches. Strong magic was therefore needed in a world beset by disease, failed harvests, disastrous fires and unexplained deaths. So, wherever evil might enter a building they buried magic charms, be it in doorways, up chimneys and beneath fireplaces; they even protected roof spaces with dead animals and would ‘brick up’ a bottle full of urine, human hair and nails – of which witches and bad fairies were known to be frightened! Importantly, all these spells against supernatural harm were concealed in secrecy, because secrecy was part of ‘charm’s’ power to protect against demons, witches and curses.

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The brick with magical symbols found at Earlham Hall, Norwich.

Today, witch bottles and mummified animals are still being discovered during renovations and demolitions, In Hethersett, near Norwich in Norfolk, a bottle with iron pins and nails was found buried beneath a cottage fireplace. A dead cat was concealed in a room in King’s Lynn, a horse skull was hidden under the doorstep of a house in Thuxton, near Dereham, and a jar of urine, human hair and nails was unearthed in King Street, Norwich.

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horse skull hidden under the doorstep of a house in Thuxton, near Dereham, Norfolk

The practice of trying to turn away evil with magic charms and potions is called apotropaios and was common for centuries. The “apotropaic” terminology comes from the Greek term “apotropaios,” meaning “averting evil.” Witches or their evil conjured spirits were thought to attempt to enter homes via doorways, hearths, and windows, and hide in shadows made by the nooks and crannies of the house. It was believed that once they had entered the property, witches and evil spirits would want to attack the inhabitants, or ruin the most valuable possessions of the owner. Tudor proprietors took a proactive approach to the issue, and carved the apotropaic marks near where items of value were storedIn Britain it was particularly prevalent during the peak period of the witch trials in the 16th and 17th centuries, but was still seen into the 20th century.

These protective measures were taken inside all types and sizes of buildings, irrespective of the status of their occupants. Marks have been found in lowly cottages and high status buildings including the Tower of London. It seemed that homes, businesses, churches and grand houses all had a need of protection.

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The Red Cat of the Red Cat Hotel in North Wootton.

Animals were believed to have special powers, Particularly dead cats, sometimes positioned as if hunting. Cats were also believed to have a sixth sense and might have been hidden as a sacrifice to ward off bad luck and black magic. During the 17th Century, it was common in England to bury mummified cats in the walls or ceilings to deter witches or evil spirits from entering the property. Remains of a cat were found in at the Dukes Head Hotel in Kings Lynn, in room 10 during October 2011.

Witches (Cat)
Mummified Cat

It was largely in the Middle Ages that the black cat became affiliated with evil. Because cats are nocturnal and roam at night, they were believed to be supernatural servants of witches, or even witches themselves. Partly because of the cat’s sleek movements and eyes that ‘glow’ at night, they became the embodiment of darkness, mystery, and evil, possessing frightening powers. If a black cat walked into the room of an ill person, and the person later died, it was blamed on the cat’s supernatural powers. If a black cat crossed a person’s path without harming them, this indicated that the person was then protected by the devil. Often times, a cat would find shelter with older women who were living in solitude. The cat became a source of comfort and companionship, and the old woman would curse anyone who mistreated it. If one of these tormentors became ill, the witch and her familiar were blamed.

Witches (Bottle)Witch bottles a common counter spell against illness caused by witchcraft was to put the sick person’s urine (and sometimes also hair and fingernails clippings) in a bottle with nails, pins, or threads, cork it tightly, and either set it to heat by the hearth or bury it in the ground. This, as Joseph Blagrave wrote in 1671, ‘will endanger the witches’ life, for … they will be grievously tormented, making their water with great difficulty, if any at all’ (The Astrological Practice of Physick (1671). Usually buried beneath the hearth or near entrances to buildings, their recipe was still known in a Norfolk village in 1939:

“Take a stone bottle, make water in it, fill it with your own toe-nails and finger-nails, iron nails and anything which belongs to you. Hang the bottle over the fire and keep stirring it. The room must be in darkness; you must not speak or make a noise. The witch will come to your door and make a lot of noise and beg you to open the door and let her in. If you do not take any notice, but keep silent, the witch will burst. The strain on the mind of the person when the witch is begging to be let in is usually so great that the person often speaks and the witch is set free.” (E. G. Bales, Folk-Lore 50 (1939), 67).

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A 16th-century Bellarmine jar found on the site of The Forum in Norwich.

Witch bottles are usually found beneath hearths or front-doors, but have also been uncovered from beneath floors and inside walls. Around 200 have been recorded in England, dating back to the 16th century. More than half are grey stoneware bottles and jars called bellarmine, decorated with the faces of grim-looking bearded men. As well as the ingredients mentioned above, they sometimes contained small bones, thorns, pieces of wood and heart-shaped scraps of fabric.

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A witch bottle found in Bury St Edmunds, containing the remains of rusty iron objects

Witches (Candle)‘Candle Smoke Marks’ have been found on ceilings, often in bedrooms or hallways near bedrooms. They consist of magical symbols written on the ceiling with the smoke from a candle. There were also spells written in words on rolls of paper, or scratched in pictures and diagrams on walls.

But perhaps the most common hidden charms of all were old shoes – almost always patched and repaired, usually single, often a child’s. Sometimes other items were hidden with the shoes, such as coins, pipes, spoons, pots, toys, goblets, food, knives, gloves, chicken and cat bones. This superstition dates back at least as far as the 14th century when Buckinghamshire rector, and unofficial English saint, John Schorn is said to have trapped the devil in a boot – something which is depicted on several Norfolk rood screens. More than 1,200 examples have been recorded with one of the earliest found so far hidden in Winchester Cathedral in 1308. And the practise survived into the 20th century. Strange as it may seem, modern shoes are regularly encountered; there was an example not so long ago of a Nike trainer being found in the roof of a central London bank and the clues seemed to indicate that it had been deliberately placed there.

Witches (Shoe)
The lonesome shoe at St. John’s, Cambridge University was discovered while staff members were removing panels to install electrical cables in the Senior Combination Room located in the College’s Tudor-era Second Court. This building was constructed between 1598 and 1602 and was originally home to the Master of the College. However, experts believe it was placed behind the panels between the end of the 17th century and mid-way through the 18th.

In homes, shoes were often placed on a ledge inside a chimney where it was thought they would trap bad spirits. Nothing unusual here; hidden charms were generally placed at entry and exit points, including the hearth which would have been open to the sky. Any supernatural harm circling the house would, hopefully, be put off trying to gain access.

It has been found that some houses had shoes, bottles, marks and cats, all from the same period, hidden together, evidence that there was a very strong urge to protect the property and occupants. Others have been found with many layers of protection, such as the three witch-bottles found mortared into the hearth of a grand house in Essex, at a time when the mistress was known to have been very ill. Maybe it was believed that she was bewitched!

Many hidden charms will still be concealed in buildings so, anyone keen to search for magic charms in their own houses, should try under floorboards or above lintels near doors, in walls and roofs, and around hearths and chimneys. Simply shining the beam of a torch obliquely across hearths or door lintels could reveal ritual marks carved into the stone.

It is known that buildings from the 17th and 18th century are frequently found to contain hidden charms. By their very nature, these charms are concealed so they are often only found by luck or during repairs or demolition. Many, of course, will have vanished without trace into builders skips or the antiques trade so they may have been far more common that we imagine.

Objects such as witch-bottles, dried cats, concealed shoes, horse skulls and written charms – amongst others – have all been found in buildings in Norfolk and throughout East Anglia. These are mainly found during demolition, restoration or sometimes just by exploring the nooks and crannies of a building.

It is a fact that secrecy and mystery still surrounds many of hidden charms, even after they are discovered. Unlike superstitions such as up-turned horseshoes, which are displayed openly, it was thought that magic lost its potency if uncovered and even modern-day householders often don’t want items removed or even discussed – perhaps because a vestige of those old beliefs still remains. It is quite common for extremely sensible, non-superstitious and professional people to suddenly become very superstitious and acutely tuned-in to the supernatural when they find these objects in their home. It is said that one home-owner refused to allow the contents of a bottle found in his home to be examined and insisted that it be re-buried with a small ritual with some nuns. Others have insisted that concealed shoes are returned to their find-spot and that cats be re-concealed.

THE END

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Titanic: A Norwich Connection!

Prologue:

On the 15th April 1912 the RMS Titanic, billed as ‘unsinkable’, sank into the icy waters of the North Atlantic after hitting an iceberg on its maiden voyage, killing 1,517 people. The United Kingdom’s White Star Line built the Titanic as the most luxurious cruise ship in the world. It was nearly 900 feet long and more than 100 feet high. The liner could reach speeds of 30 knots and was thought to be the world’s fastest ship. With its individualised watertight compartments, it was seen as virtually unsinkable. On its first voyage, from Southampton to New York with stops in Cherbourg, France, and Queenstown, Ireland, the Titanic was carrying 2,206 people, including a crew of 898. A relatively mild winter had produced a bumper crop of icebergs in the North Atlantic, but the crew, believing their ship was unsinkable, paid scant attention to warnings.

Titanic (Icebergs)1

On the night of Sunday, April 14, other ships in the area reported icebergs by radio, but their messages were not delivered to the bridge or the captain of the Titanic. The iceberg that struck the ship was spotted at 11:40 p.m. Although a dead-on collision was avoided, the Titanic‘s starboard side violently scraped the iceberg, ripping open six compartments. The ship’s design could withstand only four compartments flooding. Minutes later, the crew radioed for help, sending out an SOS signal, the first time the new type of help signal was used. Ten minutes after midnight, the order for passengers to head for the lifeboats was given. Unfortunately, there were only lifeboats for about half of the people on board. Additionally, there had been no instruction or drills regarding such a procedure and general panic broke out on deck.

The survivors, those who successfully made it onto the lifeboats, were mostly women who were traveling first class. In fact, the third-class passengers were not even allowed on to the deck until the first-class female passengers had abandoned the ship. White Star President Bruce Ismay jumped on to the last lifeboat though there were women and children still waiting to board. At 2:20 a.m., the Titanic finally sank. Breaking in half, it plunged downward to the sea floor, taking Captain Edward Smith down with it. The Carpathia arrived about an hour later and rescued the 705 people who made it into the lifeboats. The people who were forced into the cold waters all perished.

Official blame for the tragedy was placed on the captain and bridge crew, all of whom had died. In the wake of the accident, significant safety-improvement measures were established, including a requirement that the number of lifeboats on board a ship reflect the entire number of passengers.

The sinking of the Titanic has become a legendary story and 1985, after many attempts over many years, divers were finally able to locate the wreckage of the Titanic on the floor of the North Atlantic.

Titanic (wreck-bow)
The wreck (bow section) of RMS Titanic.

Our Norwich Couple:

Today, the 15 April, is the 106th Anniversary of the sinking of the RMS Titanic in 1912. Much has been written since with facts – such as were known, fiction, dreamed up novels, short stories, myths and movies, most with a profit motive in mind. This blog is not about the whole gambit, but only about a Norwich couple, who possibly would never had hit the history books if they had not bought tickets to emigrate aboard that ill-fated ship.

img_3267Edward Beane was born in Hoveton, Norfolk, England on 19 November 1879. He was the son of George Beane, a brewery worker who worked for the large Bullard Brewery in Norwich, and Mary Ann Cox; both had been Norfolk born and bred, marrying on 29 November 1877. Edward, our subject, was one of ten children, his siblings being: Sarah, George Herbert, William, Charles Archie, Caroline Augusta, Ernest Christmas, May Christine, Robert and Bertie Stanley.

Edward first appears on the 1881 census living with his family at Armes Street in Heigham, Norwich, Norfolk but they then moved to 231 Northumberland Street, Norwich by the time of the 1891 census. Between then and the next census in 1901 the family had moved further down the same street to Number 188 where Edward was described as a bricklayer. It was a trade that was to stay with him beyond the time when the family lived at 43 Bond Street in Norwich.

img_3269Ethel Louisa Clarke was born on 15 November 1889 in Norwich, Norfolk, England. She was the daughter of Boaz Clarke, a boot factory warehouseman, and Louisa Webb, both natives of Norwich who had married in early 1881. Ethel was one of their five surviving children from a total of eleven, her known siblings being: Flora May, William Webb, Sydney Charles p, Gladys Lilian, Reginald Boaz, Dorothy and Ellen.

Ethel first appears on the 1891 census, living at 172 Northumberland Street, Heigham, Norwich and was still at this address for the 1901 census. So for this period of her life she knew the ten year older Edward Beane. By the time of the 1911 Census, Ethel was still living with her family but at 21 Churchill Road, Norwich where she was described as a single dressmaker and furrier.

Their Story:

At 17 years of age, Ethel Louise Clarke was not ready for either marriage or emigration when Edward Beane raised the topics prior to his first departure to New York in 1907. However, both proposals appealed to her when he asked her to wait until he had saved enough money. Ethel, of course, said yes.

On the 13 April 1907, Edward, a bricklayer aged almost 28, crossed the Atlantic to New York on the Philadelphia with his two brothers, all travelling in steerage to save money. This was their maiden voyage and they sailed in the knowledge that each one of them would earn better wages than at their old construction jobs in Norfolk. Edward, at least, was to share his time between New York and Norwich, writing to Ethel in between and right up to the time when he returned home aboard the Adriatic, arriving in Southampton on 22 December 1910. It is not known if he continued commuting thereafter but it was at this point in his life, at the age of 29 years, that he intended to finally ‘tie the knot’ with his chosen bride Ethel Louisa Clarke. However, that did not happen until March 1912 when, by this time, the couple had saved something in the order of 500 dollars plus, plus enough for two second class tickets on the Titanic. A day or so before the 10th April when this ‘unsinkable’ ship would set sail on its maiden voyage, Edward and Ethel said goodbye to their families and left for Southampton. At the Terminal they bought two second class tickets for the sum of £26 (ticket number 2908), boarding the Titanic on the 10th, not only as emigants but also ‘honeymooners’

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RMS Titanic – Outward Bound

Edward and Ethel were one of 13 honeymoon couples and were in their cabin when the ship struck the iceberg at about 2.00am on the 15 April 1912. They did not think much of the jolt they felt until a woman in a nearby cabin came to tell them about the order to go to the boat deck with lifebelts and to wear warm clothes. Subsequent reports say that Edward urged Ethel to hurry and not to worry about bringing any of their few valuables; most of their savings were locked in the Purser’s office.

On the boat deck, Ethel was quickly ushered to Lifeboat 13 and had no time for more than a quick kiss from Edward. Three or four more passengers were loaded before it was launched, but Ethel lost sight of her husband and hoped that he would surely take another lifeboat. Edward was indeed rescued, but the stories conflict of how it happened. The problem was that both he and Ethel were to tell different versions of that night to reporters. In one, Edward stated he kept an eye on his wife’s lifeboat from the deck of the Titanic. Then, as the ship sank, he jumped and swam “for hours” until he reached it and was pulled aboard. The problem with this version is that no one would have survived that long in icy waters. Also, a passenger in Lifeboat 13, Lawrence Beesley, wrote a detailed account of the entire night shortly afterward and never mentioned rescuing anyone from the water. Because Lifeboat 13 was, apparently, only half full, some passengers did want to return to help those in the water, but most refused because they felt that their boat would be swamped.

Titanic (Lifeboats)1
Lifeboats Away!

In another version that the Beane’s gave to the press stated that Edward was picked up by lifeboat 9 and he didn’t find Ethel on the Carpathia until after it docked in New York. This, again, seems unlikely because great care had been taken to compile accurate passenger lists and roll calls were also taken to help passengers find each other. It is possible, however, that Edward did jump aboard Lifeboat 13 at the last minute before launch, when no other women or children were available or willing to board. No one knows, but if he was like some other male survivors who panicked and ‘smuggled’ themselves into lifeboats, he probably would have met with public ridicule for not being “a gentleman” and going down with the ship – if indeed this was the case? Maybe, he and Ethel made up their stories to ease any guilt on his part? These questions and any viewpoints here are, however, purely speculative! However, bear in mind that another statement from an independent source said, perhaps in their defence: “They (the Beanes) were one of a few honeymooners who were not parted by the rule “women and children first”. Both were rescued in lifeboat 13”. As it is, Edward Beane is also listed as being a Lifeboat 13 passenger by Encyclopedia Titanica, the main source for all things Titanic and the principal aid in compiling this account.

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Edward Beane and Ethel in 1931 (Courtesy of Phillip Gowan, USA)

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Edward and Ethel settled in Rochester, New York where Ethel gave birth to a stillborn baby on 13 January 1913, making it likely that she was pregnant whilst on board the Titanic. The couple settled at 44 Michigan Street for the rest of their lives, never to return to England. Edward continued to work as a bricklayer and was a member of the Bricklayers’ Union. Ethel, for her part, delivered two children, both sons: Edward (1913-1982) and George (1916-1998) and during the rest of their lives seldom spoke about the Titanic, giving only the odd newspaper interview. Ethel was widowed in 1948 when Edward Beane died in the Rochester State Hospital on 24 October, just shy of his 69th birthday. A local newspaper reported: “Mrs. Beane is survived by her son, George Beane of Rochester, four granddaughters and six great-grandchildren”.

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Ethel continued to live at the family home in Rochester before entering a nursing home in the last two years of her life. She died on 17 September 1983 aged 93 (although she had convinced everyone she was only 90) and was buried with her husband in White Haven Memorial Park.

Relatives of Titanic survivors Ethel and Ted Beane in the “100th Anniversary” replica wireless room at the Titanic exhibition in The Forum, Norwich in April 2012.

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A Snapshot of Norwich’s History (Part 1)

The Arrival of the Anglo-Saxons

The arrival of the Anglo-Saxons represents the very start of the history of Norwich. During the Roman period Norwich was likely to have been little more than a cross roads, situated in the Tombland area of the city, with at most a farm and a few houses. The major Roman settlement was called Venta Icenorum and was situated a few miles to the South of modern day Norwich. Saxon incursions into East Anglia and their eventual dominance over the Romans in the early 5th century AD, led to the first settlers in what we now know of as Norwich.

Norwich (Saxon Pot)

One of the ‘Star’ objects – A Saxon Pot, excavated from Spong Hill, North Elmham, Norfolk.

It was an ideal place to build a settlement; the river afforded the settlers easy access to the sea as well as the ability to secure food from fishing. The soil was of a good quality for agriculture and there was a ready supply of good timber. It is important to remember that Norwich did not start as one settlement, in this period it was 5 or 6 villages that eventually merged into one. The name of one of these villages was Norwic which became the name of the city that developed.

The Norman Conquest 

The Norman Conquest of 1066 had drastic implications for the country as a whole; this can be seen in Norwich where it certainly left its mark. Any visitor to the city cannot fail to notice the Cathedral which at 315ft is the highest building in the city, nor can they fail to spot the Castle sitting atop its mound, still dominating the city skyline over 1000 years after it was built.

The building of the Cathedral was the initiative of the first Bishop of Norwich Herbert Losinga, who came to Norwich from a monastery in Normandy. It was probably built over a previous Anglo-Saxon settlement and Roman road. Work commenced in 1096, but was incomplete at the time of Losinga’s death and his successor Bishop Everard oversaw the completion of the work.

Norwich (Norwich Cathedral)

The present spire is the Cathedral’s fourth the first was destroyed in riots in 1272, the second in a storm in 1361 and the third by lightening in 1463.

The Castle would originally have been built of earth and wood, the stone building dates from the late 11th century or early 12th century and is one of the largest Norman keeps in England.

Norwich (Castle)

Norwich (Bishops Bridge)

Norwich (Brittos Arms)

Norwich (Guildhall)

The Normans used massive amounts of peat for fuel, this was dug from various locations in Norfolk. The removal of this peat created large craters in the ground (the Cathedral took 320,000 tons a year!) this coupled with a rise in sea levels led to the formation of the Norfolk Broads.

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Norwich (st-gregorys)

The Construction of the City Walls

Work begun on the city walls in 1297, but it was not until 1343 that construction was complete. The walls were 3ft thick and 20ft high with battlements, in front of the walls was a bank and a ditch. The ditch was 25ft deep and 60ft wide and offered further protection. The walls acted as an important part of the cities defence, it was beyond the capabilities of the authorities to maintain law and order everywhere, but within the city walls their power could be exercised more easily.

Norwich (carrow-bridge)

Taxes, levies and tolls were due to be paid for many different reasons, and so the city walls served another important function as they restricted the movement of goods and people allowing the authorities to ensure they gathered the correct taxes and tolls. The city walls survive in various places in Norwich:

Norwich (black-tower)

Norwich (black-tower-wall)

Towards the end of Riverside Road and across the Wensum sits Cow Tower, this played a pivotal role in the defence of the city, (it was partly destroyed during Kett’s rebellion.) Another ruined tower and section of wall is visible further along Barrack Street, then at the end of Magdalen Street and opposite the Artichoke pub there is small section of wall remaining.

Norwich (chapelfield wall)

Over 800 years after their construction the city is still defined by its walls. If you mention that something is within the city walls to a local, they will instantly know the geographic area you mean. Despite the wall only surviving in fragments and not being a continuous structure it still persists as an invisible demarcation of what is in the city centre and what is outside.

Kett’s Rebellion

The history of mankind is a history of rebellion, from the peasant’s revolt, to the French Revolution and even recent events like the springs in the Middle East have seen people who believe they are being oppressed revolt against their oppressors. Perhaps the biggest such occurrence to ever hit Norwich was Kett’s rebellion. It started in the summer of 1549, as a minor disturbance in nearby Wymondham, but spiralled into a sequence of events that led to a national crisis for King Edward VI.

Peasants begun pulling down fencing around enclosed fields (the process of enclosure involved taking away common land and physically enclosing it for exclusive use by the landowner). One local landowner (John Flowerdew) alarmed at what was happening and fearful for his own land bribed them to attack his rival Robert Kett’s fences. This backfired drastically as Kett joined the protestors, helping them rip down his own fences before leading them to attack Flowerdew’s. Kett then marched the growing army of men (10,000) to Norwich, where they were refused entry. So they camped on Mousehold Heath for 7 weeks.

Norwich (oak-of-reformation)

Kett and his advisors produced a document entitled ‘29 articles of complaint, concerning economic matters’. It included one particularly revolutionary statement asking that ‘We pray that all bonded men may be made free’. Although serfdom had been largely in decline in England since the Peasants Revolt, the final serfs were not freed until 1574.

Despite being offered a pardon in exchange for dispersing Kett’s men raided the city, imprisoning the mayor and 5 other leading citizens. The government responded by sending 1,400 men and a battle was fought at Bishopgate in the full glare of the Cathedral on the 1st August. The government troops were forced out of the city and for that day at least Kett was victorious. At this point many of the cities nobles fled to London with the retreating army, leaving Kett in total control of the city.

Clearly the government could not let this situation persist, so they sent a huge force of 12,000 troops and before August was over the rebels had been forced out of the city. From Mousehold Heath Kett’s men attacked the city from the top of what is now Gas Hill, partially destroying Cow Tower. Finally a further retreat to Dussindale saw them defeated by the government troops.

Norwich (bishopgate)

300 men were executed and Kett himself was captured in Swannington 25 miles to the north of Norwich. Both Robert Kett and his brother William were sent to face trial in London, where they were kept in the Tower of London. The trial was a formality and they were both found guilty. Robert Kett was hanged from Norwich castle with his body left hanging for months as a message to would be revolters. His brother William Kett suffered a similar fate being hanged from Wymondham Abbey and left for all to see.

For hundreds of years Robert Kett was portrayed and remembered as a traitor, but during the 19th century his reputation received a reprieve and people begun to increasingly think of him as a folk hero rather than a traitor. This is the reputation Kett retains today, a hero who stood up for the common people of Norfolk against the oppression of the ruling elites.

To find out more about Kett’s Rebellion, why not visit his home town of Wymondham when in town? Visit Wymondham abbey where Robert’s brother William was hung (the Kett family coat of arms is displayed inside) and visit Wymondham Heritage Museum for displays relating to Kett’s rebellion.

Norwich (ketts-oak)

The Strangers

In 1565 the areas that are modern day Holland and Belgium were a colony under the control of the Spanish. Spain was a Catholic country which conflicted with the largely Protestant local population, the result was religious persecution inflicted by the Spanish on the locals.

This meant many were keen to flee religious persecution. Coincidently at the same time the city of Norwich was facing economic difficulties and was receptive to the idea of Dutch weavers migrating, as it would strengthen Norwich’s textile industry and because new skills and techniques could be passed onto the local populace.

In 1565 the city initially allowed 30 households of refugees to migrate to Norwich. Many more followed and by 1579 there were 6,000 of them, the cities population was only 16,000 so they represented over one third of the total population.

The Strangers were allowed to live in Norwich with relatively few restrictions placed upon them, however in 1570 members of the gentry led by John Throgmorton staged a failed rebellion against the migrants failing to attract sufficient popular support. For his part in the rebellion, Throgmorton was hanged, drawn and quartered. A few years previously (1567) the then mayor, Thomas Whall had placed some restrictions on the strangers claiming that they were taking away local jobs.

Norwich (norwich-city-the-nest)

Most of the new migrants were weavers; this is where their influence is best seen. The expertise and innovations they brought over was pivotal in helping Norwich become famous for its textile industry. By the middle of the 18th century the quality of products produced were unrivalled anywhere in the world. The strength of Norwich textiles carried on until the Industrial Revolution when other cities with a greater access to cheap labour overtook Norwich, but the city diversified and continued to be a significant textile producer. It was only in the 1970s that textiles finally stopped being produced in the city.

Norwich (chamberlin)

 

If you are interested in the history of Norwich’s textile industry and the influence of the Strangers then why not pay the City a visit and go to Norwich’s Bridewell Museum where there are some excellent displays charting the its history. Norwich has such a rich and fascinating history so please see Part 2!!

Based on text written by Wayne Kett

Norwich’s Pioneer in Music Education!

The English Tonic Sol-fa System originated in Norwich, Norfolk in the 1830’s and was known at the time as the ‘Norwich Sol-fa’ notation system. Although credit for its development has frequently been given to John Curwen, it was Sarah Ann Glover who originated its theory. She was also the author of the subsequent book on the subject “Scheme to Render Psalmody Congregational” in which it details simplified notation for sol-fa syllables and rhythms. This system and its accompanying teaching strategies were discovered in 1841 by John Curwen who subsequently popularised and adapted them. Conflict arose between Sarah Glover and John Curwen regarding the modifications Curwen made to Sarah’s system, yet the impact of her work on Curwen and, eventually, on music education in general, cannot be disputed.

(The above extract and the following narrative is based on P.D. Bennett (1984) “Sarah Glover: A Forgotten Pioneer in Music Education” and her own extracts from B Rainbow’s:…..”Musical Education in England 1800 to 1860″, Novello Copyright 1967).

Sarah Ann Glover (Title Page)

SARAH ANN GLOVER (1786 – 1867): A BACKGROUND.

Sarah Ann Glover was born in 1786 at Cathedral Close, Norwich and baptised on 18 November 1786 in ‘St Mary in the Marsh, Norwich, the Parish Church for the Cathedral Close.

Sarah, the eldest daughter of the Rector of St Lawrence Church, Norwich, had her first formal music lesson in her sixth year. This early training was not unusual at the time when young women were encouraged to study music to ensure a position for themselves socially, as well as for family entertainment and church teaching. Although she did become an accomplished pianist, nothing more is known of her career until, in her late twenties, she was given responsibility for music at her father’s church; this may have been around 1811 when her father became Curate of St Lawrence Church and also when she and her sister, Christiana, began to run the Sunday School.

At the time, when church choirs were particularly noisy and incompetent, Sarah’s children’s choirs were respected for the quality of their singing and St Lawrence became well known and enthusiastically attended for its musical performances. Inquiries began to surface as to ‘the method of teaching’ that enabled the children to sing so well. Apparently, young women from other parts of the country were soon being sent to Sarah Glover for training.

Sarah Ann Glover (Black Boy Yard)
Black Boy Yard (off Colgate), Norwich. (Courtesy of George Plunkett)

Although Sarah’s initial concern was to improve congregational singing, her sights were also reaching towards a reform of the teaching of music reading skills; to do this, a simplified notation system for teaching singing was needed. By 1827, Sarah Ann Glover had drawn up a complete method in which, simply speaking, DOH is always the first note of a scale, RAY the second – and so forth. This was called the ‘Norwich Sol-fa’ and she was to use it as part of her teaching of girls in a school she founded in Black Boy Yard, off Colgate Street, Norwich where she used her system with marked success. From her early choirs, Sarah’s influence gradually spread through those who studied with her and into the homes of the poor working class, as well as the affluent. In 1835, her system was first published by Jarrold & Sons of Norwich and went on to produce four other editions. However, as popular as her methods were with some music educators, The Norwich Sol-fa system remained in relative obscurity until that chance discovery, in 1841, by John Curwen.

SARAH GLOVER’S ‘HARMONICON’

Sarah Ann Glover (harmonicon)
‘Harmonicon

Sarah’s pupils learned to sing by means of sol-fa notes and the use of the ‘Harmonicon’. This was an instrument, invented by her and manufactured in Norwich, which consisted of a long narrow mahogany box containing a drumstick and a number of pieces of glass, the latter attached to two pieces of string to enable them to produce various musical notes when struck. She designed it to help her teach her Sol-fa system in conjunction with her book “Scheme for Rendering Psalmody Congregational” comprising a key to the sol-fa notation of music and directions for instructing a school.

JOHN CURWEN (1816 – 1880): HIS INVOLVEMENT WITH TONIC SOL-FA.

Sarah Ann Glover (John_Curwen)
John Curwen

In the Spring of 1841, the Reverend John Curwen was charged by a conference of teachers at the Sunday School Union with recommending a suitable way to teach music in Sunday School. Curwen was already known as a brilliant teacher and the author of a highly successful children’s story entitled “The History of Nelly Vanner” but he was “completely without musical skill” (Rainbow, p.53). Already having experienced the difficulty of teaching large groups of children how to sing, Curwen had little confidence in his ability to fulfil the conference’s request. It was by sheer chance that a friend called Curwen’s attention to the work of Sarah Ann Glover and gave him a copy of her “Scheme to Render Psalmody Congregational” book. It was from this publication that Curwen produced his own adaption that was to become known as the Tonic Sol-fa System of notation.

JOHN CURWEN V SARAH ANN GLOVER

John Curwen has often been credited with being the originator of the Tonic Sol-fa System of notation but there has always been some controversy surrounding his adaption and popularisation of Sarah Glover’s ideas. As Curwen studied her treatise he began to realise why his earlier attempts to learn (from Ford’s ‘Elements’) to read music had failed. He had learned “off by heart” its various symbols and their meanings but, he had learned nothing of the symbol’s musical significance – this he discovered from Sarah’s method. Delighted with his discovery, Curwen experimented with teaching her method to a child living at his lodgings and found, as a result and within a fortnight, he was himself able to read a tune written in sol-fa notation (Rainbow, p.142). As Curwen’s enthusiasm for Sarah’s method increased he apparently forgot that the system was not something of his own devising. Only after he had been carried too far on the crest of his enthusiasm did it occur to him to write to Sarah Glover herself. This was in 1841 when, having detailed the merits of his changes, he sought to obtain her agreement and an opportunity to meet her; it would appear that at no time did he actual ask for her explicit approval for what he was doing.

Swinstead, George Hillyard, 1860-1926; John Curwen (1816-1880)
John Curwen in later life.

By the time Sarah Glover had received John Curwen’s 1841 letter, he was in her mid-fifties and already with an established and successful, if not celebrated, career; she, emphatically, was not prepared to accept modifications to her successful system by a “bold, assuming young man”. Her letter of response to him no longer exists but it is known that for over twenty years Sarah “resisted Curwen’s attempts to secure her endorsement of his modifications” (Rainbow p.143). Although correspondence between them continued until her death in 1867, theirs was a strained relationship.

SUMMARY

The principles of the Tonic Sol-fa System are long lived and still valued in the teaching of music. Invented to aid young students in sight reading, hearing and writing music is still recognised in many classrooms. The circumstances surrounding the popularisation and publication of Sarah Glover’s method have obscured her real contribution to music education. That hers has been a neglected story is proven by the limited number od sources giving accurate information on her work. Certainly, in the history of music education, Sarah Ann Glover deserves considerable recognition for her unique contribution.

IN CONCLUSION

Sarah moved away from Norwich in later life = first to Cromer, then Reading and then Malvern in Herefordshire where she retired to live of his modifications” with her sister, Christiana. Sarah died of a stroke at Malvern on 20 October 1867 and is buried there.

Sarah Ann Glover (Brass)

In 1891, a brass plate was erected in St Lawrence Church, Norwich to mark the jubilee year of the Tonic Sol-fa Association which was paid for by the London Branch. The plate states (wrongly) that her father was Rector of St Lawrence. The notation over the last two lines is the tune ‘Rockingham’ in Norwich Sol-fa. The Tonic Sol-fa concept became well known in popular culture after it was featured in a song from the stage and film musical ‘The Sound of Music’. Around about 100 years later, Blue Plaques were mounted at various places in Norwich which had connections with Sarah Ann Glover, such as:  Colgate, St Benedicts, Pottergate.

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