On the 26 June 2015 Emily Sarah of the Norfolk Record Office wrote that the final of the National Twelve Bell Striking Contest would take place at St Peter Mancroft Church on the following day, when 10 of the best teams of ringers from across the country, plus several hundred visiting ringers visited the city.
The Norfolk Record Office holds the records for no fewer than four ringers’ societies, all based at St Peter Mancroft’s, the earliest of which was the Norwich Ringers’ Purse founded in 1716. Members paid weekly contributions and, in return, received financial support when they fell sick. The purse also supported families of deceased ringers.
The most recent ringers’ society is the Guild of Ringers, which was founded in 1907, after a bitter dispute between the vicar and churchwardens on the one hand and the ringers on the other. At one point, the belfry was closed, the vicar got rid of all the old ringers and a new band was formed. Even then, prospective new ringers had to demonstrate that they could ring three distinct methods on twelve bells before they were admitted. Ringing a method means pulling your rope so that your bell follows all the other bells in the tower in turn, with a constantly changing pattern and at different speeds, all done by memory.
The most common method is Plain Bob Doubles, rung on five bells, usually with a sixth bell, called the tenor behind, always in the final place to keep a good sense of rhythm. Ringing the same method on eleven bells would be called Plain Bob Cinques. On twelve bells, it would be Plain Bob Maximus.
Ringing on 11 or 12 bells is very difficult, demanding years of practice and intense concentration so that the bells all sound absolutely in time. If anyone makes a mistake, the bells will clash and the resulting cacophony would be heard all over Norwich. It is said that the best ringers can ring to a precision of 3/100ths of a second.
Over the years, St Peter’s has acquired a total of 14 bells (though it is normally regarded as a ring of 12) plus a Sanctus bell, which is rung during the communion service. The largest number of bells in one tower in England is 16, at Birmingham St Martin.
The first true peal, lasting three hours and eighteen minutes on Plain Bob Triples (seven bells), was rung at St Peter’s on 2 May 1715. A peal is often rung to celebrate a special occasion, such as a birthday.
The Norfolk Record Office holds a short article on campanology from the Mancroft Review of 1971. This is mainly an appeal for more ringers to join the regular band, but it also describes the learning process:
‘Beginners are not taught at Mancroft, but on the six [bells] at St George, Colegate. There the bells are not so heavy and the ropes are just 40 feet long, compared to Mancroft’s 70 feet. But beware … campanology is a disease! Once you learn, you will get hooked.’
NOTICE: ‘Norfolk Tales, Myths & More!’ is a ‘non-commercial’ Site seeking only to be informative and educational on topics broadly related to the history and heritage of the County of Norfolk in the U.K. In pursuing this aim, we endeavour, where possible, to obtain permission to use an owner’s material. However, for various reasons, (i.e. identification of, and means of communicating with an owner), contact can sometimes be difficult or impossible to established. NTM&M never attempts to claim ownership of such material; ensuring at all times that any known and appropriate ‘credits’ and ‘links’ back to our sources are always given in our articles. No violation of any copyright or trademark material is intentional.
We are in the centre of Norwich, in that part of St Peter Mancroft’s churchyard that sits on the north side the Church. This half the whole churchyard, which extends on both sides of the church, is the larger and does not seem to suffer the unfavourable associations that the northern side of church graveyards usually have to put up with. It is the side which is the nearest to the market place and divided by a path which allows visitors to enter the church through the northern side door.
Here is an ‘altar’ styled tomb – in fact the only tomb in the whole of the Church’s churchyard still standing upright and proud; most other headstones have long been laid flat at ground level. This particular tomb is a finely carved family sort of tomb, one of those big box-shaped ones now, in the present-day, being slowly destroyed by moss and the constant weathering from the trees that overhang it. At one end, facing full on to the path that takes visitors into the church, is an inscription which refers to the main family member, that of John Harrison Yallop. At the other end of the tomb, facing the Forum, is an oval cartouche, within which is the following inscription:
is dedicated to the
Talents and Virtues of
Sophia Ann Goddard
15th March 1801 aged 25
The Former shone with superior
Lustre and Effect
in the great School of Morals,
while the Latter
inform’d the private Circle of Life
with Sentiment, Taste, and Manners
that still live in the memory
Of Friendship and
(Photos above: Haydn Brown 2019.)
This inscription is intriguing, it suggests that there is a real story hereabouts; maybe there are several stories, all interlinked one would assume. In the absence of any facts to the contrary, it must be assumed that Miss Goddard’s remains found their way into this Yallop family tomb shortly after her funeral in 1801; John Yallop followed thirty-four years later when it might have been previously arranged that he would rejoin Sophia there. As to answering the question as to why she, a Goddard, would join these family members; well, at the time of her death she had been betrothed to John Harrison Yallop.
One thing needs to be agreed between writers on the subject of whether this is a Yallop or Bolingbroke tomb! This article favours it being a Yallop family tomb, despite references to the Bolingbroke name. Mary Yallop, John’s sister married Nathaniel Bolingbroke and both are there – John does speak of ‘his brother-in-law Nathaniel Bolingbroke’ at some later date. The other references to the Bolingbroke name are two older members – so, the matter is debateable! The other point is, that with the exception of John Yallop, nowhere does it say that the others are ‘buried’ in the tomb; the inscriptions are headed simply ‘In Memory’; the exception to this heading is, of course, the notable inscription dedicated to the young actress with whom John Harrison Yallop fell in love.
Strange therefore that there is no reference on the tomb to John Yallop’s wife of some fourteen years, Mary Ann Yallop (nee’ Watts) who died in 1833 – two years before her husband. Not so strange when we discover that, their marriage, in 1819, became an empty relationship. In 1820 John completed building his fine house at Eaton Grange but he did not live much there. More oddly still, his wife did not live there either. In the words of R.H. Mottram, in his book The Speaking Likeness:
“He bought a neighbouring property and installed her in it, either from some deep emptiness that she, good if ordinary woman as she must have been – or why did he marry her? – could never fill. She died while he was in his sixties, so that her separate establishment cannot have been a mere provision made for her widowhood. He himself migrated to Brighton where he died in June 1835……”
From this, we could reach the understandable assumption that the information detailed on her husband’s grave, in St Peter Mancroft’s churchyard, shows that John Harrison Yallop never lost the love he had for Sophia Ann Goddard. Also, it would seem to indicate that he preferred to be accompanied in the afterlife with those he felt the most closest to on earth. Sophia Ann Goddard was the strongest contender for this distinction since the inscription dedicated to her is an affectionate reminder of his love for this actress – the wording would clearly suggest so!
Sophia Ann Goddard was born in 1776, her parents were Florimond and Sophia Goddard, of whom nothing more is known. It may not be safe to suggest that Miss Goddard was educated and brought up in south eastern area of England but she did make her first stage appearance at Margate, Kent in July 1797 at twenty-one years of age. Within a month of her debut, the Monthly Mirror reported from Margate that:
“A Miss Goddard, about whom the papers have been very busy, has played several characters with some promise; but her friends have certainly over-rated here talents”
By the 10th November 1797 it had been announced from Margate that Miss Goddard had made her first appearance in London as Laetitia Hardy in Mrs Centlivre’s ‘The Belle’s Stratagem’ at Dury Lane Theatre, a role which she was to repeat with much success in Norwich in a later year. London was enthusiastic, the critics less so according to the Monthly Mirror of November of that year, declaring:
“This young lady has fallen sacrifice to the art of puffing. She has been placed at the head of the school before she has imbibed the rudiments of knowledge………….[her talents were] “not of a primary nature”
Evidently, the Dury Lane Theatre management agreed with the newspaper, for her next performance of Letitia Hardy, on the 14th November 1797, was her last appearance in a London theatre. Undaunted, according to a much later provincial newspaper, Sophia Ann returned to Margate to continue her desire for success with determination. She appeared to be nothing, if not, a trier and was soon making progress – all be it the hard way:
“Puppy teeth were cut, experience gained while her talents pointed for the first tune, with certainty, at a capability that extended far beyond mere good looks and a pleasing personality”.
Within the year, the Monthly Mirror itself was forced to admit that “Miss Goddard, about whom the papers have been very busy, played several characters with promise”. By December 1798 she had chosen Norwich where she first secured lodgings with a Mrs Curtis of St Gregory’s parish; the same lodgings which had been used by another famous actress, Mrs Sarah Siddons (nee’ Kemble) in 1788. Sophia Ann then joined the ‘stock company’ of actors and actresses at the Theatre Royal; and it was here where she soon became a popular and favourite actress, particulary amongst the County’s gentry. It was also said at the time that she was ‘a particularly graceful dancer’ as well. But it was for her acting that Miss Goddard received most admiration. Her acting of Portia in ‘The Merchant of Venice‘ was particularly well received, whilst it was reported of her performance in Jane Shore by the Norwich Mercury on 12th January, 1799:
“Miss Goddard to greater advantage that we ever remember to have seen her. The last scene was given to such effect that she loses nothing by comparison with Mrs Siddons, whom we recollect in the same character.”
For the next sixteen months, or so, life appeared to be full for Sophia Ann. She the leading feminine ‘box-office draw’ and playing all the stock leads of the day, often opposite John Brunton, the celebrated actor-manager who, incidently, was a Norwich born man who was to create a family acting dynasty of his own. Sophia Ann also combined her career at the Norwich Theatre Royal with other theatres included on the East Anglia Circuit; all this along with socialising with her many friends and admirers, one of whom was the 38 year-old John Harrison Yallop.
It could well be assumed, from the inscription that ultimately appeared on John Yallop’s grave, that he became besotted with Miss Goddard. One can imagine him rushing round to the stage door after one particular and early performance by Sophia Ann, in an attempt to persuade the person in charge of the Stage Door to allow him admission so that he could ‘introduce’ himself. The ploy must have worked because the two were soon engaged with plans to marry. Unfortunately, time would reveal all too soon that Miss Goddard was not only ill, but her health was deteriorating fast. She died of consumption on the 15th March 1801 at the age of only 25 years. This brought an abrupt end to the couple’s relationship and she would miss out on a marriage to someone who was an ‘up and coming’ man of distinction in Norwich; someone who would become rich and, in some ways, a powerful influence in local and national politics.
Unlike Miss Goddard, John Harrison Yallop had been born in the City of Norwich, the son of William Yallop who was a ‘Glover’. It is unclear, whether it was before or after Miss Goddard’s death, when John Yallop became a partner in the firm of Dunham & Yallop, goldsmiths which was situated on the corner of Davey Place and The Walk. Sir John had a house in Willow Lane, just off St Giles and a short walk from the shop opposite the market place where the business traded in jewellery, precious metals and stones. Having been appointed an agent for the Government Lottery of that day, the shop also sold its tickets to subscribers. On one occasion, so the story goes, John Yallop had two tickets left, one he returned, the other he bought – and won! With the proceeds, which was considerable, he built himself the fine country house, Eaton Grange, on the Newmaket Road in 1820 – the same house mentioned above and where he seldom lived. It is now a Girl’s High School.
John Yallop and his partner were to branch out into selling tea, coffee and cocoa and advertised these and every other commodity which they held on their premises – they called them ‘comestibles’. From their well positioned shop, on the Gentleman’s Walk, they formed a good connection with the public that purchased for the household. It was also on the ‘Walk’ where the gentlemen would rather pass up and down on the shop side so as to avoid the clamour and soiled pavements of the market stalls. JohnYallop also became an important money lender in Norwich; one of his debtors included his brother-in-law Nathaniel Bolingbroke, the very one who married Mary, his sister. It is interesting to note that when debtors were imprisoned at the suit of a money lender, that creditor was responsible for paying for the upkeep of the debtor. Records show that John Yallop paid for the upkeep of an unnamed imprisoned debtor. One wonders who that was?
Four years after Miss Goddard’s death, John Yallop was elected to the position of Sheriff of Norwich in 1805 and again in 1809, so he was on his way up both socially and professionally and politically. Then in 1815 he attained the public office of Mayor; it was also around this time that he met a Mary Ann Watts and married her in 1819 before he was again elected as Mayor in 1831. While he was Mayor, back in 1815, he travelled to London with his ‘brother-in-law Nathaniel Bolingbroke’ to present the City’s petition in favour of Parliamentary Reform to King William IV; this resulted in John Yallop being awarded a Knighthood. At the time it was said to have been quite an event which resulted in an amusing ditty being written which began:
“To the King, the Blues wished to present an address
By the Mayor – and their sense of reform to express”
The ditty goes on to describe how the Mayor and “Old Natty” coached to London, each hoping for a knighthood – but only one received it!
As for Sophia Ann Goddard, she died on the 15th March 1801 and was buried on 20th in the churchyard of St Peter Mancroft Church, which was very close to the theatre. in Norwich. The burial register identified her as a single woman from the Parish of St Stephens. Her Obituary in the Gentleman’s Magazine of March 1801 reported that:
“15th March: Died in St Stephen’s Parish, Norwich, Miss Sophia Ann Goddard, who came forward with so much success at Dury Lane Theatre a few years ago. This lady obtained a considerable reputation on the Norwich stage, and was so much improved in theatrical merit that her talents would doubless have soon made their way to a secure establishment on the London boards. Her figure was elegant, her understanding excellent, her manners were amiable and her character in all respects was highly meritorious. She was in the prime of life, and promised more than any other performer now on the stage to suceed to that line of character which was so admirably sustained by the present Countess of Derby [Elizabeth Farren]“. “
The officiating Vicar of Miss Goddard’s funeral was the Reverend Peele who, pronounced the last sad but dignified sentences of her burial service before the slow, muted procession emerged on its short journey to the chosen plot on the northern edge of the church where she would be put to rest. There doesn’t appear to have been any definite mention of John Harrison Yallop being present at the time, but surely, as the main mourner it would have been inconceivable that he would be absent. It could also be imagined that he would have walked in procession alongside Mr Hindes, the theatre manager now that John Brunton was no longer in charge. They would have been joined by the actors of the day, such as Mr and Mrs Chestnut, Mrs Rivett, Mr George Bennett and his wife Harriet Morland, the daughter of an ancient family in Westmorland (parents: Jacob Morland of Killington, Dorothy Brisco of Kendal, and sister, Lady Shackerley of Somerford Hall). Both were actors in the Norwich Company of Comedians. Then there may have been Mr Lindoe.
On 20 March 1801 the Norfolk Chronicle brought the spectacle to and end when it reported:
“The remains of Miss Sophia Goddard, of the Theatre Royal, Norwich, were interred at St. Peter Mancroft. Mr. Hindes, the manager, and the principal actors attended on the melancholy occasion. This young lady had obtained considerable reputation on the Norwich boards, and was making rapid advance to eminence in her profession when death prematurely deprived the theatrical world of an actress whose talents would have ensured her success on any stage. She supported with great fortitude and resignation a long and painful illness, brought on by exertions that her constitution was unequal to, and died on Sunday last (March 15), in her 26th year, sincerely beloved and lamented by her family and friends.”
The final words are left to R H Mottram, a great nephew of John Harrison Yallop. He wrote in his book ‘The Speaking Likeness’:
“But there is something else which has made me want to tell this true story, with such filling-in of the gaps that local history does not scruple to leave in a local record. The story of John Harrison Yallop and his Sophia might well be dismissed as an ordinary, pretty tragedy making its limited appeal, too usual in its features to be noteworthy. But, it is not like that at all, and Sophia’s very pathetic demise happens to make all the difference”.
What was it that took place, once the brief [burial] ceremony just outside the porch of the Church of St Peter Mancroft was concluded? John Harrison Yallop turned away, sorrowful enough, heartbroken one may well believe, when one gazes at the miniature of a beautiful young woman, her appearance enhanced by the training in presentation she had received. Some friend, or member of the family that surrounded him, one hopes took his arm and led him home”.
1.The small portrait of Miss Sophia Ann Goddard, said to be by John Thirtle, was reproduced in a St Peter Mancroft publication in the 1950’s, namely the St Peter Mancroft Celebratory Programme for 1455 to 1955. The present location of that portrait, which perhaps at one time belonged John Harrison Yallop, and the Bolingbroke family, is unknown.
When next you are near St Peter Mancroft in Norwich, go to that tomb on the northern side of the church. Pause, look and imagine as to what really transpired during the all too brief relationship between a provincial businessman come politician and a young, beautiful actress.
2. Following the first publication of this blog in 2019 a brief but complimentary note was received from Mrs B. Miller, a member of St Peter Mancroft Church and someone who clearly cares for the tomb and the area in which it sits:
NOTICE: ‘Norfolk Tales, Myths & More!’ is a ‘non-commercial’ Site which publishes only informative and/or educational items deserving of wider exposure. In pursuing this aim, we endeavour, where necessary, to obtain permission to use another owner’s material. However, for various reasons, (i.e. identification of, and means of communicating with such owners), contact can sometimes be difficult or impossible to established. NTM&M never attempts to claim ownership of such material; ensuring at all times that, at least, any known and appropriate ‘credits’ and ‘links’ back to our sources are always given in our articles. No violation of any copyright or trademark material is ever intentional.